Senin, 07 Desember 2015

? Fee Download Nightmare in Pink: A Travis McGee Novel, by John D. MacDonald

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Nightmare in Pink: A Travis McGee Novel, by John D. MacDonald

From a beloved master of crime fiction, Nightmare in Pink is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.
 
Travis McGee’s permanent address is the Busted Flush, Slip F-18, Bahia Mar, Lauderdale, and there isn’t a hell of a lot that compels him to leave it. Except maybe a call from an old army buddy who needs a favor. If it wasn’t for him, McGee might not be alive. For that kind of friend, Travis McGee will travel almost anywhere, even New York City. Especially when there’s a damsel in distress.
 
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
 
The damsel in question is his old friend’s kid sister, whose fiancé has just been murdered in what the authorities claim was a standard Manhattan mugging. But Nina knows better. Her soon-to-be husband had been digging around, finding scum and scandal at his real estate investment firm. And this scum will go to any lengths to make sure their secrets don’t get out.
 
Travis is determined to get to the bottom of things, but just as he’s closing in on the truth, he finds himself drugged and taken captive. If he’s being locked up in a mental institution with a steady stream of drugs siphoned into his body, how can Travis keep his promise to his old friend? More important, how can he get himself out alive?
 
Features a new Introduction by Lee Child

  • Sales Rank: #75768 in Books
  • Published on: 2013-02-12
  • Released on: 2013-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .53" w x 5.14" l, .41 pounds
  • Binding: Paperback
  • 224 pages

From Booklist
After debuting his soon-to-be iconic hero Travis McGee in The Deep Blue Good-by—a novel that, in setting, style, and mood, cut the mold for what would become the series’ winning formula for the next 25 years—MacDonald took a flyer with number 2, one of the series’ definite oddities. The majority of McGee novels begin with a friend arriving at Travis’ Fort Lauderdale houseboat with a problem. This one starts with the self-styled beach bum walking down Park Avenue. Be wary whenever McGee strays above the Mason-Dixon Line. He’s in New York, it turns out, to do a favor for an army buddy, whose sister is floundering after the death of her fiancé. First on the agenda: nurse Nina Gibson, the buddy’s sister, back to health, one of Travis’ specialties. We learned in Blue Good-by that our boy’s special combination of sensitivity, savoir faire, and animal magnetism does the trick for getting “wounded doves” back in the air. But he does his best doctoring aboard The Busted Flush, on which a little cruise to the islands is always the perfect antidote for whatever ails a troubled heart, mind, and body. This time, though, confined to the four walls of a Manhattan brownstone, McGee needs to work a little harder. But not that hard. Soon enough, the flush of healthy sexuality has been restored to Nina’s cheeks, but the problem of figuring out why her fiancé was murdered and what happened to the money he had apparently been stealing from his investment-bank employers proves considerably more difficult. The money, we learn, was stolen not for personal gain but to help expose the gigantic scam being run by a greedy bank vice president and his femme fatale secretary. Here’s where things get very weird. The bad guys are bilking the son of the bank’s pater familias out of millions by dousing him with psychedelic drugs, provided by a crazed medical researcher ensconced in a psychiatric hospital, where anyone who causes trouble has his or her brains turned to mush. Naturally, Travis quickly winds up a patient at the nightmare hospital, but the McGee brain doesn’t go mushy quite as quickly as that of the average guy. If this is all starting to sound very Raymond Chandler—poor Philip Marlowe stumbled into more than one evil hospital, where he was routinely pumped full of something bad from a syringe—you’ve done your hard-boiled homework and deserve to pour yourself a gimlet, Marlowe’s favorite beverage. Let’s clarify: this is by no means a bad novel, or even a bad trip. McGee fighting his way back from psychic oblivion is good fun, to be sure, and when he makes his escape by spiking the hospital’s coffee urn with psychedelic bug juice, well, you just have to smile. Still, series readers will soon learn that Park Avenue, brownstones, and Chandlerian druggies are not McGee’s milieu. MacDonald was clearly trying to keep things loose early in the series. Give him credit for quickly figuring out where and how his hero could do his best work and that Plymouth gin over ice, not in a gimlet, was McGee’s signature drink. No help needed, either from Chandler’s old plot devices or from his liquor cabinet. --Bill Ott

Review
Praise for John D. MacDonald and the Travis McGee novels
 
“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
 
“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz
 
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
 
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
 
“A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee, and count myself among the many readers savoring his adventures again.”—Sue Grafton
 
“One of the great sagas in American fiction.”—Robert B. Parker
 
“Most readers loved MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen
 
“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place. The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness.”—Jonathan Kellerman
 
“What a joy that these timeless and treasured novels are available again.”—Ed McBain
 
“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake
 
“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, his Travis McGee books are as entertaining, insightful, and suspenseful today as the moment I first read them. He is the all-time master of the American mystery novel.”—John Saul

From the Publisher
6 1-hour cassettes

Most helpful customer reviews

29 of 30 people found the following review helpful.
Top Notch
By Traven
This is the second in the Travis McGee series, though it doesn't place itself chronologically -- ie, it doesn't refer to the events of the first book, and it does refer to other adventures, as if it's just another in McGee's long life. However, the next book in the series, "A Purple Place for Dying," does take place right after this one, so there is an advantage to reading them in order.

In "Nightmare" Travis goes to New York. If you can't deal with that, then this one's not for you, but otherwise it's a knockout. The suspense is great, the philosophizing feels amazingly current, and MacDonald clearly knows New York. The book is great mix of retro setting and modern-feeling plotting and characterization. If anything, it's smoother than "The Deep Blue Good-By," since it doesn't need to introduce anything.

The Travis McGee series is terrific. I'm still reading my way through it, but I haven't found any reason not to go in order. "Nightmare in Pink" is great.

18 of 19 people found the following review helpful.
Edge of your seat riveting...
By Cynthia K. Robertson
Nightmare in Pink is my second Travis McGee (and the second in the series), and it is even more riveting than the first.

McGee gets a call from an old war buddy who is in a VA hospital. Mike Gibson is blind and disabled, and when he asks McGee to check something out for him, McGee acquiesces-mostly out of guilt. Mike's beautiful and younger sister, Nina, is engaged to be married when her fiancé is mysteriously killed in a mugging. While cleaning out his things, Nina discovered $10,000 (we're talking 1960's here) and thinks he was in on something shady. The police haven't been able to solve the mugging and they haven't been told about the money, so McGee agrees to snoop around. Unfortunately, the case is in New York City and this Florida boat-bum is literally a fish out of water.

Mike and Nina quickly join forces (in more ways than one) and uncover a complicated financial scam to rob the fiancé's former boss of millions. Of course, the closer they get to solving the crime, the more they expose themselves to danger. At one point, McGee is even drugged, kidnapped, and held against his will in a mental hospital, where he is subjected to experimental hallucinogens. How he escapes will have you on the edge of your seat.

McGee again continues with many profound observations. One that I especially liked is "A good listener is far more rare than an adequate lover."

Nightmare in Pink had only two drawbacks that I could see. As with The Deep Blue Good-By, this book is a bit light at 143 pages. Also, while the plot was riveting, it was also unbelievable in spots. But John D. MacDonald has a new fan, and I have A Purple Place for Dying up next.

