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One Fearful Yellow Eye: A Travis McGee Novel, by John D. MacDonald
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From a beloved master of crime fiction, One Fearful Yellow Eye is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.
It only takes one word to get Travis McGee to leave the sunny deck of his houseboat in Ft. Lauderdale for the gray cold of Chicago. The word is help, and it’s uttered by Glory Geis, an old girlfriend of McGee’s and the pretty young widow of world-renowned neurosurgeon Dr. Fortner Geis. The trouble is, the good doctor converted his considerable estate into cash before he died. But where he stashed it, no one knows.
“John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
Although everyone from the IRS to Dr. Geis’s greedy grown children suspects that Glory is hiding the lost fortune, she hasn’t a clue as to its whereabouts. To prove her innocence, she must find the money and the culprits who stole it. Enter McGee, for one of the most challenging salvages of his career.
How do you extort $600,000 from a dying man? Someone must have done it very quietly and skillfully. While untangling the mess of Dr. Geis’s last days, McGee makes a startling discovery: Some folks would love nothing better than to bring down the whole family—by any means necessary. But McGee is starting to actually like a few members of the Geis clan—and he vows to bring the guilty to justice.
Features a new Introduction by Lee Child
- Sales Rank: #648675 in Books
- Brand: MacDonald, John D./ Child, Lee (INT)
- Published on: 2013-05-21
- Released on: 2013-05-21
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .50 pounds
- Binding: Paperback
- 304 pages
From Booklist
Travis McGee goes to Chicago? In December? It seems so wrong, but what can the beach bum do, in this eighth in the series, when one of his former wounded doves calls asking for help. The dove in question, Gloria Geis, whom Trav found homeless and starving on a Lauderdale beach, nursed back to health with a cruise on The Busted Flush, and eventually married off to a Chicago doctor, has a problem: before her husband died, he secretly converted his assets to cash, all of which is now missing. A perfect assignment for a salvage consultant who recovers missing stuff and keeps half the take. It’s a tricky one, though, involving feuding in-laws (including an ice princess who will eventually require her own cruise aboard The Flush), several layers of bad guys, and a melancholy realization by McGee that he may have let a good one get away. All standard McGee fare, competently put forth, and thoroughly entertaining, as always, though this time, MacDonald allows his hero a little too much time atop his soapbox, discoursing on, among other things, Chicago’s failures as a restaurant town (“strictly hinterland, strictly hick”), the despoiled environment, abstract expressionism, the “race problem,” etc. Typically, these rants from the determined contrarian and anticonformist McGee provide enjoyable interludes, and it’s remarkable how often, at a distance of 40 to 50 years, the opinions proffered seem right on the money. This time, however, Trav is wrong more often than not: Chicago, of course, has become a world-class restaurant town, and Lake Michigan didn’t suffer the fate of Lake Erie. It’s odd, too, how, despite MacDonald’s cranky but thoroughly liberal attitudes on social issues, his views often sound vaguely offensive by contemporary standards. His protofeminist slant, for example, can drift quickly into condescension, as can his views on the “Negro question.” Still, neither MacDonald nor McGee should be faulted out of context. Let’s leave it at this: poor Trav was a little off his game in Chicago, soured by the cold. --Bill Ott
Review
Praise for John D. MacDonald and the Travis McGee novels
“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
“A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee, and count myself among the many readers savoring his adventures again.”—Sue Grafton
“One of the great sagas in American fiction.”—Robert B. Parker
“Most readers loved MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen
“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place. The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness.”—Jonathan Kellerman
“What a joy that these timeless and treasured novels are available again.”—Ed McBain
“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake
“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, his Travis McGee books are as entertaining, insightful, and suspenseful today as the moment I first read them. He is the all-time master of the American mystery novel.”—John Saul
From the Publisher
6 1-hour cassettes
Most helpful customer reviews
10 of 10 people found the following review helpful.
MacDonald does it again...
By Cynthia K. Robertson
Travis McGee, sometimes modern Robin Hood and most-times beach bum, can't resist a pretty face or an old friend. So when an old flame calls and needs some help, McGee quickly leaves balmy Ft. Lauderdale for the colder climes of Chicago in John D. MacDonald's One Fearful Yellow Eye.
Glory Geis is the widow of renowned neurosurgeon, Fortner Geis. When Geis dies after a long illness, Glory discovers that his $600,000 inheritance (much bigger money in the 1960's) has gone missing. It turns out that Dr. Geis liquidated all his assets over the course of the last year of his life. Glory is left without very much money and her stepchildren accuse her of foul play. So Glory begs McGee to find out what happened to the inheritance. Of course, Travis discovers that the good doctor has more than a few skeletons in his closet, and there are a number of suspects.
The plot in this 8th book is a little thin, and I figured out fairly early who the blackmailer was. But I still gave One Fearful Yellow Eye four stars as the writing is sharp and crisp and as good as any previous McGee. Two favorites include:
"Take her home. Boat her, beach her, bake her, brown her, and bunk her. You too are a sucker for busted birds, starving kittens, broody broads."
or
"There was no color in the world. Gray sand, gray water, gray beach, gray sky. I was trapped in one of those arty salon photographs of nature in the raw, the kind retired colonels enter in photography contests."
In terms of philosophizing, this book is MacDonald at his best. Also, while I tend to like McGee better in his native Florida, Chicago is rather a good setting for him.
This is my 8th Travis McGee and I'm a long way from being tired of him. I'm anxious to start number nine-Pale Gray for Guilt.
8 of 8 people found the following review helpful.
McGee & the windy city
By Clare Quilty
Travis McGee leaves Florida to help a friend in wintry Chicago in this brisk, economic adventure that's no shorter than the other installments but still feels more compact.
The classic MacDonald asides are all here: McGee offers up commentaries on Christmas, modeling, art, homosexuality, toilet paper and sex, among other things.
And there are some really good scenes -- Trav's extremely unsettling visit to the Farley farm, an ominous encounter in a windstorm, a creepy moment in which mysterious figures get the better of McGee (though MacDonald fumbles this by underplaying it afterward), and one seriously wacked-out climax in a retirement community.
This isn't great McGee -- it just doesn't have the complexity, level of menace or vivid characters of yarns like "Bright Orange," "Amber," "Pink" or "Lavender." But if you're looking for a quick MacDonald snack, "Yellow" is where it's at.
8 of 10 people found the following review helpful.
Ice Cold McGee
By sweetmolly
Like a fine local wine, Travis doesn't travel well. His lack of enthusiasm for the Windy City is boundless, and willy-nilly, this is where he must be to assist his latest lady in distress. The architecture, politics, and citizenry are bad enough, but my God, the weather is freezing!
"One Fearful Yellow Eye" is an intricate tale of "where's the money?". Brilliant, kind, and wealthy neurosurgeon Dr. Fortner Geis had converted all his assets into cash before his death, and left his young wife Glory in a precarious situation. The cash was not to be found and Glory not only faced the prospect of being poor, but heavy suspicion as well.
This is an intricate tale with an excellent whodunit complement. MacDonald is sure enough of his Travis creation by this time to let Trav display a fine self-deprecating sense of humor as well as the usual speed, strength and purity of purpose. The many threads to the story are all kept well in hand and dovetail neatly into a grand finalé. The two stereotyped ungrateful stepchildren turn out to be not so typical after all. The leading ladies have a hard time in this book, emotionally and physically. My only complaint is that widow Glory was a bit much with her oh-so philosophical bravery and fawning adoration of Trav.
This is superior McGee-good pace, characterizations and a very twisty story.
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