Rabu, 12 November 2014

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Blood and Beauty: The Borgias; A Novel, by Sarah Dunant

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

The New York Times bestselling author of the acclaimed Italian Renaissance novels—The Birth of Venus, In the Company of the Courtesan, and Sacred Hearts—has an exceptional talent for breathing life into history. Now Sarah Dunant turns her discerning eye to one of the world’s most intriguing and infamous families—the Borgias—in an engrossing work of literary fiction.
 
By the end of the fifteenth century, the beauty and creativity of Italy is matched by its brutality and corruption, nowhere more than in Rome and inside the Church. When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family—in particular, his eldest son, Cesare, and his daughter Lucrezia—in order to succeed.
 
Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest—though increasingly unstable—weapon. Later immortalized in Machiavelli’s The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player.
 
Stripping away the myths around the Borgias, Blood & Beauty is a majestic novel that breathes life into this astonishing family and celebrates the raw power of history itself: compelling, complex and relentless.

Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
 
“Dunant transforms the blackhearted Borgias and the conniving courtiers and cardinals of Renaissance Europe into fully rounded characters, brimming with life and lust.”
—The New York Times Book Review
 
“Like Hilary Mantel with her Cromwell trilogy, [Sarah] Dunant has scaled new heights by refashioning mythic figures according to contemporary literary taste. This intellectually satisfying historical saga, which offers blood and beauty certainly, but brains too, is surely the best thing she has done to date.”
—The Miami Herald
 
“Compelling female players have been a characteristic of Dunant’s earlier novels, and this new offering is no exception. . . . The members of this close-knit family emerge as dynamic characters, flawed but sympathetic, filled with fear and longing.”
—The Seattle Times
 
“Dazzling . . . a triumph on an epic scale . . . filled with rich detail and page-turning drama.”
—BookPage
 
“The Machiavellian atmosphere—hedonism, lust, political intrigue—is magnetic. . . . Readers won’t want the era of Borgia rule to end.”
—People (four stars)

  • Sales Rank: #131534 in Books
  • Published on: 2014-03-11
  • Released on: 2014-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.20" w x 5.19" l, .88 pounds
  • Binding: Paperback
  • 544 pages

From Booklist
Chapter 1 of Dunant’s latest historical feast opens on August 11, 1492, with the people of Rome rejoicing, “We have a pope!” The cardinal, who has just been elevated to the papal throne after five days of voting by the College of Cardinals, is a Spaniard by the name of Rodrigo Borgia, who chooses to reign as Pope Alexander VI. Thus is inaugurated a highly dramatic period in papal, Italian, and even European history as the Borgia family—the pope and his bastard children, two sons and one daughter, unhidden as such—extend their influence well beyond the confines of ecclesiastical matters to exert power within the Italian peninsula exactly as would a powerful royal dynasty heavily involved in the politics of the day. Pope Alexander, who reveled in the physical attractiveness and mental vitality of his three illegitimate, now full-grown children, used them as pawns to strengthen his personal hand within the papacy and further afield, “becoming stronger and more potent in their presence.” As the eldest son, the infamous Cesare, says, “There have been none like us before. And there will be none like us afterwards.” For those who find Hilary Mantel’s brilliant Tudor novels too deep and demanding, Dunant offers less rigorous, more comfortable historical fiction. HIGH-DEMAND BACKSTORY: The author of The Birth of Venus (2004) is being accorded a vigorous publicity campaign for her latest novel, which will include lots of media focus. --Brad Hooper

Review
“A brilliant portrait of a family whose blood runs ‘thick with ambition and determination’ . . . The Machiavellian atmosphere—hedonism, lust, political intrigue—is magnetic. With so much drama, readers won’t want the era of Borgia rule to end.”
—People (four stars)
 
“In Blood and Beauty, Dunant follows the path set by Hilary Mantel with Wolf Hall and Bring Up the Bodies. Just as Mantel humanized and, to an extent, rehabilitated the brilliant, villainous Thomas Cromwell and the court of Henry VIII, Dunant transforms the blackhearted Borgias and the conniving courtiers and cardinals of Renaissance Europe into fully rounded characters, brimming with life and lust. . . . Dunant illuminates the darkened narrative of the Borgia record, reviving stained glass with fresh light, refreshing the brilliance of the gold and blue panes history has marred without dulling the blood-red that glows everywhere around them.”
—The New York Times Book Review
 
“[Dunant’s] depiction of passionate people obsessed by the idea of a dynasty that will outlive them is not only intelligent and restrained but also lit by an affecting streak of lyricism. . . . Like Hilary Mantel with her Cromwell trilogy, Dunant has scaled new heights by refashioning mythic figures according to contemporary literary taste. This intellectually satisfying historical saga, which offers blood and beauty certainly, but brains too, is surely the best thing she has done to date.”
—The Miami Herald
 
“Another achievement for Dunant is her ability to re-imagine history. Although the Borgias are often called the most notorious family in Italian Renaissance . . . Dunant manages to show different facets of their personalities. If history has left some blanks in this regard, Dunant fills them. The members of this close-knit family emerge as dynamic characters, flawed but sympathetic, filled with fear and longing, and believable.”
—The Seattle Times
 
“Dazzling . . . a triumph on an epic scale . . . filled with rich detail and page-turning drama.”
—BookPage

“British author Sarah Dunant is the reigning queen of the historical novel set in Renaissance Italy. . . . This novel will be most rewarding for those with a keen taste for history and a willingness to stick with a lengthy story with no real heroes but plenty of fascinating and really bad behavior.”
—Richmond Times-Dispatch
 
“Blood & Beauty breaks new ground, showcasing the redoubtable Borgias, a family that exerted outsized influence briefly but devastatingly over the handful of fifteenth and sixteenth century city-states that make up current-day Italy.”
—Lizzie Skurnick, All Things Considered, NPR
 
“Hugely enjoyable . . . an old-fashioned rollercoaster of a story . . . [Dunant] triumphs, like all good novelists . . . in a deft, shrewd, precise use of killer detail.”
—The Guardian (U.K.)
 
