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Sabtu, 26 Desember 2015

!! Download Ebook The Archaeology of Clothing and Bodily Adornment in Colonial America (American Experience in Archaeological Pespective), by Diana Dipaolo

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“No one who reads this book will ever look at a button, a buckle, or a bead in quite the same way again. Diana Loren adroitly demonstrates how ‘small finds’ associated with everyday dress and bodily adornment truly mattered in colonial discourses between Europeans and Native Americans over identity, social positioning, and power.”—Mary C. Beaudry, Boston University

“Highly readable but also innovative in its approach to a broad array of material from diverse colonial contexts.”—Carolyn White, University of Nevada, Reno “Brings together a sampling of the extensive literature on the archaeology of clothing and adornment to argue that artifacts of the body acquire their meaning through cultural practice. Loren shows how dress serves as social discourse and a tool of identity negotiation. In this she is squarely situated in mainstream theoretical approaches in American historical archaeology, including practice theory, critical theory, and archaeology of the social body. The use of clothing and adornment is a powerful way to underscore these concepts.”—Kathleen Deagan, Florida Museum of Natural History Diana Loren challenges us to see beyond the essential identity ascribed to an object at the time of its production based upon its intended function and to envision the symbolic meanings and values that artifacts acquire through use.

Sales Rank: #1606702 in Books
Published on: 2011-07-27
Original language: English
Number of items: 1
Dimensions: 9.02" h x .33" w x 5.98" l, .48 pounds
Binding: Paperback
140 pages

About the Author
Diana DiPaolo Loren is Associate Curator at Harvard University’s Peabody Museum of Archaeology and Ethnology.

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3 of 4 people found the following review helpful.
Three Stars
By Rschluessel
not enough illustration

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Rabu, 23 Desember 2015

! Download Ebook Cloud Atlas (Movie Tie-in Edition): A Novel, by David Mitchell

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By the New York Times bestselling author of The Bone Clocks | Shortlisted for the Man Booker Prize | Includes a new Afterword by David Mitchell

A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.

But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.

As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

Praise for Cloud Atlas

“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review

“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers

“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People

“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon

“Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.”—The Washington Post Book World

“Thrilling . . . One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step.”—Boston Sunday Globe

“Grand and elaborate . . . [Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate.”—Los Angeles Times

Sales Rank: #576869 in Books
Published on: 2012-10-02
Released on: 2012-10-02
Original language: English
Number of items: 1
Dimensions: 8.50" h x 1.06" w x 5.50" l, .92 pounds
Binding: Paperback
528 pages

From Publishers Weekly
At once audacious, dazzling, pretentious and infuriating, Mitchell's third novel weaves history, science, suspense, humor and pathos through six separate but loosely related narratives. Like Mitchell's previous works, Ghostwritten and number9dream (which was shortlisted for the Booker Prize), this latest foray relies on a kaleidoscopic plot structure that showcases the author's stylistic virtuosity. Each of the narratives is set in a different time and place, each is written in a different prose style, each is broken off mid-action and brought to conclusion in the second half of the book. Among the volume's most engaging story lines is a witty 1930s-era chronicle, via letters, of a young musician's effort to become an amanuensis for a renowned, blind composer and a hilarious account of a modern-day vanity publisher who is institutionalized by a stroke and plans a madcap escape in order to return to his literary empire (such as it is). Mitchell's ability to throw his voice may remind some readers of David Foster Wallace, though the intermittent hollowness of his ventriloquism frustrates. Still, readers who enjoy the "novel as puzzle" will find much to savor in this original and occasionally very entertaining work.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Mitchell's virtuosic novel presents six narratives that evoke an array of genres, from Melvillean high-seas drama to California noir and dystopian fantasy. There is a naïve clerk on a nineteenth-century Polynesian voyage; an aspiring composer who insinuates himself into the home of a syphilitic genius; a journalist investigating a nuclear plant; a publisher with a dangerous best-seller on his hands; and a cloned human being created for slave labor. These five stories are bisected and arranged around a sixth, the oral history of a post-apocalyptic island, which forms the heart of the novel. Only after this do the second halves of the stories fall into place, pulling the novel's themes into focus: the ease with which one group enslaves another, and the constant rewriting of the past by those who control the present. Against such forces, Mitchell's characters reveal a quiet tenacity. When the clerk is told that his life amounts to "no more than one drop in a limitless ocean," he asks, "Yet what is any ocean but a multitude of drops?"
Copyright © 2005 The New Yorker

From Bookmarks Magazine
Critics on both sides of the Atlantic rave over Cloud Atlas, British novelist Mitchell’s third novel. Many of the accolades focus on his flair for setting and character. He seems just as comfortable in far-future Hilo as in contemporary England, and he crafts believable voices for characters as different as the rakish Frobisher and the simple tribesman Zachry. One reviewer found the Luisa Rey storyline less convincing than others, while another got bogged down in Zachry’s tale. Mitchell may jump around in time, but his skill remains consistent.

