Selasa, 31 Maret 2015

** Free Ebook Monsters Under the Bed and Other Childhood Fears: Helping Your Child Overcome Anxieties, Fears, and Phobias, by Stephen W. Garber Ph.D., R

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Monsters Under the Bed and Other Childhood Fears: Helping Your Child Overcome Anxieties, Fears, and Phobias, by Stephen W. Garber Ph.D., R



Monsters Under the Bed and Other Childhood Fears: Helping Your Child Overcome Anxieties, Fears, and Phobias, by Stephen W. Garber Ph.D., R

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Monsters Under the Bed and Other Childhood Fears: Helping Your Child Overcome Anxieties, Fears, and Phobias, by Stephen W. Garber Ph.D., R

A step-by-step manual designed to help parents cope with children's fears; this book discusses common fears, how to respond to childhood anxieties, and other ways to deal with frightened children.


From the Hardcover edition.

  • Sales Rank: #1558381 in Books
  • Brand: Brand: Villard
  • Published on: 1993-05-11
  • Released on: 1993-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, 1.26 pounds
  • Binding: Paperback
  • 400 pages
Features
  • ISBN13: 9780812992229
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Library Journal
Coping with children's fears has long been a challenge to parents, and the authors deal directly and practically with the subject. Following opening chapters on understanding and identifying a child's fear and some overall guidelines on teaching basic relaxation techniques, the authors introduce their basic plan for overcoming fear through imagination, information, observation, and exposure. Subsequent chapters apply these four techniques to specific fears, including fear of separation, animals, storms, and transportation, as well as fear of school, medicine, and death. Chapters are very specific in suggestions for helping children, and include lists of children's books, suggestions for "positive self-talk," and more. Finally, the authors offer guidelines for seeking further help if the fear does not subside. Recommended for parenting collections.
- Kay Brodie, Chesapeake Coll., Wye Mills, Md.
Copyright 1993 Reed Business Information, Inc.

About the Author
Stephen W. Garber, Ph.D. is one of the country's leading parenting experts and is the director of Behavioral Institute of Atlanta.

Robyn Freedman Spizman is an award-winning author and a nationally known media personality and consumer advocate. She has appeared for the past two decades on television and radio, and is considered a leading product-and-gift expert. To learn more about her go to www.robynsipizman.com. Robyn lives with her husband in Atlanta, Georgia, and they have two children, Justin and Ali. "Secret Agent" is her middle-grade fiction debut.

Most helpful customer reviews

5 of 9 people found the following review helpful.
Very generalized
By Benjamin A. Brin
I bought this book to help deal with my 6 year old's nightmares. There wasn't really anything about that in the book. I thought the name implied the book would mostly be about bedtime fears but really it is a generalized book about 30 or so fears a child may have so it really didn't help me at all. There doesn't seem to be depth of analysis of any of the fears and I can't imagine the book would be useful to many people.

I don't necessarily think this is a "bad book", I just didn't find it helpful for me and don't see it really being helpful to most people, but if you just want a book with a little bit about a lot of fears, this would be a very good book for you.

6 of 7 people found the following review helpful.
It Really Helped!
By A Customer
This book was a great help. The ideas are practical and easy to understand and follow. The author is sympathetic to both parents and children. He doesn't place blame, just tells how to get over the problem. Separating different fears into their own chapters made it especially easy to find what I was looking for.

0 of 0 people found the following review helpful.
Great help for my daughter's fear
By Kim
I have a five year old daughter, who was having problems with school. After getting this book and reviewing several different chapters, I was able to address my daughter's fear of certain school issues. I was trying to help her with her issues, by with what she told me was going on. But after this book, I was able to understand her issues more and helped her more. Now she isn't scared to go to class in the mornings or to change classes. She smiles, says she loves me and good-bye and enjoys class all day. I feel comfortable now, that she is not scared and likes school.

See all 3 customer reviews...

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Selasa, 24 Maret 2015

> Download Ebook Salt Sugar Fat: How the Food Giants Hooked Us, by Michael Moss

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Salt Sugar Fat: How the Food Giants Hooked Us, by Michael Moss

Salt Sugar Fat: How the Food Giants Hooked Us, by Michael Moss



Salt Sugar Fat: How the Food Giants Hooked Us, by Michael Moss

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Salt Sugar Fat: How the Food Giants Hooked Us, by Michael Moss

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Atlantic • The Huffington Post • Men’s Journal • MSN (U.K.) • Kirkus Reviews • Publishers Weekly

#1 NEW YORK TIMES BESTSELLER • WINNER OF THE JAMES BEARD FOUNDATION AWARD FOR WRITING AND LITERATURE

Every year, the average American eats thirty-three pounds of cheese and seventy pounds of sugar. Every day, we ingest 8,500 milligrams of salt, double the recommended amount, almost none of which comes from the shakers on our table. It comes from processed food, an industry that hauls in $1 trillion in annual sales. In Salt Sugar Fat, Pulitzer Prize–winning investigative reporter Michael Moss shows how we ended up here. Featuring examples from Kraft, Coca-Cola, Lunchables, Frito-Lay, Nestlé, Oreos, Capri Sun, and many more, Moss’s explosive, empowering narrative is grounded in meticulous, eye-opening research. He takes us into labs where scientists calculate the “bliss point” of sugary beverages, unearths marketing techniques taken straight from tobacco company playbooks, and talks to concerned insiders who make startling confessions. Just as millions of “heavy users” are addicted to salt, sugar, and fat, so too are the companies that peddle them. You will never look at a nutrition label the same way again.
 
Praise for Salt Sugar Fat
 
“[Michael] Moss has written a Fast Food Nation for the processed food industry. Burrowing deep inside the big food manufacturers, he discovered how junk food is formulated to make us eat more of it and, he argues persuasively, actually to addict us.”—Michael Pollan
 
“If you had any doubt as to the food industry’s complicity in our obesity epidemic, it will evaporate when you read this book.”—The Washington Post
 
“Vital reading for the discerning food consumer.”—The Wall Street Journal
 
“The chilling story of how the food giants have seduced everyone in this country . . . Michael Moss understands a vital and terrifying truth: that we are not just eating fast food when we succumb to the siren song of sugar, fat, and salt. We are fundamentally changing our lives—and the world around us.”—Alice Waters
 
“Propulsively written [and] persuasively argued . . . an exactingly researched, deeply reported work of advocacy journalism.”—The Boston Globe

“A remarkable accomplishment.”—The New York Times Book Review

  • Sales Rank: #3761 in Books
  • Published on: 2014-02-18
  • Released on: 2014-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .99" w x 5.53" l, .80 pounds
  • Binding: Paperback
  • 480 pages

Amazon.com Review
Q&A with Michael Moss

Q. How did you land on salt, sugar, and fat as your way to write about the industry? Why these three ingredients?

A. I’d been investigating a surge in deadly outbreaks of E. coli in meat when an industry source, a microbiologist, suggested that if I wanted to see an even bigger public health hazard, I should look at what food companies were intentionally adding to their products, starting with salt. And sure enough, when I looked at this--by gaining access to high level industry officials and a trove of sensitive, internal records--a window opened on how aggressive the industry was wielding not only salt, but sugar and fat, too. These are the pillars of processed foods, the three ingredients without which there would be no processed foods. Salt, sugar and fat drive consumption by adding flavor and allure. But surprisingly, they also mask bitter flavors that develop in the manufacturing process. They enable these foods to sit in warehouses or on the grocery shelf for months. And, most critically to the industry's financial success, they are very inexpensive.