“[Dunant] is in her element. . . . She brings fifteenth-century Italian cities vividly alive. . . . [Blood & Beauty] is an intelligent and passionate book that will no doubt thrill Borgia-lovers.”
—The Sunday Times (U.K.)
 
“The big, bad Borgia dynasty undergoes modern reconsideration in [Sarah Dunant’s] epic new biofiction. . . . Dunant’s biggest and best work to date, this intelligently readable account of formative events and monster players has Hilary Mantel–era quality best-seller stamped all over it.”
—Kirkus Reviews (starred review)
 
“Hilary Mantel fans and historical fiction readers in general looking for another meaty novel won’t want to miss Dunant’s latest.”
—Library Journal
 
“For anyone obsessed with the Borgias, this tome is right up your alley—it follows the scandal-plagued family, as the patriarch Cardinal Rodrigo attempts to buy his way into the papacy. Not only does this story have family drama, illegitimate children, and a religious figure with an enormous taste for women, but it’s based on true events. . . . Everything was more fascinating in the olden days.”
—Refinery29
 
“What a marvelous feast of vices and desires Sarah Dunant gives us—lust and ambition, passion and power, destiny born and bought. The Borgias are arguably the most intriguing and ruthless family in all of history, and Dunant brings them ravishingly, bristlingly to life.”
—Paula McLain, author of The Paris Wife
 
“An astounding achievement, extensively researched and exquisitely written . . . The Borgias have never been so human, and so humanely portrayed.”
—Melanie Benjamin, author of The Aviator’s Wife
 
“A fascinating read full of vivid detail and human pathos . . . Dunant opens a window into the extraordinary machinations and skullduggery of the Borgias and provides us with a richness of description that beautifully locates them in their own time.”
—Amanda Foreman, author of A World on Fire
 
“An engrossing tale of beauty and corruption, Blood & Beauty is meticulously crafted, and utterly convincing: a work of a skilled historian and a masterful storyteller who makes the Borgias live and breathe.”
—Eva Stachniak, author of The Winter Palace: A Novel of Catherine the Great
 
“Brilliant and utterly bone-chilling, Blood & Beauty held me spellbound from beginning to end. This exquisite, seductive portrait is destined to become a classic.”
—Anne Fortier, author of Juliet
 
“A masterpiece of biographical fiction, and likely her best novel yet . . . With brilliant detail and flawless prose, she opens the doors to the Vatican of Pope Alexander VI (Rodrigo Borgia), his vibrant feuding children, and his sultry mistress. It’s a work I’m not likely to ever forget.”
—Sandra Gulland, author of The Josephine Bonaparte Trilogy
 
“Blood & Beauty is a wonderful novel, taking you deep into the world of Renaissance passion and the Renaissance papacy. Part of me was happily lost in the time travel, and part of me was repeatedly struck by how vividly ancient Rome met modern Rome, and how the city of history came to life.”
—Mary Beard, historian and author of The Fires of Vesuvius: Pompeii Lost and Found

About the Author
Sarah Dunant is the author of the international bestsellers The Birth of Venus, In the Company of the Courtesan, and Sacred Hearts, which have received major acclaim on both sides of the Atlantic. Her earlier novels include three Hannah Wolfe crime thrillers, as well as Snowstorms in a Hot Climate, Transgressions, and Mapping the Edge, all three of which are available as Random House Trade Paperbacks. She has two daughters and lives in London and Florence.

Most helpful customer reviews

57 of 62 people found the following review helpful.
Sympathy for the Borgias
By Keris Nine
Sarah Dunant's previous two novels set during this rich and vital period of Italian history, The Birth of Venus and In The Company of the Courtesan, were all the more effective and authentic for the unusual position that placed their principal characters at the centre of important historical and dramatic events. Beauty & Blood is a little different in as far as the principal character of this book - if it can be said to have any single principal character - is none other than Pope Alexander VI himself. But then if you know that Alexander VI is otherwise known as Rodrigo Borgia, you'll understand why this perspective is the important one to understand if you want to get to the heart of the critical historical events that occur during this period, not to mention the notorious ones.

Alexander is however only nominally the principal character in Blood & Beauty, and only in as far as it's important to know about his motivations, his personal inclinations and ambitions, his Spanish origins and his sentiments towards his family if we are to have any really understand the complex web of intrigue that ensues. The Borgia Pope arranges strategic marriages, appointments and alliances for his brood - legitimate and illegitimate - bending the rules where necessary (he is the Pope after all) and the politically motivated manoeuvres, divorces, murders and selective use of poisons he employs to smooth the path towards consolidating the high position of power that he has managed to attain. In such dealings, Sarah Dunant is meticulous and observant, showing that one shouldn't underestimate the power of the Church, the obedience it inspires and the legitimacy it lends rulers who are on its side.

As her previous two historical novels indicate however, Dunant is also exceptionally good at creating real and compelling human characters out of historical figures and realises that some of the greatest wars are won not on the battlefield but in the bedroom. In this respect, it's the activities, the marriages and the personalities of Cesare and Lucrezia (and to a lesser extent Juan and Jofré) that it's important to also get a handle on, separating the facts from the gossip - and it's here, particularly in the insightful, human portrayal of Lucrezia that the author really makes Blood & Beauty come to life. Just as importantly in such a work of despicable self-interested male characters it gives the reader at least one sympathetic female character to relate to and, since the novel is to be continued in Dunant's follow-up, it give us all the more reason to come back.

