Jumat, 13 Juni 2014

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The Middle East and the Peace Process: The Impact of the Oslo AccordsFrom Brand: University Press of Florida

"A comprehensive and fresh review of relatively recent political events in the Middle East."--Jerrold D. Green, director, Greater Middle East Studies Center at Rand

These essays analyze the impact of the Middle East peace process since 1993 on the countries most affected by it--Israel, the Palestinian Authority, Jordan, Egypt, and Syria--and on the domestic politics and foreign policies of Turkey and the countries of the Persian Gulf and North Africa. The contributors, all international experts in their fields, also examine policies of the United States and Russia both as they affect the peace process and as the two countries pursue other interests in the Middle East.

Part I. The Arab-Israeli Core Area
Domestic Determinants of Israeli Foreign Policy: The Peace Process from the Declaration of Principles to the Oslo II Interim Agreement, by Myron J. Aronoff and Yael S. Aronoff
Netanyahu and Peace: From Sound Bites to Sound Policies? by Mark Rosenblum
Palestinian and Other Arab Perspectives on the Peace Process, by Muhammad Muslih
The Transformation of Jordan, 19911995, by Adam Garfinkle
Syria and the Transition to Peace, by Raymond A. Hinnebusch
Egypt at the Crossroads: Domestic, Economic, and Political Stagnation and Foreign Policy Constraints, by Louis J. Cantori

Part II. Turkey and the Gulf States
Turkey and the Middle East after Oslo I, by George E. Gruen
Iraq after the Gulf War: The Fallen Idol, by Phoebe Marr
Iran since the Gulf War, by Shaul Bakhash
The Arabian Peninsula, by F. Gregory Gause III

Part III. North Africa
North Africa in the Nineties: Moving toward Stability? by Mary Jane Deeb
The Sudan: Militancy and Isolation, by Ann Mosely Lesch

Part IV. The Role of External Powers
U.S. Middle East Policy in the 1990s, by Don Peretz
Russia and the Middle East under Yeltsin, by Robert O. Freedman

 

Robert O. Freedman is president and Peggy Meyerhoff Pearlstone Professor of Political Science at Baltimore Hebrew University.  He is the author or editor of numerous books on the Middle East, among them The Middle East after the Iraqi Invasion (UPF, 1991) and Israel under Rabin.

  • Sales Rank: #2454913 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 1998-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.14" h x 1.27" w x 6.18" l, 1.43 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

About the Author
Freedman is president and Peggy Meyerhoff Pearlstone Professor of Political Science at Baltimore Hebrew University.

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Rabu, 11 Juni 2014

# Download Tell the Wolves I'm Home: A Novel, by Carol Rifka Brunt

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Tell the Wolves I'm Home: A Novel, by Carol Rifka Brunt

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Wall Street Journal • O: The Oprah Magazine • BookPage • Kirkus Reviews • Booklist • School Library Journal
 
In this striking literary debut, Carol Rifka Brunt unfolds a moving story of love, grief, and renewal as two lonely people become the unlikeliest of friends and find that sometimes you don’t know you’ve lost someone until you’ve found them.
 
NATIONAL BESTSELLER • NAMED A FAVORITE READ BY GILLIAN FLYNN • WINNER OF THE ALEX AWARD
 
1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart.
 
At Finn’s funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most.
 
An emotionally charged coming-of-age novel, Tell the Wolves I’m Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.
 
Praise for Tell the Wolves I’m Home
 
“A dazzling debut novel.”—O: The Oprah Magazine
 
“This compassionate and vital novel will rivet readers until the very end. . . . The narrative is as tender and raw as an exposed nerve, pulsing with the sharpest agonies and ecstasies of the human condition.”—BookPage
 
“Tremendously moving.”—The Wall Street Journal
 
“Transcendent . . . Peopled by characters who will live in readers’ imaginations long after the final page is turned, Brunt’s novel is a beautifully bittersweet mixture of heartbreak and hope.”—Booklist (starred review)
 
“Carol Rifka Brunt establishes herself as an emerging author to watch.”—Minneapolis Star Tribune
 