This skill—the technical expertise that allows Mitchell to adopt a different genre for each of his six storylines—gets him into a little trouble. The New York Times Book Review complains that Mitchell’s writing “too often seems android,” that his chameleon-like shifts render his work coldly impressive rather than “fallibly human.” However, most reviewers found Mitchell’s unorthodox structure captivating. After an initial period of confusion, Cloud Atlas becomes a challenging puzzle most were eager to solve. When the storylines finally coalesce, the result is a novel that stands above its peers in both emotional impact and philosophical import. As the Los Angeles Times notes, “Cloud Atlas offers too many powerful insights to be dismissed as a mere exercise in style.” By all accounts, Mitchell has produced in Cloud Atlas a wholly original work. For most, it is also wholly satisfying.

Most helpful customer reviews

1959 of 2022 people found the following review helpful.
Loved this book but not for everyone
By sb-lynn
This goes down as one of my favorite books of the year.

Story in a nutshell (without spoilers):

Cloud Atlas consists of 6 [slightly] interlinking stories, told from the viewpoint of 6 different individuals at different points in time. The first story consists of the letters of Adam Ewing, and his fateful trip on a ship in the Pacific in the mid 1850's.

From there we go to the second story, which takes place in the 1930's and is told from the viewpoint of Robert Frobisher, a talented disinherited muscial composer who visits an infirm maestro and his family in an attempt to get work and advantage. His story is told through his letters to a scientist friend/lover named Rufus Sixsmith.

The next story takes place in the 1970's, and has to do with reporter Luisa Rey, and her exposure of corporate malfeasance that could result in disaster. Sixsmith is a scientist there, and plays an important part of the story.

Next, (and my personal favorite), is the story of Timothy Cavendish, in present day England, and the tale of his (mis) adventures as a book publisher. Utterly hilarious and poignant.

The second to last story becomes a sci/fi read of future corporate controlled Korea, complete with cloned humans. And the final story is one that takes place in post apocalyptic Hawaii.

And then we go back to each story, in opposite order, and put the pieces together and complete the cliffhanger endings from the first half.

I think this book is brilliant. I often found myself rereading various sections because I found them so ingenius and profound. I think David Mitchell is one of the most talented new writers around.

My only complaint? Sometimes I think that the author was a bit taken with his own writing, and was too clever for his own good. At points the writing became tedious, although never to the point that I wanted to throw in the towel.

Note...I personally had trouble getting through chapter one, but then I was hooked by chapter two. If you find yourself getting impatient, hang in there.

Highly recommended, with the reservations expressed above.

516 of 558 people found the following review helpful.
A profound page-turner
By S. Bush
Cloud Atlas is a series of six interlocked tales - encompassing a wide array of eras, locales, and genres -in which the protagonist in each story is impacted in some significant manner by the tale told in the preceding section (or the following section, as the book's tales wind out in reverse order in the second half).

So...the stories we tell, and the sense we make of things, have meaning. I'm not sure if Mitchell intended this a straightforward(ish) reincarnation tale, or if the larger theme has something to do with the idea that the stories we tell survive us, perhaps at least partially define what it means to be human, or enable us to retain some vestige of humanity in the face of forces (imperialism, slavery, corportization, or just our own worst impulses) designed to strip that away. The centerpiece of the book does take place in a future world in which civilization has been literally reduced to the ability to remember, and relay that rememberance forward in a sort of verbal folklore.

This is a good, moving, well-written, and entertaining book. One's patience for it is probably dependent on one's degree of exposure to genre fiction - I think someone approaching this from the perspective of classic "literary fiction" might find it off-putting - part of the fun here is the manner in which Mitchell plays with the tropes and cliche of various genres (sci-fi, hardboiled crime fiction, belles lettres, etc) across the six tales. That said, there's lots of "high literary" enjoyment to be had here - the writing is stellar, and there's lots of good thematic linkage (boats, bridges, musical themes, etc.) that add quite a bit of depth.

I would also like to dispel the notion that this is a "difficult" book in the style of David Foster Wallace, Thomas Pynchon, etc. It is just extraordinarily fun to read. The novel's overarching themes are challenging and profound, but it is also a page-turner of the highest order, and in that sense a real celebration of the various genres it exploits and parodies. Highly recommended.

417 of 459 people found the following review helpful.
Extraordinary work
By Leah Shafer
I've just finished this phenomenal book by David Mitchell, a present from a friend who recommended I read it immediately.

So glad I did. It has aspects of the dystopian future scenarios that I so loved in The Handmaid's Tale, Dune, and The Sparrow coupled with recent past and long-past stories. It addresses basic questions of where we are going as a species, following one soul reincarnated through six lives. That soul is on a trajectory that traces the basic human desire for domination, the often-myopic thinking of the powerful, and the fate of the powerless. It is on a grand scale, beautifully told, and quite enthralling.

The structure is what had me hooked to start--it is a mirror of itself. Rough breakdown: The first and twelfth chapters are "The Pacific Journal of Adam Ewing," a story of subterfuge, gullibility, and poison on a ship bound from the South Seas to London.

Second and tenth chapters are epistolary, taking place in 1939 through the correspondence of Frobisher--a bit of a cad and scammer--to his friend Sixsmith. Frobisher is a brilliant musician but the family shame, in the process of writing his great masterpiece while apprenticing under a syphilitic genius composer.