Blood and Beauty however is still heavily weighed down by the intricate web of history that has to be unravelled. Parts can't really be skipped or glossed over without the whole thing falling apart, so there's a lot to cover. The author is only able to make it work this time by dealing directly with the principal historical figures and there's no doubt that she does so successfully, making this period of constant upheaval extremely interesting and readable. The brief references to the Florentine firebrand Savonarola and the Venetian courtesan Fiametta here however only serve to reminds us that Blood & Beauty lacks the same kind of fictional elements that gave The Birth of Venus and In the Company of the Courtesan a much more effective dramatic drive. This considered and realistic account of the Borgias alone however should be more than colourful enough, and there's likely to be considerable interest in where Dunant takes Lucrezia from here.

34 of 37 people found the following review helpful.
Well detailed history
By Ruth B. Ingram
This richly endowed history of the Borgia's is so packed with detail that you cannot rush through the book. Ms. Durant picks through the varied histories, pulling the most logical and clear details into sight. This book is by no means a enhancement of the TV series in any way. She presents the Borgia's as real people who bleed, and suffer and want and envy just as their counterparts and work and sceme to get their wants and gold and cash and property and as much as they can get regardless of right or wrong. She details Cesare as the young bishop who rises to Cardinal on the back of much worthier contestants and the degretation of his character from kind and caring young man who does not want to be in the priesthood to a hardened callus killer who gets what he wants by any means.
Rodrigo Borgia, Pope Alexander VI is introduced as a lecher, who does no attend to many of his vows with an insatiable urge to become pope. Now don't put him down for that as he is just a creature of his times and almost all of his fellow Cardinals are just as crass as he but they do not have his money.

This is just an opening taste, Lucrezia develops from an adorable and loving child of 10 into a charming, beautiful woman of 14 or 15 and then exhibits what she has been learning from her parents and brothers.

This is a hell of a good book and not an overnighter. The book is so rich with details and facts that you will have to take your time and read slowly to ingest the entire plot.

28 of 31 people found the following review helpful.
Was surprised to find politics so interesting
By Phil 413
Cardinal Rodrigo Borgia becomes Pope Alexander VI at the age of 61. The story begins with the vote and how his family discovers the news.

At first, the storytelling seemed to paint a bland, rather lifeless picture of characters who I wanted to know more personally. The politics described were sometimes a bit too heavy - they overwhelmed the personalities. This changes fairly quickly, however, and the politics blend with the personalities better. It's quite fascinating to see how the pope and his family wield politics as a weapon to get what they want, from land to money to marriages (and annulments) to any number of favors and gifts.

As the history of the Borgia family - the pope; his oldest son, Cesare; the favored son Juan; the youngest son Jofre; the daughter Lucrezia; the servants; and the lovers and spouses of the family unfolds, everyone somehow begins to breathe and live. And what a wild, powerful, colorful bunch of lives are revealed.

I still feel the author held back from giving any of the Borgias too much of a voice, because the story itself is so dramatic and sometimes boiling over with emotion, that for each family member to speak his or her mind or to expose too much feeling would almost be overkill. So where at first I didn't care for the writing style, by the time I finished, I applauded the restraint because it makes it easier for the reader to make his or her own conclusions about each of the Borgias and those whose lives connected (or collided) with theirs. In other words, as corrupt and violent as this family seems, the author writes with an open mind.

Despite the restraint, I got a feeling for some of the characters' spirit and personality through much of the action, whether it be playful (when the young but shy Jofre sinks his fork into his older brother's hand in defense of his wife), encouraging (when Lucrezia, described by many as both kind and intelligent, steps up gladly to the challenge of being a temporary governor and who can run Vatican business in her father's absence) or brutal (Cesare may be quick-witted and brave - a golden child - but even the pope sees the coldness in his eyes and shivers; Cesare rewards loyalty with betrayal and murder).

The Borgias' history is well-told here and rewards you for your time and energy invested by leaving you breathlessly shocked by the wide range of emotions you will feel from reading it. It's fast-paced, more intriguing the more into the story you go, and full of opposites - love/hate; joy/tragedy; corruption/purity; faith/atheism; loyalty/betrayal. I anticipate the sequel.

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Minggu, 09 November 2014

** Get Free Ebook The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights (New Perspectives on the History of the South), by Simon We

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The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights (New Perspectives on the History of the South), by Simon We

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The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights (New Perspectives on the History of the South), by Simon We

"Simon Wendt's The Spirit and the Shotgun finally brings the story of armed self-defense into its rightful place in the history of the civil rights movement. This well-researched book will deepen our understanding of the ways in which defensive protection complemented nonviolent protests in many southern locales. . . . No other work in the field has outlined the history of armed self-defense in as complete and compelling a manner."--Renee C. Romano, Wesleyan University

"A really fine contribution to African American history and to the history of the black struggle for equality. What makes The Spirit and the Shotgun unique is the scope of this work. . . . A book all scholars of the movement will want and need to read."--Harvard I. Sitkoff, University of New Hampshire

The Spirit and the Shotgun explores the role of armed self-defense in tandem with nonviolent protests in the African American freedom struggle of the 1950s and 1960s. Confronted with violent attacks by the Ku Klux Klan and other racist terrorists, southern blacks adopted Martin Luther King's philosophy of nonviolent resistance as a tactic, Wendt argues, but at the same time armed themselves out of necessity and pride. Sophisticated self-defense units patrolled black neighborhoods, guarded the homes of movement leaders, rescued activists from harm, and occasionally traded shots with their white attackers. These patrols enhanced and sustained local movements in the face of white aggression. They also provoked vigorous debate within traditionally nonviolent civil rights organizations such as SNCC, CORE, and the NAACP.