9 of 9 people found the following review helpful.
Chemical Warfare
By Marc Ruby™
This is the official 'second' in John D. MacDonald's series about Travis McGee, the slightly tarnished knight from Lauderdale, whose chosen steed is a 52 foot houseboat. Second also in setting the general pattern of McGee books - a friend convinces McGee to take the case of another friend, usually a beautiful woman, and McGee grudgingly comes to the rescue - sometimes out of a sense of honor, and sometimes just for the money.
This time the 'asker' is Mike Gibson, a war buddy of McGee's who now lives as a permanent resident of the veteran's hospital. The 'fixee' is Nina, Mike's sister - distraught when her boyfriend (Howard Plummer) dies in a mugging. Nina finds a large bundle of money in a closet and becomes convinced that Howard was up to no good. Now Mike wants to help her out of her depression, even if she is unwilling. McGee, as usual, to the rescue.
As you might expect, Plummer's death was not what it seemed, and McGee finds himself enmeshed in a spectacular fraud that is bilking a company of millions while sending its victims to a mental ward. Which is where McGee winds up as well, in a nightmarish twist that plays like 'On Flew Over the Cuckoo's Nest.' Dropped into a hole from which there is no way to escape, McGee must fight for survival against a medical staff determined to steal his mind from him.
Perhaps the beauty of this story, other than MacDonald's powerful writing, is that it turns the 'tough-guy detective' genre on it's ear for a bit as McGee struggles with induced insanity, falls in love, and barely survives by the skin of his teeth. This is a tough-guy with plenty of weaknesses and soft spots. McGee, who serves as narrator, doesn't try to explain away his moments, good and bad, but reports them with a straightforward touch that makes him and easy favorite.
While this may not be the best of the series, for some reason it rings true and is one of my favorites. It predicts many of the themes and tricks that will go on to be imitated time and again. But never with quite the élan than MacDonlad has.

See all 163 customer reviews...

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Minggu, 06 Desember 2015

## Ebook Free A Lucky Life Interrupted: A Memoir of Hope, by Tom Brokaw

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A Lucky Life Interrupted: A Memoir of Hope, by Tom Brokaw

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A Lucky Life Interrupted: A Memoir of Hope, by Tom Brokaw

NEW YORK TIMES BESTSELLER • WITH A NEW PREFACE BY THE AUTHOR • From Tom Brokaw, the bestselling author of The Greatest Generation, comes a powerful memoir of a year of dramatic change—a year spent battling cancer and reflecting on a long, happy, and lucky life.

Tom Brokaw has led a fortunate life, with a strong marriage and family, many friends, and a brilliant journalism career culminating in his twenty-two years as anchor of the NBC Nightly News and as bestselling author. But in the summer of 2013, when back pain led him to the doctors at the Mayo Clinic, his run of good luck was interrupted. He received shocking news: He had multiple myeloma, a treatable but incurable blood cancer. Friends had always referred to Brokaw’s “lucky star,” but as he writes in this inspiring memoir, “Turns out that star has a dimmer switch.”

Brokaw takes us through all the seasons and stages of this surprising year, the emotions, discoveries, setbacks, and struggles—times of denial, acceptance, turning points, and courage. After his diagnosis, Brokaw began to keep a journal, approaching this new stage of his life in a familiar role: as a journalist, determined to learn as much as he could about his condition, to report the story, and help others facing similar battles. That journal became the basis of this wonderfully written memoir, the story of a man coming to terms with his own mortality, contemplating what means the most to him now, and reflecting on what has meant the most to him throughout his life.

Brokaw also pauses to look back on some of the important moments in his career: memories of Nelson Mandela, the Dalai Lama, the fall of the Berlin Wall, the morning of September 11, 2001, in New York City, and more. Through it all, Brokaw writes in the warm, intimate, natural voice of one of America’s most beloved journalists, giving us Brokaw on Brokaw, and bringing us with him as he navigates pain, procedures, drug regimens, and physical rehabilitation. Brokaw also writes about the importance of patients taking an active role in their own treatment, and of the vital role of caretakers and coordinated care.

Generous, informative, and deeply human, A Lucky Life Interrupted offers a message of understanding and empowerment, resolve and reality, hope for the future and gratitude for a well-lived life.

Praise for A Lucky Life Interrupted

“It’s impossible not to be inspired by Brokaw’s story, and his willingness to share it.”—Los Angeles Times

“A powerful memoir of battling cancer and facing mortality . . . Through the prism of his own illness, Brokaw looks at the larger picture of aging in America.”—Booklist (starred review)

“Moving, informative and deeply personal.”—The Daily Beast

“The former NBC News anchor has applied the fact-finding skills and straightforward candor that were his stock in trade during his reporting days to A Lucky Life Interrupted.”—USA Today

“Brokaw doesn’t paste a smiley face on his story. Again and again, the book returns to stories of loss but also of grace, luck and the beauty of having another swing at bat.”—The Washington Post

“Engaging . . . [with] the kind of insight that is typical of Mr. Brokaw’s approach to life and now to illness.”—The Wall Street Journal

“Powerful and courageous . . . [Brokaw] looks ahead to the future with hope.”—Bookreporter

“Wryly good-natured . . . a wise and oddly comforting look at the toughest news of all.”—Kirkus Reviews

  • Sales Rank: #12936 in Books
  • Published on: 2016-05-10
  • Released on: 2016-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.01" h x .69" w x 5.17" l, .81 pounds
  • Binding: Paperback
  • 256 pages

Review
“It’s impossible not to be inspired by Brokaw’s story, and his willingness to share it.”—Los Angeles Times
 
“A powerful memoir of battling cancer and facing mortality . . . Through the prism of his own illness, Brokaw looks at the larger picture of aging in America.”—Booklist (starred review)
 
“Moving, informative and deeply personal.”—The Daily Beast
 
“The former NBC News anchor has applied the fact-finding skills and straightforward candor that were his stock in trade during his reporting days to A Lucky Life Interrupted.”—USA Today

“Brokaw doesn’t paste a smiley face on his story. Again and again, the book returns to stories of loss but also of grace, luck and the beauty of having another swing at bat.”—The Washington Post
 
“Engaging . . . [with] the kind of insight that is typical of Mr. Brokaw’s approach to life and now to illness.”—The Wall Street Journal
 
“Powerful and courageous . . . [Brokaw] looks ahead to the future with hope.”—Bookreporter
 
“Wryly good-natured . . . a wise and oddly comforting look at the toughest news of all.”—Kirkus Reviews


From the Hardcover edition.

About the Author
Tom Brokaw is the author of six bestsellers: The Greatest Generation, The Greatest Generation Speaks, An Album of Memories, Boom!, The Time of Our Lives, and A Long Way from Home. A native of South Dakota, he graduated from the University of South Dakota with a degree in political science. He began his journalism career in Omaha and Atlanta before joining NBC News in 1966. Brokaw was the White House correspondent for NBC News during Watergate, and from 1976 to 1981 he anchored Today on NBC. He was the sole anchor and managing editor of NBC Nightly News with Tom Brokaw from 1983 to 2005. He continues to report for NBC News, producing long-form documentaries and providing expertise during breaking news events. Brokaw has won every major award in broadcast journalism, including two DuPonts, three Peabody Awards, and several Emmys, including one for lifetime achievement. In 2014, he was awarded the Presidential Medal of Freedom. He lives in New York and Montana.

Excerpt. © Reprinted by permission. All rights reserved.
chapter 1



Summer

In the seasons of life I have had more than my share of summers.

A long run of sunny days and adventurous nights filled with lucky stars, uninterrupted by great personal calamity, rewarding in ways I could not have imagined in those formative years on the Great Plains. Our eldest daughter, Jennifer, reflecting her training as an emergency room physician, was along for the ride, but she worried.

“Dad,” she would say, “we’ve never had anything go really wrong in our family. I wonder if we could handle it.”

We were about to find out.

In February 2013, I turned seventy-­three, or, more accurately, blew through the birthday, ignoring the actuarial truths that I was now in a mortality zone defined by age. What, me? After all, I spent the beginning of the seventy-­third year biking hard through Chile and Argentina with some contemporaries. In the spring, I had flown to Africa to report on Nelson Mandela’s final days and to accompany my wife, Meredith, to Malawi, where she has worked with a women’s cooperative to establish a thriving business producing canned tomatoes.

