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Accessible, accurate, and up-to-date, with striking color photographs and range maps!

"If you love snakes, read this book. If you are repulsed by snakes, definitely read this book and you might just find yourself warming up to these fascinating creatures of mystery and myth."--Daniel Beck, Central Washington University

"Vignettes in the book let the armchair reader feel he or she is part of a herpetological adventure. These personal interludes make the book unique, as the straightforward identification varies little from field guide to field guide."--Traci Hartsell, Smithsonian Museum of Natural History

"The most impressive aspect of the book is its completeness. Each species account is very complete and includes information far beyond the diagnostic characters and distributions. I learned quite a bit from reading this book."--Jeffrey R. Parmalee, Simpson College

Information on how to search for herpetofauna, habitat descriptions, captive care, and a special section on reptiles and the law make these guides the perfect resource for amateur or professional naturalists. They also are ideal for anyone living in or visiting a western state who is interested in knowing more about the natural world around them.

• Sales Rank: #165553 in Books
• Published on: 2009-05-10
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .80" w x 6.00" l, 1.25 pounds
• Binding: Paperback
• 304 pages

About the Author

R. D. Bartlett is a veteran herpetologist/herpetoculturist with over forty years' experience writing, photographing, and educating people about reptiles and amphibians. He is the author, with Patricia P. Bartlett, a full-time editor and writer, of more than fifty books on the subject, including Florida's Snakes.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Good comprehensive snake identification guide
By Ryan Winkleman
I am an aspiring herpetologist, but am not huge on snakes and prior to this book did not own a dedicated snake book. All I had snake-wise was Stebbins' A Field Guide to Western Reptiles and Amphibians (Peterson Field Guide) and St. John's Reptiles of the Northwest. So based on the recommendation of californiaherps.com, I picked up this book in the three-book "Guide and Reference to the ____ of Western North America (North of Mexico) and Hawaii" series of R.D. and Patricia P. Bartlett. I'm glad I did.

The book contains species accounts, photos, and range maps for 147 snake species that occur in the western United States (defined in this book as the region from the Pacific Ocean to the eastern borders of New Mexico, Colorado, Wyoming, and Montana), in Hawaii, in Alaska, and in western Canada. The introduction is fairly dispensable and mainly goes over general snake biology, from feeding habits to reproduction to even tips for pet enthusiasts. If you are familiar with snakes there probably isn't much you won't already know, but if you are new to snakes it's a pretty good crash course in basic snake biology and some of the differences between snake types.

Snakes are organized into eight chapters: 1) Slender Blind Snakes, Family Leptotyphlopidae; 2) Blind Snakes, Family Typhlopidae; 3) Boas, Family Boidae: Rosy and Rubber Boas, Family Ericinae; 4) Advanced Snakes, Family Colubridae: Racers, Sand Snakes, Rat Snakes, Ring-necked Snakes, Hog-nosed Snakes, and Relatives; 5) Advanced Snakes, Subfamily Natricinae: Water Snakes, Garter Snakes, Brown Snakes, and Relatives; 6) Coral Snakes, Family Elapidae; 7) Sea Snakes, Family Hydrophiidae; and 8) Vipers: Pit Vipers, Family Viperidae. A multiple-page list following the Table of Contents breaks these down into smaller groups and tells you where each snake fits in. One gripe I have with the Bartletts' organization is that they do not number their species list by page numbers (the eight chapters DO have page numbers, just not the long species list). Instead, they number it by the number of the snake, 1 - 147. While this is still useful and better than nothing, it's slower than just using page numbers since if you are flipping through the book you have to be on the first page of a snake to see what number it is, whereas you can always just look at the page number at the top. I understand the species list is not intended to be a second table of contents; however, by nature it effectively is one since it lists all the species. It's a small complaint, and they do list page numbers in the Index at the end at least. The beginning of each chapter contains a short description of that Family or Subfamily, from one to several pages. This tells you the basic distinguishing factors of this group of snakes along with their general biology. Some of these introductions also contain short personal accounts of the authors' experiences with a species or multiple species from this Family or Subfamily. They are interesting and it's nice to read about the authors' personal herping adventures. Note that these short descriptions are also within the chapters where, for example, a new genus is presented, in which case the description would be of that genus of snakes.

