Kamis, 24 April 2014

>> Download PDF Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

Download PDF Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

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Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick



Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

Download PDF Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

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Vaganova Today: The Preservation of Pedagogical Tradition, by Catherine E. Pawlick

“An extensive and thorough compilation of numerous sources with unique insights on Vaganova and her methodology. The author has had access to several important figures in Russian ballet who knew Vaganova and/or her students. Confronting the dilemmas facing the art of classical ballet, Vaganova Today is a thought-provoking read.”—John White, author of Advanced Principles in Teaching Classical Ballet

Agrippina Vaganova (1879–1951) is revered as the visionary who first codified the Russian system of classical ballet training. The Vaganova Academy of Russian Ballet, founded on impeccable technique and centuries of tradition, has a reputation for elite standards, and its graduates include Mikhail Baryshnikov, Rudolf Nureyev, Natalia Makarova, and Diana Vishneva. Yet the “Vaganova method” has come under criticism in recent years.
           
In this absorbing volume, Catherine Pawlick traces Vaganova’s story from her early years as a ballet student in tsarist Russia to her career as a dancer with the Mariinsky (Kirov) Ballet to her work as a pedagogue and choreographer. Pawlick then goes beyond biography to address Vaganova’s legacy today, offering the first-ever English translations of primary source materials and intriguing interviews with pedagogues and dancers from the Academy and the Mariinsky Ballet, including some who studied with Vaganova herself. Catherine E. Pawlick danced with ballet companies in the United States before moving to St. Petersburg, Russia, where she lived for six years, observing classes at the Vaganova Academy and rehearsals and performances at the Mariinsky Theatre. Fluent in French and Russian, she has written on dance for the San Francisco Chronicle, Ballet Review, and Dance Europe. 

  • Sales Rank: #1303878 in Books
  • Published on: 2011-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .92" w x 6.32" l, 1.04 pounds
  • Binding: Hardcover
  • 296 pages

About the Author
Catherine E. Pawlick danced with ballet companies in the United States before moving to St. Petersburg, Russia, where she lived for six years, observing classes at the Vaganova Academy and rehearsals and performances at the Mariinsky Theatre. Fluent in French and Russian, she has written on dance for the San Francisco Chronicle, Ballet Review, and Dance Europe.

 

Most helpful customer reviews

21 of 21 people found the following review helpful.
Vaganova Always
By Michael in Mexico
I finished reading Vaganova last night. Ms. Pawlick did a great job. I was especially impressed with and interested in the main part of the book where she uncovers such a rich, detailed expression of what the pedagogues think about the status of teaching today compared to the past and the philosophical underpinnings beneath their opinions. Really good work on her part....and to have the opportunity to actually talk to these people and get first-hand impressions from them is invaluable! I guess all those months of camping out in the Mariinsky hallways really paid off.

I've always been a fan of ballet and, although I would like to think of myself as fairly well informed about it, I had to admit after reading the book that I fall into that category of audience member that really needs to be better educated about what I'm seeing in order to get the full value of the experience. I loved that part of the book where this is discussed. Loved the references throughout the years about the differences between ballet, sports and circus! So very well put and important not to forget. "How you lift your leg is more important than how high it goes" is SO true.

Reading the book also took me someplace else I wasn't expecting. Something the author hasn't started to experience yet...but getting older is a real adventure. I still remember my first impressions and introductions to classical ballet. I was still a teenager when I saw Maya Plisétskaya dance and in my mind's eye she's still as she was then. I about fell off my chair when reading Vaganova Today led me to realize she's now in her 80s! How could that be? Where did the time go? But then, I seem not to notice that I'm pushing 70!!! What I remember most vividly about seeing the Kirov productions and something I still comment about when I go to other productions from other companies is the almost perfect synchronization of the corps de ballet...you just don't see that anywhere else and now, thanks to Pawlick's book, I know why that is.

What made reading Vaganova even more exciting and pleasurable is that I did it with my laptop sitting next to me plugged into YouTube and I was able to go from reading something in the book to watching a video of one of the dancers mentioned and was able to see just what the author was talking about. Which leads me to my final observation. It took me most of last night to get through the final 20 pages or so because I couldn't stop looking at Uliana Lopatkina videos! I must have watched her doing the Dying Swan ten or more times in videos filmed in different years each one getting more and more beautiful as she perfected the moves with the passing of time. (Of course, having to stop reading while I dried my tears after each swan death and get ready for another emotional onslaught didn't help the reading to go any faster!). She is absolutely gorgeous; I can't begin to imagine what it must have been like to see her dance in person and to actually have been able to sit across from her and interview her has got to be an experience the author will cherish forever. What a treat!

And finally , as any good author will do, Pawlick left me wanting more.

12 of 12 people found the following review helpful.
An Academic Gift
By Ms.B. Mellin
The author has spent years visiting the St Petersburg, Russia archives and translating the documents covering centuries of ballet history. The focus is on the influence of Agrippina Vaganova whose methodology contributed to the training of Makarova, Baryshnikov, Nureyev and so many other famous dancers. Using the Chicago Manual of Style format, quotes from those who were involved in the evolution of the current Mariinsky Theatre Ballet,interviews with company members, as well as never before seen photographs are presented in a concise, factual, descriptive and enjoyable reading style. The effects of the political system, the international influence ( Italy and France especially) as well as explanation of basic ballet techniques are explored in a educational manner that would be a gift to any University Dance History course reading list, pedagogue in the dancing academy or indeed, last but certainly not least, the enthusiastic balletomane.

14 of 15 people found the following review helpful.
Fascinating insight into the St. Petersburg ballet world
By Natalia Olivera
I cannot heap enough praise on this fascinating analysis of the most famous ballet school on earth, the Academy of Russian Ballet, a.k.a. Vaganova. Catherine E. Pawlick uses her first-hand insights, multi-lingual skills, and keen knowledge of the Russian ballet to carefully peel the secretive onion of the St Petersburg ballet world, while focusing on the Vaganova's training and the coaching that happens after the top graduates enter the Mariinsky Ballet troupe. Via multiple interviews with esteemed Academy professors (most of them ballet stars and soloists not long ago) and careful research in theatrical libraries, Pawlick analyses how and why stylistic changes has crept into the teaching during the past two decades.

Although not a biography per se, the book offers a substantial historical review of the life of Mme Vaganova, the ballet teacher who developed the instructional method that led to the great Soviet ballet style (now a universal style). The 'bio section' affords an alternative to the 'politically skewed' Soviet-era biography of Vaganova by Krassovskaya.