We finished up at a lodge in Zimbabwe, bumping through the bush on wildlife excursions and, for Meredith, morning horseback rides. I started the day with swimming exercises, hoping to relieve what had become a persistent lower back pain.

I attributed it to long plane rides and an active lifestyle. If it didn’t get better I planned to see a renowned orthopedist when I returned to New York, a sports medicine doc who, over the years, had treated me for similar ailments after a summer of rock climbing, backpacking, trekking, long-­distance running, and bushwhacking to remote mountain lakes.

Probably require some therapy, I thought, never considering it could be anything more than an overexercised back. The conceit of a long, lucky life is that bad things happen to others. Jennifer’s cautionary line about whether we could handle misfortune was provocative, and yet it seemed more of a group therapy subject than reality in our family.

Not for the first time, I was wrong, but in early summer I had no idea what was to come. I was determined to work through the steady, nagging pain and spend July and August on the trout waters of Montana.

That New York orthopedist, who’s a longtime friend and familiar with my physical activities, ordered a conventional spinal X ray and, after examining it, reported that apart from some expected thinning of a lower-­level disc no major anomalies showed up. He recommended more morning stretching exercises and over-­the-­counter pain relievers.

I happily plunged into my fishing schedule but then, inexplicably, took two hard falls, one on a rocky passage across my Montana home stream and one while in a boat on the Missouri River. What the hell, I thought, is this what happens when you hit seventy-­three?

The back pain continued, resisting what I hoped would be the therapeutic effects of more stretching, Tylenol, massages, and limited golf and biking.

Besides, we had more to worry about in our extended family. Jennifer called to report that her mother-­in-­law, Lynne Fry, had been hospitalized with acute abdominal pain. Jennifer and her husband, Allen Fry, a radiologist, were on a second honeymoon when they got the call, and Jennifer immediately said that it didn’t look good. They arrived at the hospital to hear the diagnosis: Lynne had a massive tumor on her pancreas. Pancreatic cancer is particularly lethal. Three weeks later she was gone.

Lynne was seventy-­five, a small-­town school librarian who had moved to the San Francisco area to be near our shared granddaughters. Meredith and I had an easy relationship with Lynne and admired how she managed her life after the death of her husband. She became a competitive ballroom dancer and took cruises with a companion she met on the dance floor. Her life was as organized as a Dewey decimal system card file in a community library.

When pancreatic cancer struck she accepted it without a whine or a whimper. Her apartment, books, and personal effects were quickly put in order for family members. She checked into hospice with the help of Jennifer, who as a physician is working hard to raise awareness of making the right decisions, for emotional and financial reasons, at the end of life.

Pancreatic cancer is one of the few cancers that worried me as I passed into my seventies. It’s a lightning strike. It hits without warning and almost always kills. I’ve had five friends die of it, quickly, including the New York Times columnist Bill Safire.

I saw him at a Washington event in March 2009, cheerful and full of pithy observations. By September of that year he was dead.

Still, even with Lynne so close to our family, it was more of an abstraction than a reality. Yes, I know pancreatic cancer is a threat, but to someone else, right?

For all the attention cancer receives publicly, such as at Stand Up To Cancer events during the World Series, or when big tough NFL linemen show up in pink shoes to draw attention to breast cancer, my guess is that most of us duck it by thinking, Not me.

The numbers blow a big hole in those “not me” assumptions.

The American Cancer Society estimates that in 2015 1,658,370 new cancer cases will be diagnosed and that in the same year about 1,600 people will die from cancer-­related conditions daily. Those are big numbers, but the encouraging news is that there’s been a 20 percent drop in the death rate from cancer in the last twenty years as a result of a reduction in smoking, improved patient awareness, and giant leaps in treating almost all forms of the disease.

President Richard Nixon declared war on cancer in 1971, and while significant progress has been made, this is a war of incremental victories. As we live longer, the odds are greater that cancer in some form will strike some part of the human body.

Lynne Fry’s death was so sudden and so well managed by her, Jennifer, and Allen that it seemed a long way from our lives. Nonetheless, if pancreatic cancer strikes one in seventy-­eight men and women, why shouldn’t I feel vulnerable? Denial is a strong if imperfect defense.

Meredith and I joined the Frys and friends in the family hometown, Claremore, Oklahoma, for the burial and to share memories of Lynne’s role as a school librarian. Allen’s father, a local legend as a high school athlete and, later, coach, had died a few years earlier.

In size and style, Claremore, the home of Will Rogers and the fifties singing star Patti Page, shared the DNA of our hometown in South Dakota. It was all so familiar, the talk of high school athletics, the struggle to keep Main Street a viable business district, and, most of all, the shared familial loss when someone is gone, however long he or she had been absent from the careworn neighborhoods.

It was a mix of melancholy and merriment as Allen gave us a tour of the town, showing off the library where his mother had worked and the school where his dad had coached. We had a large family dinner at a restaurant famous for its high-­caloric-­count dishes smothered in gravy and batter-­fried everything. One of the big ol’ boy patrons left with a stack of carryout cartons and a .45-­caliber pistol strapped on his waist. Oklahoma has an open carry law.

If that happened in New York people would be diving under tables, but I’d spent so much time in the West I was not surprised.

Fifty years ago I fled small-­town life as swiftly as I could for bright lights, big city. At age seventy-­five I have an ever-­greater appreciation of these communities, which, at the end, remember and honor where you began.

That realization was not a personal epiphany. I didn’t walk the streets of Claremore thinking, My God, at my age I have to start thinking about when I die and where I end up. I’ve adopted the guideline of Warren Buffett’s partner, Charlie Munger, who says, “I wanna know where I’ll be when I die—­so I never go there.”

It did occur to Meredith and me that now we would be the sole grandparents for Claire and Meredith, Allen and Jennifer’s daughters. We had talked some about our aging and the mortality realities that come with it, but our immediate and even long-­distance plans were for living, not dying.

I was in good health, with the exception of that nagging backache, and felt the false sense of assurance of someone who’d had a long, uninterrupted run of personal and professional good fortune.

I had big plans for the summer and fall, including finishing an NBC News documentary on the fiftieth anniversary of the death of John F. Kennedy and another documentary on the making of the feature film Unbroken, based on the phenomenal bestselling book about the life of Louis “Louie” Zamperini; presenting a few lectures; and enjoying several hunting and fishing excursions.

When we arrived back in Montana, the pain was not as troublesome, but I arranged an appointment with another orthopedist, in Rochester, Minnesota, when I attended an August board meeting of the Mayo Clinic board of public trustees. I had no intention of slowing down, and I was confident the back pain was a minor blip on my radar screen.

When I was a boy running with an older crowd I wanted them to see me as a contemporary so I avoided birthdays. When my sixties arrived I shifted to another form of evasion. I failed to see the benefit of those life expectancy scales that keep percolating up as we live healthier lives with access to better medicine. That was never more clear than when, in my late sixties, a fitness doctor said one day, “There’s no reason you can’t make it into your mid-eighties.”

Oh, really?

My mother died at ninety-­two, and the last few years were a burden for her as her body began to break down. Still, she hung on, even while saying, in her no-­nonsense way, “Don’t worry about me, dear; I’ve lived long enough.”

I seem to have inherited some of her cardiac strength and I guess I thought the nineties had a nice ring to them.

A year earlier some old high school pals, also now in their seventies, gathered in our hometown and I asked how many could remember a local male in his seventies when we were coming of age.

We could remember one. All the others died earlier. My father died at sixty-­nine of a massive heart attack, and Meredith’s father died at age sixty-­eight of a ruptured aorta.

In early August I flew to Rochester for the Mayo board meeting and arranged an abbreviated physical, including that other orthopedic examination. The Mayo orthopedist came to the same conclusion as my New York friend: lower-­back thinning of a disc, some arthritis, and the inescapable consequences of age. He arranged an appointment with an exercise therapist.