“Touching and ultimately hopeful.”—People
 
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

  • Sales Rank: #10845 in Books
  • Brand: Brand: Dial Press Trade Paperback
  • Published on: 2013-06-04
  • Released on: 2013-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.93" h x 1.06" w x 5.17" l, .74 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Amazon Best Books of the Month, June 2012: In Tell the Wolves I’m Home, Carol Rifka Brunt has made a singular portrait of the late-‘80s AIDS epidemic’s transformation of a girl and her family. But beyond that, she tells a universal story of how love chooses us, and how flashes of our beloved live through us even after they’re gone. Before her Uncle Finn died of an illness people don’t want to talk about, 14-year-old June Elbus thought she was the center of his world. A famous and reclusive painter, Finn made her feel uniquely understood, privy to secret knowledge like how to really hear Mozart’s Requiem or see the shape of negative space. When he’s gone, she discovers he had a bigger secret: his longtime partner Toby, the only other person who misses him as much as she does. Her clandestine friendship with Toby—who her parents blame for Finn’s illness—sharpens tensions with her sister, Greta, until their bond seems to exist only in the portrait Finn painted of them. With wry compassion, Brunt portrays the bitter lengths to which we will go to hide our soft underbellies, and how summoning the courage to be vulnerable is the only way to see through to each other’s hungry, golden souls. --Mari Malcolm

Review

Tell the Wolves I'm Home was named one of the Wall Street Journal's Top 10 Novels of 2012, one of Oprah.com's Best Books of 2012, one of Kirkus Reviews' top 100 books of the year, and one of Booklist's Top 10 First Novels of 2012 as well as a 2012 O Magazine Favorite Read.  It is also a Goodreads Choice Awards Finalist for Fiction and a Shelf Awareness Reviewer's Choice pick for 2012.

“A dazzling debut novel.” – O Magazine

“Tremendously moving…Brunt strikes a difficult balance, imbuing June with the disarming candor of a child and the melancholy wisdom of a heart-scarred adult."—The Wall Street Journal

“In this lovely debut novel set in the 1980s, Carol Rifka Brunt takes us under the skin and inside the tumultuous heart of June Elbus…Distracted parents, tussling adolescents, the awful ghost-world of the AIDS-afflicted before AZT—all of it springs to life in Brunt’s touching and ultimately hopeful book.”--People

“[A] transcendent debut… Peopled by characters who will live in readers’ imaginations long after the final page is turned, Brunt’s novel is a beautifully bittersweet mix of heartbreak and hope.”—Booklist (starred review)

“Carol Rifka Brunt’s astonishing first novel is so good, there’s no need to grade on a curve: Tell the Wolves I'm Home is not only one of the best debuts of 2012, it’s one of the best books of the year, plain and simple.  In a literary landscape overflowing with coming-of-age stories, Tell the Wolves I'm Home rises above the rest. The narrative is as tender and raw as an exposed nerve, pulsing with the sharpest agonies and ecstasies of the human condition.”—Bookpage
 

“A poignant debut…Brunt's first novel elegantly pictures the New York art world of the 1980s, suburban Westchester and the isolation of AIDS.”--Kirkus

“In [Tell the Wolves I’m Home], 15-year-old June must come to terms with the death of her beloved uncle Finn, an artist, from AIDS in 1980s New York. …What begins as a wary relationship between former rivals for Finn’s affection blossoms touchingly.”-PW

“[This] gut-wrenching portrayal of a 13-year-old coping with her beloved Uncle Finn’s death from AIDS more than delivers.”—Daily Candy

“[A] striking first outing…Brunt weaves a terrific coming-of-age story, painting a vibrant picture of June’s dreams and insecurities as she teeters on the border between childhood and maturity.”—The Onion A.V. Club

“An uplifting debut novel about loss, love, and unlikely friendships in the midst of the 1980s AIDS epidemic …a literary pleasure read.”—BookBrowse

 “[A] beautiful novel of love and loss… accessible, sensitively told, and heartbreaking.”--School Library Journal Blogs (Starred Review)

 “If summer reading means being wholly transported to another era, I recommend Carol Rifka Brunt's brilliant and thoughtful debut novel Tell the Wolves I'm Home.”-- David Gutowski, of Largehearted Boy, on The Atlantic Wire

“With this debut novel that flawlessly encapsulates the fragile years during the mid-'80s when the specter of AIDS began to haunt society at large, Carol Rifka Brunt establishes herself as an emerging author to watch…TELL THE WOLVES I'M HOME will undoubtedly be this summer's literary sleeper hit.” – Minneapolis Star Tribune

“Brunt's debut novel is both a painful reminder of the ill-informed responses to a once little-known disease and a delightful romp through an earlier decade. The relationship issues with parents and siblings should appeal to YA audiences, but adult readers will enjoy the suspenseful plot and quirky characters”—Library Journal

“A fresh yet nostalgic debut novel about a 1980s teen who loses a beloved uncle to AIDS but finds herself by befriending his grieving boyfriend. Filled with lost opportunities and second chances, Tell the Wolves I'm Home delivers wisdom, innocence and originality with surprising sweetness. Its cast of waifs and strays will steal your heart as they show each other the way to redemption.” –Shelf Awareness