Third and ninth chapters follow the efforts of investigative journalist Luisa Rey to uncover serious evil at a soon-to-be opened nuclear facility in the mid-70s. One of her primary sources in the mystery Sixsmith, Frobisher's correspondent from the last chapter, but now 35 years older.

Fourth and eighth chapters are the disturbing and frequently funny tales of Timothy Cavendish, a bumbling, arrogant, failure of a publisher in London during roughly our current times, maybe a little later.

Fifth and seventh chapter are my favorites--here Mitchell hits the sci-fi, dystopian future part with full gusto. Sonmi~451 is a human clone of sorts, grown in a womb tank (like all "fabricants," as they are called) and born into service to Papa Song Company. The world as we read about it is governed and shaped around corporate structures and the economy is based on the slave labor of these fabricants.

This chapter is her testimony about her ascension from fabricant to full human thinking and feeling. She observes the world outside Papa Song restaurant and ventures into the broader culture (a scary place, indeed).

I don't do these chapters justice. Sonmi~451 weaves a wonderful tale about this future world, using neologisms and appropriated words that make perfect sense based on how we are using language now. The links and connections to life in the 21st century make it compelling.

The peak chapter, "Sloosha's Crossin' an' Ev'rythin' After," describes a fallen world, one that has collapsed in on itself leaving the vast majority of humans in a new Dark Age where violence and predatory actions are the way of those who want to live very long. The strong dominate and destroy the weak. The protagonist, a goat herder, refers to the "Civ'lized days before the fall when people was ler'nd." It's written in this dialect and he tells a hard-wrought tale of lawless times.

But it's all believable. Mitchell never stretches his story in any part of the book beyond what we can imagine. He begins with a tale of dishonesty in the 1800s and spins it into the future, following some of our baser instincts to their logical, if stunning and frightening, conclusion.

This book is complicated and ambitious--it's a little over 500 pages of teeny, tiny print and plot lines that crisscross over chapters, lives, and hundreds, maybe thousands, of years.

The reincarnation theme is only hinted at in the vaguest of terms--it's not even a central part of the book, but it does weave the narrative thread from character to character. I can't begin to fathom how many Post-it notes and spreadsheets it took Mitchell to keep track of all this.

Cloud Atlas was the most thought-provoking novel I've read in years and I found myself meditating on the lives of the characters long after I'd put it down and moved onto something else. Extraordinary work.

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! Ebook Download The Spark: A Mother's Story of Nurturing, Genius, and Autism, by Kristine Barnett

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Kristine Barnett’s son Jacob has an IQ higher than Einstein’s, a photographic memory, and he taught himself calculus in two weeks. At nine he started working on an original theory in astrophysics that experts believe may someday put him in line for a Nobel Prize, and at age twelve he became a paid researcher in quantum physics. But the story of Kristine’s journey with Jake is all the more remarkable because his extraordinary mind was almost lost to autism. At age two, when Jake was diagnosed, Kristine was told he might never be able to tie his own shoes.

The Spark is a remarkable memoir of mother and son. Surrounded by “experts” at home and in special ed who tried to focus on Jake’s most basic skills and curtail his distracting interests—moving shadows on the wall, stars, plaid patterns on sofa fabric—Jake made no progress, withdrew more and more into his own world, and eventually stopped talking completely. Kristine knew in her heart that she had to make a change. Against the advice of her husband, Michael, and the developmental specialists, Kristine followed her instincts, pulled Jake out of special ed, and began preparing him for mainstream kindergarten on her own.

Relying on the insights she developed at the daycare center she runs out of the garage in her home, Kristine resolved to follow Jacob’s “spark”—his passionate interests. Why concentrate on what he couldn’t do? Why not focus on what he could? This basic philosophy, along with her belief in the power of ordinary childhood experiences (softball, picnics, s’mores around the campfire) and the importance of play, helped Kristine overcome huge odds.

The Barnetts were not wealthy people, and in addition to financial hardship, Kristine herself faced serious health issues. But through hard work and determination on behalf of Jake and his two younger brothers, as well as an undying faith in their community, friends, and family, Kristine and Michael prevailed. The results were beyond anything anyone could have imagined.

Dramatic, inspiring, and transformative, The Spark is about the power of love and courage in the face of overwhelming obstacles, and the dazzling possibilities that can occur when we learn how to tap the true potential that lies within every child, and in all of us.

Praise for The Spark

“[An] amazing memoir . . . compulsive reading.”—The Washington Post

“The Spark is about the transformative power of unconditional love. If you have a child who’s ‘different’—and who doesn’t?—you won’t be able to put it down.”—Sylvia Nasar, author of A Beautiful Mind

“Love, illness, faith, tragedy and triumph—it’s all here. . . . Jake Barnett’s story contains wisdom for every parent.”—Newsday

“This eloquent memoir about an extraordinary boy and a resilient and remarkable mother will be of interest to every parent and/or educator hoping to nurture a child’s authentic ‘spark.’”—Publishers Weekly

“Compelling . . . Jake is unusual, but so is his superhuman mom.”—Booklist

“The Spark describes in glowing terms the profound intensity with which a mother can love her child.”—Andrew Solomon, author of The Noonday Demon and Far from the Tree

“Every parent and teacher should read this fabulous book!”—Temple Grandin, author of Thinking in Pictures and co-author of The Autistic Brain

From the Hardcover edition.