My primary care physician, Dr. Andrew Majka, an internist, thought we should do a blood check even though one nine months earlier had indicated no problems. Although he didn’t share his initial thoughts with me, he worried I had a hematoma from those falls taken while fishing.

At 7:00 the morning of the blood test I repeated what was to become a familiar mantra: “Tom Brokaw, two six four oh.” My name and birth date, so the nurses and technicians would know they had the right patient. In short order, four tubes of Brokaw O positive blood were on their way to the lab and then into my digital files. I had a post-­test bagel on the run, a Starbucks grande cappuccino, skim milk, please, and hustled off to meet the therapist who had some exercises to help that pesky backache.

As I remember, I also had a few errands in the Rochester commercial district that borders the Mayo complex, a collection of shops to serve the thousand patients a day who pass through the clinic. On one corner, a small store with a window full of wigs for women who have lost their hair to cancer treatment. On another, a sprawling shoe store with everything from stylish dress loafers to orthopedic footwear. Barnes & Noble (since closed) occupied a vintage movie theater building, filling it with racks of books, electronic tablets, videos, and gifts.

In the past few years the mall and hotels have been brightened by lively cocktail lounges, coffee bars, and a first-­rate seafood restaurant. Altogether, Rochester has the ambience of a prosperous small midwestern city, one of many in that middle part of America to which Scandinavian and northern European immigrants brought their dreams, their work ethic, and their faith.

An English-­born physician, William Worrall Mayo, decided to establish a medical clinic here after duty as a doctor during the U.S. Dakota War of 1862 and the Civil War. His sons, Charles and William J., became physicians and joined him. As its reputation for excellence spread, the clinic developed a unique systems management program to coordinate the care of the ever larger number of patients showing up in Rochester. Simply put, the patient was placed at the center of the care network and all the physicians coordinated their treatment while constantly communicating with one another.

Common sense, right? Madly enough, too much of American healthcare ignores that simple formula, with each specialist concentrating only on his or her area of expertise without communicating with other physicians on the case. Additionally, the Mayo brothers converted the clinic into a nonprofit institution, putting themselves on a salary with the rest of the medical staff. That financial reengineering headed off the temptation to order procedures to generate fees. It was the beginning of a healthcare system unprecedented in its patient management, reach, and standing, so much so that the name Mayo has been a global brand in healthcare for a century and a half.

The pedestrian traffic in Rochester is a mix—­clinic employees, local residents, Mayo patients, some in wheelchairs accompanied by families, others shuffling along with somber expressions. It is not, however, a depressing tableau, as it retains that Minnesota-­nice, heartland optimism and the certainty that help is just up the street.

Hovering over all of this is the Mayo complex, three Rochester hospitals and a mix of large buildings housing state-­of-­the-­art medical technology, physicians’ offices, operating rooms, laboratories for routine blood tests, and research facilities for what they hope will be breakthrough treatment for some medical mystery. It is an $8-billion-plus-a-year business, including Mayo clinics in Scottsdale, Arizona, and Jacksonville, Florida.

As a child of the region and for a while a part-­time resident of Minnesota, I always feel at home. Well before I became a public trustee, I shared the midwestern pride in the Mayo Clinic as one of the world’s great healthcare facilities, known for its expert, coordinated care and patient efficiency. Our family will always remember how they put my father back together after a lifetime of serious back injuries brought on by his career as an operator of heavy construction equipment. He was a man who didn’t know his own strength: One of his boyhood friends remembers him lifting a V8 engine off a workbench with his muscles alone. He came home from surgery at the clinic and never had another day of difficulty, thanks to his physician and a tempered attitude about work.

Most helpful customer reviews

19 of 20 people found the following review helpful.
painfully candid
By lmpartin
Tom Brokaw is a fascinating and as he accurately puts it lucky guy: he has a beautiful wife with whom he's shared half a century of togetherness and a career filled with innumerable accomplishments and well-deserved awards. But then the glow on his life dims unexpectedly by the diagnoses of a dreadful disease: multiple myeloma, a rare cancer of the blood. Is his charmed life over? In A Lucky Life Interrupted, Brokaw takes us from the debilitating back pain that ultimately leads to the diagnosis of MM and through the many setbacks during a rigorous treatment that in the end will give him the news his cancer is in remission. As a multiple myeloma patient myself, I can't recommend this book highly enough. Brokaw prose is straightforward and candid--he puts his journalistic skills to good use. And although he experiences some dark moments during his treatment, self-pity never encroaches his narrative. Perhaps the note that most resonated with me was his frustration when he felt his medical team was not communicating with each other at crucial moments. This is endemic not only to this disease but every serious disease as well. Doctors tend to concentrate on their area of expertise and go MIA at times when their knowledge might help other doctors who are looking at a patient from a different prism of knowledge. Thanks to a cadre of doctors I was able to put together outside the team of specialists in charge of my treatment--a strong recommendation by Brokaw to other MM patients--I was a able to interpret the information delivered in confusing medical terms and question how one doctor's findings influenced another' recommendation. Brokaw has been in remission for three years. For me it has been five. And like him I'm claiming my life back, and experiencing some of the "old self" showing through the veil that was once cancer. Thank you Mr. Brokaw for putting a face to this terrible disease.

63 of 69 people found the following review helpful.
"To remain unbroken."
By E. Bukowsky
Tom Brokaw, seventy-five, is one of America's most revered newsmen. He was in Germany when the the Berlin Wall came down, interviewed Nelson Mandela upon his release from prison, witnessed the horrors and heroics of September 11th, and was on the scene during other transformative events both in the U. S. and abroad. He has been blessed with a happy marriage to Meredith, his high-school sweetheart and wife of fifty-one years. Tom and Meredith have three devoted daughters and five grandchildren who bring them immense joy.

When Brokaw began to feel out of sorts in 2013, he thought little of it--a few twinges as one ages are not unexpected. When his condition did not improve he consulted various physicians, and discovered that he had multiple myeloma, an incurable cancer of the plasma cells in the bone marrow that can cause excruciating compression fractures in the spine. In his memoir, "A Lucky Life Interrupted," Brokaw discusses his shock at realizing that he had a serious illness; determination to do whatever he could to recover; and his gratitude to the incredible doctors and nurses who did so much to get him back on his feet.

Brokaw's lucid, candid, and unaffected prose makes us feel as if he is speaking directly to us about some of the issues that are on his mind: his initial reluctance to let the public know that he was ailing (he still wants to work on documentaries and other projects); his realization that he needed strong advocates to help him navigate the maze of America's knotty health care system; and his ultimate acceptance of the fact that, even if his condition stabilized, nothing would ever be the same. He experienced debilitating pain, lost a great deal of weight, and felt his strength drain away. Throughout his ordeal, he remained curious about the people he met. Brokaw relates some of their stories in anecdotes that appear throughout the book and also reminisces about his impressive professional accomplishments.

Having the specter of a potentially fatal disease hovering over him has been frightening, humbling, and a wake-up call that he will not live forever. No matter what happens in the future, Tom Brokaw is determined to use his time wisely--tackling challenges that engage him, holding his family and friends close, and cherishing every extra day that he is privileged to have on this earth. "A Lucky Life Interrupted" is an inspirational and sobering memoir from the front lines of Brokaw's personal war on cancer.

38 of 40 people found the following review helpful.
‘A Lucky Life Interrupted: A Memoir of Hope': Tom Brokaw’s ‘Cancer Year’ Journal Offers Model for Explaining How to Face Death
By David Kinchen
I’m always on the lookout for books that make it easier — there’s no easy way — for people to explain to others what’s going on when a person is told he/she has a very serious illness. Art Buchwald’s 2006 memoir “Too Soon to Say Goodbye” (Random House) is an excellent example and a friend just sent me this book (more about this later in the review). The graphic novel and later feature film “American Splendor” by Cleveland OH VA worker Harvey Pekar is another good one to read and get more than a laugh or two along with sage advice.