This intelligently-written, yet highly-understandable, tome will delight both specialists and balletomanes. Generously illustrated.

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Rabu, 23 April 2014

! Ebook Download From Garvey to Marley: Rastafari Theology (History of African-American Religions), by Noel Leo Erskine

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From Garvey to Marley: Rastafari Theology (History of African-American Religions), by Noel Leo Erskine

This history of the theology and rituals of Rastafarianism features accents of the reggae rhythms of Bob Marley and the teachings and philosophy of Marcus Garvey, the black nationalist who motivated many of his fellow Jamaicans to embrace their African ancestral roots. Written by a trained theologian who was raised in the Jamaican village in which the Rastafarian faith originated, the book offers both a serious inquiry into the movement and the perspective of an insider in conversation with elders of the faith who still live in the village.            Marley, who died in 1981, is the best known and one of the most articulate exponents of the themes of race consciousness that provide the core of Rasta hermeneutics. The poet and musician also made the faith appealing to the Jamaican middle class, which had turned away from the "Back to Africa" message that Garvey delivered in the 1930s.            Noel Leo Erskine isolates and defines the main tenets of Rastafarianism, which emerged toward the end of the 20th century as a way of life and as a new international religion. He includes biographical descriptions of the key players in the development of Rastafari theology, provides details of its organization and ethos, and discusses the role of women in the religion. He also discusses the significance of Ethiopia to the faith; practitioners view that country both as their homeland and as heaven on earth. Examining the religion's relationship to Christianity, Erskine relates the Rastas to 19th-century Native Baptist and Revivalist traditions on the island and to the black theology movement in the United States. The Rastas see the European and North American churches as representatives of an oppressive colonial class, he writes. The Rastafarian name for God--"Jah"--is derived from Yahveh, the God of the Hebrews, and members of the faith connect their struggle for dignity and solidarity in Jamaican society with the struggle of the oppressed Israelites. "Jah" and not the Bible is the decisive source of morality and truth for the Rastas.            Clearly written, sympathetic, and at times critical, the book will be important in the fields of African, African American, and Caribbean studies, especially to the cultural and religious dimensions in each discipline.

  • Sales Rank: #1226237 in Books
  • Published on: 2007-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.55" h x .68" w x 5.91" l, .78 pounds
  • Binding: Paperback
  • 256 pages

Review
...point[s] out the degree Rastafari has given Jamaica a transformative religious practice and bring[s] Christianity into contact with that practice. -- New West Indian Guide

About the Author
Noel Leo Erskine is associate professor of theology and ethics at the Candler School of Theology, Emory University, and the author of Decolonizing Theology: A Caribbean Perspective.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By JAY111
Book is amazing ☺️

11 of 12 people found the following review helpful.
Great Information and Lacking Overstanding of a "World Religion" in an Exclusively Jamaican Perspective
By Bonam Pak
Having read a couple of books on RastafarI, it shows that this one - originally written in 2004 - was written by an Afro-Jamaican for once, not an Anglo-Western. However, it also shows that it was not written by a RastafarI. To begin with, expressions (and lacking capital spellings of "-I") such as "Rastafarianism", "Rastafari belief and doctrine", "Rastafarian" and "Rastafari church" obviously demonstrate that the author, as an "expert", intended to distance himself from RastafarI, not respecting that some of these blunders most likely are insulting to RastafarI or at least incorrect. In fact, Noel Leo Erskine served as a pastor in a church.

The wellcome part of the book is its embedment of RastafarI in the entire colonial religious-historical context (i.e. the religious liberation movements from the start of transatlantic Jamaican slavery leading up to RastafarI), including the neo-colonial economic power structures. The focus on Marcus Garvey is indeed dominating, also on Bob Marley. Which would not have been this intense with a Rasta author, who would have elaborated more on Leonard Percival Howell and Haile Selassie-I, both of whom of course are included in this book, yet rather marginally by comparison. Also the appreciation of RastafarI and the occasional statement that non-Rastas should learn one or the other thing from RastafarI is a positive facet of this book.

To my amazement, on the other hand, the author seems to have missed a more thorough overstanding of RastafarI in quite a few instances. Though it is true that in the beginning Black RastafarI preferred a non-mingling attitude towards white skinned, ever sin-ce it isn't so much about the whiteness of the skin, which gets rejected, but the whiteness of the mind, which may inflict ANYONE. Of course, white skinned are more likely to get conditioned white, yet ALL of I-and-I (us) descent from Ethiopia. So, Rastas are cautious and embracing at the same time.

"Rastas refuse to cover their locks, while they insist on women wearing a covering" (p.111). Monolithic treatment of Rastas is always problematic. The author makes the above point also specifically for the Bobo Rastas. Which amazes me, as the Bobos (and some other Rastas) I know usually wear locks coverings in public, i.e. ALL of the I-n-I (them), irrespective of "gender". While in "orthodox" groups, the above quote rings true, most certainly this is not the case among modern Rastas, especially on a global scale. In fact, there are very much matriarchally inclined Rastas, especially in Africa and also some Rastas who do not believe anymore in the construct of gender-separation at all, i.e. overtaking the author in terms of "women's" liberation.

Even though the author describes all the elements necessary to potentially overstand the concept of "I-n-I consciousness", he fails to fully succeed in it, e.g. when referring to it as "at its best is still steeped in individualism" (p.129). While the individual mind is most important for specific functions, individualism as such ("-ism" = belief in, doctrine of) is the diametrically opposed concept to "I-n-I".

Initially, the return to Africa was intended quite literally. Reading this book, one gets the impression, the most important shift to metaphor never happened. Today, it is about the return to Ethiopia or rather "Ithiopia". Which may be described as an Ithiopian mind bubble anywhere in Babylon, irrespective of geographics. It is about turning Babylon into Ithiopia, at least for the Rasta living in Babylon. By the way, colonial induced systems in Africa may be Babylonian as sick. Some Rastas do not believe in the construct of continental separation anyway. (At this point, I would like to add that "Ethiopia" as a term for a country isn't that old. Previously, it was used as a synonym for Africa, something the author doesn't clarify in certain historical contexts. The country's previous names include Abyssinia and Axum.)