This study reevaluates black militants such as Malcolm X and the Black Panther Party and also appraises largely unknown protective agencies in Tuscaloosa, Cleveland, and other locales. Not confined to one state, one organization, or the best-known activists, this is the first balanced history of armed self-defense that begins with the southern civil rights movement and ends with the Black Power era.

Drawing on extensive research from a wide variety of sources to build his case, Wendt argues that during the Black Power years, armed resistance became largely symbolic and ultimately counterproductive to the black struggle--no longer coexisting with peaceful protest in "the spirit and the shotgun" philosophy that had served the southern movement so effectively. This is an essential volume for historians and students of the era.

  • Sales Rank: #2958841 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2010-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .67" w x 5.98" l, .96 pounds
  • Binding: Paperback
  • 304 pages
Features
  • ISBN13: 9780813035659
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Simon Wendt's The Spirit and the Shotgun finally brings the story of armed self-defense into its rightful place in the history of the civil rights movement. This well-researched book will deepen our understanding of the ways in which defensive protection complemented nonviolent protests in many southern locales." -- Renee C. Romano

From the Publisher
"'The Spirit and the Shotgun' finally brings the story of armed self-defense into its rightful place in the history of the civil rights movement. This well-researched book will deepen our understanding of the ways in which defensive protection complemented nonviolent protests in many southern locales. . . . No other work in the field has outlined the history of armed self-defense in as complete and compelling a manner."--Renee C. Romano, Wesleyan University

"A really fine contribution to African American history and to the history of the black struggle for equality. What makes The Spirit and the Shotgun unique is the scope of this work. . . . A book all scholars of the movement will want and need to read."--Harvard I. Sitkoff, University of New Hampshire

About the Author
Simon Wendt teaches American history at the University of Frankfurt.

Most helpful customer reviews

3 of 3 people found the following review helpful.
best account of armed defense
By History-prof-1
I picked up this book on a whim at a history conference. Having read some of the other books on armed self-defense and civil rights - Tyson's Radio Free Dixie, Strain's Pure Fire, Hill's Deacons for Defense - I was somewhat surprised to find another new book on this subject. My suspicions that this study might simply repeat what others have said quickly gave way to shock that there was so much about self-defense that we still don't know.

Wendt shows how armed resistance went hand in hand with nonviolence throughout much of the movement. His account is nicely balanced. Tyson, while he's written a great book, gives far too much importance to Robert Williams, setting him up as the typical model of a black self-defense activist in the 1950s and 1960s when he is atypical. Strain almost entirely dismisses nonviolence as a fiction, something that most scholars and laypeople would disagree with. Wendt doesn't make these mistakes. He shows the long history of self-defense. He also demonstrates the myriad ways in which armed defense worked in tandem with nonviolent protests. In numerous instances across the South, black defenders not only protected young protestors, they permitted those protests to take place. Additionally, the fear that protests and armed black men generated among numerous local whites actually motivated local businesses and city governments to integrate. These are fascinating stories that show the multifacted nature of the black freedom struggle.

Wendt also explores the Black Power era, focusing on how armed defense and black masculinity worked together. This is an important line of gender analysis that only a few scholars have tackled (focusing on men is also interesting given that often "gender history" is a standin for "women's history"). Wendt ultimately concludes, rightly I would argue, that guns in the Black Power movement worked against the struggle because the tandem element of nonviolence was missing. While Black Power activists certainly did not encouage violence...they encouraged self-defense...they distanced themselves from nonviolence. The focus on solely "the shotgun" minus "the spirit" worked to hurt the Black Power movement and hindered its success.

This is a very good book, one I found after buying it that has been positively evaluated in almost every major history journal. Contrary to what the other reviewer has stated (and he's written a fine review), Wendt focuses on almost every southern state in the Deep South, including a full chapter on Mississippi. Perhaps Mississippi differs from other states in that the armed confrontations between blacks and whites took place at night and have received less attention than Louisiana and the Deacons. This book shows how exhaustive research, great stories, and a good thesis can produce a fantastic piece of scholarship.

1 of 1 people found the following review helpful.
Self-defense and tactical nonviolence
By James Marshall
This study reviews in depth the introduction of armed self-defense in the rural areas of Louisiana and the Black Belt South and the motivations of local blacks to defend themselves against white Southern violence against the black community. It concentrates mainly on the Louisiana communities and pays little attention to other areas in the Deep South, especially Mississippi, which Lance Hill's Deacons for Defense does.
The study pays particular attention to black manhood and the interaction between nonviolence in the civil rights movement and armed self-defense efforts of members of the black communities. It further examines the Black Power movement.
More importantly it examines black self-defense efforts in locations such as those in Jonesboro and Bogalusa, Louisiana, Tuscaloosa, Alabama, and St. Augustine, Florida, which were successful in protecting local black efforts at integration. However, these were mainly nighttime efforts to protect the communities rather than daylight confrontations with the Ku Klux Klan.
The historical importance of this study is in its examining the interaction of black organizations of armed self-defense groups and their relationship to the nonviolent local civil rights efforts.

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Sabtu, 08 November 2014

# Download On Stage Alone: Soloists and the Modern Dance CanonFrom Brand: University Press of Florida

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On Stage Alone: Soloists and the Modern Dance CanonFrom Brand: University Press of Florida

Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.

            In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers by performing full programs of their own choreography.

            Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century through today. In doing so, it explores many important statements these soloists made regarding topics such as freedom, personal space, individuality, and gender in the modern era.

  • Sales Rank: #2156339 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2012-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .80" w x 6.10" l, .95 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

Review
"The breadth and depth of the editors' experiences is evi--dent. The com--mon thread is the premise that solo dance artists can and have shaped cultural attitudes. The collection addresses substantive questions and illuminates the on--going significance of solo dance as an aspect of modern dance history."Choice

From the Back Cover

“Diverse in both the dance artists considered and research approaches utilized, this thoughtful and engaging collection of essays enriches the growing body of dance scholarship by introducing us to the works of an array of daring and creative solo dance artists.”—Linda Caruso Haviland, Bryn Mawr College

 

“Providing a broad examination of the solo that spans the twentieth century, the expertly curated essays in this volume bring to light specific soloists’ work while also reflecting larger trends in concert dance and interrogating issues of aesthetics, performativity, gender, race, and nation. It is a welcome addition to the field.”—Hannah Kosstrin, Reed College

 

 

Soloists ignited the modern dance movement and have been a source of its constant renewal. Because the lone dancer-choreographer has more flexibility than dance companies burdened with corporate ties, modern dance soloists are often able to tackle such broad social issues as freedom, personal space, individuality, and gender.

Pioneering solo dancers including Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.

In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers performing full programs of their own choreography.

Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century to today.

 

Claudia Gitelman is associate professor emerita at Rutgers University. Her most recent book is The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon, coedited with Randy Martin. Barbara Palfy was founding editor of Studies in Dance History and is an associate editor of other important dance journals. 

About the Author
Claudia Gitelman is associate professor emerita at Rutgers University. Her most recent book is "The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon", coedited with Randy Martin.

Barbara Palfy was founding editor of "Studies in Dance History" and is an associate editor of other important dance journals

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Rabu, 05 November 2014

^ PDF Download The Long Lavender Look: A Travis McGee Novel, by John D. MacDonald

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The Long Lavender Look: A Travis McGee Novel, by John D. MacDonald

From a beloved master of crime fiction, The Long Lavender Look is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.

A lovely young thing, wearing little more than a determined look, streaks out of the darkness and into Travis McGee’s headlights. McGee hits the brakes, misses the fleeing soul by inches, and lands upside down in ten feet of water—and right into the heart of a violent mystery.

“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut

McGee and his old friend Meyer are cruising along on their way back from a wedding when the girl darts in front of their car. They manage to emerge from the wreckage and are limping along the deserted Florida road when someone comes by in an old truck and takes a couple of shots at them. So much for Southern hospitality. McGee and Meyer head to a service station to regroup, but are there arrested and charged with murder.

It turns out a local thug has just been killed, and the lead suspects are Meyer and McGee. Someone’s obviously out to get them—and in this Twilight Zone they’ve found themselves in, they must gather their resources to fight for their lives against a deeply corrupt system.

Features a new Introduction by Lee Child

  • Sales Rank: #91657 in Books
  • Brand: Brand: Random House Trade Paperbacks
  • Published on: 2013-07-16
  • Released on: 2013-07-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x .67" w x 5.10" l, .55 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review
Praise for John D. MacDonald and the Travis McGee novels

“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King

“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz

“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut

“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

“A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee, and count myself among the many readers savoring his adventures again.”—Sue Grafton

“One of the great sagas in American fiction.”—Robert B. Parker

“Most readers loved MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen

“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place. The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness.”—Jonathan Kellerman

“What a joy that these timeless and treasured novels are available again.”—Ed McBain

“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake

“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, his Travis McGee books are as entertaining, insightful, and suspenseful today as the moment I first read them. He is the all-time master of the American mystery novel.”—John Saul

From the Publisher
6 1.5-hour cassettes

From the Inside Flap
"McGee has become part of our national fabric."

SEATTLE POST-INTELLIGENCER

A lovely young girl steps in front of Travis McGee's headlights. McGee misses the girl but lands in ten feet of swamp water. As he's limping along the deserted road, someone in an old truck takes a few shots at him. And, when he goes to the local sheriff to complain, the intrepid Travis McGee finds himself arrested and charged with murder. And he can't help but ask himself, is this what they call southern hospitality...?


From the Paperback edition.

Most helpful customer reviews

26 of 26 people found the following review helpful.
A top notch Travis McGee tale
By J. Mullin
Aside from the first Travis McGee story, this (the 11th in the series) may be the best. Here Travis and his buddy Meyer are driving on a remote road through the south Florida Everglades returning from a friend's duaghter's wedding, when trouble erupts. A girl runs across the desolate road, causing McGee to swerve and rollover into the swamp, and before McGee has gathered his wits he and Meyer are being shot at, and ultimately locked up and charged with murder.
The local sheriff, a "by the book" lawman with a history of deep personal loss, lets McGee out of prison while he investigates the case, confining McGee to the local county. Before we know it, McGee is bedding down a lonely but optimistic waitress, uncovering secrets about this sleepy little Everglades town including a call girl ring.
McGee is confident and clever, but there is a sense of vulnerability about him that is refreshing for a mystery series since you sense that he realizes the trouble he is in, as the bodies start piling up. I also thought some of the minor characters in the book, including the waitress Betsy Kapp and the evil Lilo, were very skillfully drawn. Without giving away any of the story, let me just say there were a handful of great twists and turns in the plot, with MacDonald building the suspense nicely. This is not War and Peace, but I give it 5 stars as one of the better mystery novels I have read in awhile.