The latest book in this vein — no pun intended, although people visiting doctors had better be aware of veins and arteries — is Tom Brokaw’s “A Lucky Life Interrupted: A Memoir of Hope” (Random House, 240 pages, $27.00).By any definition, Tom Brokaw, born in South Dakota in 1940, has led a fortunate life, with a strong, loving marriage, a wonderful family, many friends and a journalism career culminating in 22 years as the respected anchor of “NBC Nightly News.”

All this changed in the summer of 2013, when back pain led him to the doctors at the Mayo Clinic, his run of good luck was interrupted. He received shocking news: He had multiple myeloma, a treatable but incurable blood cancer. Friends had always referred to Brokaw’s “lucky star,” but as he writes in this inspiring memoir, “Turns out that star has a dimmer switch.” Another way of looking at it is capsulized in the Yiddish proverb “Man plans, God laughs.”

Brokaw began to keep a journal, approaching this new stage of his life in a familiar role: as a journalist, determined to learn as much as he could about his condition, to report the story, and help others facing similar battles. That journal became the basis of this wonderfully written memoir, the story of a man coming to terms with his own mortality, contemplating what means the most to him now, and reflecting on what has meant the most to him throughout his life.

Brokaw also pauses to look back on some of the important moments in his career: memories of Nelson Mandela, the Dalai Lama, the fall of the Berlin Wall, the morning of September 11, 2001, in New York City, and more. Through it all, Brokaw writes in the warm, intimate, natural voice of one of America’s most beloved journalists, giving us Brokaw on Brokaw, and bringing us with him as he navigates pain, procedures, drug regimens, and physical rehabilitation. Brokaw also writes about the importance of patients taking an active role in their own treatment, and of the vital role of caretakers and coordinated care.

If you’re wondering — as I am at this stage of my life — how to explain to friends and your family the what you’re experiencing, “A Lucky Life Interrupted” will be of immeasurable help. We all have to craft our own stories, but Brokaw’s book offers a guide.

Brokaw’s book was relevant to my situation since his cancer is treatable but incurable. My ailments don’t even offer that degree of hope. There’s no curing — or even effectively treating — Stage 4 kidney failure or congestive heart failure. Buchwald (1925-2007), a Pulitzer Prize winning correspondent for The Washington Post, died of kidney failure, so I’m looking forward to reading about how he faced it.

Thanks, Tom Brokaw, for a book that will offer comfort at a time when many of us need it most. And thanks, Joe Honick, for sending me Buchwald’s memoir!

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Pym: A Novel, by Mat Johnson

“THE SHARPEST AND MOST UNUSUAL STORY I READ LAST YEAR . . . [Mat] Johnson’s satirical vision roves as freely as Kurt Vonnegut’s and is colored with the same sort of passionate humanitarianism.”—Maud Newton, New York Times Magazine

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • Vanity Fair • Houston Chronicle • The Seattle Times • Salon • National Post • The A.V. Club
 
Recently canned professor of American literature Chris Jaynes has just made a startling discovery: the manuscript of a crude slave narrative that confirms the reality of Edgar Allan Poe’s strange and only novel, The Narrative of Arthur Gordon Pym of Nantucket. Determined to seek out Tsalal, the remote island of pure and utter blackness that Poe describes, Jaynes convenes an all-black crew of six to follow Pym’s trail to the South Pole, armed with little but the firsthand account from which Poe derived his seafaring tale, a bag of bones, and a stash of Little Debbie snack cakes. Thus begins an epic journey by an unlikely band of adventurers under the permafrost of Antarctica, beneath the surface of American history, and behind one of literature’s great mysteries.
 
“Outrageously entertaining, [Pym] brilliantly re-imagines and extends Edgar Allan Poe’s enigmatic and unsettling Narrative of Arthur Gordon Pym of Nantucket. . . . Part social satire, part meditation on race in America, part metafiction and, just as important, a rollicking fantasy adventure . . . reminiscent of Philip Roth in its seemingly effortless blend of the serious, comic and fantastic.”—Michael Dirda, The Washington Post

“Blisteringly funny.”—Laura Miller, Salon

“Relentlessly entertaining.”—The New York Times Book Review

“Imagine Kurt Vonnegut having a beer with Ralph Ellison and Jules Verne.”—Vanity Fair

“Screamingly funny . . . Reading Pym is like opening a big can of whoop-ass and then marveling—gleefully—at all the mayhem that ensues.”—Houston Chronicle

  • Sales Rank: #34879 in Books
  • Brand: Brand: Spiegel Grau
  • Published on: 2012-09-04
  • Released on: 2012-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .81" w x 5.17" l, .65 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

From Booklist
Chris Jaynes, professor of African American studies, has been denied tenure for his refusal to sit on the Diversity Committee at his university and for his intense interest in Edgar Allan Poe. Enraged, he nearly implodes before discovering a lost manuscript proving that Poe�s only novel, The Narrative of Arthur Gordon Pym of Nantucket, is a factual account. Jaynes devises a mission to find the lost, black-inhabited island near Antarctica described in Poe�s narrative, setting off with an all-black crew that includes his seafaring cousin; his obese friend Garth; his ex-fianc�e, Angela, and her husband, Nathaniel; and two flamboyant mechanics. They discover that something else described in Poe�s narrative is also real: giant, yeti-like, albino humanoids living in large colonies below the ice in Antarctica. This extension of Poe�s adventure is a romp that surprises on every page. Funny, insightful, racially important, Pym is a death-defying adventure and a probing examination of notions of race, even at the farthest ends of the earth. --Julie Hunt

Review
"BLISTERINGLY FUNNY...a full-fledged and fiendishly inventive inversion of Poe's [Pym], a series of bizarre encounters I can't bring myself to spoil, each one more deliciously pointed than the last." – Laura Miller, Salon
 
"SCREAMINGLY FUNNY...there's no shortage of thought and scholarship and experience underpinning Pym, but Johnson doesn't let any of it bog him down. On the contrary, reading Pym is like opening A BIG CAN OF WHOOP-ASS and then marveling -- gleefully -- at all the mayhem that ensues." – Maggie Galehouse, Houston Chronicle
 
"RELENTLESSLY ENTERTAINING...It’s no easy task to balance social satire against life-threatening adventure, the allegory against the gory, but Johnson’s hand is steady and his ability to play against Poe’s text masterly.  The book is polyphonous and incisive, an uproarious and hard-driving journey." – New York Times Book Review
 
"RIOTOUS...Jaynes never learns much about the white pathology and mindset, but Mr. Johnson knows plenty about the character types he skewers." – Wall Street Journal
 
“LOONY, disrespectful, and sharp, Johnson's Pym is a welcome riff on the surrealistic shudder-fest that is Poe's original…I'll stop there, but Johnson's inventiveness never does.“ – NPR’s “Fresh Air”
 
"Mat Johnson's new novel is nothing short of fantastic, in every sense.  I fell in love with the voice, the tone and the world of Pym.  This is an adventure novel, a work of historical and social commentary, a rumination on identity.  The only problem I could find with this novel is that I didn't write it.  It's a beautiful piece of work."
--Percival Everett, author of I Am Not Sidney Poitier

"Mat Johnson has come here to chew bubble gum and kick ass, and he's all out of bubble. gum. Pym is an adventure, a satire, and a bracing political debate all rolled into one brilliant novel. Edgar Allen Poe has inspired many authors but Mat Johnson has the inspired audacity to both honor and discredit the man, often in the same sentence. I imagine Poe choking on half the things Johnson writes in this novel, and tipping his tiny hat in admiration to the rest."
--Victor LaValle, author of Big Machine