Now on to the species accounts. Both common and scientific names follow those suggested by the publication "Scientific and Standard English Names of Amphibians and Reptiles of North America North of Mexico, with Comments Regarding Confidence in Our Understanding." Thus, where a certain species has begun to split the scientific community as to which genera it belongs to, they keep the traditional genera to avoid any contention or confusion while the name change is still being debated. The authors point this out when it occurs. The individual species accounts contain several types of information: abundance/range, habitat, size, identifying features, and similar snakes; some also contain comments and subspecies information if applicable. Some of the species also have the authors' personal vignettes mentioned above. Abundance/range is supplemented with a full-color easy to read range map for each species which very clearly distinguishes subspecies when applicable. The size section is a little more helpful than something like Stebbins, as it doesn't just give the basic length range, but generally will tell you the longest-known length of that species as well. The identifying features are detailed and easy to follow. Each species has at least one photo and from what I could tell, the subspecies also have photos, along with their own accounts (although not as extensive as the accounts for the main species). Where snakes have different color phases, such as the California kingsnake, photos are presented of the different phases. The photos take up about 40% of the page length and go all the way across the page width; they are clear and easy to see distinguishing markings. In most cases the head and tail are clearly visible along with the rest of the body, but for some species the photo is only a closeup of the head region. Species accounts are generally a page or two, although some, like the California mountain kingsnake, are longer (that one is seven pages with numerous photos of the color phases). What I would have really liked to see is more time spent talking about the natural and life histories of the species. Knowing more of their daily and annual habits and information about their life stages would have really been great, but that kind of species-specific information isn't as detailed as it could be, unfortunately, which is why in the title I referred to it as more of an identification guide, not necessarily a guide for learning a whole lot about the animals themselves. Conservation status is mentioned where applicable for protected species and subspecies, although I found that this is not always entirely accurate. For example, Alameda whipsnake is listed as being a CA state threatened species, but not a federal threatened species, which was determined in 1997 and is still current as of January 2011. From what I could tell, though, it looked like the statuses on the protected species were generally correct and this appears to just be an oversight.

The remaining pages after the species accounts end consist of a glossary, acknowledgements, a bibliography, and an index, which as I mentioned does go by page number instead of the unusual species number that the species list goes by. One thing that would have been nice is a checklist for each state. You can go off of the range maps if you want, but having one central list to tell you what snakes are in what state, rather than having to thumb through each map, would have been helpful for those who like to check off the animals they encounter.

Overall this is a very useful comprehensive guide to the 147 snake species and subspecies of western North America (north of Mexico). The individual species accounts are better organized and contain more detailed information than Stebbins, so if you like me do not have a dedicated snake book, this is a good choice for your library.

1 of 1 people found the following review helpful.
Lots of great pictures and info to identify and learn about snakes of the west
By GMB
Great guide to the snakes of the west. I gave this guide to my grandkid and he loves it. It also is good for me an amateur herpetologist. Good pictures and great text. The best (accessible) guide on the subject.

0 of 0 people found the following review helpful.
MORE THAN JUST A FIELD GUIDE
By angelfish
THE PHOTOGRAPHY IS OUTSTANDING AND THE DESCRIPTIONS HAVE MORE INFORMATION THAN NORMAL FOR A FIELD GUIDE.MANY SPECIES FEATURE A SIDEBAR OF THE AUTHORS EXPERIENCE WITH THE SPECIES AND HAS SOME INTERESTING COMMENTS.I LIKE THIS BOOK SO MUCH THAT I WILL NOW PURCHASE THE COMPANION VOLUME WHICH IS THE GUIDE AND REFERENCE TO THE SNAKES OF EASTERN AND CENTRAL NORTH AMERICA NORTH OF MEXICO.BUY IT!YOU WILL LIKE IT.

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! Download PDF They Call Me Baba Booey, by Gary Dell'Abate, Chad Millman

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NEW YORK TIMES BESTSELLER

Includes all-new ma-ma-material!
ALL NEW CHAPTER:
Baba Booey’s Afghanistan Journal!
and . . . the Shvoogie Buzzer story!

One of pop culture’s great enduring unsung heroes: Gary Dell’Abate, Howard Stern Show producer, miracle worker, professional good sport, and servant to the King of All Media, tells the story of his early years and reveals how his chaotic childhood and early obsessions prepared him for life at the center of the greatest show on earth.
 