“A gorgeously evocative novel about love, loss, and the ragged mysteries of the human heart, all filtered through the achingly real voice of a remarkable young heroine. How can you not fall in love with a book that shows you how hope can make a difference?”—Caroline Leavitt,  New York Times bestselling author of Pictures of You
 
“Tell the Wolves I’m Home is a charming, sure-handed, and deeply sympathetic debut. Brunt writes about family, adolescence, and the human heart with great candor, insight, and pathos.”—Jonathan Evison, New York Times bestselling author of West of Here
 
“Tell the Wolves I’m Home is a tale as charming and magnetic as the missing character at its heart. It’s a love story of the most unusual kind—several love stories, really—vivid and madly relatable, heartening as well as heartbreaking. Brunt is a captivating storyteller and a wonderful new voice.”—Rebecca Makkai, author of The Borrower

“Not since To Kill A Mockingbird have I read a piece of fiction that so beautifully captures the point of view of a young person, especially one so inspiringly unable to accept the prejudices of others….at turns getting away- with-it exhilarating and pass-the-tissues heartbreaking — but also a testament to the power of secrets kept and revealed.”—Metrosource

About the Author
Carol Rifka Brunt’s work has appeared in several literary journals, including North American Review and The Sun. In 2006, she was one of three fiction writers who received the New Writing Ventures award and, in 2007, she received a generous Arts Council grant to write Tell the Wolves I’m Home, her first novel. Originally from New York, she currently lives in England with her husband and three children.

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179 of 190 people found the following review helpful.
Extraordinary from start to finish
By Daffy Du
This deeply moving novel, told from the point of view of an awkward 14-year-old girl in 1987, kept reminding me of To Kill a Mockingbird, which it even references once in passing. That's not to say that it's derivative--it most certainly isn't--but it is a powerful book about love, discrimination and misunderstanding, with a young female narrator, set in the early years of the AIDS epidemic, which figures prominently in the story. I couldn't recommend it more highly.

June Elbus is the goddaughter of her beloved uncle Finn, a celebrated artist who is dying of AIDS. As one of his last acts, he decides to paint a portrait of her and her sister, Greta. Once he dies, she learns that he was in a committed relationship with a man named Toby, who seeks her out, even though her family blames him for Finn's disease. Eventually they become close friends--she often sneaks into New York City from Westchester to visit him. And somewhat reluctantly, she begins to share memories of Finn with Toby, who has secrets of his own.

Tell the Wolves I'm Home is too complex a story to recap here, but along the way, Greta, a gifted singer who had been June's close friend and is now a mean older sister, contends with her own insecurities; their mother, Finn's sister, deals with her own lost opportunities; and once the painting's existence is leaked to the press, it becomes a focal point for much of the storyline. Because of Finn's renown and the fact that he hadn't produced any new shows for the past eight years, it is suddenly extremely valuable. I especially liked June's fixation on the Middle Ages, which she shared with Finn, and her inept interactions with her peers, especially young Ben, who keeps trying to interest her in Dungeons and Dragons. (Author Carol Rifka Brunt's various references to 1980s culture are spot on.)

When I first started reading it, part of me was saying, "Not another book about AIDS," but I found I literally couldn't put it down, and I devoured it in just a few days. Brunt so accurately captures the mindset of an adolescent who thinks she doesn't fit in anywhere that every page rings true. More than once its poignancy moved me to tears.

It's difficult to convey just how rewarding a book this is, but it's one of the best I've read in a long time. It may even be destined to become a classic, and I don't say that lightly. If you like intelligent, insightful literary fiction that takes on the human side of controversial subjects, particularly with a coming-of-age element, then you're sure to love this book as much as I did.

152 of 172 people found the following review helpful.
My favorite debut of the year!
By wordsmith
I've been thinking about this novel ever since I closed the book and will be recommending it to everyone I know! 14-year-old June is a winningly awkward narrator who wishes she lived in the Middle Ages - she wears long skirts and lace-up boots, lugs around The Portable Medieval Reader, and wants to be a falconer when she grows up. We meet her in 1987 New York and her favorite uncle has just died of AIDS. Her parents seem more angry and bewildered than sad and June, with no one else to turn to to deal with her grief, strikes up an unlikely friendship with her uncle's boyfriend. Rifka Brunt does an amazing job charting their relationship in this brilliant coming-of-age novel.

65 of 72 people found the following review helpful.
A deeply moving, brilliant novel about a sensitive teenage girl in the 1980s
By Tracy Marks
I have reviewed over two hundred books on Amazon in recent years, and in each case I point out the virtues and flaws in each one. This is the first time I have absolutely nothing negative to say about a novel I'm reviewing. TELL THE WOLVES I'M HOME is brilliant, and deeply moving without being sentimental or melodramatic. It is truly a must read.