So much for not quite overstanding Rasta concepts and/or neglecting the evolutionary processes of progressing concepts of various Rastas via reasonings. Which is a most important aspect of RastafarI in contrast to many other branches of religion, which instead are bound down by dogmas and hierarchy. The further one reads the book, the more critical the author gets. RastafarI are supposed to challenge each other; I-n-I most certainly challenge anybody else; I-n-I can take it to get challenged. I-n-I will not feel challenged all too much by this book, but rather criticized, which is a difference: I-n-I see that the author doesn't overstand yet some things, otherwise he wouldn't think, his criticisms are really challenging to RastafarI (who on purpose know better in these specific instances). In some of these cases, the author clearly crosses the line of acceptable attempts of challenges.

Let's begin with the more harmless "challenges": The author claims RastafarI would approach colonial exploitation inadequately in order to change it. In context that almost sounds as if that prevailing situation of colonialism would be the Rastas' fault. I may remind that obviously, by that logic, EVERYBODY approaches that inadequately, including the author, as in the short term at least, nothing really changes. Later, he specifies his challenge that Rastas should participate in the creation and administration of laws in order to change things and to build the nation. He even goes on to aver, for the Rastas' failure to get involved in politics and the government, RastafarI would be an un-African religion.

I will go into that briefly only: Nationalism is a construct. A quite recent one, by the way, only a few centuries old. Originating in Europe and the European-ruled Americas. Most certainly, it is not African. In fact, especially in Africa, those most artificial nations of them all are a major problem, not even mentioning that the nation construct is inherently most problematic anyway. The global ways of organizing government and the concept of political struggles (of parties, systems and other separations) are European failures. They are not traditional African ways of functioning democratic organizing ways. Please do not blame Rastas for the failure of those Babylon systems. These are not reformable in a sense of ever fully functioning. Feel free to listen to I-n-I thoughts and use them to translate them as band-aids for your systems. Life will get a bit better then, not more. Thanks for the invitation, but do not attempt to persuade I-n-I to engage in Babylon government politics.

Most certainly I refuse to tolerate non-Rastas meddling in Rasta religion. The author criticizes Rastas for venerating a "foreign" God, an African God. Instead, I-n-I should venerate a Jamaican God. That is nationalism as bad as it gets. A god for every country?! That even means to leave monotheism. It means to sever from Africa. It means that Rastas would have INVENTED Haile Selassie-I as divine instead of SIGHTING H.I.M. as Jah, if it is suggestable that I-n-I should now arbitrarily pick another one from Jamaica. On what basis exactly? Dear Noel Leo Erskine, please feel free to do, what I-n-I can't stop you from, but leave I-n-I out of that! With that suggestion of yours you are not only blasphemous, but disrespectfull to I-n-I RastafarI, rendering I-n-I religion arbitrary, an illusion and thereby void. It also means to separate/splinter RastafarI, as in accordance with your suggestion, Rastas in all countries would venerate a different national god. By the way, your description of the Rasta concept of Jah is flawed anyway. There are variated concepts around, none really matching the author's words.

The author falls for an inherent mistake: He's writing a book about a world religion, yet as if it was completely limited to Jamaica. That is utter non-sense on so many levels, I won't even begin here to elaborate on that. Also, it isn't as easy to write about RastafarI theology as it is with most other branches of religion, which have dogmas, hierarchies, maybe centralized power structures. RastafarI, even if looked at in the lacking Jamaican context only, is more like a tree with many branches. Monolithic descriptions, more or less applicable to other world religions (or their branches), simply distort any picture of RastafarI, even if written by an authentic Rasta. Do not forget that today more RastafarI live outside Jamaica than in Jamaica.

The book provides for a lot of good information I appreciated. Yet, it doesn't overstand some issues. And it doesn't go as much into theology concepts of RastafarI - which would have to be variating - as I hoped, it would. All the criticism the author hurls at RastafarI are dealt with by various theological answers, having resulted from reasonings. Even their existance gets completely ignored in this book, only because they are not applied/known by all the branches of Rastas. In other words, for general information, especially the historic one, this book is worth to get read (including Rastas), even if you have read other books on RastafarI before. Non-Rastas should be carefull not to take anything in this book at face value.

3 of 3 people found the following review helpful.
From Garvey To Marley: Rastafari Theology: Dr Erskine at his best
By D. V. Palmer
Alas! A full length monograph on the theology of the only world religion having its genesis in the twentieth century.
The writer of this important pioneering piece-Dr Leo Erskine-sees his work as a continuation of the earlier "Deconolizing Theology" in which themes of struggle and salvation are explored. From "Garvey to Marley" develops these motifs against the back drop of Rastafari reflection on bibliology, Christology and redemptive eschatology, with H.I.M. Haile Selassie as as the focal point.
In reading this book, one could very easily get the impression that it was written by an insider. This is how much the author's 'Jamaicaness' and understanding of the movement dominate; and this is how much his empathy with the Rastafari agitation for liberation from "Babylon" shines through.
My only disappointment is that the author did not interact with the programmatic work of Barbara Blake Hannah--the first Rasta to have put pen to paper on the movement. But otherwise Dr Erskine has done an excellent job in outlining the beliefs and praxis of Rastafari which have so far resisted any attempt at systematization.
Erskine's latest book is a must read for all students and scholars of Contemporay Theology. It comes complete with a helpful glossary of Rastafarian terms.

D V Palmer

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The Best Exotic Marigold Hotel: A Novel (Random House Movie Tie-In Books), by Deborah Moggach

Now a major motion picture starring Judi Dench, Maggie Smith, Tom Wilkinson, Billy Nighy, and Dev Patel
 
When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: “Can’t we just send him away somewhere? Somewhere far, far away.” His prayer is seemingly answered when Ravi’s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled, and that such amenities as water and electricity are . . . infrequent. But what their new life lacks in luxury, they come to find, it’s plentiful in adventure, stunning beauty, and unexpected love.

  • Sales Rank: #409442 in Books
  • Published on: 2012-03-13
  • Released on: 2012-03-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.95" h x .74" w x 5.23" l, .50 pounds
  • Binding: Paperback
  • 336 pages

Review

“[Deborah] Moggach has served us a treat with this novel. Moving, sincere, funny.”—Independent on Sunday
 
“Underneath the ironies, [The Best Exotic Marigold Hotel] is a book about remembering—too late, or not too late—how to be alive.”—The Times Literary Supplement
 
“Classic Moggach: funny, touching, and . . . full of colours and visual details.”—The Daily Telegraph

About the Author

Deborah Moggach is the author of sixteen successful novels, including the bestselling Tulip Fever, and two collections of stories. Her screenplays include Pride and Prejudice, which was nominated for a BAFTA. She lives in North London.