Sales Rank: #187867 in Books
Published on: 2014-03-25
Released on: 2014-03-25
Original language: English
Number of items: 1
Dimensions: 7.98" h x .65" w x 5.18" l, .48 pounds
Binding: Paperback
288 pages

From Booklist
In this compelling memoir, the mother of an autistic savant featured in a 60 Minutes segment tells the story of her remarkable son. The book would have benefited from a foreword by a prominent scientist and/or psychiatrist who could establish that this is completely legit. At two, Jake is diagnosed with autism. As a tyke, he memorizes every license plate in the neighborhood and teaches himself Braille. At eight, he starts auditing college courses. At 10, he teaches himself the entire high-school math curriculum in two weeks. At 13, he is a college sophomore at Indiana University-Purdue University Indianapolis. The book contains many interesting nuggets about kids with autism; for example, they dislike bowling alleys (too noisy). The family’s story, which includes Jake’s dad losing his job and his mom suffering from a stroke at age 30, seems destined for a TV or movie screen. Barnett even runs a day-care center, takes in foster kids, and starts a sports program for autistic kids. Jake is unusual, but so is his superhuman mom. --Karen Springen

Review
“[An] amazing memoir . . . compulsive reading.”—The Washington Post

“The Spark is about the transformative power of unconditional love. If you have a child who’s ‘different’—and who doesn’t?—you won’t be able to put it down.”—Sylvia Nasar, author of A Beautiful Mind

“Love, illness, faith, tragedy and triumph—it’s all here. . . . Jake Barnett’s story contains wisdom for every parent.”—Newsday

“This eloquent memoir about an extraordinary boy and a resilient and remarkable mother will be of interest to every parent and/or educator hoping to nurture a child’s authentic ‘spark.’”—Publishers Weekly

“Compelling . . . Jake is unusual, but so is his superhuman mom.”—Booklist

“The Spark describes in glowing terms the profound intensity with which a mother can love her child.”—Andrew Solomon, author of The Noonday Demon and Far from the Tree

“An invigorating, encouraging read.”—Kirkus Reviews

“Every parent and teacher should read this fabulous book!”—Temple Grandin, author of Thinking in Pictures and co-author of The Autistic Brain

From the Hardcover edition.

About the Author
Kristine Barnett lives in Canada with her husband, Michael, and their three boys, Jacob, Wesley, and Ethan. She is a public speaker on alternative education for children with autism.

From the Hardcover edition.

Most helpful customer reviews

281 of 287 people found the following review helpful.
Focus on what your autistic child CAN do -- and be amazed!
By Rabbi Yonassan Gershom
I come to this review with a somewhat different perspective than most, because I, too, am autistic. Not nearly as severely as Jake -- I have high-functioning Asperger's. And my IQ, high as it is, pales in comparison to his genius. Nevertheless, there were many places where I saw myself in his story.

This is not only a wonderful story of a mother's struggle with "experts" on behalf of her gifted autistic son, it is also a general formula for success: When dealing with disabled or developmentally-challenged children, focus on what they CAN do, not the things they can't. Jake Barnett is a genius, but if his mother had accepted the advice of the special ed people, his brilliant mind would have been lost to the world. At age 2, she was told he would never learn to read or even tie his shoes -- in spite of his obsession with alphabet cards. All the tests focused on things he was either unable to do or -- and this later proved to be the case -- too bored to do. While his mind was studying light and shapes and geometric patterns -- things the teachers saw as mere useless distractions -- he had no interest in sitting in a circle with other children or playing with puppets, the usual kinds of expectations for toddlers. And so he was seriously mislabeled as hopeless.

Kristine Barnett refused to accept a "ceiling" for her son and decided to give him all the alphabet cards he wanted, as well as whatever other activities he found interesting, and work with him from there. This was completely against all the professional advice -- even her husband Michael was skeptical at first -- but eventually it worked. As long as Jake could focus on the things he loved -- astronomy, math, history, physics -- he was willing to work on the more mundane socialization skills. As he grew older, he did begin to communicate and socialize with other kids, but he was so far ahead of his age group in academics that by third grade he was dying of boredom and starting to regress back into his own world again. The solution? Get him into a special college program, and eventually into college itself. At age 12, he became a paid researcher in quantum physics -- and solved an open ended problem nobody else had ever solved before.

As I read this story, I could not help comparing it with my own life. I saw some striking parallels, as well as many (sometimes sad) differences. For one thing, I am 65 years old. Back in the 1950s when I was in grade school, autism was not so well understood, and Asperger's wasn't even on the charts. Because I had speech (I was talking at 9 months and could read a newspaper before I got to kindergarten), I was seen as just a bright problem kid who "does not work and play well with others." But the signs were all there. Like Jake, I, too, retreated into myself between age two and three -- so much so, that I do not remember the names of any of my classmates, and only one teacher -- the one who locked me out in the hall when I had a meltdown. By high school I was so bored (and so badly bullied) that I almost flunked out. And again, I can remember none of my teachers or classmates, nor did I bother to go to my graduation ceremony. The only reason I got into college was because of my very high SAT scores. Not until college did I begin to come out of my shell.