Q. So, how big is the processed food industry, exactly? What kind of scale are we talking about here?

A. Huge. Grocery sales now top $1 trillion a year in the U.S., with more than 300 manufacturers employing 1.4 million workers, or 12 percent of all American manufacturing jobs. Global sales exceed $3 trillion. But the figure I find most revealing is 60,000: That’s the number of different products found on the shelves of our largest supermarkets.

Q. How did this get so big?

A. The food processing industry is more than a century old--if you count the invention of breakfast cereals--so it’s been steady growth. But things really took off in the 1950s with the promotion of convenience foods whose design and marketing was aimed at the increasing numbers of families with both parents working outside the home. The industry's expansion, since then, has been entirely unrestrained. While food safety is heavily regulated, the government has been industry's best friend and partner in encouraging Americans to become more dependent on processed foods.

Q. What three things should a health-conscious supermarket shopper keep in mind?

A. The most alluring products--those with the highest amounts of salt, sugar and fat--are strategically placed at eye-level on the grocery shelf. You typically have to stoop down to find, say, plain oatmeal. (Healthier products are generally up high or down low.) Companies also play the better-nutrition card by plastering their packaging with terms like "all natural," "contains whole grains," “contains real fruit juice,” and "lean," which belie the true contents of the products. Reading labels is not easy. Only since the 1990s have the manufacturers even been required to reveal the true salt, sugar, fat and caloric loads of their products, which are itemized in a box called the "nutrient facts." But one game that many companies still play is to divide these numbers in half, or even thirds, by reporting this critical information per serving--which are typically tiny portions. In particular, they do this for cookies and chips, knowing that most people can't resist eating the entire three-serving bag. Check it out sometime. See how many “servings” that little bag of chips contains.

From Booklist
The U.S. has the highest rate of obesity in the world, much of it due to the abundance of cheap, calorie-rich, processed food. Food companies manipulate our biological desires to scientifically engineer foods that induce cravings to overeat, using terms like mouth feel for fats and bliss point for sugars to tinker with formulations that will trigger the optimum food high. Coke even refers to their best customers as heavy users. Moss portrays how the industry discovered the allure of added sugar in the 1900s, and has been jacking up the levels ever since, without regard for consumer health, in everything from soda to breakfast cereals to instant pudding, in a race for market share. The food industry is not about to change, but this book is a wake-up call to the issues and tactics at play and to the fact that we are not helpless in facing them down. Moss is an investigative reporter with the New York Times; he won a Pulitzer Prize in 2010 for his investigation of the dangers of contaminated meat. --David Siegfried

Review
“As a feat of reporting and a public service, Salt Sugar Fat is a remarkable accomplishment.”—The New York Times Book Review
 
“[Michael] Moss has written a Fast Food Nation for the processed food industry. Burrowing deep inside the big food manufacturers, he discovered how junk food is formulated to make us eat more of it and, he argues persuasively, actually to addict us.”—Michael Pollan
 
“If you had any doubt as to the food industry’s complicity in our obesity epidemic, it will evaporate when you read this book.”—The Washington Post
 
“Vital reading for the discerning food consumer.”—The Wall Street Journal
 
“Propulsively written [and] persuasively argued . . . an exactingly researched, deeply reported work of advocacy journalism.”—The Boston Globe
 
“[An] eye-popping exposé . . . Moss’s vivid reportage remains alive to the pleasures of junk—‘the heated fat swims over the tongue to send signals of joy to the brain’—while shrewdly analyzing the manipulative profiteering behind them. The result is a mouth-watering, gut-wrenching look at the food we hate to love.”—Publishers Weekly
 
“Revelatory . . . a shocking, galvanizing manifesto against the corporations manipulating nutrition to fatten their bottom line—one of the most important books of the year.”—Kirkus Reviews (starred review)
 
“What happens when one of the country’s great investigative reporters infiltrates the most disastrous cartel of modern times: a processed food industry that’s making a fortune by slowly poisoning an unwitting population? You get this terrific, powerfully written book, jammed with startling disclosures, jaw-dropping confessions and, importantly, the charting of a path to a better, healthier future. This book should be read by anyone who tears a shiny wrapper and opens wide. That’s all of us.”—Ron Suskind, Pulitzer Prize–winning author of Confidence Men: Wall Street, Washington, and the Education of a President
 
“In this meticulously researched book, Michael Moss tells the chilling story of how the food giants have seduced everyone in this country. He understands a vital and terrifying truth: that we are not just eating fast food when we succumb to the siren song of sugar, fat, and salt. We are fundamentally changing our lives—and the world around us.”—Alice Waters
 
“Salt Sugar Fat is a breathtaking feat of reporting. Michael Moss was able to get executives of the world’s largest food companies to admit that they have only one job—to maximize sales and profits—and to reveal how they deliberately entice customers by stuffing their products with salt, sugar, and fat. This is a truly important book, and anyone reading it will understand why food corporations cannot be trusted to value health over profits and why we all need to recognize and resist food marketing every time we grocery shop or vote.”—Marion Nestle, author of Food Politics and What to Eat

Most helpful customer reviews

715 of 749 people found the following review helpful.
Fascinating and Readable, Moss Has Made An Intriguing and Terrifying Food-Industry "Biography" aka "How We Got Into This Me$$"
By Mir
I really want you, my fellow American, maybe my fellow tubby American (yes, I've lost a bunch of weight, but I'm still XL) to read this book. Before I review the contents, a note and a couple prefaces, ok?

Note to folks thinking this is a diet or cooking type book: It's not. It is exactly what the subtitle suggests: "How the Food Giants Hooked Us." It's about how foods are made to take you to the sugar bliss point, to the higher fat realms of food pleasure, and so on. How we got these manufactured products Americans can't seem to stop guzzling and munching...and that have led to us being the fattest nation on the planet. Just know that. It might help you diet (opens your eyes to the scary "food" out there), but it's an investigative work within historical context. And it rocks.

Personal Preface 1: So, I've not requested a Vine book for review in, pshaw, a couple years. But I saw THIS one and had to have it. Yes, I got it free. No, I don't hand out five stars just for the heck of it. If I hated it, it would get 1 star.

Personal Preface 2: Food and health issues are key to me these days. I read labels, and I read science reports, and I read nutrition blogs, and I have found I need to eschew many packaged foods. To lose 115 lbs, I pretty much stopped eating out of cans/boxes/fast food places, period. I cooked simple foods the old-fashioned way, adding my own salt and fat and minimizing sugars. I chose dine-out carefully (since restaurants oversalt, oversweeten, and pretty much do on a smaller basis what Food Giants do, just with fresher ingredients mostly). THE END OF OVEREATING by Kessler was the single-most eye-opening book for me in my quest to heal my food issues in a society where we've gone pretty insane with what we do to food. That one also included some of the scientific and food corporations tactic info that Moss does in this.