In the novel, June, the 14 year old heroine, is not a typical teenager of the 1980s. She listens repeatedly to Mozart's Requiem, wears lace-up boots and wishes she were a falconer in the Middle Ages.

When the story begins, uncle Finn whom June adores, dies of Aids. Her accountant parents are buried in tax returns, and her older sister Greta, with whom she used to be close, treats her cruelly. Little does she expect that she will develop a secret friendship with Finn's lover Toby, who likewise is deeply grieving Finn's death, and who also has Aids. To complicate matters, June's mother, jealous of her brother Finn's attachment to Toby, will have nothing to do with Toby, and blames him for Finn's death.

Also central to the novel is a painting that the renowned artist, Finn has painted of Greta and June - a painting which will have a significant role to play upon June's relationship with her sister and her parents.

Author Brunt writes of June's experience of Finn: "Other than the green tie at his waist, the only color Finn had was in the little splotches of paint all over his white smock. The colors of me and Greta. I felt like grabbing the paintbrush out of his hand so I could color him in, paint him back to his old self."

With astute and idiosyncratic detail, Brunt realistically conveys the experience of growing up in the 1980s, when the specter of Aids is haunting the nation.

However, this is not a novel about homosexuality or Aids, although both factors provide context for the issues which arise for June and her family. The author sensitively handles both subjects. But TELL THE WOLVES I'M HOME is at least as much about coming of age, jealousy in sibling relationships, learning to trust, establishing loving (albeit unconventional) relationships, taking whatever risks are necessary for the welfare of the people for whom we care, and coping with death and loss.

"I need to work out how to keep things flying back to me instead of always flying away," June acknowledges to herself, as death plays a much larger role in her life than it does in the lives of most girls her age.

Author Carol Rifka Brunt is adept at entering and conveying the thoughts and emotions of the precocious and unusual June, as well as portraying the insecure and tormented character of sister Greta and older, grieving new friend Toby. Brunt brings her characters to life so that we feel deeply for them, and appreciate the very real and sensitive platonic connections which June develops with older males, in defiance of convention.

Finally, in simple but carefully crafted language, Brunt delicately expresses the experience of the reflective June, who in the midst of loss, deprivation and conflict, maintains a capacity to love. As readers, we participate deeply in June's awakening to her true self:

"When I go to the woods now, I always head along the brook and go straight to the big maples....What if there's a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper or a weather-faded matchbook, or a fallen button from somebody's gray coat? What if buried under all those leaves is me?"

I couldn't recommend a book more highly than I recommend TELL THE WOLVES I'M HOME.

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Minggu, 08 Juni 2014

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Life and Labor in the New New South (Working in the Americas)From University Press of Florida

“Zieger has done it again! In this volume, he has put his finger on the pulse of the most exciting current work in the field. Anyone who doubts that the South is still a distinctive region, or who thinks that ‘southern labor’ has become an oxymoron, will be chastened by the scholarship in this compelling collection.”—Alex Lichtenstein, Florida International University

“Essential reading for any scholar or student who seeks better to understand not just the working class history of the South but also the way that power and politics has shifted in the nation as a whole since the 1940s.”—Heather Ann Thompson, Temple University

“The American South remains the nation’s most distinctive region, but during the last several decades the world of work there has been subject to virtually all of the same tribulations that bedevil those who labor in the rest of the country. This exceptionally fine set of essays captures much of this historical complexity with compelling narratives of globalization and community resistance, racism and interracial unity, union power and impotence. It’s a new New South all right, but the Southern accent can’t be missed.”—Nelson Lichtenstein, MacArthur Foundation Chair in History, University of California, Santa Barbara

This collection of essays explores the dynamic new face of Southern labor. Weaving together the best work of established scholars with emerging research on ethnicity, gender, prison labor, deindustrialization, rapidly changing demographic and employment patterns, and popular response to globalization, the volume as a whole creates a distinguished profile of a southern workforce that has been dramatically transformed since 1950, with the pace of change accelerating over the past two decades.