Baba Booey! Baba Booey! It was a slip of the tongue—that unfortunately was heard by a few million listeners—but in that split second a nickname, a persona, a rallying cry, and a phenomenon was born. Some would say it was the moment Gary Dell’Abate, the long-suffering heroic producer of The Howard Stern Show, for better or worse, finally came into his own. In They Call Me Baba Booey, Dell’Abate explains how his early life was the perfect training ground for the day-to-day chaos that comes with producing the most popular radio show on earth.

Growing up on Long Island in the 1970s, the youngest of three boys born to a clinically depressed mother, Gary learned how to fend for himself when under attack.  Obsessed with music, he listened with religious intensity to Casey Kasem's Top 40 every Sunday morning, compulsively bought 45s of his favorite songs, and nerdily copied the lyrics into a notebook. Music became an ordering principle to his life, even as the chaos at home got out of hand. Dell’Abate’s memoir sketches the trajectory from the obsessive pop-music trivia buff to the man in the beekeeper’s mask who handily defeats his opponents playing “Stump the Booey.” We learn about the memorable moments in his life that taught him to endure epic bouts of humiliation and get his unique perspective on some of his favorite Stern show episodes—such as the day he nearly killed the Mets mascot while throwing out the first pitch, or the time his mother called Howard’s mother and demanded an apology.

Hilarious, painful, and eye-opening, it’s Gary as you’ve never seen him before, telling a story that even Stern show insiders can’t begin to imagine.

• Sales Rank: #486811 in Books
• Brand: Brand: Spiegel n Grau
• Published on: 2011-05-31
• Released on: 2011-05-31
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x .78" w x 5.19" l, .60 pounds
• Binding: Paperback
• 336 pages

Features

• Used Book in Good Condition

Review
“Hilarious, sincere, and wrenching.”—GQ

“Equal parts amazing and amusing . . . Fans will eat up the mortifying moments of [Dell’Abate’s] twenty-seven-year ride with the wildly popular and influential Stern show. . . . But it is the stories of extreme family dysfunction that give the book surprising heart.”—NJ.com

“Dell’Abate [has] pulled back the curtain [and his fans] will be pleasantly surprised.”—Entertainment Weekly
 
“Gary’s chronicle of how he developed the skills to survive a household shaken by both mental illness and the seismic shifts of the sixties, and of how he’s applied those skills to accommodate Howard and the gang, is nothing less than fascinating.”—Dr. Drew Pinsky
 
“Following the simple plan outlined in this book, I lost fifteen pounds and became a happier wife and better mother.”—Howard Stern
 
“If you think your family is nuts, wait until you read this story.”—Joan Rivers

About the Author
Chad Millman is a former Sports Illustrated reporter, a CNNSI correspondent, and associate editor at ESPN The Magazine, and the author of The Odds: One Season, Three Gamblers and the Death of Their Las Vegas.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

I stood on the avocado green carpet of my living room in Uniondale, Long Island. My mom, Ellen, walked out of her bedroom, carrying an overnight bag she had just packed. Our house was a one-story ranch, and I watched her as she inched down the hall toward the living room.

She stopped just a few steps from me and bent down, practically kneeling on the carpet in her dress. She always cared about how she looked, no matter where she was going. "Come here," she told me. I was five years old and she wanted to tell me something face-to-face. I walked closer. She hugged me and said, "Mommy isn't feeling very well. I have to go away for a couple of days."

I knew she cried a lot. I knew she screamed a lot. And I knew people didn't do those things unless something was wrong. I thought she was physically sick and going to a hospital to get better.

My older brothers, Anthony, who was thirteen, and Steven, who was eleven, stood next to her. They knew what was really happening. So did my aunt Maryann, who had come over to watch us that afternoon.

When my mom let go of me she stood up, smoothed down her dress, picked up her bag, and followed my dad, Sal, out the front door. They were headed for the psych ward at Syosset Hospital.

My parents met in 1947 at Webster Hall, a dance place in Manhattan. He was twenty-two from Little Italy; she was twenty and from Bensonhurst, in Brooklyn. "He walked up to me and asked me to dance," my mom once told me. "I told him, 'I heard about all you fellas from Manhattan. You're all a bunch of gangsters.' And he said, 'Yeah, I checked my gun at the bar.' I thought, how sarcastic. That intrigued me.