I also did not have such a kind, understanding mother as Jake does, either. When Kristine Barnett talks about mothers of autistic children who "no longer even look at their child," she is describing my mother, may she rest in peace. My mother had definite ideas of what she wanted her child to be, and I wasn't it. My early obsession was with insects, which my mother found disgusting and tried to discourage. Nice Jewish boys don't run around with butterfly nets. By the time my sister was born, my mother had already given up on me. She abandoned me emotionally and focused on her "normal" child instead. An all-too-common story. Today I wonder if we ever bonded at all. My father used to call me "oblivious," and accuse me of "not caring about anybody but myself." So I ended up fumbling my way through life. I sometimes wonder what I might have achieved if my family had nurtured my genius more, instead of lamenting that I never went to parties or the prom. (I did eventually find love and marry at age 33. My wife and I are still together.)

I share my story, not to complain or badmouth my family, but to reinforce what Kristine Barnett wrote in her book: "...I believe that autistic kids hear their parents talking about patty-cake or asking for a hug, but they're just not interested in those things. Have you ever been trapped at a party with someone talking about something you don't particularly care about -- sports maybe, or politics or classic cars? Certainly people with autism are in our world. They're just not thinking about the things we want them to think about."

I can totally relate to that. To this day, I hate sports, and can hardly tell one ball from another. Even the adapted sports that the Barnetts came up with for autistic children would bore me to tears. But show me a bug and I can tell you everything you ever wanted to know about it -- and then some. The same is true of Jake's mathematics, which for him are not work, but a form of genuine fun. (How many times have people told me that I "need to learn how to play"? BUT I AM PLAYING! I just don't do it with balls and bats. Academics are FUN to me!)

Jake long ago surpassed his mother's ability to understand his equations but, unlike my mother, she nurtured his genius and, at the same time, continued to be mom and surround him with love. She has what my mother did not: a philosophy that says every child is a unique gift of God and should not be crammed into a prefab mold.

Granted, not every autistic child is a genius, but even low-functioning kids can still grow and learn. In Barnett's book, there is a wonderful story about a girl named Katy (p.148), who is severely autistic and does not speak, but loves to bake and decorate cakes. Under Barnett's guidance, she got so good at it that she eventually found a job as a cake decorator. A job that does not require much social interaction, where she can work alone in the back room to create her masterpieces. Is this not better than wasting time trying to get her to give good eye contact and chat around the water cooler?

So I do hope that a lot of people read Jake's story and take it to heart. This is not to say that we should never seek professional help. But those professionals are not gods, they don't know everything, they make mistakes. And maybe it is time for them to reevaluate their testing methods before we lose any more fine minds that are not willing to respond to patty-cake but who, like Jake, might be working on some revolutionary new idea. After all, if (autistic) Bill Gates had not come up with the idea of a pre-recorded, loadable operating system (instead of programming each computer separately), you might not be reading this review online. Think about that.

75 of 81 people found the following review helpful.
Well deserved
By G. Kellner
I found this woman so annoying at first I didn't think I was going to make it through the whole book. I have two kids on the autism spectrum and my thought was "Look, lady--I don't want to hear all about your genius kid." She didn't win me over until she started talking about her groups she ran for autistic kids, "Little Light." She believes that all autistic kids have gifts, or something they're good at--it's our job to find those things and to nurture them. The reason therapy is often met with stubborness and tantrums is because it focuses on everything autistic kids can't do or are not good at. She put this into practice with ALL the kids who came to her groups, even the lowest functioning ones. She seems to be just a lovely, lovely person--the kind that gives everything away and tries to help out neighbors. Kristine Barnett is a hero for kids struggling with autism. I wish her much success--it's well deserved.

43 of 50 people found the following review helpful.
You don't have to have a Genius in your house to love The Spark!
By L. J. Schrader
The first thing I must say is that I loved the book, but think the title may miss the mark in reaching parents who would adore this story. In particular, those with children who have any sort of special needs, and of course, autistic families would want to know this book is a hopeful story for all of them as well. While the author happens to have a brilliant son, she shares some common denominators with all autistic families and has some wonderful insight as to how to work with these children and help them reach their full potential.

I work in Special Education at a high school with many children of varying degrees on the spectrum, so I was interested to hear another experienced voice that had success, so that we might also be able to apply it to the kids we work with. There were definitely some gems I will share to remind us that there are simple ways each day to bring out the "Spark" in each of the students:

- Treat the children as people, not problems to be fixed or objects of pity.

- Every child has something that engages them and if you find the proper lens to magnify it they will flourish.

- Encourage the passion the child has. This doesn't always take tremendous resources and if you are creative enough, you can give them all they need to succeed.

- Kids do things and play with things differently and no way is "right" except the way that makes them most productive and content.

- A rule-based check on social behavior works (they will learn to differentiate between a "code 2" and a "code 10" response if it is taught and reinforced).