 


  • Sales Rank: #4396453 in Books
  • Published on: 2012-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .94" w x 6.13" l, 1.45 pounds
  • Binding: Hardcover
  • 376 pages

From the Back Cover
"Zieger has done it again! In this volume, he has put his finger on the pulse of the most exciting current work in the field. Anyone who doubts that the South is still a distinctive region, or who thinks that 'southern labor' has become an oxymoron, will be chastened by the scholarship in this compelling collection."--Alex Lichtenstein, Florida International University "Essential reading for any scholar or student who seeks better to understand not just the working class history of the South but also the way that power and politics has shifted in the nation as a whole since the 1940s."--Heather Ann Thompson, Temple University "The American South remains the nation's most distinctive region, but during the last several decades the world of work there has been subject to virtually all of the same tribulations that bedevil those who labor in the rest of the country. This exceptionally fine set of essays captures much of this historical complexity with compelling narratives of globalization and community resistance, racism and interracial unity, union power and impotence. It's a new New South all right, but the Southern accent can't be missed."--Nelson Lichtenstein, MacArthur Foundation Chair in History, University of California, Santa Barbara This collection of essays explores the dynamic new face of Southern labor. Weaving together the best work of established scholars with emerging research on ethnicity, gender, prison labor, deindustrialization, rapidly changing demographic and employment patterns, and popular response to globalization, the volume as a whole creates a distinguished profile of a southern workforce that has been dramatically transformed since 1950, with the pace of change accelerating over the past two decades. Robert H. Zieger, Distinguished Professor of History Emeritus at the University of Florida, is the editor of two previous collections of essays on southern labor history and has twice been recipient of the Philip A. Taft Prize for the best book in labor history. His most recent book, "For Jobs and Freedom: Race and Labor in America since 1865, "was named a "Choice "Outstanding Academic Title. "A volume in the series Working in the Americas, edited by Richard Greenwald and Timothy J. Minchin"

About the Author

Robert H. Zieger, Distinguished Professor of History Emeritus at the University of Florida, is the editor of two previous collections of essays on southern labor history and has twice been recipient of the Philip A. Taft Prize for the best book in labor history. His most recent book, For Jobs and Freedom: Race and Labor in America since 1865, was named a Choice Outstanding Academic Title.


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Part of the history of Spain's contribution to the independence of the United States

  • Sales Rank: #1652289 in Books
  • Published on: 1989-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.57" h x 6.88" w x 8.80" l,
  • Binding: Hardcover
  • 455 pages

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TransAtlantic: A Novel, by Colum McCann

NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE MAN BOOKER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

In the National Book Award–winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called “an emotional tour de force.” Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined.
 
Newfoundland, 1919. Two aviators—Jack Alcock and Arthur Brown—set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War.
 
Dublin, 1845 and ’46. On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause—despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave.
 
New York, 1998. Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland’s notoriously bitter and volatile peace talks to an uncertain conclusion.
 
These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory.
 
The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year.

Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
 
“A dazzlingly talented author’s latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann’s most penetrating novel yet.”—O: The Oprah Magazine
 
“One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday.”—The Boston Globe
 
“Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and—given that his subject is the confluence of Irish and American history—in blood.”—Esquire
 
“Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy.”—The Seattle Times
 
“Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music—elation and sorrow.”—The Denver Post

  • Sales Rank: #29310 in Books
  • Published on: 2014-05-20
  • Released on: 2014-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .52 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review
An Amazon Best Book of the Month, June 2013: McCann’s stunning sixth novel is a brilliant tribute to his loamy, lyrical and complicated Irish homeland, and an ode to the ties that, across time and space, bind Ireland and America. The book begins with three transatlantic crossings, each a novella within a novel: Frederick Douglas’s 1845 visit to Ireland; the 1919 flight of British aviators Alcock and Brown; and former US senator George Mitchell’s 1998 attempt to mediate peace in Northern Ireland. McCann then loops back to 1863 to launch the saga of the women we’ve briefly met throughout Book One, beginning with Irish housemaid Lily Duggan, whose bold escape from her troubled homeland cracks open the world for her daughter and granddaughter. The language is lush, urgent, chiseled and precise; sometimes languid, sometimes kinetic. At times, it reads like poetry, or a dream. Choppy sentences. Two-word declaratives. Arranged into stunning, jagged tableaux. Bleak, yet hopeful. (Describing Lily’s first view of America: “New York appeared like a cough of blood.”) The finale is a melancholy set piece that ties it all together--an unopened letter, “passed from daughter to daughter, and through a succession of lives,” becomes the book’s mysterious token, an emblem of a world grown smaller. McCann reminds us that life is hard, and it is a wonder, and there is hope. --Neal Thompson