"My friend Anne thought he was so cute-he reminded her of Humphrey Bogart. He had on a pin-striped suit and really did look like Bogart."

My mom was stylish, had a big smile, and loved mugging for a crowd or a camera. In every picture I have ever seen of her, from when she was young to today, she looks happy. There was never any sign in her eyes of the trouble behind them. On Saturdays when I was growing up, she'd spend three hours at the beauty parlor getting her hair colored and cut and then would sit with rollers in her hair under one of those huge dryers. She even had a cape and a hat that made her look just like Marlo Thomas in the opening credits for That Girl. She always liked to keep up appearances.

That was true when she was growing up in Bensonhurst, too. Her parents came to America from Sicily and Reggio Calabria when they were both kids. They met in Brooklyn and had seven children over fifteen years. The oldest one, Aunt Josie, was nicknamed the General, because she did a lot of the child rearing. My grandmother worked as a seamstress and my grandfather was a construction worker (my aunts and uncles say he helped build the Empire State Building, but I think people say that about every construction worker from back then). My mom was the baby of the Cotroneo clan. The whole family lived together in a multifamily apartment building my grandfather owned.

But my mother didn't grow up rich. My mom likes to tell the story about how she wore nothing but hand-me-downs and had to put cardboard in her shoes because the soles had holes in them. She worked at Macy's while in high school and she'd bring her check home and hand it over to her mother, who cashed it and took all the money, except for a couple of bucks she kicked back to my mother.

None of the Cotroneos moved out of the building until long after they were married. Newlywed kids lived in one of the building's apartments until they could save enough money to buy a place of their own. Of course, most of them didn't move very far away. I had an uncle who moved to Los Angeles and an aunt who lived near us in Uniondale. Everyone else settled within a quarter mile of each other in Bensonhurst. Growing up we went to Brooklyn at least a couple of Sundays every month for huge Italian family dinners, the kind that began at three in the afternoon and started with three or four kinds of pasta piled with different meat sauces. That's when my aunt Angie, who probably never set foot outside Brooklyn, used to say to us, "Brooklyn is the best place in the world. I don't know why anyone would want to live anywhere else."

As close as they were, my mom's family loved arguing. It was like they couldn't stand to be too far away and then couldn't stand the sight of each other. Chaos reigned at those family meals. My father called them the Fighting Cotroneos.

His family was different. He grew up in a railroad flat in Little Italy, on the corner of Mott and Hester. His family was quieter and a little sadder. When my dad was small-"Too small to remember all the details," he once told me-he had a one-year-old brother who died from a throat infection. The funeral was held in his parents' apartment.

My dad was always in great shape and kind of looked like a low-level hood. There's a great picture of him and my mom from their wedding in 1951. They both have ink black hair-hers is down to her shoulders and his is slicked black. He's got on a double-breasted black tuxedo with a white tie-he was a dead ringer for Yankees shortstop Phil Rizzuto. They were both rail thin, but my dad had butcher's hands. Thick and strong.

He wasn't afraid of a fight, either. There was always tension with the Chinese where he lived because Chinatown and Little Italy are basically right on top of each other. One night he got into a fight with a kid from across Canal Street-which separates the two neighborhoods-and beat the crap out of him. A week later my dad saw the kid again, only this time he was in the back of a police car, pointing at him. Two cops got out, picked my dad up, and arrested him. He ended up spending the night at the Tombs, which is what they called the jail in lower Manhattan. It deserved the nickname.

My dad was pretty smart. A junior high teacher recommended him for Stuyvesant High School, one of New York City's top public schools. "But I was always goofing around with kids in my neighborhood, so I dropped out. Never graduated. You weren't supposed to know that," my dad once told me when I interviewed him for a family history video.

He wasn't a thug-but he lived on the periphery of the mob that ran Little Italy. And he liked to gamble. Even though he grew up on the Lower East Side, my dad loved the Brooklyn Dodgers. In 1951, when Bobby Thomson of the New York Giants hit a game-winning home run to beat the Dodgers for the National League pennant, my dad lost a shitload of money. He was listening to the game on the roof of his building and was so upset he threw the radio over the edge.

Years later, I was signing autographs at an event and Giants hero Thomson was there, too, right next to me. I told him that story so he signed a picture for my father, which read, "To Sal, Sorry about the radio, Bobby Thomson."