The difference? Kessler is more clinical and dry. But he emphasizes how hyperpalatable foods (those with optimal mixes of salt/fat/sugar) make us overeat. Be we rats or humans, it sends signals to the brain's reward centers that can be hard to overcome.

~~~Now, SALT SUGAR FAT Review:

For a book containing a lot of business and science information, SALT SUGAR FAT is delightfully readable. The style is clean, smart, and has great narrative drive. Moss knows how to write. Here, he writes about how Food Giants maneuver around the boons and drawbacks of sugar, salt, and fat in order to make us want their products, and want them A LOT. Get a front seat ride to see how the tireless competition for our grocery dollars affects what's in the food you eat and how what's in the food products affects you and me, the consumers. Our health, waist size, time, perceptions, expectations, desires.

Convenience pops up a lot. Society's rapid changes--particularly women in the work force--have revolutionized how we use and view food/eating. Fast is good. Fast and easy is better. Fast and easty and tasty is best. Moss shows the industry responses and proaction, decade by decade, company by company, product by product, via uses of each of the focus ingredients: SALT SUGAR FAT. They learn how each drives us, and then use that to create dependencies. We get hooked on the fast, the easy, the sugary, the fatty, the salty.

Moss's access to key information sources is amazing. He conducted hundreds of interviews, but what really matters is that he interviewed people who themselves were players in the story: folks in high positions, with access to the developments/changes/decision-makers. Some WERE the decision makers. He's clearly had access to confidential documentation. He's also done his homework to get the pertinent and sometimes surprising background on his ingredients (salt, sugar, fat) and the motivations and the how-it-was-done. The why comes down to $$$, of course.

I am not surprised this guy has a Pulitzer Prize to his credit. His narrative of the history of our "Food Giants"--from the early starts of the cereal makers (and their own cereal wars) to the start of the cheese dynasty that is Kraft and others--hooks you. The number and scope of scientists and former executives is stunning--and necessary to obtain not just the outcomes (those foods, those marketing campaigns), but the process. It's really a page-turner.

While the book is SALT SUGAR FAT, the arrangement of the sections is actually SUGAR, FAT, SALT.

We start with the sweet. You're gonna learn about the bliss point and why cereals got to be up to 3/4 sugar. And you're gonna learn about some pretty deceptive practices to make moms/parents feel good about the mostly sugar water that gets targeted to kids. You're gonna learn some of the stuff you were taught about your taste buds is out of date. You're gonna get walked through the history--the creators, the competition, the labs and kitchens, the ad campaigns, the consumer reactions--so that it's like this dance that has some dire consequences for some and some mighty plump bottom lines for others. The soda industry information was super interesting to me, especially since I've given up soda except for an occasional Zevia or Coke Zero (the Coke I really wanted since I was 20 and out to lose some poundage, the one that actually kinda tasted like Coke).

You'll learn that we don't have a bliss point for fat, rather, we want more and like more. More and more. There's a reason for the explosion of cheese-accented or cheese-flavored or cheese-loaded products. The story behind that is weird and spellbinding. Maybe because my single fave protein source is cheese. :D I'm a bona fide cheesehead. Cutting back on that was the HARDEST. Harder than sugar. There are still some intriguing mysteries about fat for science to puzzle out, but what he presents is cool enough.

The segment on the creation and success of LUNCHABLES could have been so dull in another writer's hands, but Moss makes it practically enthralling. (Or maybe I just like these case histories.) Possibly because so much of this is about solving problems--raising the question then delineating the way to fail or succeed in making the product that serves consumer needs and feeds the bottom line.

What comes off as most disturbing is how powerful these corporations are, more than even I realized, and I read a lot. How they can fend off gov't control or squash activism. How they learn about our preferences and how they know and can use human psychological vulnerabilities. How infants and kids are especially vulnerable to the messages and products. What the young learn to like early--that affects tastes for life. The Food Giants also hire masters at manipulation, the ad folks, who can make a parent feel comfortable giving their kid a product that, if they whipped it up at home, ingredient by ingredient, would be tossed down the drain as nutrient-void swill by any responsible adult. It's scary and fascinating, both.

But awareness is the first step to making real changes. The public has to know so the public says "enough of that." This book is important as a building block of public awareness.

We hear it all the time from dietitians and nutritionists: We eat too little fresh produce. We consume too much sugar. Too much salt. Too much bad fats.

Food can be manipulated to be as addictive as narcotics. Fiddle with the sugar, fat, and salt content. Voila--"heavy users" are born.

Well, read this book and find out who controls what gets created for supermarkets. Learn some reasons why we're in a modern obesity epidemic. See how labeled ingredients can fool you.

Then go buy some produce and fresh protein sources and whole grains and eat real food you make in your own kitchen where YOU moderate the use of SALT SUGAR FAT. It's less convenient than a full meal heated up in 4 minutes, and it may make a kid light up less with glee to eat an orange than to drink a fake orange-flavored "fruit beverage," but it might save the next generation's health.

Read. Get scared. Take back control. :D

237 of 257 people found the following review helpful.
The Bliss Point Will kill you
By Elizabeth
I received this book as a Goodreads giveaway. I thought this book was amazing! I consider myself to be a fairly healthy eater. I like fruits and vegetables and try to stay away from too much processed food. However, after reading this book I have even more of a commitment from staying away from any food that was developed in a laboratory. The author is not preachy. He is not advocating for a certain diet. I have been turned off by other authors such as Michael Pollan who seem to be pushing eating rules on people that are not practical. Instead, Moss has set himself the task of investigating how the processed food giants, including Kraft, Kellog's and others, have relied on the three pillars of Salt, Sugar and Fat to seduce people into eating the maximum amount of processed foods.
The author is the journalist who first cracked open the "pink slime" meat scandal and the depth of his investigative journalism is really impressive. It seems that he has spoken with scores of researchers, marketers and financial officers of the processed food companies in order to learn about things such as the invention of the Lunchable, as a way to sell more processed meats, and the growth of cheese from a food meant to be savored on its own into an ingredient that is shoved into a million different kinds of food.
I would highly recommend this book to anyone who is interested in nutrition, or in the business of food. I would also recommend it to anyone who is looking for a push to close up the bag of chips or give up a soda habit.

349 of 405 people found the following review helpful.
Id like to buy the world a book
By David Wineberg
For decades, I have been referring to the title of this book as America's three basic food groups. Salt, sugar and fat are the most abundant additives in food, and their effects are cumulative - the more we eat them, the more we can eat them, and the more want to eat them, so the more we eat them. The result is pandemic obesity and its further unintended consequences - miserable chronic diseases in an age just when we thought we were overcoming them forever. This irony goes unexplored, but the book is packed with evidence of it.

The convenience of processed foods fits with our hurried society. It exacerbates the death of family meals, and encourages eating anywhere, anytime, and basically all day long. That by itself is enough to damn the industry, if traditional family values mean anything. Far more damaging than gay marriage, or abortion, or sexting, processed foods are destroying us, literally, physically. For hundreds of millions of Americans (and soon the world), this is normal. It is the way of life. There are no viable alternatives. This too, however, goes unexplored.

Moss divides the book into the three sections of its title. It contains the usual litany of incredible statistics - like how much of these ingredients the average American ingests annually, and how many billions of pounds the processors produce, but also some interesting developments on the way to perdition:

-Food processors call their customers users, like the drug addicts they want them to become.
-The "bliss point" is used by all of them to scientifically maximize the sugar effect along a bell curve. It allows food engineers to calculate how much sugar a child blisses out on compared to an adult, for example.
-Cereal makers spend twice as much on advertising as on ingredients.
-A child wanting cake for breakfast inspired Pop Tarts and its ilk. A whole new kind of meal evolved.
-Big Gulp, the 64 oz soda that New York's mayor is trying to ban, contains 41 teaspoons of sugar.
-Salt is a learned addiction. Newborns wince if you give them salt. But by six months they've accepted it, and for the rest of their lives they crave it. We start `em off young.
-Cheese used to be a food - an appetizer in the US, a dessert in Europe. Now it is an ingredient, and we put cheese in and on everything. We have tripled consumption to 33lb since the 70s.
-The cheese plague is the result of the Reagan administration's buying up and stockpiling excess cheese. The government bought it, marketed it, and provided it. Now it is normal to have cheese on everything, at every meal and snack. It's difficult to find any meal without it. "Healthy" salads come with cheese.
-Sugar is the methamphetamine of processed food ingredients; fat is the opiate. Perfectly legal drugs.

An interesting sidelight is Finland, where the government won. It mandated large bold labels "High In Salt", like cigarette warnings. The result has been an 80% reduction in heart attacks and strokes. In the US, the processors beat back the FDA and the USDA again and again.

The most disgusting food in the book comes from celebrity cook (and now diabetic patient) Paula Deen, who recommends taking a casserole of Kraft Mac & Cheese, scooping it into balls, wrapping the balls in bacon, and dropping them in the deep fryer. That's 0 for 4.

The book left two indelible impressions: the industry will do absolutely anything to beat back regulators. Health, untested chemical compounds, overeating, obesity - never even enter their equation, and the processors won't be told otherwise. Their freedom to poison Americans at will is all that matters. Now that Americans are nearing saturation, the processors are taking on the world. Obesity in Mexico is comparable to the US, and Brazil and India are being worked intensely.

Second was the overarching momentum and effort to overwhelm the consumer that make us think this is normal, this is right, this is exciting, this is ideal. Two hundred choices of sweet breakfast cereal mean you must choose from among them, or why would they be there? To overwhelm us into consuming more, they mobilize as armed forces, saturating stores and neighborhoods with pretend foods that do far more harm than good. The industry is on autopilot and is out of control. Their intensity is fearsome. This is war.

On the plus side, Sugar Fat Salt is enormously well researched. No lead, no document seems to have been too insignificant to follow up and interview the writer. Visits to executives, to factories, to stores, to conventions - all make the book comprehensive, thorough and fair. This is due in no small part to the interviewees themselves, who came to the conclusion on their own that what they were designing and selling was bad for living beings. Often, Moss found they were working to undo what they had done to the world. And they were, as he admits, incredibly open and generous with their time. It shows.

On the minus side, for all the evidence, the book draws no conclusions. There is no prescription, no way out. Moss does not call for the investigation, dismantling or regulation of anything. The facts he found are left to speak for themselves. The book simply ends.

Also on the minus side, Moss sometimes takes forever to deliver a fact. He'll foreshadow it in one paragraph, then spend several sentences describing some office building or scene before finally delivering the fact you were expecting. I guess he thinks he's adding color, but at 400 pages, Sugar Fat Salt could use a little pruning of its own.

The relentless pounding of the consumer is replicated by relentless pounding in the book. Case after case of singleminded efforts to get users hooked, of the thoughtless ruination of perfectly good foods that need chemical compounds to make them palatable again, and of the constant pressure to cut costs and increase sales are depressing insights into what's wrong with the food industry.

It's both insulting and sad, not to mention infuriating. The solution is as obvious as it is fantasy: people should steer clear of these poisons.

In the words of fitness buff Jack Lalane - if man made it, don't take it.

David Wineberg

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Sabtu, 21 Maret 2015

* Ebook Free The Supreme Court of Florida and Its Predecessor Courts, 1821-1917From University Press of Florida

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The Supreme Court of Florida and Its Predecessor Courts, 1821-1917From University Press of Florida

"I highly recommend this book to all members of the bench and bar. . . . [It] would have been of immense value to me as a lawyer, attorney general, and supreme court justice. It historically depicts in flesh-and-blood images the litigators and jurists who participated in formulating the rules of law that govern in Florida today."--Richard W. Ervin, chief justice of the Supreme Court of Florida, 1969-1971

"This major and outstanding work . . . establishes a lofty standard for state high court histories."--Stephen C. O’Connell, chief justice of the Supreme Court of Florida, 1967; president of the University of Florida, 1967-73

"A thoughtful, meticulously researched examination of the Florida judicial system's evolution."--Kenneth W. Starr, solicitor general of the United States, 1989-1993


This is the first in-depth history of the Florida territorial courts, the Supreme Court of Florida, and the judges of both from 1821 to 1917, the golden age of state constitutional law. 

 The Supreme Court of Florida and its territorial predecessors often were at the center of leading political, social, and economic controversies. By examining the court's opinions on issues such as slavery, internal improvements, and business regulation, the authors reveal the way the court shaped and was shaped by the competing interests that transformed Florida. Court efforts at the same time to define the scope of each branch of government reveal the ways that political power influenced the court's work.

 Virtually all jurists on the appellate courts during the era held other prominent positions in business or government. The biographies of these men--usually the most extensive accounts ever written--include their background and accomplishments as well as weaknesses, and demonstrate that their political and legal philosophies often overlapped significantly. 

  The book presents the facts of such controversial issues as the court's role in Florida's political Redemption after the Civil War and its efforts to ensure access to the court system by African-Americans. At a time when the courts are poised to assume greater responsibilities, this work reveals the challenges faced by an earlier court in arbitrating constitutional struggles over power and liberty.


Walter W. Manley, II, professor of business administration at Florida State University, has been a visiting professor at Oxford and Cambridge universities. He is the author of five books, including Critical Issues in Business Conduct: Legal, Ethical and Social Challenges for the 1990s.

E. Canter Brown, Jr., historian in residence at the Tampa Bay History Center, is the author of numerous books, including Ossian Bingley Hart, Florida’s Loyalist Reconstruction Governor and Florida's Peace River Frontier (UPF, 1991).

Eric W. Rise, assistant professor of criminal justice at the University of Delaware, is the author of several books, including The Martinsville Seven: Race, Rape, and Capital Punishment.

  • Sales Rank: #3446558 in Books
  • Published on: 1998-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.65" w x 6.45" l, 1.93 pounds
  • Binding: Hardcover
  • 472 pages

Review
"The leader in state judicial histories ... required for any serious Florida history collection and a must for every Florida lawyer." -- H-Net Reviews, July, 2005

About the Author
WALTER W. MANLEY II is a Visiting Professor at Ridley Hall and Westminster Colleges at Cambridge, is Professor of Business Administration at Florida State University, and is President of the Exeter Leadership Training Institute.

Brown is a historian in residence at the Tampa Bay History Center.

Rise is assistant professor of criminal justice at the University of Delaware.

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Jumat, 20 Maret 2015

!! Download Ebook Contemporary Argentinean Women Writers: A Critical Anthology, by Gustavo Fares, Eliana C. Hermann

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Contemporary Argentinean Women Writers: A Critical Anthology, by Gustavo Fares, Eliana C. Hermann