And of course, one of the greatest analogies I have seen yet on the subject:

"Imagine that you live in a treehouse in a beautiful forest, and the only place you feel safe and calm is in that treehouse. But ...[people keep telling you that you must come down with the rest of us]...". Then one day somebody comes into the forest, and she doesn't yell or try to make you change, but instead climbs into your treehouse and shows you that she loves it as much as you do"..."Wouldn't you have a completely different relationship with her than you do with anyone else? And, when she asks you to come down for a few minutes because she has something amazing to show you, wouldn't you be more inclined to check it out?"

"We met children where they were in order to get them where they needed to be."

The entire story of the success of the Barnetts is a very easy, comforting read, inspiring and hopeful and I most definitely recommend it to all parents and educators. The author makes it clear that she does not suggest all children could or would become prodigies, but as she says "If you fuel a child's innate spark it will always point the way to far greater heights than you could ever have imagined." So important to keep in mind.

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Rabu, 16 Desember 2015

? Fee Download Looking South: Race, Gender, and the Transformation of Labor from Reconstruction to Globalization (Southern Dissent), by Mary E. Frederick

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A fresh look at the South through the lens of larger global forces. Frederickson links the global and local in new ways that point to a model for future work in the field.--Richard Greenwald, Drew University.

Sales Rank: #5685848 in Books
Brand: Brand: University Press of Florida
Published on: 2011-05-29
Original language: English
Number of items: 1
Dimensions: 1.01" h x 6.63" w x 9.36" l, 1.30 pounds
Binding: Hardcover
328 pages

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0 of 0 people found the following review helpful.
Thoughtful Discussion of Labor Issues in the American South
By Roger D. Launius
Historian Mary E. Frederickson presents in "Looking South" not so much a coherent analysis of labor, race, and gender in southern history as a collection of loosely organized essays on the general theme of this book. Of course, there has long been a tension between labor and business leaders throughout the American South, and many times it has been turbulent and sometimes there have been outbreaks of violence. Often, this resulted from efforts to unionize and as often as not came from authoritarian efforts to break strikes. She insists that the South of the latter nineteenth/early twentieth centuries modeled a new form of industrialization that relied on “cheap labor, anti-unionism, and occupational segregation by race and gender” (p. 3). She contends that this approach has been the pattern followed by all American industrial entities the more recent past, and that it is affects every aspect of “industrial modernity” in the “Global South.”

Some of the essays presented here are excellent; some are less interesting than others. If there is a thesis to this work it is that the South industrialized later than other parts of the United States, the industrialization was largely non-union, and this effected race, class, and gender in the New South. This labor model has proliferated around the world as globalization has made it possible for corporations to move easily from one place to another in search of ever greater profits, in no small part because of the lessening of recompense available to laborers.

Frederickson’s essay on Plessy v. Ferguson offered an enlightening discussion of how the interplay of race, industrialism, and southern culture related to each other in Gilded Age America. It ensconced in national law racial segregation as long as it was “separate but equal”; we all know of its place in this arena. At the same time, what most people have not recognized is that it also countered a set of national initiatives—such as the Interstate Commerce Act—that brought greater primacy to the federal government. This court case tipped back the pendulum by privileging laws enacted at the state and local levels over their national counterparts.

The last two chapters, relating to labor in the “Nuevo New South,” focuses on the post-1960s era and how southern industrialism has changed. Profound modifications have taken place during this fifty-year period. Southern industrialism defeated most of the pro-union movement during that period and salaries, benefits, and economic security suffered. This was counterbalanced by the range of new immigrants who took up many of the industrial jobs left in the region.
This is a fascinating story, although presentation is both disjointed and I looked long for a thesis unifying the various essays. While the essays are interesting; the larger place of the stories they relate is left for others to create meaning from; Frederickson should have related them better. This work is a starting point for a much more involved discussion. I would recommend this book be read in conjunction with Timothy J. Minchin’s "Fighting Against the Odds: A History of Southern Labor since World War II," a book published in 2004 by University Press of Florida.

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Selasa, 15 Desember 2015

! Free PDF Contemporary Architecture and Urbanism in the Middle East, by Mohammad al-Asad

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“A well-written survey of contemporary architectural projects in the Arab world. The book represents a valuable, sincere, and much-needed effort to address a gap in the literature as it relates to the built environment in the Middle East. In addition to presenting a select set of projects, the author provides an insightful and concise critique setting them within the larger context of the region.”—Yasser Elsheshtawy, United Arab Emirates University

“An important document that catalogues and illustrates the last decade of architectural projects and buildings in countries of the Middle East and Arabian Gulf region.”—Salma Samar Damluji, author of The Architecture of Yemen

“A lucid and jargon-free investigation of 110 projects, from small houses to the world’s tallest building, erected or envisioned during the last decade in the region between the Mediterranean and the Gulf. A masterful view by an experienced observer of architecture as commodity in the contemporary Arab world.”—Sheila S. Blair and Jonathan M. Bloom, Boston College

At the end of the first Gulf War, the Middle East entered a new era of architectural and urban development defined by increased levels of globalization and private sector investment. In the decade that followed, the region was home to a wealth of architectural projects that challenged conventional thinking about architecture and the Middle East itself.