My dad knew enough about gambling and the guys running the rackets in his neighborhood to know it wasn't the life for him. When World War II started he had just dropped out of high school so he decided to join the army. For more than a year he moved through the United States, training at Fort Dix in New Jersey, then in Illinois, and finally in Hawaii, "for jungle training," he said. When he finally shipped out to fight in the Pacific he thought he was headed for the Yap Islands, but the officers on the ship announced that plans had changed. They were headed for the Philippines.

My mother later told me that when the two of them went to see Saving Private Ryan it was harrowing; it put my dad right back in the war. He was seventeen when he landed in the Philippines. Unreal. When I was seventeen I was reading album liner notes trying to figure out who played horns on a Bob Seger record. My dad told me, "It was just like that movie. Guys were puking as they bounced around the waves. Then the front of the boat comes down and we run into the water and it's just every man for himself, guys were being killed right next to me on the beach."

He spent his war on the front lines as a medic, even though he hadn't even graduated from high school. It didn't matter. He wasn't doing battlefield surgery. His job was to patch someone together quick so they could stay alive long enough to get attention from the real doctors. Medics didn't have the option of ignoring it when one of their guys was screaming. No matter how bad the gunfire, they had to get low and go. And they were constantly under attack. "Banzai attacks," my father called them. They happened at night. "You don't hear them. It was hand-to-hand combat with bayonets. Every hill, every village was a battle."

There was one firefight he remembered that went on for two straight nights. They were under heavy attack, and my dad was in a foxhole when he heard someone yelling, "Medic! Medic!"

"We were dug in and the Japs were dug in and we were shooting at each other," he said. "Our men were hurt in the middle of no-man's-land and the officer called for me. I crawled out there, bandaged them up, gave them sulfur, and dragged one guy back at a time. I couldn't stand up because fire was coming constantly. It's all luck, who lives."

For that he earned a Bronze Star. Not that he wanted to discuss it. Ever. I remember when John Kerry was running for president my dad saw him on TV and said, "I don't like that guy." I asked him why and he said, "Because he's always talking about his medals." This was when the Republicans were claiming Kerry hadn't earned his Vietnam honors. I said, "Dad, he's being attacked. I thought if anyone would be on his side it would be you." But my dad said, "I don't care. You don't talk about it. Talking about it is wrong."

Later in the war, while in Okinawa, my father's unit was under fire and an artillery shell exploded above his head. A piece of shrapnel pierced his backpack and became embedded next to his lung. They shipped him out to a hospital, performed surgery, let him recover for a month, and then shipped him back to the front lines. "As they were giving us new weapons and clothes for a major offensive, we got word that Truman had dropped the bomb. The war was over. Two weeks later I came home."

I once asked my dad if he'd ever killed anyone and he ignored the question. But my older brother Anthony claims that, before my father died, he confessed to doing some bad things over there.

When he came home he hustled, delivering coffee around Manhattan, polishing costume jewelry, working as a proofreader for a publishing company. He was a young guy on the make. And my mom was a young woman with a little bit of sass. When I think of them courting each other I envision the movie Goodfellas, particularly the scenes in the nightclubs. My parents always used to talk about going to the Copa. I also hear my mom imitating her mother, who called my dad "the Mott Street gambler."

"When he would be coming over my mother didn't even say his name," my mom told me. "She just said, 'Is Mott Street coming over?' "

It wasn't that my grandma didn't like him. She was just wary of guys who dressed like gangsters, lived in the city, and courted her daughter. Still, that didn't stop my parents from getting married at a Coney Island Italian restaurant called Villa Joe's, in front of one hundred friends and family.

Naturally, after their weeklong honeymoon in Miami, they moved into an apartment in the Cotroneos' building in Bensonhurst. Their life together seemed like the beginning of their own American dream. "Back then," my father once told me, "your mom was normal."

The night after my mom went into the hospital, my dad and I took a ride to the Syosset psych ward. I was five, too young to visit her there, but my brothers weren't, and they had spent the afternoon with her. It was time for them to come home, and my dad thought the car ride would be a good opportunity to explain what was going on.

He never talked to me like I was a kid. I try to talk to my kids the same way-honestly. There were plenty of times when, after my mom experienced a screaming fit or broke down in tears, he told me I hadn't done anything wrong, that it wasn't my fault Mom was upset. And he made sure I understood it wasn't his fault, either.