Intelligence and compassion characterize the 14 contemporary Argentinean women writers in this anthology, which features short biographies, interviews, and selections of their works as well as portraits and bibliographies. Editors Fares and Hermann, both Spanish professors, provide a lucid introduction to Argentine politics and history in this century?a time of upheaval accompanied by authoritarianism, censorship, and violence. These female voices offer another viewpoint on that upheaval. Thus, Maria Esther de Miguel skillfully creates characters who represent the pride and pain Argentineans feel about the Falklands/Malvinas conflict, while Maria Esther Vazquez tenderly describes a tea party whose customs are observed by both the rich and the poor. Many stories involve real or symbolic immigration and emigration in the hope of finding identity. In the interviews, Jorge Luis Borges is often cited as an inspiration?which is evident in these complex, imaginative works. Recommended for academic libraries.?Rebecca Martin, Northern Illinois Univ. Lib., DeKalb
Copyright 1998 Reed Business Information, Inc.

  • Sales Rank: #7041753 in Books
  • Published on: 1998-02-23
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 1.07" h x 6.46" w x 8.86" l,
  • Binding: Hardcover
  • 264 pages

From Library Journal
Intelligence and compassion characterize the 14 contemporary Argentinean women writers in this anthology, which features short biographies, interviews, and selections of their works as well as portraits and bibliographies. Editors Fares and Hermann, both Spanish professors, provide a lucid introduction to Argentine politics and history in this century?a time of upheaval accompanied by authoritarianism, censorship, and violence. These female voices offer another viewpoint on that upheaval. Thus, Maria Esther de Miguel skillfully creates characters who represent the pride and pain Argentineans feel about the Falklands/Malvinas conflict, while Maria Esther Vazquez tenderly describes a tea party whose customs are observed by both the rich and the poor. Many stories involve real or symbolic immigration and emigration in the hope of finding identity. In the interviews, Jorge Luis Borges is often cited as an inspiration?which is evident in these complex, imaginative works. Recommended for academic libraries.?Rebecca Martin, Northern Illinois Univ. Lib., DeKalb
Copyright 1998 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: Spanish

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Kamis, 05 Maret 2015

> Ebook The Descendants: A Novel (Random House Movie Tie-In Books), by Kaui Hart Hemmings

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Now a major motion picture starring George Clooney and directed by Alexander Payne

Fortunes have changed for the King family, descendants of Hawaiian royalty and one of the state’s largest landowners. Matthew King’s daughters—Scottie, a feisty ten-year-old, and Alex, a seventeen-year-old recovering drug addict—are out of control, and their charismatic, thrill-seeking mother, Joanie, lies in a coma after a boat-racing accident. She will soon be taken off life support. As Matt gathers his wife’s friends and family to say their final goodbyes, a difficult situation is made worse by the sudden discovery that there’s one person who hasn’t been told: the man with whom Joanie had been having an affair. Forced to examine what they owe not only to the living but to the dead, Matt, Scottie, and Alex take to the road to find Joanie’s lover, on a memorable journey that leads to unforeseen humor, growth, and profound revelations.

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  • Sales Rank: #604229 in Books
  • Published on: 2011-10-04
  • Released on: 2011-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .50 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Hemmings's bittersweet debut novel, an expansion of her first published short story ("The Minor Wars," from House of Thieves and originally published in StoryQuarterly), stars besieged and wryly introspective attorney Matt King, the land-rich descendant of Hawaiian royalty and American missionaries and entrepreneurs. He wrestles with the decision of whether to keep his swath of valuable inherited land or sell it to a real estate developer. But even more critical, Matt also has to decide whether to pull the plug on his wife, Joanie, who has been in an irreversible coma for 23 days following a boat-racing accident. Then Matt finds out that Joanie was having an affair with real estate broker Brian Speer, impelling him to travel with his two daughters—precocious 10-year-old Scottie and fresh from rehab 17-year-old Alex—from Oahu to Kauai to confront Brian. Matt finds out the truth about Joanie and Brian, which influences his decision about what to do with his family's on-the-block land and complicates his plans for Joanie. Matt's journey with his girls forms the emotional core of this sharply observed, frequently hilarious and intermittently heartbreaking look at a well-meaning but confused father trying to hold together his unconventional family. (May)
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From The New Yorker
The narrator of this audaciously comic début novel, the scion of the last Hawaiian landowning clan, has floated through his privileged life: marriage to a model given to "speedboats, motorcycles, alcoholism"; children getting into trouble (cocaine, bullying) at élite schools; membership at a century-old beach club that rejects those with "unfavorable pedigrees." But when a catamaran accident leaves his wife in a coma he must wake from his own "prolonged unconsciousness," reacquaint himself with his neglected daughters, and track down his wife’s lover. Meanwhile, his cousins are urging him to sell the family’s vast landholdings for development—to relinquish, in his eyes, the final vestige of their native Hawaiian ancestry. Hemmings channels the voice of her befuddled middle-aged hero with virtuosity, as he teeters between acerbic and sentimental, scoffing at himself even as he grasps for redemption.
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From Booklist
As smart, perceptive, and evocative as Hemmings' premiere literary offering was, (the superlative short story collection House of Thieves, 2005), her irresistible debut novel is light years beyond. Expanding on a tale in that collection, Hemmings follows Matt King and his daughters, precocious 10-year-old Scottie and temperamental 17-year-old Alex, in the aftermath of his wife's involvement in a boating accident that leaves her in a coma. While Joanie tenaciously hangs on, Matt and his daughters tentatively navigate the uncharted waters of life-without-Mom. Reeling from the discovery that Joanie had been having an affair, Matt considers his two out-of-control daughters and realizes that he's failed as both a husband and father. Determined to track down and confront his wife's lover, Matt and the girls embark on a journey of atonement and discovery that will set the course for the rest of their lives. Evincing a sublimely mature style and beguiling command of theme and setting, Hemmings' virtuoso performance offers a piquantly tender and winsomely comic portrait of a singular family's revealing response to tragedy. Carol Haggas
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

120 of 127 people found the following review helpful.
"My wife's not coming back, my wife did not love me, and I am in charge now."
By Mary Whipple
Matt King, who is descended from a Hawaiian princess and the haole who married her and inherited her land, is the primary beneficiary of the family land trust, and he is now trying to decide what to do with the land on behalf of his cousins and family. The trust is in debt and the demand for prime land in Hawaii is enormous. Matt, however, will be making no decisions in the immediate future, however. His thrill-seeking wife Joanie now lies comatose after a boating accident, and her lack of progress alarms the doctors in Honolulu, who have her on life support.

When doctors are forced to honor her living will, Matt wants their daughters to be with him, and in the hospital visiting Joanie while they await her death. Alexandra, a seventeen-year-old model, returns home from boarding school on the Big Island and, accompanied by Sid, a friend from a previous school, determines she will live her own life, even under the eyes of her father at home. Scottie, the ten-year-old, an attention seeker at school and at home, continues to act out.

When Matt discovers that Joanie has been having an affair, to which he had been oblivious, he is at a loss, and his internal dialogue and self-examination begin in earnest. He wonders about her lover and whether he should encourage this "love of her life" to share Joanie's last days in the hospital. His search for Joanie's lover and the resulting discoveries lead to important lessons and new awareness of his own responsibilities.

The clear presentation of events, exceptionally realistic dialogue, and unique imagery give life to this strong debut novel, and the narrative speeds along. The author's insights into Matt's conflicts and his self-examination during his long vigil, along with his daughters' understandable tumult, provide some emotional moments, while dark humor provides some respite from the tension. The subplots, involving the sale of the land, the individual problems of the daughters, the background of Alexandra's friend Sid, and the life of Joanie's lover, are well integrated, and the conclusion is satisfying.