“PYM reframes far more than Poe – it reframes everything American, from the whiteness of Ahab’s whale to Detroit bus drivers; from DNA testing to tenure review; from the Gatsbyesque dream of romantic love to the dream of Utopia; from our fear of life to our love of death.   No one today writes inside the brilliant black mind better.”
--Alice Randall, author of The Wind Done Gone and Rebel Yell

“Social criticism rubs shoulders with cutting satire in this high-concept adventure… [PYM] is caustically hilarious as it offers a memorable take on America's ‘racial pathology’ and ‘the whole ugly story of our world.’”
 --Publishers Weekly, starred review

You can trust the veracity of this account: Mat Johnson’s Pym is a spectacularly sly and nimble-footed send-up of this world, the next world, and all points in between. A satire with heart, as courageous as it is cunning.” --Colson Whitehead, author of Sag Harbor

“An acutely humorous, very original story that will delight lovers of literature and fantasy alike.”
 --Kirkus, starred review

“This extension of Poe’s adventure is a romp that surprises on every page. Funny, insightful...Pym is a death-defying adventure.” – Booklist
 
“Mat Johnson writes with all the probing intelligence of James Baldwin, the scalding satire of Dany Laferriere and the technique of a master craftsman, all of which make him one of the most exciting, important and gifted writers of his generation. Pym is a moving and accomplished novel.” -- Chris Abani, author of GraceLand and the Virgin of Flames.

About the Author
Mat Johnson was born and raised in Philadelphia, and has lived most of his life elsewhere. He is the author of several novels and graphic novels including Drop, Hunting in Harlem, and Incognegro. Johnson is a faculty member at the University of Houston Creative Writing Program and lives in Texas with his wife and children.


From the Hardcover edition.

Most helpful customer reviews

84 of 87 people found the following review helpful.
"This is an American thing: to wish longingly for a romanticized ancestral home"
By Michael J. Ettner
The first thing you'll probably want to know is whether you should read Poe's "The Narrative of Arthur Gordon Pym of Nantucket" before picking up Mat Johnson's "Pym." The answer is, that's not necessary. Johnson helpfully spends 15 pages in the second chapter of "Pym" recapping the plot of Poe's solitary novel and discussing its still-debated meaning. This background is all you need to appreciate this new, "inspired by Poe" piece of imaginative fiction.

The novel's narrator, Chris Jaynes, is a recently dismissed professor of African-American literature. He believes Poe's enigmatic novel, which is maddeningly obsessed with notions of black and white, is the talisman that can open up our understanding of race in America. He seeks to discover, through literary detective work, "the primal American subconscious, the foundation on which all our visible systems and structures were built." Sleuthing leads to grand adventure. Jaynes assembles an all black crew of six for a voyage to Antarctica to find "the great undiscovered African Diasporan homeland." This quest is set within a satirical framework that allows Johnson to launch sallies against a slew of social and political targets.

A caution: You're probably better off not reading reviews of "Pym" found in the mainstream press and magazines -- or avoiding, at least, the type of review that spends paragraph after paragraph exposing too much of the plot, revealing too many of the critic's favorite scenes, highlighting too many jokes and puns. Please. "Pym" is a novel whose twists and turns and revelations you yourself deserve to encounter (and judge) afresh, without prior interference. Set aside those reviews for reading once you've finished.

One reason I enjoyed "Pym" is a nostalgic one. If you're a reader of a certain age you remember living through what now appears, in hindsight, to have been a golden era of the American satirical novel. There once was a tribe of writers who yanked our chains, social and political. I'm thinking of the years that saw the publication of Joseph Heller's "Catch-22," Philip Roth's "Portnoy's Complaint" and "Our Gang," and the works of Terry Southern, John Barth, Gore Vidal, Robert Coover and others. First among them was Kurt Vonnegut, who sustained a long career of telling common truth to ignoble power. Who is extending that satiric tradition into the current day?

Based on the antic fun and strength of "Pym," Mat Johnson may come to join that assembly of noble writers. The intelligence behind his satire is combined with a hearty sanity that reminds me of Vonnegut, especially.

19 of 20 people found the following review helpful.
Part mystery, part satire, part sci-fi, and all entertaining--with a message
By Cynthia K. Robertson
Thanks to his uncle, I was introduced to author Mat Johnson and his new novel, Pym. Pym is part mystery, part satire, part sci-fi, and all entertaining--plus with a message. In fact, this is probably one of the funniest and most creative books that has been published in decades.

English professor Chris Jaynes has just lost his college teaching position. Not only does he not want to teach Black Literature (which he was hired to teach) but he also refuses to join the school's Diversity Committee. As the only black faculty member, it's difficult to have a Diversity Committee without any diversity. Jaynes is obsessed with Edgar Allan Poe, and especially, Poe's only novel: The Narrative of Arthur Gordon Pym of Nantucket. This novel is not Poe's best work, but Jaynes is haunted by Arthur Pym's sudden and mysterious demise in Antarctica, as well as the island that he discovered, Tsalal. The inhabitants of Tsalal are so black that even their teeth are black. Jaynes purchases a manuscript written by Dirk Peters (a fictional character in Poe's novel) and now Jaynes realizes that Poe's novel is probably nonfiction. With a settlement from the college, Jaynes recruits a crew of other African Americans (led by his cousin, ship captain Booker Jaynes) to retrace the steps of Arthur Pym and also, to harvest South Pole ice into drinking water (one of the last sources of pure water). What Jaynes discovers on Antarctica is not just shocking, but may also lead him to the same demise as Arthur Pym. Booker Jaynes describes it as a "snow honky problem" but it is much worse than that.

Although Pym is hysterically funny at times, Johnson makes us take a meaningful look at race. His satire and comedy hide a serious side to this story. "I like Poe, I like Melville, I like Hemingway, but what I like the most about the great literature created by the Americans of European descent is the Africanist presence within it. I like looking for myself in the whitest of pages. I like finding evidence of myself there, after being told my footprints did not exist on that sand. I think the work of the great white writers is important, but I think it's most important when it's negotiating me and my people, because I am as arrogant and selfish a reader as any other." In many respects, Johnson shows true genius. He ends Pym with a dated, diary mode--just a Poe ended his novel.

One extra bonus for me as a reader is that Mat Johnson grew up in Philadelphia (as does his character, Chris Jaynes) and he refers back to Philadelphia from time to time. In fact, I was fortunate to be able to hear Johnson read Chapter 1 of Pym in Philadelphia three days ago and it was a most entertaining evening. Unfortunately for Philly, Johnson now makes his home Texas where he teaches Creative Writing at the University of Houston. But I intend to seek out his earlier works and I will depend on his uncle to keep me abreast of any future writings.

15 of 16 people found the following review helpful.
Whiteness
By Roger Brunyate
Chris Jaynes has just been fired from his position as the token black professor at a prestigious liberal arts college. A few pages later, he has a barroom encounter with the suspiciously-named man brought in to replace him, "Mosaic Johnson, Hop-Hop Theorist," who shakes a black power fist in the air (to the delight of the self-proclaimed white-liberal patrons) and exclaims "I'm down for the fight, know what I'm saying?" The tone of satire is set, but not yet the likability of the protagonist or the intellectual seriousness of the debate. Johnson turns the subject of race inside out, standing it on its head, looking at race with an outrageous accuracy whose aim falls on black and white alike.

Much of the debate concerns the nature of blackness itself, beginning with the protagonist's own racial identity. Jaynes, like the author himself, is a mulatto, "so visibly lacking in African heritage that I often appear to some uneducated eyes as a random, garden-variety white guy. But I'm not. My father was white, yes. But it doesn't work that way. My mother was a woman, but that doesn't make me a woman either." Jaynes refuses to be confined within the expectations placed upon his race, but insists on defining himself in reference to white society. He boycotts the college Diversity Committee as a meaningless sham. He declines to teach the canonical black texts, looking instead to authors like Poe and Melville to discover "the intellectual source of racial Whiteness," that "odd and illogical sickness" which he is convinced is the true source of the problem.