Syosset Hospital was twenty-five minutes from our house. While driving, my dad said to me, "Your mom is sick. But not the regular kind of sick."

"What does that mean?" I asked.

"Her brain his sick," he answered. "And when she acts sad or angry it isn't her fault. She doesn't want to be like this." That sounded good to me. I knew enough to think that doctors made people better.

The hospital was a big, gray, stone building that was six stories high, tall for Long Island. We pulled into a circular driveway that was surrounded by flowers and then walked into the first-floor lobby, which was bustling with people. To a five-year-old, it was a fantastic place. The walls were painted a bright yellow; there was a gift shop and couches to play on and a vending machine in the corner. It wasn't a mental institution. It was exciting. And it was where my mother was, so it was where I wanted to be.

The door to the psych ward happened to be directly off the main lobby, and the entry was always protected by a security guard, who looked like he was defending Fort Knox. That's because it wasn't just a regular door, but something heavy that moved back and forth with wires and cables. You had to push a button that opened it. My father worked in the ice cream business-first as a deliveryman and then in sales-and I had been to his office in the Bronx. It had a blast freezer that was kept at 40 degrees below zero to store inventory. I loved that the door to my mom's room at the hospital looked just like the one at the ice cream factory. As I got older, I realized it also looked like the last line of defense in a cell block.


From the Hardcover edition.

Most helpful customer reviews

73 of 88 people found the following review helpful.
Boring Booey
By Evan S. Shikora
Let me first preface this review by stating that I am a long-term fan of Howard Stern's radio show and a fan of Gary Dell'Abate himself. That being said, I found this book to be quite boring and highly irrelevant. As stated above, I find Gary to be a likable father and husband. His rise from record salesman to producer of the most successful morning radio show in the history of radio is quite commendable. But as the basis for a 280 page text it falls far short in terms of entertainment value. Frankly, if Howard was not promoting this book, and Gary was not calling in favors on Letterman and Kimmel,it would not be selling. As other reviewers have stated, there are absolutely no revealing details or "behind the scenes" information on the Stern show. As a book about a radio producer and his life... it is weak and inconsequential.

45 of 57 people found the following review helpful.
Nice guy, boring book
By Kay
I'm a lifelong Howard Stern fan and think Gary seems like a nice enough fella. Good father, good husband, good producer. But a book this does not make.

Rather than focus on what is arguably the most interesting part of Gary's life (the show), this book touches on his upbringing on Long Island and his relationship with his family. Without spoiling anything, the stories about his mom in particular should have been interesting...but they weren't. Without Howard's color commentary to help Gary's stories along, this book reads like the world's longest run-on sentence. You know when Gary gets going on the show and tells a story without taking a breath? That is essentially what this book is like.

Gary's a nice guy, but his story isn't particularly interesting. I would pass on this and instead pick up another book they've been talking about on the show - "The Battle for Late Night" by Bill Carter.

14 of 16 people found the following review helpful.
Ok for die-hard Stern Fans...others will be very bored
By Steve Brandano
I borrowed this book from the library. I'm not going to buy a bababooey book I will only read once. The parts about his family life were the most interesting. The parts about his love for music and all his internships were quite boring. I only really laughed once, that was when I pictured Artie laughing his butt off after Gary threw the infamous first pitch.

Like I said you will like it if you are a die hard HSS fan. It is a quick read too, as long as your IQ is higher than Bobos.

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# PDF Download Magic for Beginners: Stories, by Kelly Link

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Perfect for readers of George Saunders, Karen Russell, Neil Gaiman, and Aimee Bender, Magic for Beginners is an exquisite, dreamlike dispatch from a virtuoso storyteller who can do seemingly anything. Kelly Link reconstructs modern life through an intoxicating prism, conjuring up unforgettable worlds with humor and humanity. These stories are at once ingenious and deeply moving. They leave the reader astonished and exhilarated.

