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"Perhaps Kahf's most impressive accomplishment is her ability to bring together beauty and pain in the same breath, to write poems that encompass history and human endurance as well as joy, that testify to the fragility and power of the human heart. . . . This is Kahf's ultimate message: that religion and ethnicity and color and nationality are as nothing in the face of simple humanity; that spirituality and life are beyond all of these, that no creed or ideology may be taken as justification for harm."--Lisa Suhair Majaj
Kahf establishes herself as a new voice in the tradition of ethnic American poets, blending the experiences of recent Arab-American immigrants into contemporary American scenery. In her poems, Muslim ritual and Qur'anic vocabulary move in next door to the idiom of suburban Americana, and the legendary Scheherazad of the Thousand and One Nights shows up in New Jersey, recast as a sophisticated postcolonial feminist.
Kahf’s carefully crafted poems do not speak only to important issues of ethnicity, gender, and religious diversity in America, but also to universal human themes of family and kinship, friendship, and the search for a place to pray. She chronicles the specific griefs and pleasures of the immigrant and writes an amulet for womanly power in the face of the world’s terrors. Her poetic energy is provocative and sassy, punctuated now and then with a darker poem of elegiac sadness or refined rage.
Mohja Kahf is associate professor of comparative literature at the University of Arkansas.
- Sales Rank: #406771 in Books
- Brand: Brand: University Press of Florida
- Published on: 2003-04-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .30" w x 5.51" l, .36 pounds
- Binding: Paperback
- 128 pages
- Used Book in Good Condition
From Booklist
Kahf is an earthy, playful, and purposeful poet who writes with as much sass as sensitivity about what it's like to be a woman, a person of color, an immigrant, and a headscarf-wearing Muslim in a non-Muslim country. Born in Damascus, Kahf came to the U.S. as a child, and her empathy is incandescent for all who have had to leave their homes to save their lives and those of their families, and for those whose homes have been destroyed, expressing particular commiseration with besieged Iraqis. Whimsical, colloquial, and disarmingly witty, Kahf conjures a reincarnated Scheherazad "living in Hackensack" and newly divorced so that she's free to pursue her writing. "Words are to die for," after all. Kahf astutely considers the myriad conundrums and frustrations of women's lives in general and Muslim women in particular, and she is brilliantly wry and utterly irresistible in such showstoppers as her poem about a walkout staged by all the chilly and hungry female nudes and odalisques in a Matisse retrospective. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
"Perhaps Kahf's most impressive accomplishment is her ability to bring together beauty and pain in the same breath, to write poems that encompass history and human endurance as well as joy, that testify to the fragility and power of the human heart.... This is Kahf's ultimate message: that religion and ethnicity and color and nationality are as nothing in the face of simple humanity; that spirituality and life are beyond all of these, that no creed or ideology may be taken as justification for harm."
About the Author
Mohja Kahf is Assistant Professor in the English Department and the Middle Eastern Studies Program at the University of Arkansas, Fayetteville.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Poetry that explores the immigrant experience in the U.S.
By Michael J. Mazza
"E-mails from Scheherazad," by Mohja Kahf, is an excellent addition to the multiethnic body of U.S. poetry. A short bio at the end of the book notes that Kahf was born in Damascus, Syria, came to the U.S. as a child with her family, and has attained the rank of associate professor at the University of Arkansas.
Kahf's poems cover a number of themes: the immigrant experience in America, cultural difference, women's issues, war, violence, and poetry itself. There are several poems that deal with the issue of the veil traditionally worn by Muslim women. A good representative poem is "My Grandmother Washes Her Feet in the Sink of the Bathroom at Sears," a striking story of cross-cultural tension.
Kahf's language is passionate, sometimes witty, and always clear and accessible. Her poems are richly spiced with many cultural references: to Wal-Mart, Robert Frost, Lt. Uhura, the "Rubayat" of Omar Khayyam, MTV, etc. She is particularly searing when reflecting on living in a post-9/11 world. Her compassionate but critical eye captures both the joy and tragedy of life. Highly recommended for college classes, book circles, or individual reading.
16 of 16 people found the following review helpful.
Better than Prozac
By Rockslinga
Mohja Kahf's poetry collection is better than prozac. Her poems link classical Arab characters with current day capitalistic trends ("Zuleika meets the Marlboro man across a delayed green"), and are punctuated, in the book's first half, with sometimes hilarious, sometimes poignant Hijab Scenes, where the author encounters everyday prejudice but moves beyond self-pity and anger to humor and celebration. The result is charming and ultimately empowering. The first third of the book tells the plight of the immigrant- the Arab Muslim in particular- and uses the metaphor of landing on the moon. The second third is an ode to women and womanhood, and made me lift my head a little higher when I left the bookstore (this book under my arm.) The last third is a beautiful dialogue on political currents and events, and the poem in which Matisse characters come to life is jaw-dropping. The poetry collection offers something rare and brilliant as a stone: an intellectual journey from which one emerges with voyager dust.
10 of 10 people found the following review helpful.
Excellent!
By A Customer
This is a beautiful, moving, witty poetry collection which I recommend to all readers, and to women readers in particular. Mohja Kahf's language, her voices, her characters move seemlessly upon the page, stopping once in a while to adjust their scarves or flip us the intellectual bird. A Badass first collection; Kahf wins my vote for poet laureate.
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