Though the character of Matt is not based on any particular person, Hawaiian readers cannot help but make associations between his background and that of the Big Island's Parker family, giving an aura of "realism" to Matt's exotic background as the heir of a princess. His generosity in wanting to have Joanie's lover share her last moments strains credulity, however, and the peripheral characters often exhibit extreme behavior. A number of unusually dramatic and cinematic moments late in the novel make this a good story, though not necessarily a realistic one. Entertaining, and filled with tugs at the heartstrings, The Descendants captures the life of a family at a crossroads, and does so with panache. n Mary Whipple

77 of 81 people found the following review helpful.
Better than the very wonderful movie...
By Ulysses Dietz
Seeing the film "The Descendants" made me realize it must have come from a book; and so I found it and downloaded it onto my kindle. Not only should Clooney get an Oscar for his performance in the film, but whoever adapted this gentle, soulful, and ultimately transcendant little novel into the screenplay should get one too.

Kaui Hemmings' novel is low-key, unornamented, but richly textured with the complicated social and physical realities of Hawaii - a part of the United States that is by turns very familiar and as exotic as farthest Asia. Matt King and his two troubled daughters, Scottie and Alexandra, are trapped in a tragedy not entirely of their own making, and yet manage to hold onto each other to find their way together into something like happiness. The double gift of this elegantly spare book is that it tells us about an America few of us know, even if we've visited Hawaii as tourists; and it also lays out a searing historic moment in the life of this unique American family that is painful in its realism. I have never read a book that focuses on a great unhappiness, but also manages to capture both joy and humor while doing so. It is one of the few books made into films that made my appreciation of the movie greater in the reading of the book.

31 of 35 people found the following review helpful.
Couldn't Put It Down
By Brianna
I picked The Descendants up in my school library on Thursday afternoon. I wanted to read it before the movie came out next month and just hoped I could finish it in between all of my schoolwork. After I read the first few pages, I was hooked. I debated skipping classes just so I could keep reading, but I went to class counting down the time until I could revisit the characters- especially Scottie. As a reader, I can't help but feel bad for the father, Matt King. He's never been hands-on regarding his daughters often leaving it that for his now comatose wife, Joanie, and the nanny. He is forced to step up with his wife in a coma and actually be the hands-on parent, which isn't made easy by his two daughters: Alexandra (who resents her mother) and Scottie (who is acting out). While dealing with his troubled family, Matt (a descendant of a Hawaiian princess) must make the decision of who to sell his family's land to in order to eliminate debts that they have incurred. This novel is both funny and heartfelt; most books start out strongly only to drag in later chapters, but this novel is the opposite. I was hooked from the first page until the last page; I was actually upset that I had finished reading it so quickly. I strongly recommend this book to anyone looking for a quick and funny read.

See all 307 customer reviews...

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## Free Ebook The Metamorphosis (Modern Library Classics), by Franz Kafka

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The Metamorphosis (Modern Library Classics), by Franz Kafka

Translated, edited, and with an Introduction by Stanley Corngold
Featuring essays by Philip Roth, W. H Auden, and Walter Benjamin

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Franz Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.

This Modern Library edition collects Stanley Corngold’s acclaimed English translation—long hailed as the gold standard by scholars and general readers alike—along with seven critical essays by writers including Philip Roth, W. H. Auden, and Walter Benjamin, background and contextual material, and a new Introduction from Corngold himself.

  • Sales Rank: #37426 in Books
  • Published on: 2013-11-26
  • Released on: 2013-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .60 pounds
  • Binding: Paperback
  • 368 pages

Review

“Kafka’s survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: ‘With their posterior legs they were still glued to their father’s Jewishness and with their wavering anterior legs they found no new ground.’ There is a sense in which Kafka’s Jewish question (‘What have I in common with Jews?’) has become everybody’s question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We’re all insects, all Ungeziefer, now.”
—Zadie Smith
 
“Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka’s readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions—until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable.”
—Hannah Arendt 

About the Author
Stanley Corngold is a professor emeritus of German and comparative literature at Princeton. He has published widely on modern German writers and thinkers (Nietzsche, Musil, Kraus, Mann, Benjamin, Adorno, among others), but for the most part he has been translating and writing on the work of Franz Kafka. In 2011 he was elected a Fellow of the American Academy of Arts & Sciences.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER 1



When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin. He was lying on his back as hard as armor plate, and when he lifted his head a little, he saw his vaulted brown belly, sectioned by arch-shaped ribs, to whose dome the cover, about to slide off completely, could barely cling. His many legs, pitifully thin compared with the size of the rest of him, were waving helplessly before his eyes.

"What's happened to me?" he thought. It was no dream. His room, a regular human room, only a little on the small side, lay quiet between the four familiar walls. Over the table, on which an unpacked line of fabric samples was all spread out--Samsa was a traveling salesman--hung the picture which he had recently cut out of a glossy magazine and lodged in a pretty gilt frame. It showed a lady done up in a fur hat and a fur boa, sitting upright and raising up against the viewer a heavy fur muff in which her whole forearm had disappeared.

Gregor's eyes then turned to the window, and the overcast weather--he could hear raindrops hitting against the metal window ledge--completely depressed him. "How about going back to sleep for a few minutes and forgetting all this nonsense," he thought, but that was completely impracticable, since he was used to sleeping on his right side and in his present state could not get into that position. No matter how hard he threw himself onto his right side, he always rocked onto his back again. He must have tried it a hundred times, closing his eyes so as not to have to see his squirming legs, and stopped only when he began to feel a slight, dull pain in his side, which he had never felt before.

"Oh God," he thought, "what a grueling job I've picked! Day in, day out--on the road. The upset of doing business is much worse than the actual business in the home office, and, besides, I've got the torture of traveling, worrying about changing trains, eating miserable food at all hours, constantly seeing new faces, no relationships that last or get more intimate. To the devil with it all!" He felt a slight itching up on top of his belly; shoved himself slowly on his back closer to the bedpost, so as to be able to lift his head better; found the itchy spot, studded with small white dots which he had no idea what to make of; and wanted to touch the spot with one of his legs but immediately pulled it back, for the contact sent a cold shiver through him.

He slid back again into his original position. "This getting up so early," he thought, "makes anyone a complete idiot. Human beings have to have their sleep. Other traveling salesmen live like harem women. For instance, when I go back to the hotel before lunch to write up the business I've done, these gentlemen are just having breakfast. That's all I'd have to try with my boss; I'd be fired on the spot. Anyway, who knows if that wouldn't be a very good thing for me. If I didn't hold back for my parents' sake, I would have quit long ago, I would have marched up to the boss and spoken my piece from the bottom of my heart. He would have fallen off the desk! It is funny, too, the way he sits on the desk and talks down from the heights to the employees, especially when they have to come right up close on account of the boss's being hard of hearing. Well, I haven't given up hope completely; once I've gotten the money together to pay off my parents' debt to him--that will probably take another five or six years--I'm going to do it without fail. Then I'm going to make the big break. But for the time being I'd better get up, since my train leaves at five."