Includes an exclusive conversation between Kelly Link and Joe Hill

Praise for Magic for Beginners
 
“A sorceress to be reckoned with.”—The New York Times Book Review
 
“[Kelly] Link’s stories . . . play in a place few writers go, a netherworld between literature and fantasy, Alice Munro and J. K. Rowling, and Link finds truths there that most authors wouldn’t dare touch.”—Lev Grossman, Time
 
“She is unique and should be declared a national treasure.”—Neil Gaiman
 
“Funny, scary, surprising and powerfully moving within the span of a single story or even a single sentence.”—Karen Russell, The Miami Herald
 
“This is what certain readers live for: fiction that makes the world instead of merely mimicking it.”—Audrey Niffenegger
 
“[These] exquisite stories mix the aggravations and epiphanies of everyday life with the stuff that legends, dreams and nightmares are made of.”—Laura Miller, Salon, Best Books of the Decade
 
“A major talent . . . Like George Saunders, [Link] can’t dismiss the hidden things that tap on our windows at night.”—The Boston Globe
 
“The most darkly playful voice in American fiction.”—Michael Chabon
 
“I think she is the most impressive writer of her generation.”—Peter Straub
 
“Link’s world is one to savor. [Grade:] A”—Entertainment Weekly
 
“Intricate, wildly imaginative and totally wonderful . . . will fill you with awe and joy.”—NPR

• Sales Rank: #155623 in Books
• Brand: Link, Kelly/ Jackson, Shelley (ILT)
• Published on: 2014-07-01
• Released on: 2014-07-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 5.20" l, .57 pounds
• Binding: Paperback
• 352 pages

From The New Yorker
Link's second collection has a McSweeney's-like tendency to digress, but does so without irony. Whether describing witches filled with ants that carry pieces of time, or an orange-juice-colored corduroy couch that looks as if it "has just escaped from a maximum security prison for criminally insane furniture," these stories examine American middle- and lower-middle-class life from unexpected angles that mix fairy tale, science fiction, and zaniness. In Link's worlds, a village takes refuge in a magical handbag, and a convenience store serves zombies as an experiment in retail. Two stories with zombies is perhaps too many, though the first effectively marries humor and horror. Reading Link, one has a sense that sometimes a person needs to wander off for a better perspective, and sometimes a person simply needs to wander off.
Copyright © 2005 The New Yorker

From Publishers Weekly
Starred Review. The nine stories in Link's second collection are the spitting image of those in her acclaimed debut, Stranger Things Happen: effervescent blends of quirky humor and pathos that transform stock themes of genre fiction into the stuff of delicate lyrical fantasy. In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies. (July 1)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The stories-within-stories feel of Magic for Beginners, not to mention its absurdist magical realism, left some critics feeling alienated. Nor could many place Link (Stranger Things Happen) in a precise literary niche. Yet all agree that Link’s imagination is a plausible, even powerful, force. Even when critics admitted that allusions and postmodern ploys went swiftly over their heads, no one forgot a single story. And, if the weird, creepy, and unbelievable predominate, Link pens characters and scenes so sweetly ("Anne Tyler-ward," notes the Village Voice) that readers won’t mind the aliens, ghost-dogs, and zombies. Link’s collection may defy simple interpretation, but it also challenges readers to decipher for themselves what is real . . . and what is not.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

44 of 45 people found the following review helpful.
The year's best fiction
By Kelly C. Shaw
Kelly Link's fiction is so good it's scary, as her lyrical voice is one of the most unique and singular in literature. Her fantastical stories are inimitable reinventions of familiar genre staples (zombies, ghosts, time travel, fairy tales, and more), filtered through a keen literary eye. The fantasy elements in her stories are always underpinned by a grave reality, be it loss of innocence, coming to grief, or family strife, but not at the expense of a story's humor or levity. Somehow, Link's stories capture both the familiar and the unknown, the horror and the beauty in life. I'm not quite sure how she does it.

Magic for Beginners, Link's second collection, contains some of her most mature and accomplished stories to date. Personal favorites are "Stone Animals," a domestic ghost story that plays with gender stereotypes, "Some Zombie Contingency Plans," an unpredictable, psychological horror story, and the titular novella "Magic For Beginners," a contemporary dark fantasy story, equal parts Buffy the Vampire Slayer and Videodrome, but which ultimately defies description. I don't know if Link will ever evolve into a novelist (and as long as she keeps churning out short fiction, I won't complain), but if she does, I believe "Magic For Beginners" will be identified as a stepping stone to her eventual longer works.

It's actually unfair to single out only a few stories of this 9-story collection, since they are all of high quality (though I'm not too fond of the postmodern stylization over characterization in "The Cannon"). Other gems include "The Hortlak," a hilarious, if somber, post-apocalyptic zombie story, and "Lull," a time-travel story like no other, replete with the devil, cheerleaders, poker parties, and aliens (believe me, it works).