Excerpt. © Reprinted by permission. All rights reserved.
ON E
eee
 
The Truth will set you free.
Swami Pur na

Muriel Donnelly, an old girl in her seventies, was left in a hospi- tal cubicle for forty-eight hours. She had taken a tumble in Peck- ham  High  Street  and  was  admitted  with  cuts,  bruises  and
suspected concussion. Two days she lay in A & E, untended, the blood stiffening on her clothes.
It made the headlines. TWO  DAYS! screamed the tabloids. Two days on a trolley, old, neglected, alone. St. Jude’s was be- sieged by reporters, waylaying nurses and shouting into their mo- biles, didn’t they know the things were forbidden? Photos showed her lolling gray head and black eye. Plucky pensioner, she had survived the Blitz for this? Her image was beamed around  the country:  Muriel  Donnelly,  the  latest  victim of  the  collapsing NHS, the latest shocking statistic showing that the British health system, once the best in the world, was disintegrating in a welter of underfunding, staff shortages and collapsing morale.
A hand-wringing  why-oh-why  piece appeared  in the  Daily Mail, an internal investigation was ordered. Dr. Ravi Kapoor was interviewed. He was weary but polite. He said Mrs. Donnelly had received the appropriate  care and that she was waiting for a bed. He didn’t mention that he would kill for an hour’s sleep. He didn’t mention that since the closure of the Casualty department at the neighboring hospital, his own, at St. Jude’s, had to cope with twice the number of drunks, drug overdoses and victims of pointless violence; that St. Jude’s would soon be closing because its site, in the center of Lewisham, was deemed too valuable for sick people; that the private consortium  that had taken it over had sold the land to Safeway, who were planning to build a super- store.


Exhausted, Ravi drove home to Dulwich. Walking up his path, he paused to breathe deeply. It was seven in the evening; some- where a bird sang. Beside the path, daffodil blooms had shriveled into tissue paper. Spring had come and gone without his noticing.
In the kitchen, Pauline was reading the Evening Standard. The story had gathered momentum;  other cases were printed,  out- raged relatives told their tales.
Ravi opened a carton of apple juice. “Thing is, I didn’t men- tion the real reason the old bat wasn’t treated.”
Pauline fetched him a glass. “Why?”
“She wouldn’t let any darkies touch her.”
Pauline burst  out  laughing.  At another  time—another  life- time, it seemed—Ravi would have laughed too. Nowadays  that place was unreachable, a golden land where, refreshed and rested, he could have the energy to find things funny.
Upstairs the lavatory flushed.
“Who’s that?” Ravi’s head reared up. There was a silence.

“I was going to tell you,” said Pauline. “Who is it?”
Footsteps creaked overhead.
“He won’t be here for long, honestly, not this time,” she bab- bled. “I’ve told him he’s got to behave himself—”
“Who is it?”
He knew, of course.
Pauline looked at him. “It’s my father.”


Ravi was a man of compassion. He was a doctor; he tended the sick, he mended the broken. Those who were felled by accident, violence or even self-mutilation found in him a grave and reassuring presence. He bandaged up the wounds of those who lay at the wayside, unloved and unlovable; he staunched the bleeding. No- body was turned away, ever. To do the job, of course, required detachment. He had long ago learned a sort of numbed empathy. Bodies were problems to be solved. To heal them he had to vio- late them by invading their privacy, delving into them with his skilled fingers. These people were frightened. They were utterly alone, for sickness is the loneliest place on earth.
Work sealed him from the world that delivered him its casual- ties, the doors sighing open and surrendering them up to him; he was suspended from the life to which he would return at the end of his shift. Once home, however, he showered off the hospital smell and became a normal person. Volatile, fastidious, a lover of choral music and computer games, sympathetic enough but somewhat  drained.  Of  course he was compassionate,  but  no more or less than anybody else. After all, the Hippocratic  Oath need not apply on home territory. And especially not to a disgust- ing old sod like Norman.
Barely a week had passed and already Ravi wanted to murder his father-in-law. Norman was a retired structural engineer, a monumental  bore and a man of repulsive habits. He had been thrown out of his latest residential home for putting his hand up a nurse’s skirt. “Inappropriate sexual behavior,”  they called it, though Ravi could not imagine what appropriate  behavior could possibly be, where Norman  was concerned. His amorous anec- dotes, like a loop of Muzak, reappeared with monotonous regu- larity. Already Ravi had heard, twice this week, the one about catching the clap in Bulawayo. Being a doctor, Ravi was treated to Norman’s more risqué reminiscences in a hoarse whisper.
“Get me some Viagra, old pal,” he said, when Pauline was out of the room. “Bet you’ve got some upstairs.”
The man cut his toenails in the lounge! Horrible  yellowing shards of rock. Ravi had never liked him, and age had deepened this into loathing of the old goat with his phony regimental tie and stained trousers. Ruthlessly selfish, Norman  had neglected his daughter  all her life; ten years earlier, however, pancreatic cancer had put his long-suffering wife out of her misery and he had battened on to Pauline. Once, on safari in Kenya, Ravi had watched  a warthog  muscling its way to a water  hole, barging aside any animal that got in its way. He retained, for some rea- son, a vivid image of its mud-caked arse.
“I can’t stand much more of this,” he hissed. Nowadays  he and Pauline had to whisper like children. Despite his general di- lapidation, Norman’s hearing was surprisingly sharp.
“I’m doing my best, Ravi, I’m seeing another place tomorrow, but it’s difficult to find anywhere else to take him. Word gets around, you know.”
“Can’t we just send him away somewhere?” “Yes, but where?” she asked.
“Somewhere far, far away?”
“Ravi, that’s not nice. He is my father.”