When the college lets him go, Jaynes is immersed in a study of Poe's only novel, THE NARRATIVE OF ARTHUR GORDON PYM OF NANTUCKET. You do not need to know the text, because Jaynes summarizes it brilliantly, making hilarious fun of its weaknesses, but also deconstructing its codes and showing why it is worth further study. Poe's protagonist enlists on a whaler out of Nantucket. After surviving imprisonment, mutiny, shipwreck, and cannibalism, he reaches the Antarctic Ocean where he is washed up on an incongruously-sited tropical isle inhabited only by stunted natives so dark that even their teeth are black. But their hospitality is deceptive; the rest of the party is killed in a treacherous ambush, with only Pym and a friend escaping to set sail once more and reach the Antarctic ice-shelf. "But there arose in our pathway a shrouded human figure, very far larger in its proportions than any dweller among men. And the hue of the skin of the figure was of the perfect whiteness of the snow." These are Poe's last sentences, whose enigma, with its strong racial overtones, Jaynes finds more interesting than anything else in the book. By sheer luck (by no means the only authorial license in this splendidly tall tale), Jaynes comes across a crumbling manuscript written in a semi-literate hand that makes him believe that Poe's story was based upon true accounts, Jaynes enlists the help of a seafaring cousin called Booker and recruits five other black people to accompany him on an expedition to Antarctica in search of Poe's race of ultra-white giants, dismissed by Booker as "super ice honkies."

The rest is a fantasy-adventure in the manner of Rider Haggard or Jules Verne (who also wrote his own sequel to the Poe). Jaynes and his crew do encounter this mysterious race, whom they call the Tekelians, living in ice-tunnels underground. What follows is a re-enactment of racial history -- cautious trading, capture, enslavement, and eventual escape. The actual story becomes a little tedious during the long sojourn underground, but Johnson's observation of the changing dynamics among the black characters never palls. In a brilliant twist, Jaynes and his best friend eventually escape this world of literal whiteness only to encounter a metaphorical one, a huge bio-dome built by the painter Thomas Karvel (clearly Kincade), landscaped inside to replicate the perfect sunset world of one of his paintings. But you do not read this book for the plot or even its fantastic environments, so much as for comic acuity of the author's observations. And for the thrilling experience of watching a master of deconstruction transforming a minor text of a past century into something of major relevance to our own time.

I am amazed by how much this book ties in with my other recent reading. Most particularly, HUCKLEBERRY FINN, which Johnson now makes me see as both a statement and a critique of the American Whiteness myth. Or satires such as Ian McEwan's SOLAR and Howard Jacobson's THE FINKLER QUESTION; the latter (which does for English Jews what PYM does for American Blacks) has the more attractive protagonist, but Johnson's Chris James beats them both on that score. I am also struck by what seems to have become a major recent trend: the use of existing texts as a jumping-off point to address contemporary concerns. In the last year alone, I have read THE LOST BOOKS OF THE ODYSSEY by Zachary Scott, THE CASEBOOK OF VICTOR FRANKENSTEIN by Peter Ackroyd, and -- older, but the most significant of the lot -- FOE by J. M Coetzee, a reworking of ROBINSON CRUSOE from the perspectives of gender and racial equality. CRUSOE lies behind Poe's ARTHUR GORDON PYM also, giving Mat Johnson's reworking a literary heritage that underscores the basic seriousness of his intent. You may read the book for laughs, read it for its shamelessly non-PC shock tactics, read it for social insights, but what will remain in your mind is its ability to frame the dialogue on race in a new and useful way.

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^ PDF Ebook Key West: History of an Island of Dreams, by Maureen Ogle

PDF Ebook Key West: History of an Island of Dreams, by Maureen Ogle

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Key West: History of an Island of Dreams, by Maureen Ogle

Parrotheads, Hemingway aficionados, and sun worshipers view Key West as a tropical paradise, and scores of writers have set tales of mystery and romance on the island. The city’s real story—told by Maureen Ogle in this lively and engaging illustrated account—is as fabulous as fiction. In the two centuries since the city’s pioneer founders battled Indians, pirates, and deadly disease, Key West has stood at the crossroads of American history. In 1861, Union troops seized control of strategically located Key West. In the early 1890s, Key West Cubans helped José Martí launch the Cuban revolution, and a few years later the battleship Maine steamed out of Key West harbor on its last, tragic voyage. At the turn of the century, a technological marvel—the overseas railroad—was built to connect mainland Florida to Key West, and in the 1920s and 1930s, painters, rumrunners, and writers (including Ernest Hemingway and Robert Frost) discovered Key West. During World War II, the federal government and the military war machine permanently altered the island’s landscape, and in the second half of the 20th century, bohemians, hippies, gays, and jet-setters began writing a new chapter in Key West’s social history.

  • Sales Rank: #316992 in Books
  • Brand: Ogle, Maureen
  • Published on: 2006-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .65" w x 5.51" l, .84 pounds
  • Binding: Paperback
  • 288 pages

From Booklist
Ogle serves up an engaging chronicle of Florida's most famous key for those who like a little history with their Cuban coffee--or whatever it is that would draw them to the "Island of Dreams." Beginning in 1819, when the island known as Cayo Hueso (or Bone Key) seemed like little more than a coral and limestone reef containing neither fresh water nor arable land, Ogle deftly shows that Key West history is a composite of U.S history, at the same time focusing on Key West's uniqueness (pirates, wreckers, etc.). Much seems to have happened largely because of Key West's peculiar geographic location. Carefully detailed are the changes that have connected Key West to the rest of the U.S and made it the tourist haven that it is today. Ogle doesn't shy away from potentially controversial topics, such as the positive impact of gay tourists on the island and famous resident Tennessee Williams' predilection for young sailors in tight pants. In her well-researched telling, the author highlights many of the elements that make Key West. Randall Enos
Copyright © American Library Association. All rights reserved

Review
"Ogle captures this island city in all its quirky charm. Her story breezes along in typical Key West fashion--full of gossip and humor, with the jolt of a good cup of Cuban coffee."

About the Author
Maureen Ogle is the author of Ambitious Brew: The Story of the Immigrants and Entrepreneurs Who Invented American Beer and All the Modern Conveniences: American Household Plumbing, 1840-1890.

Most helpful customer reviews

20 of 21 people found the following review helpful.
Riveting history
By A Customer
A book on the history of Key West -- with all of its pirates, wreckers, rum runners and assorted scalawags -- should be lively, engaging and colorful. Maureen Ogle has accomplished just that with this readable and fascinating story. I say "story" because it reads that way, as a tale, not a dry recitation of events.
Dry? Hardly. You won't get through this book without your jaw dropping at some of the incidents related in its pages. Ogle's research is thorough with plenty of personal correspondence and colorful firsthand detail that really gives you a resident's eye view of this island.
I'm visiting Key West next year and I can't wait to go. Whether or not you've been there, this book makes for an excellent read. Highly recommended.

14 of 15 people found the following review helpful.
Couldn't put it down!
By Kathy W.
I grew up in the Florida Keys, and this historical account has been my favorite so far! I could feel, smell and see Key West through the author's writings, which were peppered with personal stories of the people who lived there throughout history. Wonderful details were included that enhanced my knowledge of events I've always been curious about. Highly recommended!

10 of 10 people found the following review helpful.
Any who relishes the region will want this lively history
By Midwest Book Review
Key West has long been relished as a tropical paradise: this provides not just a travelogue of the region, but a history of Key West's many changes; from its Union seizure where citizens lived under martial law for four years, to its technical marvel of a vast overseas railroad which ran from mainland Florida to Key West. Any who relishes the region will want this lively history.