And he looked over at the alarm clock, which was ticking on the chest of drawers. "God Almighty!" he thought. It was six-thirty, the hands were quietly moving forward, it was actually past the half-hour, it was already nearly a quarter to. Could it be that the alarm hadn't gone off? You could see from the bed that it was set correctly for four o'clock; it certainly had gone off, too. Yes, but was it possible to sleep quietly through a ringing that made the furniture shake? Well, he certainly hadn't slept quietly, but probably all the more soundly for that. But what should he do now? The next train left at seven o'clock; to make it, he would have to hurry like a madman, and the line of samples wasn't packed yet, and he himself didn't feel especially fresh and ready to march around. And even if he did make the train, he could not avoid getting it from the boss, because the messenger boy had been waiting at the five-o'clock train and would have long ago reported his not showing up. He was a tool of the boss, without brains or backbone. What if he were to say he was sick? But that would be extremely embarrassing and suspicious because during his five years with the firm Gregor had not been sick even once. The boss would be sure to come with the health-insurance doctor, blame his parents for their lazy son, and cut off all excuses by quoting the health-insurance doctor, for whom the world consisted of people who were completely healthy but afraid to work. And, besides, in this case would he be so very wrong? In fact, Gregor felt fine, with the exception of his drowsiness, which was really unnecessary after sleeping so late, and he even had a ravenous appetite.

Just as he was thinking all this over at top speed, without being able to decide to get out of bed--the alarm clock had just struck a quarter to seven--he heard a cautious knocking at the door next to the head of his bed. "Gregor," someone called--it was his mother--"it's a quarter to seven. Didn't you want to catch the train?" What a soft voice! Gregor was shocked to hear his own voice answering, unmistakably his own voice, true, but in which, as if from below, an insistent distressed chirping intruded, which left the clarity of his words intact only for a moment really, before so badly garbling them as they carried that no one could be sure if he had heard right. Gregor had wanted to answer in detail and to explain everything, but, given the circumstances, confined himself to saying, "Yes, yes, thanks, Mother, I'm just getting up." The wooden door must have prevented the change in Gregor's voice from being noticed outside, because his mother was satisfied with this explanation and shuffled off. But their little exchange had made the rest of the family aware that, contrary to expectations, Gregor was still in the house, and already his father was knocking on one of the side doors, feebly but with his fist. "Gregor, Gregor," he called, "what's going on?" And after a little while he called again in a deeper, warning voice, "Gregor! Gregor!" At the other side door, however, his sister moaned gently, "Gregor? Is something the matter with you? Do you want anything?" Toward both sides Gregor answered: "I'm all ready," and made an effort, by meticulous pronunciation and by inserting long pauses between individual words, to eliminate everything from his voice that might betray him. His father went back to his breakfast, but his sister whispered, "Gregor, open up, I'm pleading with you." But Gregor had absolutely no intention of opening the door and complimented himself instead on the precaution he had adopted from his business trips, of locking all the doors during the night even at home.

First of all he wanted to get up quietly, without any excitement; get dressed; and, the main thing, have breakfast, and only then think about what to do next, for he saw clearly that in bed he would never think things through to a rational conclusion. He remembered how even in the past he had often felt some kind of slight pain, possibly caused by lying in an uncomfortable position, which, when he got up, turned out to be purely imaginary, and he was eager to see how today's fantasy would gradually fade away. That the change in his voice was nothing more than the first sign of a bad cold, an occupational ailment of the traveling salesman, he had no doubt in the least.

It was very easy to throw off the cover; all he had to do was puff himself up a little, and it fell off by itself. But after this, things got difficult, especially since he was so unusually broad. He would have needed hands and arms to lift himself up, but instead of that he had only his numerous little legs, which were in every different kind of perpetual motion and which, besides, he could not control. If he wanted to bend one, the first thing that happened was that it stretched itself out;* and if he finally succeeded in getting this leg to do what he wanted, all the others in the meantime, as if set free, began to work in the most intensely painful agitation. "Just don't stay in bed being useless," Gregor said to himself.

First he tried to get out of bed with the lower part of his body, but this lower part--which by the way he had not seen yet and which he could not form a clear picture of--proved too difficult to budge; it was taking so long; and when finally, almost out of his mind, he lunged forward with all his force, without caring, he had picked the wrong direction and slammed himself violently against the lower bedpost, and the searing pain he felt taught him that exactly the lower part of his body was, for the moment anyway, the most sensitive.

He therefore tried to get the upper part of his body out of bed first and warily turned his head toward the edge of the bed. This worked easily, and in spite of its width and weight, the mass of his body finally followed, slowly, the movement of his head. But when at last he stuck his head over the edge of the bed into the air, he got too scared to continue any further, since if he finally let himself fall in this position, it would be a miracle if he didn't injure his head. And just now he had better not for the life of him lose consciousness; he would rather stay in bed.

But when, once again, after the same exertion, he lay in his original position, sighing, and again watched his little legs struggling, if possible more fiercely, with each other and saw no way of bringing peace and order into this mindless motion, he again told himself that it was impossible for him to stay in bed and that the most rational thing was to make any sacrifice for even the smallest hope of freeing himself from the bed. But at the same time he did not forget to remind himself occasionally that thinking things over calmly--indeed, as calmly as possible--was much better than jumping to desperate decisions. At such moments he fixed his eyes as sharply as possible on the window, but unfortunately there was little confidence and cheer to be gotten from the view of the morning fog, which shrouded even the other side of the narrow street. "Seven o'clock already," he said to himself as the alarm clock struck again, "seven o'clock already and still such a fog." And for a little while he lay quietly, breathing shallowly, as if expecting, perhaps, from the complete silence the return of things to the way they really and naturally were.

But then he said to himself, "Before it strikes a quarter past seven, I must be completely out of bed without fail. Anyway, by that time someone from the firm will be here to find out where I am, since the office opens before seven." And now he started rocking the complete length of his body out of the bed with a smooth rhythm. If he let himself topple out of bed in this way, his head, which on falling he planned to lift up sharply, would presumably remain unharmed. His back seemed to be hard; nothing was likely to happen to it when it fell onto the carpet. His biggest misgiving came from his concern about the loud crash that was bound to occur and would probably create, if not terror, at least anxiety behind all the doors. But that would have to be risked.

When Gregor's body already projected halfway out of bed--the new method was more of a game than a struggle, he only had to keep on rocking and jerking himself along--he thought how simple everything would be if he could get some help. Two strong persons--he thought of his father and the maid--would have been completely sufficient; they would only have had to shove their arms under his arched back, in this way scoop him off the bed, bend down with their burden, and then just be careful and patient while he managed to swing himself down onto the floor, where his little legs would hopefully acquire some purpose. Well, leaving out the fact that the doors were locked, should he really call for help? In spite of all his miseries, he could not repress a smile at this thought.