Ravi looked at his wife. She changed when her father  was around. She became more docile, in fact goody-goody, the dutiful daughter  anxious  that  the two  men in her life get along. She laughed shrilly at her father’s terrible jokes, willing Ravi to join in. There was a glazed artificiality to her.
Worse still, with her father in the house he noticed the similar- ity between them. Pauline had her father’s square, heavy jaw and small eyes. On him they looked porcine, but one could still see the resemblance.
Norman  had stayed with them several times during the past year—whenever he was kicked out of a residential home, in fact. The stays were lengthening as establishments that hadn’t heard of him became harder to find. “The man’s a menace,” said the manager of the last one, “straight out of  Benny Hill. We lost a lovely girl from Nova Scotia.”
“Thing is, he’s frightened of women,” said Ravi. “That’s why he has to jump them all the time.”
Pauline looked at him. “At least someone does.”
There was a silence. They were preparing Sunday lunch. Ravi yanked open the oven door and pulled out the roasting tin.
“I’m so tired,” he said.
It was true. He was always exhausted. He needed time to re- vive himself, to restore himself. He needed a good night’s sleep. He needed to lie on the sofa and listen to Mozart’s Requiem. Only then could he become a husband again—a human being, even. The house was so small, with her father in it. Ravi’s body was in a permanent  state of tension. Every room he went into, Norman  was there. Just at the Lacrimosa he would blunder in, the transistor  hanging on a string around  his neck burbling the cricket commentary from Sri Lanka.
“He uses my computer.”
“Don’t change the subject,” said Pauline.

The place stank of Norman’s cigarettes. When they banished him outside, the patio became littered with butts like the Out- patients doorway at St. Jude’s.
“He downloads pornographic sites.” When Ravi entered his study the chair was skewed from the desk; the room felt violated. Fag-ends lay drowned in the saucer underneath  his maidenhair fern.
Pauline slit open a packet of beans. They both knew what they were talking about.
“I’m sorry.” Ravi stroked her hair. “I want to, really. It’s just, the walls are so thin.”
It was true. At night, when they lay in bed, Ravi could almost feel her father a few inches away, lying in the pigsty that had once been the spare bedroom.
“But he’s asleep,” said Pauline.
“Yes, I can hear that, all too distinctly.”
“He is amazing,” she replied. “I’ve never known anybody who can snore and fart at the same time.”
Ravi laughed. Suddenly they were conspirators.  Pauline put the beans on the counter and turned to her husband. Ravi put his arms around her and kissed her—truly kissed her, the first time in weeks. Her mouth  opened against his; her tongue, pressing against his own, gave him an electric jolt.
He pushed his wife against the kitchen unit. She was hot from cooking. He thrust his hand down her slippery cleavage, down beneath her blouse and her stiff butcher’s apron. He felt her nip- ple; her legs buckled.
“Sweetheart,” he said. She moved her body against his. He slid his hand into the small of her back to cushion her from the cup- board knobs.
“Let’s go upstairs,” she whispered.
There was a sound. They swung round. Norman came in, zip- ping up his trousers.

“Just had the most monumental dump. Must be those chick- peas last night.” Norman  rubbed his hands. “Something smells good.”


Norman Purse was a vigorous man. Never any problem in that department. His work, building bridges, had taken him all over— Malaysia,  Nigeria.  He had sampled the fleshpots of Bangkok and Ibadan and was proud of his linguistic fluency; in six African languages he could say “Show me your pussy.” Oh yes, he had plenty of lead in his pencil.
His wife, Rosemary, hadn’t put up a fuss. She had been a pretty girl once, nicely turned ankles, a bloom to her. That was the trou- ble: she was too bloody nice. There were certain things a chap couldn’t do with a well-bred English rose. Besides, she was his wife. After a few years, like all roses, she was past her best. She had grown into a mousy, middle-aged person who cooked his meals and scuttled around doing whatever women did, hardly a peep from her. To be perfectly honest, the woman wasn’t a barrel of laughs. The only time he heard her giggle was behind closed doors with their daughter Pauline. “What’s so funny?” he would ask, opening the door. They would jump like rabbits. Then, when he went  away,  they  would  start  all over again.  Women  were strange creatures.
And now Rosemary was long since dead and his own daughter had become a middle-aged matron herself. Pushing fifty, if he remembered it right. One of these career girls, travel agent, never seen her way to give him a grandchild. But a damn good cook, like her mother, better than that slop at The Beeches. Ravi could rustle up some decent grub too; he said it helped him relax. Nor- man liked teasing his son-in-law. “Fancy a takeaway?” he would ask, wandering  into  the kitchen  and  rubbing  his stomach.  “I could murder an Indian.”

Norman had been living with them for a month now and very comfortable it was, too. He couldn’t go back to the bungalow, of course, because it had burned down. All the fault of that damned electrician, what a cowboy. They blamed Norman,  said he must have nodded off with a fag in his hand, but that was a lie and a slander. What were they suggesting, that he was losing his mar- bles? He might have a dicky heart  and an occasional problem with the waterworks,  but at least he had kept his wits unlike some people in the  various  penal  institutions,  aka  homes,  in which he had been incarcerated.  Stark raving bonkers, most of them, wandering around in their nighties muttering to them- selves. His daughter had a heart of stone, sending him there. The Dettol-smelling corridors,  the tap-tapping  of Zimmer walkers, the rows of chairs facing the rain-lashed sea, those ghastly prison wardens who couldn’t handle a red-blooded male, the miserable old hags. Lesbians, the lot of them.
And they called these places homes. Somebody had a sense of humor. Home was with his daughter in Plender Street. It was her duty to look after her old dad. And it wasn’t as if it were a one- way thing. He made himself useful looking after the place when they were at work. Plenty of burglars around, even in Dulwich.
It was a gloriously sunny morning in May. Norman filled the saucepan, squirted in some Fairy Liquid and put his hankies on to boil. He was in a good mood. He’d had his morning wank, he had emptied his bowels and had thoroughly cleared his nasal passages. What with one thing and another, he got through a lot of handkerchiefs. He had eaten a hearty breakfast—Bran Fiber and  three slices of  toast  with  Cooper’s Old  English and  that blithering low-cholesterol spread Pauline bought for him. The transistor  around  his neck—he hung it there to keep his hands free—burbled the morning news. “The pensions time bomb,” it said, “is a disaster waiting to happen.” The water came to the boil; gray scum rose to the surface. “Over the next thirty years the elderly population will grow by two-thirds.” Norman turned down the gas and let himself out of the house.
Plender Street was a pleasant street of Victorian villas—quiet; leafy; Neighborhood  Watch stickers in the windows. Ravi had done well for himself and Pauline must bring in a few shekels too. twinkies, they called them: Two Incomes and Something or Other.
A comely housewife pushed a buggy along the pavement; Norman doffed his hat to her as he walked past. She looked star- tled; good manners were a rarity nowadays, of course. He gazed after her as she quickened her pace; nice arse. Probably wasn’t getting much rumpy-pumpy, not with a little kid around. He whistled cheerfully; another thing you didn’t hear nowadays, whistling. This place suited him; it was his home, for God’s sake. Nice room, meals on tap. No, they weren’t going to get rid of him this time. He knew Pauline was searching for another peni- tentiary, she was doing it on the internet, but no luck so far.
Norman  was having too much fun. Ravi was such a fusspot; he had grown worse with the passing years. Everything had to be just so. Norman  knew just how to tease him—flicking his fag- ends into the gas-log fire, removing his bottom  teeth when he watched TV. He enjoyed his son-in-law’s sharp intake of breath. Just that far, no farther. Norman  had a well-developed sense of survival.
And the man was such a prude. Funny, that,  considering he was a doctor,  plunging his hands God-knows-where.  Norman had told him his joke about the gynecologist’s wife, “Had a good day at the orifice?” Not a titter. A while ago he had asked him to get him some Viagra. “I’m afraid that’s impossible,” Ravi had said. What a goody-goody! Once, on a train, Norman  had seen his son-in-law reading the safety leaflet. On a train. The safety leaflet. He hadn’t let Ravi forget that.
Norman pushed open the door of Casablanca Food and Wine.