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Jumat, 04 Desember 2015

! Fee Download Cross Creek Kitchens: Seasonal Recipes and Reflections, by Sally Morrison

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Cross Creek Kitchens: Seasonal Recipes and Reflections, by Sally Morrison

For many years, Marjorie Kinnan Rawlings’s home in Cross Creek—the place where she wrote many of her most beloved works—has been open to the public under the aegis of the Florida State Park system. Sally Morrison, one of the home’s first tour guides, spent years living on the grounds, maintaining the garden, cooking the food that Rawlings loved, and interpreting the home for visitors.
           
Nearly thirty years ago, she and her Cross Creek neighbor Kate Barnes created Cross Creek Kitchens to highlight the southern fare and local favorites enjoyed by Rawlings and her guests over the years. Ahead of its time in emphasizing slow cooking and local produce, the cookbook enjoyed a steady popularity for decades, with first editions now selling as collector’s items.
           
nterlaced with stories of life in Cross Creek, this new edition remains amazingly relevant to today’s food trends. More than 150 recipes reflects the seasons’ bounties and focus on natural ingredients; the Sweet ’Tater Pie, for example, calls for cane syrup or honey as a healthier alternative to refined sugar. Other tasty recipes found in Cross Creek Kitchens include Southern Pea Soup, Kate’s Hogwild Macaroni and Cheese, Beach Grouper, Gingerbread Waffles, South Moon Persimmon Bread, Orange Blossom Carrot Cake, and a variety of cornbread variations.

 

  • Sales Rank: #2641409 in Books
  • Published on: 2011-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.95" h x .60" w x 8.10" l, 1.01 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Sally Morrison recently retired after more than thirty years as a historic site specialist in the Florida Park Service. As the first curator of the Marjorie Kinnan Rawlings home, she brought vitality and enthusiasm to her restorations and interpretations of the author's life and milieu. Kate Barnes is a freelance artist and writer who still lives and works in the Cross Creek area.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Away from the crowds and into the real Florida
By Claire K
Sally Morrison's quiet and evocative prose and Kate Barnes's delightful illustrations accompany recipes that reflect a contemporary alternative to Cross Creek Cookery written by the Pulitzer Prize-winning author of Cross Creek and The Yearling. More than a cookbook, Cross Creek Kitchens takes the reader on a year long visit to the interior of Florida and a welcome respite from the artificiality well-known to the Florida visitor. If you don't try Best Ever Pie you're missing out on a really good thing. It is the Best Ever.

2 of 2 people found the following review helpful.
Cooking with the Seasons in a SImpler Time
By Ann M Redmond
My husband bought this book long before we met. He's a friend of author Sally Morrison and her brother and we have two lovely, evocative watercolors by Illustrator Kate Barnes. I love to cook with local produce and lived in north Florida for a few decades; grew a lot of my own food and put it up at times (try CCK's pickled okra!); lived many years without air conditioning and as a field biologist spent many an hour in Florida's outdoors year round. Few cookbooks concentrate on the things we grow in this region and as seasons begin, especially summer, I always find myself pulling Cross Creek Kitchens from the shelf for inspiration. Tonight I made Gutsy Gazpacho and was not disappointed. Now that I live in southern Louisiana (a local food mecca!) I added crab as it was served (Yum!).

But, back to the book, I invariably read through way more commentary and recipes than I actually cook because it's so evocative of life in a simpler time than our 24/7 lifestyle. One I like to remember. I'm writing this review as I buy a copy for my daughter who also likes to cook locally-grown produce as well as things she grows herself. Having grown up in north Florida she'll appreciate the specific southern vegetables featured in this cookbook, but she'll also learn what it feels like to live with the seasons in an earlier time.

Also- for the serious cook, there a blank pages at the end for your own notes and recipes! :) I think this book is a treasure to be savored and shared.

2 of 2 people found the following review helpful.
Great Recipes
By R. H. Niblack
My heritage is from the Cross Creek area. My Grandmother's family, the Turners helped Ms Rawlings get settled in. This kind of real southern cooking is what I love. After reviewing the recipes I ordered another copy and had it sent to a friend. I can't wait to try these recipes.

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Rabu, 02 Desember 2015

? Ebook Free The Poetry of James Joyce Reconsidered (Florida James Joyce)From Brand: University Press of Florida

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“An indispensable collection of essays that should inspire new interest in Joyce’s poetry, both for its own sake and for its relationship to the prose works.”—Patrick A. McCarthy, coeditor of the James Joyce Literary Supplement


“The authors demonstrate collectively that the lyric poems reward—and will continue to reward—greater attention than they have hitherto received. The collection as a whole should inspire the next generation of Joyceans to foreground Chamber Music and Pomes Penyeach in their scholarship and in their teaching.”—Victor Luftig, coeditor of Joyce and the Subject of History


To many, James Joyce is simply the greatest novelist of the twentieth century. Scholars have pored over every minutia of his public and private life—from utility bills to deeply personal letters—in search of new insights into his life and work. Yet, for the most part, they have paid scant attention to the two volumes of poetry he published.

The eight contributors to The Poetry of James Joyce Reconsidered convincingly challenge the critical consensus that Joyce’s poetry is inferior to his prose. They reveal how his poems provide entries into Joyce’s most personal and intimate thoughts and ideas. They also demonstrate that

Joyce’s poetic explorations—of the nature of knowledge, sexual intimacy, the changing quality of love, the relations between writing and music, and the religious dimensions of the human experience—were fundamental to his development as a writer of prose.

This exciting new work is sure to spark new interest in Joyce’s poetry and will become an essential and indispensable resource for students and scholars of his life and work.

 

  • Sales Rank: #5860837 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2012-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .80" w x 6.20" l, 1.10 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

Review
“The poetry of James Joyce is an element of the Joyce canon much overshadowed by the major works, and much to its detriment, as this volume of essays . . . ably demonstrates.”—Irish Studies Review


“Places Joyce’s poetry well within the modernist context rather than viewing it strictly as the adolescent glimmers of a budding genius.”—CHOICE


“Employing thematic, historical, philosophical, and eco-critical approaches, these nine essays demonstrate a wide range of possibilities for studying Joyce’s poetry, especially in relation to Joyce’s other writings. . . . Presents an effective argument for the reconsideration of Joyce’s poetry and the significance of Joyce as a poet.”—James Joyce Literary Supplement

From the Back Cover
"An indispensable collection of essays that should inspire new interest in Joyce's poetry, both for its own sake and for its relationship to the prose works."--Patrick A. McCarthy, coeditor of the "James Joyce Literary Supplement" "The authors demonstrate collectively that the lyric poems reward--and will continue to reward--greater attention than they have hitherto received. The collection as a whole should inspire the next generation of Joyceans to foreground "Chamber Music "and "Pomes Penyeach" in their scholarship and in their teaching."--Victor Luftig, coeditor of "Joyce and the Subject of History" To many, James Joyce is simply the greatest novelist of the twentieth century. Scholars have pored over every minutia of his public and private life--from utility bills to deeply personal letters--in search of new insights into his life and work. Yet, for the most part, they have paid scant attention to the two volumes of poetry he published.The eight contributors to "The Poetry of James Joyce Reconsidered "convincingly challenge the critical consensus that Joyce's poetry is inferior to his prose. They reveal how his poems provide entries into Joyce's most personal and intimate thoughts and ideas. They also demonstrate that Joyce's poetic explorations--of the nature of knowledge, sexual intimacy, the changing quality of love, the relations between writing and music, and the religious dimensions of the human experience--were fundamental to his development as a writer of prose.This exciting new work is sure to spark new interest in Joyce's poetry and will become an essential and indispensable resource for students and scholars of his life and work. Marc C. Conner is professor of English at Washington and Lee University and editor of "Charles Johnson: The Novelist as Philosopher." A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

About the Author

Marc C. Conner is professor of English at Washington and Lee University and editor of Charles Johnson: The Novelist as Philosopher.


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