He was already so far along that when he rocked more strongly he could hardly keep his balance, and very soon he would have to commit himself, because in five minutes it would be a quarter past seven--when the doorbell rang. "It's someone from the firm," he said to himself and almost froze, while his little legs only danced more quickly. For a moment everything remained quiet. "They're not going to answer," Gregor said to himself, captivated by some senseless hope. But then, of course, the maid went to the door as usual with her firm stride and opened up. Gregor only had to hear the visitor's first word of greeting to know who it was--the office manager himself. Why was only Gregor condemned to work for a firm where at the slightest omission they immediately suspected the worst? Were all employees louts without exception, wasn't there a single loyal, dedicated worker among them who, when he had not fully utilized a few hours of the morning for the firm, was driven half-mad by pangs of conscience and was actually unable to get out of bed? Really, wouldn't it have been enough to send one of the apprentices to find out--if this prying were absolutely necessary--did the manager himself have to come, and did the whole innocent family have to be shown in this way that the investigation of this suspicious affair could be entrusted only to the intellect of the manager? And more as a result of the excitement produced in Gregor by these thoughts than as a result of any real decision, he swung himself out of bed with all his might. There was a loud thump, but it was not a real crash. The fall was broken a little by the carpet, and Gregor's back was more elastic than he had thought, which explained the not very noticeable muffled sound. Only he had not held his head carefully enough and hit it; he turned it and rubbed it on the carpet in anger and pain.

Most helpful customer reviews

122 of 129 people found the following review helpful.
Engrossing and disturbing at the same time - fantastic.
By M. Strong
It's fascinating to see the divergent reviews that this book generates; for my part, I couldn't put it down. The book creates a world and atmosphere in which you become completely engrossed - it is a disturbing place to be.

The story follows Joseph K while he is on trial by a seemingly arbitrary court system. What starts out feeling like a cautionary tale about misplaced and abused power quickly gets stranger and morphs into a story of a deeper and more personal trial. Before long, you notice that K is the one who seems to be doing the work of trying himself.

I was left thinking for a long time about the meaning behind the story and a lot of its symbols and components - I don't consider the fact that I still had questions to be a bad thing. On the contrary, this one left me feeling strangely energized.

Highly recommended for people who like philosophy, examinations of the human condition, or existentialism.

64 of 68 people found the following review helpful.
Disorder In The Court
By Alex Udvary
We should all know the story concerning one of the greatest novels ever written, about a man being awaken to find out he is under arrest for a crime he knows nothing about, and charged by an unknown person.
It's been debated as to what is really Kafka's novel all about. Some say, it's "hero"(?) Joseph K. represents the "every man". Who has been forced to live in a world, where's man's biggest sin is being himself. The character K. like Kafka himself feels they are an outsider in a world they cannot function in. Others still, see the book as merely a semi-autobiography as Kafka's own feelings of worthlessness. We all know Kafka even doubted his own talents as a writer. But, yet again, others think that "K." is not the "every man". That he is guilty of his "sins".
So, what does all of this prove? It simply goes to show you the impact Franz Kafka has left on the world. Here we have a book published in 1925 and still causes debate as to what exactly were Kafka's intentions. If, infact, he didn't have any intentions!
'The Trial', to me is a story of a man's loneliness. It's a story of man who probably is guilty of what he is charged with. And we slowly read about his desent into a world of paranoia. I've heard some people agrue that what happens to "K." is all merely a dream. None of it ever really happened, but, it was "K." himself who brought this punishment on himself. Sort of like how Kafka himself did by never marrying the girl he loved, by living in the shadows of his father, who he adored, and never having an self confidence. If what happens in 'The Trial' is a dream, you can bet "K." learned something.
There's something about Kafka that fasincates me. He is one of my favorite authors. I find Kafka himself to be just as interesting has the stories he wrote. People tend to forget or overlook something in Kafka's writing. He WAS funny. His novels all have moments that are truly inspired. One of my favorite chapters in this book deals with "The Painter". What happens has "K." trys to leave and the Painter stops him asking him if he wants to buy a painting had me laughing.
For those of you who have never read this book, I do completely recommend it. You will find the book to be fascinating. Kafka was a master of thinking up these surreal stories. You may be bothered by the book's conclusion. Not that you'll mind the final act against "K." but, you'll be bothered by the way it happens. You would have expected more of a set-up. I know I did. Others who read the book may feel the book is incomplete. And that may lead them to dislike it. You are right in your judgement that the book is incomplete, but, remember, Kafka never wanted any of his books published. There's actually a chapter in here that was never finished. And, even though it is incomplete that didn't stop me from truly enjoying this masterpiece. If you have never read anything by Kafka, this is a fine place to start. I hope everyone finds 'The Trial' to be as enjoyable as I did.
Bottom-line: One of the great works by Kafka. It touches on themes that were ahead of their time. Themes that are still around us today. An excellent example of the paranoid mind. Everyone should read this!

136 of 154 people found the following review helpful.
Are we all Gregor Sassma? Maybe, Franz, maybe...
By Jeffrey Ellis
For all the debate and argument over what this story means, the plot of the Metamorphosis is refreshingly simple. Gregor Sassma wakes up one morning and discovers that, over the course of the night, he's been transformed into a giant insect. The rest of this novella deals with Gregor's attempts to adjust to his new condition without providing a burden for his parents (who he has spent his life supporting and, it is made clear, veiw their son as little more than a commodity to be exploited) or for his sweet younger sister who Gregor views with an almost heart breaking affection. For his efforts to not bother society with his new insect identity, Gregor is both shunned and eventually destroyed by that same society, which of course now has little use for him. As dark as that plot outline may sound, what is often forgotten (or simply ignored) is that the Metamorphosis is -- in many ways -- a comic masterpiece. Instead of engaging in a lot of portentous philosophizing, Kafka tells his bizarre tell in the most deadpan of fashions. Ignoring the temptation to come up with any mystical or scientific explanations, Kafka simply shows us that Gregor has become an insect and explains how the rest of his short life is lived. This detached, amused tone makes the story's brutal conclusion all the more powerful.
As well, for all the theories on what Kafka's "saying" with this story, the reasons behind Gregor's transformation are not all that complicated or hard to figure out. Kafka, as opposed to too many other writers since, declines to spell out the specific reasons but still makes it clear that Gregor (and by extension, all the other Gregors in the world) had allowed himself to become a powerless insect long before actually physically turning into one. As someone who as selflessly sacrificed whatever independence he may have had to support his uncaring parents and their attempts to live an "upper class" life without actually having to suffer for it, Gregor has already willingly given up all the unique traits that make one a human. For me, even more disturbing than Gregor's fate, is Kafka's concluding suggestions that, now that Gregor has outlived his usefulness, his parents will now move on to his innocent sister. In short, despite the example of Gregor's own terrible fate, society will continue on its way with the majority of us giving up our own humanity to support the whims of a select few.
From the brilliant opening lines all the way to its hauntingly deadpan conclusion, The Metamorphosis is a powerful and satirical indictment of the bourgeois condition. Over the past few decades, the term Kafkaesque has been tossed around with a dangerous lack of discretion. It seems any writer who creates an absurd or dark trap for his main character ends up being labeled Kafkaesque. However, as this story especially makes clear, Franz Kafka was more than just an adjective. He was a unique and individual writer whose brilliance cannot be easily duplicated.

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