21 of 22 people found the following review helpful.
Travis in Faulkner Country
By sweetmolly
MacDonald has fully hit his stride in this 11th outing with Travis McGee. "Long Lavender Look" is vintage, deep-south McGee with a strong plot matching the depth of characterization.
Trav and Meyer are returning home on a little traveled route in Cypress County when a girl darts into the high beam of the headlights. In his efforts to avoid the girl, Miss Agnes (McGee's blue Rolls pickup) plunges into the ditch. When the two drag themselves out, the girl has disappeared and they face a long walk to civilization. First they are shot at, and then arrested for murder. Cypress is not a friendly county. Travis hires the slickest of slick lawyers (who, of course owes him a favor) and is hell-bent on clearing his name, avenging a vicious attack on his friend Meyer, and finding the girl who got him into this sorry mess in the first place.
MacDonald creates two brilliant female characters, Betsy Kapp and Lilo Perris. Betsy enters as a one-night-stand piece of southern darlin' fluff. Travis is almost embarrassed to find himself next to her in bed. Betsy first grows on Trav (and the reader) by her kindness, fastidiousness, and unfailing optimism. Gradually her strength of character, bravery and loyalty are revealed and we are desperately rooting for Betsy's welfare. Lilo is a swamp rat of a girl, possessed of uncanny strength, sensuality and a maddeningly mocking air. She is the type other women instinctively loathe and men fall like ninepins in her path. But by no means is she a standard femme fatale; she has streaks of generosity and kindness, but does she care for anyone aside from herself? Is the animal side the only side? Somehow you want to believe in her.
"The Long Lavender Look" is one of the best of the series and a great place to begin your odyssey with Travis McGee. If you haven't read it, I envy you your pleasure.

11 of 12 people found the following review helpful.
incredibly re-readable
By Glen Engel Cox
I'm constantly amazed at the hold that MacDonald asserts over me as a reader, certainly with this character. The beginnings always seem to jump right off, even when they also seem to ramble, like in this one (McGee talking of late night rides, fishing, his old Rolls Royce truck) or the McGee novel that starts with McGee and Meyer fishing by the bridge. There's hook there, yes--a bit of action occurs within the first three pages that sits the novel rolling--but it isn't the immediate hook of the short story or the long rambling set ups of most novels (I'm thinking of the info dumps that start most SF/F/H novels).
The hook isn't the only thing going for MacDonald, though. The sentences and chapters seem to flow, to beg to be read. Since I was reading this novel on breaks, at lunch, and other different odd times, I tended to read only a chapter or two at a time. Rarely did I end a chapter when I didn't find myself unconsciously moving on the beginning of the next. Part of this is due to the standard technique of cliff-hanging chapters, which MacDonald has down well. But MacDonald's cliff-hangers aren't just situations, it seems to me, but the words themselves. I need to examine the chapter endings to see if I can identify what he is doing. Since I'm reading the McGee novels in chronological order, I'll try to do it with the next.

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? Download Birds in Literature, by Leonard Lutwack

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Birds in Literature, by Leonard Lutwack

 
Although they are as commonplace as our backyards, birds remain wild, unpossessed by humans, living "beside us, but alone," as Matthew Arnold observes and as Leonard Lutwack explores in this study of the depiction of birds in literature.
 The very attributes that make birds so familiar--their flight and song--retain an air of mystery that sets them apart from other animals.  They appear to exist effortlessly in a state of mixed animal and spiritual being that humans long to attain.  This simultaneous familiarity and transcendence gives birds a wide range of meaning in the works that Lutwack describes.  His examples--both expected and surprising--come in some measure from Greco-Roman writers but primarily from the poetry and prose of American and British writers of the nineteenth and twentieth centuries.

 Lutwack divides his material into five sections:  birds in poetry and as metaphor, including the classical nightingale and the swan and the birds of such poets as Dickinson, Whitman, and Stevens; birds and the supernatural, including ancient beliefs in birds as images and disguised gods as well as some interesting modern revivals of bird-gods--the quetzal in Lawrence, the crow in Ted Hughes, and the hawk in Jeffers; birds that are trapped, hunted, or killed in sacrifice, such as Coleridge's albatross, Ibsen's wild duck, Chekhov's seagull, Kosinski's painted bird; birds and the erotic, with special emphasis on Lawrence's juxtaposition of birds and lovers, the association of white birds with chastity, and the traditional identification of women with docile birds and men with raptors; and a section on literature and the future of birds that includes strategies for dealing with the increasing threat to real birds posed by humans. Literature has made and must continue to make the reading public sensitive to nature, Lutwack writes, and literary birds may prove to be our best link to it.  

  • Sales Rank: #1790273 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 1994-02-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x 1.13" w x 6.38" l, 1.40 pounds
  • Binding: Hardcover
  • 300 pages
Features
  • Used Book in Good Condition

From the Back Cover
Although they are as commonplace as our backyards, birds remain wild, unpossessed by humans, living "beside us, but alone", as Matthew Arnold observes and as Leonard Lutwack explores in this study of the depiction of birds in literature. The very attributes that make birds so familiar - their flight and song - retain an air of mystery that sets them apart from other animals. They appear to exist effortlessly in a state of mixed animal and spiritual being that humans long to attain. This simultaneous familiarity and transcendence gives birds a wide range of meaning in the works that Luwack describes. His examples - both expected and surprising - come in some measure from Greco-Roman writers but primarily from the poetry and prose of American and British writers of the nineteenth and twentieth centuries. Lutwack divides his material into five sections: birds in poetry and as metaphor, including the classical nightingale and the swan and the birds of such poets as Dickinson, Whitman, and Stevens; birds and the supernatural, including ancient beliefs in birds as images and disguised gods as well as some interesting modern revivals of bird-gods - the quetzal in Lawrence, the crow in Ted Hughes, and the hawk in Jeffers; birds that are trapped, hunted, or killed in sacrifice, such as Coleridge's albatross, Ibsen's wild duck, Chekhov's seagull, and Kosinski's painted bird; birds and the erotic, with special emphasis on Lawrence's juxtaposition of birds and lovers, the association of white birds with chastity, and the traditional identification of women with docile birds and men with raptors; and a section on literature and the future of birds that includes strategies for dealing with theincreasing threat to real birds posed by humans. Literature has made and must continue to make the reading public sensitive to nature, Lutwack writes, and literary birds may prove to be our best link to it.