From Booklist
*Starred Review* In 1919, British aviators Alcock and Brown made the first nonstop transatlantic flight, from Newfoundland to Ireland. McCann, in his first novel since the National Book Award–winning Let the Great World Spin (2009), imagines a letter handed to Brown by a young photographer, written by her mother, Emily, a local reporter covering the flight, to be delivered upon their landing to a family in Cork. Years earlier, while on a speaking tour in Ireland with the mission to raise money for the abolitionist movement, Frederick Douglass forms a bond with young Isabel, the daughter of his host family in Cork. Lily, a young servant, emboldened by Douglass’ visit, sets out for America, in the hope of a better life. About a century and a half later, former Senate majority leader George Mitchell is coaxed out of retirement to broker talks between the various factions, with the intention of getting a peace agreement by Good Friday. At the tennis club, he meets a woman in her nineties who, years earlier, had lost her grandson to the Troubles. It is Lily and her offspring’s stories—set across different times and in many different places—that ultimately tie everything together, as McCann creates complex, vivid characters (historical and otherwise) while expertly mixing fact and fancy to create this emotionally involving and eminently memorable novel. HIGH-DEMAND BACKSTORY: Prepub buzz about McCann’s latest suggests it will be among the summer’s leading literary fiction titles. --Ben Segedin

Review
“A dazzlingly talented author’s latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann’s most penetrating novel yet.”—O: The Oprah Magazine
 
“What distinguishes TransAtlantic from [Colum] McCann’s earlier work isn’t the stunning language or the psychological acuity or the humor and imagination on display—all of that has been there before. It’s the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass in 1845 . . . then the first nonstop trans-Atlantic flight in 1919 . . . then to leap into the near-present and embody the former senator George Mitchell, . . . knitting through and around them the stories of four generations of women.”—The New York Times Magazine
 
“One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday.”—The Boston Globe
 
“Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and—given that his subject is the confluence of Irish and American history—in blood.”—Esquire
 
“Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy.”—The Seattle Times
 
“Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music—elation and sorrow.”—The Denver Post


From the Hardcover edition.

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62 of 65 people found the following review helpful.
"If your life does not flash before your eyes, does that mean you've had no life at all?"
By Mary Whipple
(4.5 stars) Always precise and insightful in his descriptions, and so in tune with his settings that they seem to breathe with his characters, Irish author Colum McCann uses three different plot lines set in three different time periods to begin this new novel, and all three plots are connected intimately to Ireland. In the process, he also creates a powerful sense of how men and women, no matter where they start out, may become so inspired to reach seemingly impossible goals that they willingly risk all, including their lives, to achieve success, often in new places, away from "home." Always, however, they remain connected to their pasts.

The imagery of flight which reappears throughout the novel comes from events which take place in Book One, set in 1919. John "Jack" Alcock and Arthur "Teddy" Brown, real characters, are readying themselves to become the first pilots to fly across the Atlantic Ocean, non-stop, in less than seventy-two hours. Both men, veterans of the First World war, want a clean slate, "the obliteration of memory." By making a few adjustments to the Vickers Vimy they know so well, "they [will be] using the bomber in a brand-new way: they were taking the war out of the plane, stripping the whole thing of its penchant for carnage," and opening whole new worlds of possibility. When the two aviators take off, a local photographer, Lottie Erlich, persuades Brown to hand-carry a letter written by her mother Emily to a family in Cork. (The Ehrlich family will eventually connect all the major plot lines throughout the book, and the letter will become a motif which develops further.) As the Alcock-Brown trip in this open-cockpit plane begins, the reader becomes totally involved in the excitement and danger. For Alcock and Brown, "The point of flight. To get rid of oneself. That was the reason enough to fly."

The second plot line reverts to 1845-46. Frederick Douglass, a black slave from the United States, has arrived in Dublin to visit his Irish publisher, Richard Webb. He is in Ireland because that is the land of Daniel O'Connell, the Great Liberator, and he hopes the Irish will "open themselves to him," too. He hopes "to raise just a single hat, but eventually that hat would raise the heavens. He would go forth as a slave no more." . Known as "the Black O'Connell," Douglass eventually meets with his idol, Daniel O'Connell. In Cork he also meets Lily, a maid, who becomes the progenitor of the Ehrlich family that will eventually report on the flight of Alcock and Brown in 1919, and continue throughout the later parts of the novel.

The third plot in Book One, set during the two weeks leading to Easter, 1989, bring to life the almost insurmountable challenges of George Mitchell, former Senator from Maine and now Special Envoy to Northern Ireland, as he pushes to secure the peace between the Irish Republic and Northern Ireland, before Easter, his deadline. Despite the fact that we all know the outcome, McCann's descriptive prose in this section is so intense and driven that it is impossible to stop reading. Mitchell elicits sympathy as he tries to keep everyone in line and focused on the end result.

