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Blood of My Blood, by Marjorie Kinnan Rawlings
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Written in 1928, the year Marjorie Kinnan Rawlings moved to Cross Creek, her autobiographical first novel, Blood of My Blood, was never published. Its existence was unknown to her contemporaries - including Max Perkins, her editor at Scribner's. Blood of My Blood is a portrait of the young artist very nearly ruined by egotism and through being alternately pushed and spoiled by her mother Ida. It is also a tender tribute to her father Arthur and a moving account of their relationship. But always at the center of the story is the intense love and hate that flamed back and forth between mother and daughter. Blood of My Blood reveals not only the painful process of maturation for a creative but tormented mind but also the steady growth of an artist. There are wonderful descriptions of the natural world, people, objects, and - uniquely for Rawlings - of the big city and city-dwellers. Born in Washington, D.C., and reared there until her graduation from high school in 1914, Rawlings' descriptions of the city are historically charming, and her depiction of the society where class distinctions were shaved wafer thin is remarkable for its pertinence nearly a century later.
- Sales Rank: #702224 in Books
- Color: Multicolor
- Brand: Brand: University Press of Florida
- Published on: 2002-03-06
- Original language: English
- Number of items: 1
- Dimensions: 8.60" h x .81" w x 7.22" l, 1.02 pounds
- Binding: Hardcover
- 192 pages
- Used Book in Good Condition
From Publishers Weekly
This unpublished autobiographical first novel, written in 1928 by the author of The Yearling and Cross Creek, presents an illuminating look at the background and maturation of a writer who went on to pen an American classic. The first quarter of the narrative focuses on Rawlings's domineering, ambitious but spiritually empty mother, Ida, who became an overwhelming force in Marjorie's life. Ida's efforts to produce the girl of her dreams lead her to ignore her second child, a son. When Marjorie is in high school, Ida teaches her how to get dates with the most eligible young men. She's a master of stage-mother antics, which begin to backfire when Marjorie belatedly develops an emotional attachment to her father, Arthur, a school principal turned patent lawyer who frustrates Ida by spiriting his family off to a farm in Maryland. Ida's most serious setback takes place when Marjorie's overindulged ego begins to grow exponentially as she approaches college, threatening to overwhelm her budding literary talent. The constant tug of war between mother and daughter reaches its pinnacle when they pay so much attention to social climbing that poor Arthur dies of neglect from a kidney illness. The combination of two distinctly unlikable protagonists (Rawlings doesn't spare readers the uglier aspects of her behavior) and some stilted prose make this a tough read, but glimmers of Rawlings's promising future emerge in the graceful final passages when Marjorie goes off to live her own life after marrying a man her mother hates, and must come to terms with Ida's growing loneliness. Given what Rawlings went on to achieve, this seminal work constitutes a useful document for those interested in delving further into her unusual life. (Feb.)Forecast: A strong library selection and a likely university seller, this novel has historical literary value.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
In response to a contest in 1929, Rawlings submitted a manuscript entitled Blood of My Blood, which was returned to her with a rather terse letter indicating that it "could not hope" to win. Rawlings filed the manuscript away. No mention was ever made of it in her letters, biographies, or bibliographies, and even her editor, the famous Max Perkins, apparently never knew of it. It did not resurface until after her death in 1988. Essentially an autobiographical novel or memoir, the book details the rough and rowdy relationship Rawlings had with her mother, Ida, who comes across as a homely, domineering, and manipulating person. Rawlings struggles with her family as she develops into a gifted but egotistical writer trying to find her way. Only her father comes across sympathetically. The reader will get an early glimpse of a talent that went on to win the Pulitzer Prize for The Yearling and acclaim for her later nonfiction narrative Cross Creek. The only editing done to the manuscript was the correction of misspelled words. All literary collections will want this first work by a classic author. Ron Ratliff, Kansas State Univ., Manhattan
Copyright 2002 Cahners Business Information, Inc.
From Booklist
As most readers will recall, Rawlings is the author of the Pulitzer Prize-winning novel The Yearling (1938) and the autobiography Cross Creek (1942). Her first novel, written in 1928, lay unpublished until now. It can be called a novel only by a generous definition of the term, for it reads like a series of autobiographical essays about family. It tracks the life and times of the narrator's mother from her adolescence to her death. Beneath Ida Traphagen Kinnan's plain appearance lurked a controlling nature aimed directly at her daughter. This "novel" is obviously an apprentice effort: too much is told rather than shown, and the kind of meanness directed at the main character would never have appeared in Rawlings' later work. In addition, the racial epithets used have no place in literature. Basically, then, this novel will find its audience among curiosity seekers, admirers of her two classic books, and literary scholars. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
6 of 6 people found the following review helpful.
Should Have Been Published in 1928
By Molly
This is an autobiographical novel, short, only 170 pages long. It was the first book that Marjorie Kinnan Rawlings wrote and it was rejected in a contest. She never tried to publish it again. It may be that, as she says in the end of this book, that she didn't feel herself mature as a writer at that time and needed to know more of life before she tried to write. The story tells of two generations before Marjorie, her grandparents and her parents. It tells of her growing up at the hands of a narcissistic mother who cared for fame and success and money, things she wanted for her daughter because she considered herself too ugly to ever have them herself. The story begins quite slowly with voluminous adverbs and adjectives. The author herself states in the book that they are her strength. She cites an experience in college when her writing professor compelled her to write a story without any adjectives or adverbs to show that it could be done. From that point on in the book, she leaves most of them out. The story builds to a climax at the end, leaving you wanting to know what will happen to Ida, the mother, and Marjorie, the daughter. It is a typical MKR book, perhaps a little unpolished, but only a little. I think it is an excellent book, with a great deal of insight into human nature, well worth the little time it takes to read it.
4 of 4 people found the following review helpful.
Great read!!
By Mary J. Deland
I'm a voracious reader and great admirer of Marjorie Kinnan Rawlings. My husband and I agreed this is one of the most enlightening books we've ever read about a mother-daughter relationship. Touching.
23 of 23 people found the following review helpful.
Fills in the background for Rawlings' classics
By Virginia Allain
This reminds me of old novels by Grace Livingston Hill or Gene Stratton Porter with the struggle against adverse conditions and conflicts over family values. At times it is heavy going. If this is close to what Rawlings' actual childhood and college years were like, I'm glad I read it before now turning to her classic, Cross Creek. I should get more from that reading with this book as background.
Useful mostly to scholars, students and devoted readers of The Yearling and Cross Creek.
I wish it had included photos of Rawlings as a child and in college and of her family. That would have been a plus.
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