About the Author

Leonard Lutwack is professor emeritus of English at the University of Maryland.  He is the author of The Role of Place in Literature and Heroic Fiction: The Epic Tradition and American Novels of the Twentieth Century.  For years he has been an avid amateur birdwatcher and a member of the executive board of the Prince George's Audubon Society.

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0 of 3 people found the following review helpful.
Brief Comment
By bcopenel@aol.com
This is an excellent read for people interested in both birds and poetry and fiction. Comprehensive and well written.

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Selasa, 04 November 2014

~ Ebook Download Key West: History of an Island of Dreams, by Maureen Ogle

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Key West: History of an Island of Dreams, by Maureen Ogle

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Key West: History of an Island of Dreams, by Maureen Ogle

Parrotheads, Hemingway aficionados, and sun worshipers view Key West as a tropical paradise, and scores of writers have set tales of mystery and romance on the island. The city’s real story—told by Maureen Ogle in this lively and engaging illustrated account—is as fabulous as fiction. In the two centuries since the city’s pioneer founders battled Indians, pirates, and deadly disease, Key West has stood at the crossroads of American history. In 1861, Union troops seized control of strategically located Key West. In the early 1890s, Key West Cubans helped José Martí launch the Cuban revolution, and a few years later the battleship Maine steamed out of Key West harbor on its last, tragic voyage. At the turn of the century, a technological marvel—the overseas railroad—was built to connect mainland Florida to Key West, and in the 1920s and 1930s, painters, rumrunners, and writers (including Ernest Hemingway and Robert Frost) discovered Key West. During World War II, the federal government and the military war machine permanently altered the island’s landscape, and in the second half of the 20th century, bohemians, hippies, gays, and jet-setters began writing a new chapter in Key West’s social history.

  • Sales Rank: #1323960 in Books
  • Brand: Brand: University Press of Florida
  • Published on: 2006-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.09" h x 6.30" w x 8.56" l,
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

From Booklist
Ogle serves up an engaging chronicle of Florida's most famous key for those who like a little history with their Cuban coffee--or whatever it is that would draw them to the "Island of Dreams." Beginning in 1819, when the island known as Cayo Hueso (or Bone Key) seemed like little more than a coral and limestone reef containing neither fresh water nor arable land, Ogle deftly shows that Key West history is a composite of U.S history, at the same time focusing on Key West's uniqueness (pirates, wreckers, etc.). Much seems to have happened largely because of Key West's peculiar geographic location. Carefully detailed are the changes that have connected Key West to the rest of the U.S and made it the tourist haven that it is today. Ogle doesn't shy away from potentially controversial topics, such as the positive impact of gay tourists on the island and famous resident Tennessee Williams' predilection for young sailors in tight pants. In her well-researched telling, the author highlights many of the elements that make Key West. Randall Enos
Copyright © American Library Association. All rights reserved

Review
...beckons [readers] to experience Key West firsthand, with a copy of "Key West" tucked securely in a back pocket. -- Gulf South Historical Review 21.1

...narrates the history of a fast-vanishing piece of Old Florida with strength and power... -- Palm Beach Post

An engaging chronicle of Florida's most famous key for those who like a little history with their Cuban coffee. -- Booklist, June 1, 2003

Entertaining and comprehensive. -- Gulf South Historical Review 21.1

Thorough and compelling... -- Gulf South Historical Review 21.1

About the Author
Maureen Ogle is the author of Ambitious Brew: The Story of the Immigrants and Entrepreneurs Who Invented American Beer and All the Modern Conveniences: American Household Plumbing, 1840-1890.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Anne Honeywood
By A Customer
Written with grace and gentle humor, KEY WEST drew me in from the first page. This is not my usual choice for reading but since I'm planning a trip to Key West next year, I wanted to learn about the island's history. This book served it up in perfectly-size proportions, not too academic and yet not frivolous, with old maps and photos and a flowing, easy-to-read narrative that delighted me with splashes of humor when least expected.
In 1924, writer John Dos Passos said Key West was a 'delicious experience.'
I feel the same way about Ogle's lovely book and if the town fathers and mothers haven't given her a key to the city, I sure hope they've given her free lodging whenever she returns for a visit.

3 of 5 people found the following review helpful.
A must read for Key West fans
By Gift Giver
If you watch the Key West sunset on the webcam daily, or dream of a life in the Keys, then this book is for you...

8 of 8 people found the following review helpful.
Best Source for Understanding
By Marsh Muirhead
Maureen Ogle's history of Key West is the best single source for understanding this bizarre and remarkable place. Key West is the product of piracy, salvaging, the Civil War, fishing, sponging, turtling, cigar making, shrimping, military involvement, and tourism -- all this the result of Key West's unique position on a coral reef, adjacent to the Gulf Stream, 90 miles from Cuba, 120 miles off the US coast.

Ogle weaves together all the disparate influences of dreamers and planners, run-aways and con men, sailors and politicians who still shape history here on a daily basis. The best way to enjoy Key West is through frequent visits and a reading, and re-reading, of this most helpful book.