All the fictional characters become involved in major and minor world events peopled here with real characters; sometimes attempt what seems impossible; and eventually discover where "home" really is for each of them. As always, McCann's descriptions give new life to sometimes ordinary events. Filled with insights and uniquely developed themes, this novel shows McCann at his most inspirational best, even as his story lines are sometimes uneven.

1 of 1 people found the following review helpful.
Here and There.
By Librarian
Well written --Real times and real characters from Frederick Douglas to George Mitchell and fictional characters as well. The political events and happenings of the times in Ireland are real and the writing explains what was happening at the time politically as well as to the characters. Highly recommend the book.

1 of 1 people found the following review helpful.
Takes you form your own life to those in the story
By Benjamen Pinto
Very simple story (but not simple writing at all) with a historical background.
You feel the places, the people, their feelings, their mood,the weather.

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Senin, 02 Juni 2014

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Between Cross and Crescent: Christian and Muslim Perspectives on Malcolm and Martin (History of African-American Religions), by Lewis V. B

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Between Cross and Crescent: Christian and Muslim Perspectives on Malcolm and Martin (History of African-American Religions), by Lewis V. B

There is no more detailed resource about the relationship between Martin King and Malcolm X. The depth of scholarship in this volume extends even to the extraordinary amount of information relegated to footnotes, themselves a gold mine of documentation for all readers interested in the interface between faith claims, politics, and social and cultural transformation.

  • Sales Rank: #2420701 in Books
  • Color: Other
  • Brand: Brand: University Press of Florida
  • Published on: 2002-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.39" w x 6.47" l, 1.78 pounds
  • Binding: Hardcover
  • 488 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Professors Baldwin and Al-Hadid, at Vanderbilt and Tennessee State Universities respectively, persuasively argue that El-Hajj Malik El-Shabazz (better known as Malcolm X) and Martin Luther King Jr. shared the same views about the American and worldwide race struggle at their deaths. They offer refreshing biographical insights based on exhaustive research. With the exception of one chapter, which eloquently describes Malcolm X's evolution from Nation of Islam doctrine into Sunni Islam, each chapter presents both men's views on specific topics. The historical material is laced with an overview of contemporary events such as the Million Man March, the United Nations World Conference on Racism and the attacks on America on September 11. The most satisfying portraits emerge out of the chapters on El-Shabazz's and King's relationships with their wives and children. Stronger editing would have eliminated repetition, unnecessary length and a lack of focus. A clear description of how NOI doctrine differs from Islam is missing, leaving the uninformed reader to assume that Sunni Muslims share the NOI's views on race and gender. Baldwin and Al-Hadid show a bias toward King, glossing over his extramarital affairs and plagiarism while extensively quoting El-Shabazz's more incendiary remarks. The authors illustrate how El-Shabazz and King, though not reluctant leaders, unwillingly became prisoners of circumstance El-Shabazz by NOI doctrine and King by white liberals. That these leaders' message still resonates is proof of how profound and gifted they both were, and how much has been left undone since their deaths.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Historically, Christians and Muslims have had a troubled relationship, and these two books nobly aim to generate a dialog between the two faiths. Between the Cross and Crescent successfully contrasts the lives of Malcolm X Shabazz and Martin Luther King Jr. and mostly resolves the creative tension between those leaders' philosophies. Baldwin (religious studies, Vanderbilt Univ.) has deep roots in the African-American Christian tradition, and Al-Hadid (Africana studies, Tennessee State Univ.) is a Sunni Muslim. They have written a contrapuntal biography to stress the importance of interfaith dialog and a Pan-African perspective, and to celebrate community as the highest ideal. Freedom, family, gender roles, democracy, and globalization are the major themes in this publication, the second in the publisher's "History of African American Religions" series. The Prophet & the Messiah is an equally remarkable book. Whereas the Martin/Malcolm title was written primarily from a sociocultural perspective, this one employs a religious viewpoint, intermingling East/West and sophic/mantic perspectives. Moucarry (Islamic studies, All Nations Christian Coll., England) was born in Syria, has lived in both Muslim and Christian communities, and received a Ph.D. from the Sorbonne. Although he is respectful of and sensitive to both religions, he clearly makes the case for the truth of Christianity, at the same time assuring the reader that absolute impartiality does not exist anyway. His 20 chapters include discussions of the Scriptures, key doctrines (e.g., Godhead, sin and salvation), Jesus Christ, Muhammad, and contemporary issues. Helpful appendixes list Muslim theologians and mystics and show a historical time line of Christian-Muslim relations. Although Moucarry's book was written for evangelical Christian readers and Baldwin/Al-Hadid's for college students, they both carry the message to any believer that there is one God, one humanity, one world. Both titles are highly recommended for general and student readerships in public and academic libraries. Gary P. Gillum, Brigham Young Univ., Provo, UT
Copyright 2002 Reed Business Information, Inc.