A dusky maiden stood behind the counter. He had never seen her before.
“Good morning, my dear.” He raised his hat. “What’s a lovely girl like you doing in a place like this?”
“My dad owns it,” she said. “Ah. And what’s your name?” “Sultana.”
Norman spluttered. “Sultana! Fancy a date then?”
The girl gazed at him, coolly. Oh well, he thought, never mind. He bought his packet of fags and two cans of Tennent’s. Sultana was doing that text thing on her mobile, thumb skittering. Even so, she could see him. Norman  gazed longingly at the rack of magazines. Just for a moment he felt that rare thing: embarrass- ment. He couldn’t, not with this lovely creature here, so young and dewy.
There was nothing for it but to go down to the high street. It took him a good ten minutes; his back was playing up. Finally, however,  he reached  its welcome anonymity,  cars  thundering past, and went into a newsagent’s.
“Morning,” he said to the man behind the counter. He scanned the top shelf of magazines. Lifting his walking stick, he dislodged a copy of Asian Babes. It fell to the floor.
Norman  bent to pick it up. A spasm shot up his spine. He froze. Bent double, he waited for the pain to pass.
“Here, Granddad.”  The man came over and picked it up for him.
“It’s for my son-in-law,” Norman muttered at the floor. “He’s Indian.”
“I’m sure he is.” The man grinned. “I expect he’ll be wanting it in a bag, too.”
Clutching the carrier, Norman  hobbled back along the road. A siren screamed. He jumped. A fire engine rushed past. Sud- denly he wanted to be home, safely ensconced on the sofa. Today the world seemed more than usually hostile—the traffic, the heedless passersby, the newsagent with his insolence. Somebody unloaded a crate of bottles. Norman  jumped again. He wanted his daughter to be home, instead of miles away in some office or other. She would bring him a cup of tea. She would rub Ibuleve into his back and tell him he wasn’t that old, it was all right, he wasn’t going to die. Everything was going to be all right.
Norman  paused, leaning on his stick. Suddenly he saw him- self as others must see him. Just for a moment, like the clouds parting. Then they closed again.
He thought: I miss my wife. Rosemary would understand. This surprised him so much that  he didn’t notice what was
happening  at  the end of  the street.  Something was up.  What looked like a fire engine seemed to be parked outside his daugh- ter’s house. A crowd of people stood watching.
Norman hobbled closer. He stopped and stared. At 18 Plender Street, black smoke was billowing out of the side window.

Most helpful customer reviews

202 of 208 people found the following review helpful.
The India effect
By Tsila Sofer Elguez
These Foolish Things

From every angle you discuss the matter, old age is a very un-sexy issue. Surprisingly, as you move along in your reading of "These Foolish things" sex is in fact quite a subject.

The book starts with a story that sounds familiar - wasn't it just last winter when I read this tale in the newspapers - an old lady lying in a hospital corridor does not get treated by the medical staff and the newspapers are out, once again, to blame the system ...

Ravi Kapoor, the over-worked Indian doctor in charge of the elderly woman gets a lot of bad publicity. He himself knows the truth, Muriel Donnelly, the old lady, did not want to get treatment from "those darkies". This whole affair comes at a very bad time for Ravi. His father-in-law, a typical "dirty old man" is staying at his house, after being thrown, again, from another retirement home. Here however comes the unexpected twist. Ravi's cousin comes out with a genius idea: move a group of British senior citizens, just like Ravi's father-in-law to India where labor is cheap and elders are treated with respect, and create a Little England in India. The old folks will never know the difference. The cousin is very convincing, he knows just the right place and the right people to manage the establishment...he is a man who dwells on "arranging". What if the ends are not loosely tied...Ravi is captured in his enthusiasm.

This is a story about old age but also about personal revelation and self discovery that sometimes need the mediation of a different place. This is what India manages to do in this book and its influences on the group of elderly people and one doctor is the essence of this lovely story.

Deborah Moggach is funny and gives you a very detailed and understandable description. You feel you have met, at least once in your life, most of the characters she talks about, although they are not stereotypes. Moggach presents a host of characters that is about to occupy the Indian retirement home and brings each personal story - then we read about them in their new home, far far away...or maybe not?

I give the story 4 out of 5 points as the story is interesting, even educational, and very entertaining. It does tend however to slip towards some very easy soap opera solutions. I have to say that the story is comforting in the sense it is filled with a lot of vivacity and life force and there is (almost) nothing of the despair of old age. On the other hand, this is also the reason why the story is not totally convincing. Nevertheless, quite lovely.

197 of 206 people found the following review helpful.
Not as good as the movie.
By John Thompson
I purchased this book after reading that it was the basis for the movie "The Best Exotic Marigold Hotel". Having loved the movie I thought I would also enjoy a more in-depth exploration of the characters and the background. However, I was sadly disappointed as the book is really nothing like the movie. Some of the character's names are the same, but that is where any similarity with the movie begins and ends. It is actually quite a depressing story of the suffering and neglect of the elderly in modern-day Britain, which forces the characters to seek a better life in India, in much the same way that the health care system for the elderly in the UK has been out-sourced to India. Don't read this book if you're looking for more of the sparkling wit of Maggie Smith, the stoicism of the magnificent Judy Dench and the dry humour of Bill Nighy.