Marsh Muirhead, author of Key West Explained - a guide for the traveler

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Minggu, 02 November 2014

** Free PDF Gateway to the Moon, by Charles D. Benson, William B. Faherty

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Gateway to the Moon, by Charles D. Benson, William B. Faherty

"The one thing for which this century will be remembered 500 years from now was: This was the century when we began the exploration of space."-- Arthur M. Schlesinger

Tributes to Moonport: A History of Apollo Launch Facilities and Operations

"A thorough account of the complex scientific, engineering, and managerial efforts that undergirded the astounding events that the National Aeronautics and Space Administration carried out."--Journal of American History

"Another simply superb NASA official history. . . . Construction, administration, and technology are carefully interwoven in an unusually candid and frank treatment of the history of America’s first lunar launching facility."--Aerospace Historian

Gateway to the Moon presents the definitive history of the origins, design, and construction of the lunar launch facilities at Kennedy Space Center, the terrestrial site of one of the greatest national adventures of the 20th century, humanity’s first trip to the moon. It includes archival illustrations and diagrams of locations, personnel, and equipment, from aerial views of sandy, undeveloped Cape Canaveral to some of the first photos of the mobile launchers and crawler-transporters.

Filled with the sense of wonder and pride that the earliest U.S. space achievements inspired, the book focuses on launch complexes 39A and 39B, the gigantic assemblies from which the Apollo-Saturn vehicles departed for trips into space, and on the massive eight-acre Vertical Assembly Building (renamed the Vehicle Assembly Building) and the attached Launch Control Center—some of the most awesome buildings ever constructed. It also analyzes the technological and governmental interactions necessary to ensure success of the launches.

Originally part of Moonport, one of the volumes of the NASA History Series, the book is based on extensive interviews with participants in the space program and wide  access to official documents, letters, and memoranda; in addition, the authors air criticisms directed at the Kennedy Space Center team and treat in detail mistakes in launch operations and conflicts within the program. Written for a general-interest audience, with jargon and acronyms translated into everyday language, the book offers a faithful account of technology in service to humanity.

Charles D. Benson, a retired colonel of the U.S. Army, is the coauthor of the official history of the Skylab orbital workshop.

William B. Faherty, director of the Museum of the Western Jesuit Missions in Hazelwood, Missouri, retired professor of history at St. Louis University, and archivist emeritus of the Midwest Jesuit Archives, is the author of 25 books, including the historical novel The Call of Pope Octavian.

  • Sales Rank: #1505750 in Books
  • Published on: 2001-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.92" h x 1.22" w x 5.92" l, 1.37 pounds
  • Binding: Paperback
  • 352 pages

From Library Journal
Though volumes on the space program are legion, Benson and Faherty's 1978 title takes a different tack by tracing the building of the Kennedy Space Center launch complex itself. Originally part of a series by NASA, this includes interviews with many of the key players, as well as pix and design schemes. A nice addition to traditional space flight collections.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Catch the history you missed
By Neil Mavis
It seems that today, when a space shuttle is launched, or a rerun of an Apollo Saturn V is launched, the Kennedy Space Center launch complex construction achievement is taken for granted. The media today skips the history of developing the launch complex.

This book chronicles the history of KSC, and includes histories of cost overruns, labor problems, design problems, and even political battles.

Many people who grew up during the Apollo era can recall the newspaper stories, however, if you were too young to have read these stories in the 1960's, this book is a great summary.

1 of 1 people found the following review helpful.
A Reprint of a Classic Study in the History of Spaceflight
By Roger D. Launius
In 1978 Charles D. Benson and William Barnaby Faherty published "Moonport: A History of Apollo Launch Facilities and Operations" as NASA Special Publication-4204. It was an outstanding history of the design and construction of the lunar launch facilities at Kennedy Space Center. Of "Moonport," a reviewer in the "Journal of American History" said in 1979, "The authors had access to official documents, letters, and memoranda, and they have apparently consulted all the relevant historical, technological, and scientific secondary materials...all the involved historians obviously spent con-siderable time studying and intellectually digesting technical reports and manuals in order to give their lay readers such lucid accounts of highly complex procedures and operations...it is important to public knowledge to have professionally trained his-torians employ historical methods to ex-plain significant events and place them in a meaningful historical context. Here is a broad lesson...that contemporary society can ill afford to ignore."
"Moonport" has been out of print for many years, and comanding a high price on the second-hand book market, but now it has been reprinted in a convenient paperback version. "Gateway to the Moon" contains the first half of the text of "Moonport," chapters 1-14 of the earlier work. For anyone interested in the race to the Moon, this book is a must read!

0 of 0 people found the following review helpful.
One of a kind book
By A. Hearn
This book, along with it's "other half", "Moon Launch" (the two books are a set, one being the coninuation of the other, although this fact is not obvious when reading the books' descriptions) tell the story of the Apollo moon program (of which I was a part) in a very unique way -- from it's beginnings, through the tough design and decision-making stages, to it's failures and sucesses.

If you lived in the Cape Canaveral area during the late 60's and early 70's, or if you worked for NASA or one of it's contractors during that time, you will find plenty of details in these books to bring back memories that you might have lost forever. The emphasis on contractor roles, technical details, and historical details make these books different from any others I've ever seen about the Apollo program. You'll learn, for example, how and why the VAB was built the way it was built, how the decision to use a mobile launcher and crawler was based on a similar machine used in Kentucky to mine coal, and how much of the technology required for the program had to be invented, developed, and tested "on the fly.". After reading the book, you'll be amazed that we put a man (actually several men on several missions) on the moon in such a short time.

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