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Selected by the Modern Library as one of the 100 best nonfiction books of all time
From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories
Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
- Sales Rank: #41199 in Books
- Brand: Hardcover
- Published on: 2013-02-19
- Released on: 2013-02-19
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x 1.00" w x 5.60" l, 1.18 pounds
- Binding: Hardcover
- 416 pages
- Great product!
Amazon.com Review
In Cold Blood was a groundbreaking work when released in 1966. With it, author Truman Capote contributed to a style of writing in which the reporter gets so far inside the subject, becomes so familiar, that he projects events and conversations as if he were really there. The style has probably never been accomplished better than in this book. Capote combined painstaking research with a narrative feel to produce one of the most spellbinding stories ever put on the page. Two two-time losers living in a lonely house in western Kansas are out to make the heist of their life, but when things don't go as planned, the robbery turns ugly. From there, the book is a real-life look into murder, prison, and the criminal mind.
From Publishers Weekly
Starred Review. In the wake of the award-winning film Capote, interest in the author's 1965 true crime masterpiece has spiked. Capote's spellbinding narrative plumbs the psychological and emotional depths of a senseless quadruple murder in America's heartland. In the audio version, narrator Brick keeps up with the master storyteller every step of the way. In fact, Brick's surefooted performance is nothing short of stunning. He settles comfortably into every character on this huge stage—male and female, lawman and murderer, teen and spinster—and moves fluidly between them, generating the feel of a full-cast production. He assigns varying degrees of drawl to the citizens of Finney County, Kans., where the crimes take place, and supplements with an arsenal of tension-building cadences, hard and soft tones, regional and foreign accents, and subtle inflections, even embedding a quiver of grief in the voice of one character. This facile audio actor delivers an award-worthy performance, well-suited for a tale of such power that moves not only around the country but around the territory of the human psyche and heart. Available as a Vintage paperback. (Mar.)
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Review
"A masterpiece . . . a spellbinding work." —Life
"A remarkable, tensely exciting, superbly written 'true account.' " —The New York Times
"The best documentary account of an American crime ever written. . . . The book chills the blood and exercises the intelligence . . . harrowing." —The New York Review of Books
Most helpful customer reviews
321 of 334 people found the following review helpful.
It made my blood run cold...
By Cassie
On November 15, 1959, in Holcomb, Kansas, the four members of the Clutter family were dragged from their beds in the early hours of the morning and tied up. All four were shot in the head with a shotgun at close range. None survived. The killers left few clues, and there was no apparent motive for the slayings.
On assignment from the New Yorker, author Truman Capote, along with his assistant Nell Harper Lee, traveled to Holcomb in late 1959 to investigate the killings for an article. The article was completed, but still Capote remained in Holcomb. He conducted interviews with every person in town; he pored over police records and statements. Once the killers, drifters Perry Smith and Dick Hickock, were caught and sentenced, he even interviewed them on Death Row. The Clutter killings became an obsession for him; and that obsession turned into a book that would become a literary milestone, that would singlehandedly introduce a new genre to the literary world: the nonfiction novel. He called his piece of creative nonfiction IN COLD BLOOD, and it so consumed him that it would be the last thing he'd ever write.
I didn't expect this book to move me so deeply. In most true crime books that are written today (at least in my experience), the evidence is presented straightforwardly, unemotionally; the facts are dry and textbook-like. Such is not the case with IN COLD BLOOD. Capote's prose is mesmerizing. His descriptions of Holcomb and its inhabitants are vivid and lively. His research is impeccable, presented flawlessly, lushly, sweeping the reader away on waves of vibrant language.
And his imagery is heartbreaking: Nancy Clutter teaching a neighbor to make a cherry pie, Dick Hickock deliberately hitting a dog on the highway, the Clutters' old mare standing alone in an overgrown pasture. With startling empathy, Capote transports his readers to the Holcomb, Kansas, of late 1959: We feel the tension and sorrow clouding the town; we watch as the police nearly crumble under the weight of their investigation; we're with Dick and Perry as they flee across the United States to Mexico, leaving a trail of bounced checks in their wake, and we're with them in their cells on Death Row. We're right there the whole time, from the day before the Clutters are killed to the day after their murderers are executed. And Capote is unflinching; he keeps us there, even when the honesty of his prose makes us uncomfortable, even when we can't imagine reading on but somehow can't seem to stop.
And this is the genius of IN COLD BLOOD: It is a violent, unflinching account, sorrowful beyond belief (and made even more so because it's true); but, in the hands of a master like Capote, it's really hard to stop reading about this unfortunate family and their motiveless, pathetic murderers. This book made me sad, it made me shiver; but I'm glad I read it.
401 of 429 people found the following review helpful.