109 of 114 people found the following review helpful.
An affectionate view of the elderly
By Ralph Blumenau
There have been other novels set in old age homes - Muriel Spark's Memento Mori, Alan Isler's The Hamlet of Fifth Avenue - and there is a certain formula about them. But Deborah Moggach's is the most kindly of these novels and, unusually, envisages the possibility that the elderly might actually get a new lease of life under such circumstances. Not possible, it is suggested, in cash-strapped Britain; but why not outsource the care for the elderly to Bangalore in India, where a little money goes a long way, where the climate is better, and where, above all, a former British hotel converted into a somewhat run-down retirement home (called Dunroamin) can create a little island of Old England in the midst of a throbbing Indian city. One has to suspend one's disbelief that elderly folk would really be happy in such a setting, but, it is suggested, there is something about the atmosphere of India which makes possible some kind of renewal of the spirit which gives new insights and meaning to what had been lonely lives in England. For much of the book the stories of each of these elderly folk seems episodic and disconnected, and there seems to be no particular plot; but in due course a plot does emerge in which coincidences - somewhat forced in my view - connect many of these lives together in unexpected ways. It is a kindly book, both about the elderly and about India and Indians, and that makes it an attractive book.

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The Challenge of Blackness: The Institute of the Black World and Political Activism in the 1970s (Southern Dissent), by Derrick E. White

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“White poignantly chronicles the rise and fall of the Institute of the Black World and assesses its role as progenitor of radical scholarship, Black Studies, and the African Diaspora. Written in provocative yet accessible prose, this book is sure to spark debate on the intense relationship between Black Power, Marxism, and anticolonial politics during the long seventies.”—Paul Ortiz, University of Florida “This important book discusses the challenges faced by a visionary organization as it struggled with the turbulent 1970s. An excellent contribution to Black Power Studies and social movement research.”—Fabio Rojas, University of Indiana The Challenge of Blackness examines the history and legacy of the Institute of the Black World (IBW), one of the most important Black Freedom Struggle organizations to emerge in the aftermath of the assassination of Dr. Martin Luther King Jr.           
A think tank based in Atlanta, the IBW sought to answer King’s question “Where do we go from here?” Its solution was to organize a broad array of leading Black activists, scholars, and intellectuals to find ways to combine the emerging academic discipline of Black Studies with the Black political agenda.           
?Throughout the 1970s, debates over race and class in the Unites States grew increasingly hostile, and the IBW’s approach was ultimately unable to challenge the growing conservatism. By using the IBW as the lens through which to view these turbulent years, Derrick White provides an exciting new interpretation of the immediate post–civil rights years in America. Derrick E. White is associate professor of history at Florida Atlantic University and contributor to “We Shall Independent Be”: African American Place-Making and the Struggle to Claim Space in the United States. A volume in the series Southern Dissent, edited by Stanley Harrold and Randall M. Miller

  • Sales Rank: #3736641 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2011-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.10" l, 1.15 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

About the Author
Derrick E. White is associate professor of history at Florida Atlantic University and contributor to “We Shall Independent Be”: African American Place-Making and the Struggle to Claim Space in the United States.

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Kamis, 17 April 2014

~~ PDF Ebook Selling the Sunshine State: A Celebration of Florida Tourism Advertising, by Tim Hollis

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Selling the Sunshine State: A Celebration of Florida Tourism Advertising, by Tim Hollis

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Selling the Sunshine State: A Celebration of Florida Tourism Advertising, by Tim Hollis

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Selling the Sunshine State: A Celebration of Florida Tourism Advertising, by Tim Hollis

A celebration of fun and sun through tourists' eyes  "Wow! The most beautiful and captivating manuscript I have ever read. Hollis's book is a journey to a long-vanished Florida before Disney, a Florida filled with roadside attractions, pink flamingos, and alligator farms. The beautiful and full-color vintage advertising makes this book one of the best Florida souvenirs of all time."--Brian R. Rucker, author of Arcadia and Floridale "This colorful book takes the reader back to the golden age of tourism, to Florida before the mouse. Vivid postcards and brochures revisit lost attractions and remind the reader that once upon a time Florida offered more than one brand of family fantasy."--Tracy J. Revels, author of Watery Eden For more than a century, Florida has thrived on its image as an exotic playground. Selling the Sunshine State offers a scrapbook of bygone brochures, postcards, souvenirs, and photos, all designed to lure northerners (and fellow southerners) into the peninsula. Tim Hollis's personal collection of Florida memorabilia and mementos lies at the heart of the nearly 500 color images herein. Lovingly assembled, the book is arranged according to the state’s traditional tourism department regions, including the Miracle Strip, the Big Bend, and the Gold Coast which allows readers to discover the lost attractions and sometimes shocking appeals in promotional material created from the 1920s through the 1970s. An introductory essay on the history of Florida advertising methods and themes, along with additional commentary for each region, places the images in context. Hollis writes as a tourist,and his captions to the copious, eye-catching color illustrations transport the reader back to another era of Florida history. Nostalgic tourists, Florida natives, and anyone interested in the history of advertising will enjoy this lighthearted volume. Tim Hollis is the author of numerous books celebrating southern popular culture and history, including Dixie Before Disney: 100 Years of Roadside Run and Florida's Miracle Strip: From Redneck Riviera to Emerald Coast.

  • Sales Rank: #1131870 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2008-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.30" h x 1.22" w x 10.20" l, 2.76 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

About the Author
Tim Hollis is the author of numerous books celebrating southern popular culture and history, including Dixie Before Disney: 100 Years of Roadside Run and Florida's Miracle Strip: From Redneck Riviera to Emerald Coast.

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8 of 8 people found the following review helpful.
The Florida tourism that used to be...
By Thomas Duff
After my review of Dixie Before Disney, I got an email from Tim Hollis letting me know he had additional titles (IN COLOR!) that covered the subject of Southern tourism from different angles. So, back off to Interlibrary Loan I went, and I soon received a copy of Selling the Sunshine State: A Celebration of Florida Tourism Advertising. This was probably what I was most looking for when I first read the Dixie title, but that's not to say Dixie Before Disney wasn't good. Selling the Sunshine State focuses entirely on Florida tourism, and is in full color. Brochures, maps, advertising, you name it... Places that exist now, no longer exist, or probably should have *never* existed. This book took me on a nostalgic trip of what Florida *used* to be before the heavy hitters (like Disney) redefined tourism.