The outside world typically views the region as dominated by violence. The international media’s coverage of the Middle East often emphasizes political instability and brewing problems. Frequently overlooked is the economic and political stability that prevailed in many countries in the region during the past few decades and the possibilities for growth and development. The occasional rocking of the boat brought about by surges in political or religious extremism, military adventurism, decreases in oil prices, or acts of terrorism did not undermine that overall stability. The passion with which building projects have been carried out in the Middle East is one reflection of a faith and belief in the potentialities of this growing part of the world.

Mohammad al-Asad provides an in-depth examination of more than one hundred projects, from homes and schools to hotels and religious centers, with a stop at the world’s tallest building along the way. Contemporary Architecture and Urbanism in the Middle East examines the economic, political, and cultural context in which the projects were conceived and built. The book’s photographs bring attention to previously unaddressed aspects of modern Arabic architecture, highlighting local talent emerging throughout the region.

Sales Rank: #1857392 in Books
Brand: Brand: University Press of Florida
Published on: 2012-07-01
Original language: English
Number of items: 1
Dimensions: 11.00" h x 1.00" w x 8.60" l, 3.20 pounds
Binding: Hardcover
320 pages

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A well-written and much-needed survey of contemporary architectural projects in the Arab world. The book represents a valuable, sincere, and much-needed effort to address a gap in the literature as it relates to the built environment in the Middle East. In addition to presenting a select set of projects, the author provides an insightful and concise critique setting them within the larger context of the region."" -Yasser Elsheshtawy, United Arab Emirates University | ""An important document that catalogues and illustrates the last decade of architectural projects and buildings in countries of the Middle East and Arabian Gulf region."" ,p>-Salma Samar Damluji, author of The Architecture of Yemen

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1 of 1 people found the following review helpful.
Three Stars
By RF
Not that deep!

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The rivalry of Jane Jacobs and Robert Moses, a struggle for the soul of a city, is one of the most dramatic and consequential in modern American history. To a young Jane Jacobs, Greenwich Village, with its winding cobblestone streets and diverse makeup, was everything a city neighborhood should be. But consummate power broker Robert Moses, the father of many of New York’s most monumental development projects, thought neighborhoods like Greenwich Village were badly in need of “urban renewal.” Standing up against government plans for the city, Jacobs marshaled popular support and political power against Moses, whether to block traffic through her beloved Washington Square Park or to prevent the construction of the Lower Manhattan Expressway, an elevated superhighway that would have destroyed centuries-old streetscapes and displaced thousands of families. By confronting Moses and his vision, Jacobs forever changed the way Americans understood the city. Her story reminds us of the power we have as individuals to confront and defy reckless authority.

Sales Rank: #134995 in Books
Brand: Flint, Anthony
Published on: 2011-02-08
Released on: 2011-02-08
Original language: English
Number of items: 1
Dimensions: 8.00" h x .57" w x 5.19" l, .45 pounds
Binding: Paperback
272 pages

From Publishers Weekly
Former Boston Globe reporter Flint recounts how activist and writer Jane Jacobs stopped the seemingly unstoppable master builder Robert Moses. Beginning in the 1930s, Moses consolidated his enormous power through the administrations of various mayors and governors, revamping the city parks network and constructing a mind-boggling array of projects including bridges, highways, Shea Stadium, Lincoln Center and 10 giant public swimming pools. Although highly skilled at crushing opponents, Moses was eventually outmaneuvered in the 1950s and '60s by Jacobs, whose landmark The Death and Life of Great American Cities was a war cry against urban renewal projects that destroyed existing neighborhoods. Jacobs derailed Moses's plans to run two highways through lower Manhattan (one in what would become trendy SoHo). But, says Flint (This Land: The Battle Over Sprawl and the Future of America), who is now at the Lincoln Institute of Land Policy, Moses's tarnished reputation has been undergoing rehabilitation recently as cities realize the value of reliable infrastructure. Lucid and articulate, Flint's account will appeal more to urban planners, policy wonks and community organizers than the general reader. Photos. (July 28)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“The Jacobs/Moses war was educational, a living curriculum now encapsulated in Flint’s excellent study.”—The New York Review of Books

“[A] winning account . . . dramatically described . . . [Anthony] Flint looks at a seminal struggle of twentieth-century city planning, one that involved two giants with utterly differing views of how cities should look and develop.”—The Boston Globe

“[This book] shows how these mythic characters shaped each other’s work and reputations. . . . If there’s such a thing as beach reading for the urban studies set, it’s Wrestling with Moses.”—San Francisco Chronicle

“Lively and informative . . . Wrestling with Moses is about those who fought back against the power broker and in so doing helped set the stage for the city’s revitalization.”—The Wall Street Journal

“Well told . . . one of America’s greatest David and Goliath stories.”—The Hartford Courant

About the Author
Anthony Flint is the director of public affairs at the Lincoln Institute of Land Policy, a think-tank on land and development issues located in Cambridge, MA, and was a reporter at The Boston Globe for sixteen years. He is the author of This Land: The Battle Over Sprawl and the Future of America. He lives in Boston.

From the Hardcover edition.