It Just Doesn't Get Any Better
By Allen Smalling
** PRODUCT UPDATE ** In early 2013 the Modern Library (a division of Random House) reissued four Capote works: a new PORTRAITS AND OBSERVATIONS, a combined OTHER VOICES, OTHER ROOMS and BREAKFAST AT TIFFANY'S, the collected SHORT STORIES and this one -- IN COLD BLOOD. Dust jackets are in harmonizing colors and common typography (see product photos); the books themselves are hardbound, in classic ML beige. A good price, too. Of course, IN COLD BLOOD is still available in paperback, too, as it has been ever since the mid-1960s.
The magnificence of "In Cold Blood" doesn't lie in the subject matter but in its treatment. There are--unfortunately--more depraved criminals and more elaborate police investigations detailed in a great many "true crime" accounts. But I doubt that any of them is as well written as "In Cold Blood."
I haul my copy out every 2-3 years just to remind myself how wonderful the rhythms and nuances of the American language can be at the hands of a master. I am totally drawn into the lives of the prosperous and completely unsuspecting Clutter family of western Kansas and the two drifters, Perry and Dick, who by themselves didn't amount to much but together proved lethal that fall night in 1959.
A trivia note: Capote's research assistant on this book was Nell Harper) Lee, who shortly after would become famous as the author of "To Kill a Mockingbird."
I'd recommend Gerald Clarke's excellent biography "Capote" to learn about this one-of-a-kind book, its creation, reception, and how it affected the author's life.
PRODUCT UPDATE (2012): The hardcover edition of IN COLD BLOOD with a photograph of the Clutter house on the cover is a quality edition issued by the Folio Society of Great Britain. I wish I could elaborate in a separate review but as you can see, I've already filed one review and Amazon will not let me file a separate one, despite the fact that this book has 31 (!) different formats. I will say that the Folio edition has a very intelligent introduction, and that it is the only version of IN COLD BLOOD I know of that has illustrations. They consist of black-and-white photographs of the Clutter family, the killers, the lawmen on the case, Garden City and the home village of Holcomb during that period. I own the volume and like all Folio society books, it is very well manufactured but not cheap.
101 of 104 people found the following review helpful.
Suspenseful, empathetic, sparsely elegant, respectful, and above all, tragic
By Odysseus
I have meant to read this book for some time. I'm a little embarrassed to admit that seeing the Capote film is what finally induced me to read it, but I suppose that must be true. I had seen the film the previous weekend, bought this book during the following week, and just this past weekend, devoured it in all of two days.
Capote's masterpiece tells the story of the senseless, brutal killing of a rural Kansas family in 1959. It is beautifully written from start to finish -- in an understated way. If you come into this experience, as I did, conscious of the narcissism of the author, you might be surprised at the writing style. It is very humble, no Joycean or Nabokovian literary showing off. The story is paramount; the author does an amazing job of staying invisible, and respecting that story.
Respect is the feeling that is conveyed throughout the book. The telling is very respectful of the Clutter family; you learn of what remarkable people they were, even as they met their ends. The author is also fundamentally respectful of the people of the town, and of the local law enforcement. The book is not without its implied questioning of the judicial process, but again, I greatly appreciated the empathy and respect that pervaded the book.
This fundamental respect for human dignity even, in a more disturbing way, pervades even the discussion of the lives of the killers. The author candidly relates the biographies of these two men. On one level, this conveys an understanding of how they came to be what they were, but on a deeper level, it's all still a mystery. Left unanswered, still, is what really causes a man to be a killer. There is a great sense of tragedy throughout the relating of their formative lives -- perhaps not a respect for who they eventually were, but a respect for who they *could* have been.
Extremely unsettling is the sheer randomness of it all. The chain of events that causes the Clutter family to be killed is so random, so out-of-the-blue. Capote conveys how thin is the line between everything all seeming well and orderly in the world, and disaster striking out of nowhere.
Also coming through very clearly in this book is a cultural moment in time. You read it, feeling that this rural Kansas society is a vanished world. It's a stoic, God-fearing community, but the urban Capote betrays little condescension toward it. Quite the opposite; he seems duly impressed that the only reaction from the crowd to the killers' transference back to the town is one of silence -- no attempted violence, no shouted insults. The restraint and dignity of the townspeople amid this tragedy seems foreign to modern eyes. I found myself liking these people very much, despite my own preference for urban living.
But nothing undoes the basic feeling of tragedy that pervades the book. The author sifts through an incredible amount of detail about the crime; information that could only have been gleaned with a tremendous amount of cooperation from the killers themselves. There are details here that we could never have known about unless both killers had related them in their own separate interviews: details both of the crime itself, and of their activities, and further crimes and near-crimes, when on the lam.
The final portrait is of two worlds colliding -- a dysfunctional, violent world amid the undercurrents of society, rising up to strike the normal, orderly world of the Clutter family. It leaves the reader feeling as though nothing can be truly safe in our world, as long as the mysteries behind this story remain unresolved.
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