From Booklist
Malcolm X and Martin Luther King Jr. rank among the most politically influential and also, arguably, among the most misunderstood twentieth-century religious leaders. This collection of essays by a Muslim and a Christian counters the images of King as passive preacher and Malcolm as radical extremist, and the perception that they were ideologically irreconcilable. They guide readers to a deeper understanding of the revolutionary significance of King's thought and the philosophical seriousness of Malcolm's, and to the convergence of their thinking in a radical critique of American culture and its racism, classism, and sexism. Al-Hadid is particularly concerned to locate Malcolm in orthodox Islam (Sunni) and show how that tradition informed the radical critique he was articulating after his separation from the Nation of Islam. Baldwin and Al-Hadid depict Malcolm and King as figures whose political engagement informed their maturing religious insights and convictions. A model of interreligious dialogue that provides good introductions to its subjects' thought, to Islam, and to the potentially creative interplay of religion and politics in Islam and Christianity. Steven Schroeder
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

1 of 1 people found the following review helpful.
Get More Power
By Ol' G-Money
This is an excellent read for academia. Although it can be somewhat slow-its a comparative analysis of two complex African American leaders- and how their intellect threaten and forever changed main-stream America. Depicted as polar opposites by the press (the machine) it takes one to the threshold of truly acknowledging Malcomn X and DR King as being much more alike (the Cross Roads) than they were different. Pass this one on to your love ones.....or challenge your HS or collegiate students.

0 of 0 people found the following review helpful.
Five Stars
By Angela Detter
great resource

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Welcome to the Monkey House, The Special Edition, by Kurt Vonnegut

Welcome to the Monkey House, The Special Edition, by Kurt Vonnegut



Welcome to the Monkey House, The Special Edition, by Kurt Vonnegut

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Welcome to the Monkey House, The Special Edition, by Kurt Vonnegut

Since its original publication in 1968, Welcome to the Monkey House has been one of Kurt Vonnegut’s most beloved works. This special edition celebrates a true master of the short-story form by including multiple variant drafts of what would eventually be the title story. In a fascinating accompanying essay, “Building the Monkey House: At Kurt Vonnegut’s Writing Table,” noted Vonnegut scholar Gregory D. Sumner walks readers through Vonnegut’s process as the author struggles—false start after false start—to hit upon what would be one of his greatest stories. The result is the rare chance to watch a great writer hone his craft in real time.
 
Praise for Kurt Vonnegut
 
“Kurt Vonnegut is, in my view, the great, urgent passionate American writer of our century.”—George Saunders
 
“Vonnegut’s fiction itches to seize the human truth by its large handles.”—John Updike

  • Sales Rank: #224403 in Books
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.01" h x .85" w x 5.24" l, .71 pounds
  • Binding: Paperback
  • 416 pages

Review
Praise for Kurt Vonnegut
 
“Kurt Vonnegut is, in my view, the great, urgent passionate American writer of our century.”—George Saunders
 
“Vonnegut’s fiction itches to seize the human truth by its large handles.”—John Updike

About the Author
Kurt Vonnegut’s black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist” (The New York Times) with Cat’s Cradle in 1963. He was, as Graham Greene declared, “one of the best living American writers.” Mr. Vonnegut passed away in April 2007.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Fascinating look at how the Monkey House was built
By Chuck Augello
The real find here is Gregory Sumner's essay "Building the Monkey House", which traces the development of the title story through its earliest incarnations as short, unfinished drafts. We see Vonnegut experimenting with different narrators, voices, and points of view. A self-describer "basher," Vonnegut chips away until the story's eventual theme and form emerge. The early "Greta Garball" drafts showcase Vonnegut at his joke-telling best. Recommended for Vonnegut fans eager for a "behind the scenes" look at a famous story and for writers of fiction interested in the process of a world-class author. Vonnegut fans interested in more can find an interview with Gregory Sumner at www.thedailyvonnegut.com.

1 of 1 people found the following review helpful.
Don't miss this one.
By vivian f.
I was introduced to Vonnegut in college when a professor handed out mimeographed copies of "Harrison Bergeron Jr" for those who had finished their tests to read. I hadn't read very far into it before the professor leaned over and asked me to enjoy the rest of it in the hallway as my laughter was distracting the other students still taking the test.

0 of 0 people found the following review helpful.
Excellent collection of short stories by KV
By soundstudio
Excellent collection of short stories by KV. I really like the cover art a lot and with this version you also get a look into the development of some of the writing of the master himself. If you're a big fan of his this is essential.

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