Most helpful customer reviews

15 of 15 people found the following review helpful.
Lessons for today from yesterday
By Albert V. Lannon
"Wrestling With Moses" is the true story of how a small group of neighbors challenged, and stopped, rampaging development in New York City, led by Robert Moses. Jane Jacobs formed her ideas for her brilliant "Death and Life of Great American Cities" in the struggles to save Washington Square Park, and many neighborhoods, countering Moses's approach of total demoition and replacement by roads and instant slum housing projects. It is hard today to comprehend how Moses held so much power, staying in charge through five mayors, but Jane Jacobs and her neighbors offer lessons for taking on today's stone-wall bureaucracies. Anthony Flint clearly likes the late Jane Jacobs, but gives Moses his full due. A good read for anyone interested in politics, urban studies, or involved in fighting wrong-headed development (like the proposed I-10 Bypass in my rural Arizona neighborhood).

34 of 41 people found the following review helpful.
Too Elaborate a Plan, Too Lame an Execution
By Jiang Xueqin
According to the urbanist and civic activist Jane Jacobs, author of the modern classic "The Death and Life of Great American Cities," a city is made great by the diversity of its neighborhoods, which are in themselves the organic growth and interactions of buildings, streets, and people: cities are not planned, but grown and nurtured by the people who live in them. That's the completely opposite approach of the master builder Robert Moses, who saw New York City as wild, sprawling, and restless, and which needed to be tamed, structured, and controlled by the sheer power of his will and imagination. It is the epic struggle between these unlikely enemies -- one a fiercely ambitious Yale graduate who controlled most of the city's construction and a soft-spoken self-educated mother of three -- that the former Boston Globe architecture correspondent Anthony Flint chronicles in "Wrestling with Moses: How Jane Jacobs Took on New York's Master Builder and Transformed the American City."

In the epilogue Mr. Flint writes that Jane Jacobs offered help and information to a young Newsday reporter by the name of Robert Caro while he was researching his epic "The Power Broker: Robert Moses and the Fall of New York." The book was much too long, and Robert Caro had to cut out the chapter on Jane Jacobs. Mr. Caro was writing a book about Robert Moses, and there is little reason to suspect that, so busy with his epic battles with American President Franklin Roosevelt and New York Governor Nelson Rockefeller as well as overseeing his vast empire that could at any time be responsible for over two thousand construction projects, Mr. Moses paid any attention to a committed but ultimately powerless urban activist by the name of Jane Jacobs. By the time of Jane Jacobs' ascent, culminating with the 1961 publication of her classic tome on what makes a city great the seeds of Robert Moses' decline had already been planted: his arrogance, his pride, his absolutely loyalty to his corrupt functionaries, his disregard for and contempt of his fellow beings, and his relentless power-mongering all caused his spectacular descent from power after spending a lifetime methodically and meticulously rising to the top. To suggest that Jane Jacobs or one book or one movement could take down this titan as Anthony Flint and many thinkers suggest is slightly ridiculous. Robert Moses made too many enemies, and his ideas didn't work: his highways and transportation grids caused more problems -- mainly traffic -- than they solved, and his urban renewal plans destroyed neighborhoods, livelihoods, and lives. Living in and witnessing the Age of Moses, an intelligent observer such as Jane Jacobs could see exactly what was wrong.

Mr. Flint's book draws on shamelessly from other works, and there is very little original research that the author himself conducted. On his section on Robert Moses Mr. Flint breathlessly summarizes "The Power Broker." Yet, ironically, even though Mr. Flint's book is ostensibly about Jane Jacobs, and Mr. Caro's book is about Robert Moses, it's Mr. Flint's book that best captures the spirit of Robert Moses and Mr. Caro's book that captures best the spirit of Jane Jacobs.

Robert Moses liked to plan big projects and construct them as quickly as he could, and "Wrestling with Moses" certainly feels that way: it sounds like an excellent story, but the story of the struggle reads too artificial and mechanical. Like most of Robert Moses' structures there's no life and soul in "Wrestling with Moses": it's just there.

And if it were a city "The Power Broker" would be Jane Jacob's ideal: each chapter is sprawling, diverse, and overflowing. Each chapter feels like its own neighborhood, with its own collection of diverse people, structures, philosophy, and language. You can roam each chapter of "The Power Broker" at your own pace, feel alive in it, and know that if you come back you'll always find new things to interest you. Like all great pieces of literature and great neighborhoods "The Power Broker" will continue to interact with people in different ways at different times.

12 of 13 people found the following review helpful.
A great story, but only a good book - History Lite
By Andrew
Surprisingly shallow treatment of the two dynamic leaders butting heads over differing visions. The author manages to present a richly dramatic story in a way that robs it of drama and personality. 'Thin' may be the best descriptor for this book - anyone expecting an in-depth understanding of either these people or these times should be made aware that this book will tell you the basic story, but leave you hungry for more. The author tries to rise to the challenge - but he has not spent the time or the energy to write anything definitive. Read Robert Caro's biography of Robert Moses to encounter the real deal.

Special mention should be made of the poor editing - practically identical sentences in consecutive paragraphs was one that made me wince. But a strong editor who sent the author back better comments might have improved this book considerably.

All that said, I did manage to finish it - Jane Jacobs is an interesting figure, and this is the first attempt at her biography I had read. But, of course, you would do better just to read her books.

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