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The Wall: A Novel, by H. G. Adler
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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY
Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English.
Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good.
Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind.
The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again.
Praise for The Wall
“[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.”—Cynthia Ozick, The New York Times Book Review
“A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.”—Publishers Weekly (starred review)
“Masterful and utterly unique.”—The Jerusalem Post
“Haunting and utterly heart-wrenching . . . a literary masterpiece.”—Historical Novels Review
“An epic novel . . . an unforgettable portrait.”—The Jewish Week
“[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.”—Kirkus Reviews
Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins
“Modernist masterpieces worthy of comparison to those of Kafka or Musil.”—The New Yorker
“Haunting . . . as remarkable for its literary experimentation as for its historical testimony.”—San Francisco Chronicle, on Panorama
- Sales Rank: #989498 in Books
- Published on: 2014-12-02
- Released on: 2014-12-02
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 9.54" h x 1.61" w x 6.60" l, 2.36 pounds
- Binding: Hardcover
- 656 pages
Review
Praise for The Wall
“[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.”—Cynthia Ozick, The New York Times Book Review
“A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.”—Publishers Weekly (starred review)
“Masterful and utterly unique.”—The Jerusalem Post
“Haunting and utterly heart-wrenching . . . a literary masterpiece.”—Historical Novels Review
“An epic novel . . . an unforgettable portrait.”—The Jewish Week
“[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.”—Kirkus Reviews
Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins
“The Journey and Panorama . . . are modernist masterpieces worthy of comparison to those of Kafka or Musil.”—The New Yorker
The Journey
“The novel’s streaming consciousness and verbal play invite comparison with Joyce, the individual-dwarfing scale of law and prohibition brings Kafka to mind, and there is something in the hypnotic pulse of the prose that is reminiscent of Gertrude Stein.”—The New York Times Book Review
“A tribute to the survival of art and a poignant teaching in the art of survival . . . I tend to shy away from Holocaust fiction, but this book helps redeem an all-but-impossible genre.”—Harold Bloom
Panorama
“Haunting . . . as remarkable for its literary experimentation as for its historical testimony.”—San Francisco Chronicle
“Panorama should have been the brilliant debut of a major German writer. . . . Under any circumstances, let alone such harsh ones, [Adler’s] accomplishments would be remarkable.”—The New York Times Book Review
“[A] stirring novel . . . expertly and elegantly translated by Peter Filkins.”—Los Angeles Times
About the Author
H. G. Adler was the author of twenty-six books of fiction, poetry, philosophy, and history. A survivor of Theresienstadt and Auschwitz, Adler later settled in England and began writing novels about his experience. Having worked as a freelance writer and scholar throughout his life, Adler died in London in 1988.
Peter Filkins is an acclaimed translator and poet and the recipient of a Berlin Prize fellowship in 2005 from the American Academy in Berlin, among other honors. He teaches writing and literature at Bard College at Simon’s Rock in Great Barrington, Massachusetts, and translation at Bard College in Annandale-on-Hudson, New York.
Most helpful customer reviews
4 of 5 people found the following review helpful.
The Completion of Adler's "Shoah Trilogy"
By Grey Wolffe
This is the third book of Adler’s “Shoah Trilogy” (after “The Journery” and “Panorama”). Like Elie Wiesel, he is a holocaust survivor (of four different camps) and brings a unique prospective to his fiction. One of his other books is about the ‘model camp’ Theresienstadt (Terezin in Czech) where the character Arthur Landau’s grandmother was interned. Though the story was written right after the war, it wasn’t published until 1989.
The main character, Arthur Landau, returns to his native city (which seems like Prague) but later moves to the Metropolis (but seems like London) just after the war. He looks to find out what happened to his parents. He goes back to his father’s old haberdashery store which he finds boarded up. Next door is a fruit stand run by a man who never got along with his family. He is told by the old man that they were ‘deported’ during the war to Auschwitz and are most likely dead.
While in his native city, he begins working on a book called the “Sociology of Oppressed People” but can’t find a publisher in the new socialist country. He goes to work at a ‘museum’ that collects the property of the ‘people’ who were sent to the concentration camps. While at the museum he writes to a friend who emigrated before the war to the Metropolis.
With his friend’s help he is able to emigrate. There he meets his second wife Johanna (his first wife died in the Holocaust) and has two children (a boy and a girl). He later is accepted into a circle of prewar intellectuals who had settled in the Metropolis and laud Arthur as the new Adam.
Because the book is written in stream of consciousness, there are no chapters or breaks in the story. This becomes problematic to the reader when trying to distinguish between Arthur’s dreams and musings about his time in the Camps and before the War. Everything can get jumbled up in the story and is sometimes taken to the absurdist extreme when ‘pallbearers’ come to pick-up Arthur for his funeral, though they can see he’s not dead.
As to the title of the book, Arthur sees things from the other side of a wall. For me the wall represents Arthur’s experience in the Camps which can’t be explained to people who weren’t there. It’s a personal experience that other people can’t be made to understand and therefore he’s always set apart from the rest of the world by this “Wall”. An amazing story, with a monumental translation.
Zeb Kantrowitz zworstblog.blogspot.com
2 of 3 people found the following review helpful.
The trauma is so great, that the individual ceases to exist
By Julia McMichael
Surviving unimaginable horror
636 pages
“It’s unimaginable to me what would remain of Arthur Landau without Johanna, because I have ceased to exist, called it quits, am completely spent, the vestige of as memory of who I no longer am, maybe even a message from nowhere, someone who can never find his footing, never land in one place. Other people are just as dubious. I am at least aware of that, but I never even rise to the level of a dubious existence, the fragile bearing of as single nature, because I am homeless in every sense, belonging nowhere and therefore expendable, never missed, because no one knows anything about me.”
After surviving the holocaust, how would one come to terms with living on? The trauma is so great, that the individual ceases to exist. H. G. Adler wrote his twenty-six books in that kind of obscurity. This novel, written in 1956 was not published until 1989. It is now translated from the German by Peter Filkins who also provides very helpful plot summary and character descriptions at the end of the book. Since the book is dreamlike and out of time sequence, this is most useful.||H.G. Adler survived many concentration camps, although upon transfer to Auschwitz, his wife (a medical doctor) and her mother were immediately murdered. In all, Adler’s mother and father and sixteen family members were killed. In 1947, Adler fled to London when Prague fell to the Communists. When the main character, Arthur Landau, returns to his hometown after the war, everything is altered and it is clear that he no longer exists in any previous form. This living death is vivid and forces the reader to live a reality which has shifted and no longer makes any sense or context. A very powerful book.
0 of 0 people found the following review helpful.
You have my previous headline, since I do not keep copies.
By irene
The review I wrote for The Wall was attributed as the one for An Unusual Encounter. Kindly reprint that review.
I cannot restore tha proper one, but you can. After that I will to offer my opinions. You must correct this mistake. Send me an email if there is a misunderstanding. Thanks
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