Hollis divides the book up into the following chapters: When You Need It Bad We've Got It Good (overall state), The Miracle Strip, The Big Bend, Florida's Crown, The Grove Coast, The Sun Coast, The Tropicoast, and The Paradise Islands. After a page or two of intro into the material, you then get the goods... full-color reproductions of all the material that the state and various attractions used to catch your attention and get you to spend your dollars. Hollis also has great captions and insets describing each item, which add even more meaning and color (no pun intended) to the overall effect. It's amazing to think that these placemats, maps, postcards, and brochures were probably gathered up by travelers, poured over by kids, and then relegated to the trash. It's great that Hollis has saved and preserved so many of them so we don't lose sight of what used to be...

Felt pennants... hadn't thought about those in years...

I found it most interesting to see how so many of the attractions tended to follow each other in various forms and images. For instance, *all* of the various "Springs" attractions (Silver Springs, Rainbow Springs, etc) had to have pictures of attractive women in bathing suits. If you had a marine-themed attraction, you *had* to have dolphins and porpoises adorning your material. And if you didn't have the required glass-bottom boat picture somewhere, you could just forget about it. :) I also now understand the impact that Silver Springs had on the entire tourism industry in Florida. They were the Disneyworld of their era, and the attraction by which all others were measured. Yes, it would be considered quite tame today, but step back 40 years or so, and it was *the* place to be.

If this subject at all appeals to you, Selling the Sunshine State is a must-read. It won't take much time in terms of reading, but you will spend a considerable amount of time just lingering over the pictures and enjoying the images.

3 of 3 people found the following review helpful.
Beautiful Book
By Annie Oakley
Anyone who loves Florida and the way it was will love this book. It brought back so many memories of things and places that time has forgotten....some long gone into history and some still stand to enjoy. Highly recommend this book.

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^^ Download Ebook Let Me Take You Down: Inside the Mind of Mark David Chapman,the Man Who Killed John Lennon, by Jack Jones

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Let Me Take You Down: Inside the Mind of Mark David Chapman,the Man Who Killed John Lennon, by Jack Jones

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Let Me Take You Down: Inside the Mind of Mark David Chapman,the Man Who Killed John Lennon, by Jack Jones

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Let Me Take You Down: Inside the Mind of Mark David Chapman,the Man Who Killed John Lennon, by Jack Jones

Offers a chilling, tragic, and frightening portrait of the enigmatic young man who murdered John Lennon in December 1980 and answers many lingering questions about Chapman's motives and the killing itself.

  • Sales Rank: #1335468 in Books
  • Color: Black
  • Brand: Brand: Villard
  • Published on: 2000
  • Released on: 1992-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 300 pages
Features
  • ISBN13: 9780812991703
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
From the title's tasteless allusion to the Lennon song "Strawberry Fields Forever" to the excusing treatment of a psychopath, this sensationalistic biography proves repugnant. Jones, noted for being the first reporter to interview "Son of Sam" killer David Berkowitz, describes the personality of Mark David Chapman before and after he shot and killed former Beatle John Lennon on Dec. 8, 1980, in New York City. We learn of Chapman's fascination with The Catcher in the Rye protagonist Holden Caulfield; we hear the voices of the evil "child" and rational "adult" arguing within Chapman as he stalked Lennon; we read of Chapman's "possession by demons" after his imprisonment. Jones's introduction claims "Chapman asked the author to undertake the telling of his story in the hope that it might prevent future tragedy." Shamefully, however, this book serves only the ignoble purpose of promoting a criminal's narcissism. Photos not seen by PW.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
In 1980, Chapman gunned down ex-Beatle John Lennon in New York City and pled guilty to second-degree murder; he is now an inmate at Attica prison. This account of his life and the obsessive forces that culminated in the death of his former idol is based largely on Chapman's recollections. Jones's book would have been strengthened by a critical analysis of Chapman's pathology (he is variously described as psychopathic, schizophrenic, and narcissistic) but nonetheless it is engrossing reading and far superior to Fenton Breslar's Who Killed John Lennon? ( LJ 8/89). A good addition to the literature about violence directed against celebrities, this book will appeal to students of abnormal psychology and true crime fans. Recommended where interest warrants.
- Gregor Preston, Univ. of California Lib., Davis
Copyright 1992 Reed Business Information, Inc.

About the Author
Jones is the recipient of numerous journalism awards and conducts prison interviews.

Most helpful customer reviews

25 of 26 people found the following review helpful.
does this book make MDC a "somebody?"
By Elizabeth Caudy
He said the reason he shot John Lennon was so that he'd be a "somebody" instead of a "nobody." He said he'd always wanted to have a book written about him. Is this book just feeding his narcisism? I sort of think the book can't decide whether it wants to be a legitimate psychological portrait or sensationalistic. The highlights of the book, for me, were the chapters "All the Lonely People" and "Fan Mail." These chapters examined the culture we live in that leads people to obsess over famous people. I was disappointed in the book because I thought it would examine that more than it did, and also because it glamourized Mark David Chapman. I mean, it includes a short story he wrote. I don't care about that, I don't care about HIM. I care about the sociological and psychological factors that made him do what he did. I don't want to know his life story, and I REALLY don't want to empathize with him.

22 of 27 people found the following review helpful.
Nothing Is Real
By Rod Quinn
This book is not necessarily one for Lennon fans, and I can imagine that plenty would avoid it because they can't forgive Chapman for what he did.
However, the story that unfolds helps to explain why Chapman did what he did, and is a chilling examination of an unsound mind. It is also compelling evidence why handgun law reform is essential, and Lennon's death is a perfect example of what can happen when madmen can buy a gun and carry it around.
Don't judge the book by its subject..judge it by the fact that it is a superbly written explanation of why a tragedy happened.

10 of 12 people found the following review helpful.
Thought provoking. Can we prevent future killings?
By Cynthia Martone
The book takes you back to Mark's childhood and offers the reader an inside understanding of the experiences that shaped his twisted thoughts. In looking at current tragedies such as the killings at Columbine High School, Jonesborough, Arkansas and others, books like this that delve into the minds of unlikely killers offer educators a reflective look and may help in the identification of future killers, before they kill. The information gained offers one a reflective look into the mind of a child and brings up the question, "What can we do to help prevent killings in the future." It turns a child from a number into a human being that needs to be understood during their developmental years. There are two emotions felt while reading: compassion for the man whose childhood experiences broke your heart, enmity as he describes his cold calculating plan of murder. Well done.

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