Another surprising element in Link's stories, given their complexity, is their accessibility, as the stories in this collection partake of traditional, page-turning storytelling. But don't get me wrong, her stories are not easy reads (they are fun reads!). Link's best stories, due to their narrative and thematic richness, demand (reward) rereading. But this is hardly a chore, because a Kelly Link story will haunt you, calling out to your waking and sleeping dreams. That's the power a perfect story can have.

Magic for Beginners, to this humble reader, is the finest collection, and arguably the finest book, to be published in 2005.

12 of 14 people found the following review helpful.
A Truly Magical Book
By sfarmer76
Books like Magic for Beginners, $24.00 Amazon.com, should be easy to praise. However this second collection of supernatural stories, from author Kelly Link, - while fun to read - makes for a difficult review. She's not a conventional writer and these aren't conventional stories. Ever read a story about a haunted family, and not a haunted house? I'm going to take a stab at summarizing, but frankly, I'm not sure if even I can serve this odd book any justice. It's one of those titles that you must read for yourself. It's been sheer folly trying to review it, but I think I've faithfully captured the basic texture of the book in my efforts here.

Each story hides an element of human chaos; a Russian grandmother with an enchanted handbag dies, a peculiar employee of an all-night convenience store runs away, a haunted family throws one last dinner party, a party crasher obsessed with zombies outsmarts a teenage girl, a witch gives her three children motherly deathbed advice, a man negotiates a divorce with his ghostly wife, the teenage son of a horror writer strives to save a fictional character (in a pirate TV broadcast) from certain death, and an apocalyptic weekend poker party is interrupted by alien visitors.

Grades of A plus (on the Steve-ometer) are given to four specific stories - Stone Animals, The Faery Handbag, The Great Divorce, and The Hortlak. These are the ones I consider as being groundbreaking, the best, the most sincere. Link obviously gave each of these four yarns a little extra-special effort. Each of these stories has a magical dreamlike quality. Stone Animals, originally published in Conjunctions, and soon to appear in the next edition of The Best American Short Stories series, establishes Link as a writer to watch. The other five stories are merely Grade B in my opinion, but with a little more spit and polish, they too might spark your fancy.

In The Faery Handbag, teenager Genevieve faces an unusual predicament. She can't find recently deceased Grandmother Zofia's enchanted handbag. And she must recover it, if she ever hopes to rescue her missing boyfriend, Jake! Each week her search takes her to Boston's Garment District, but frankly, she's not having much luck when we join in. I won't spoil the ending, but the story resembles a lost Aesop's fable. The casual manner in which the author winks at you - as she spins the tale - is really quite appealing. Link had me hooked from the first sly sentence, which reads: I used to go to thrift stores with my friends. Scrabble also figures prominently in this particular story, so that also helps.

Next story? The Hortlak. This one's a real corker. It revolves around Eric, who works the night shift, and Batu, who works the day shift, at the All-Night Convenience store on Ausible Chasm Road near the Canadian border. The two clerks live in the store - they take turns sleeping in the storage closet. Eric has a crush on a girl named Charley that wanders in and out of the store from time to time, but he's slow to act upon it. If it weren't for Batu teaching Charley helpful Turkish phrases whenever she comes in for a Mountain Dew, Eric might have already approached her, but its hard to concentrate on your love life when the undead keep distracting you - when zombies keep trying to engage you, after midnight, in mysterious cashless transactions. Great hook ending here! But what, pray tell, is a Hortlak? In my mind, that's the real million dollar question.

Now that you have a feel for the outlandish nature of Link's work, I encourage you to read Stone Animals, which is a real accomplishment! I dare you to tell me what's going on at the end of this ghost story? If it makes any sense. This flawless piece is ostensibly about faithfulness - the sanctity of marriage - but judging from the manner in which this post-9/11 story is woven, it carries multiple meanings, and works on many submerged levels. Henry and Catherine (husband & wife) have recently navigated a minefield of marital discord, but with two children in tow, and a new baby on the way, they've apparently found a measure of tranquility by relocating to a home somewhere just North of New York City. Or have they? Exactly what happens at the end of this story? Has Henry become unhinged? Has someone else murdered his family? Have Henry and his family actually been dead all along? I'm really not quite sure. Please get back to me, with your own interpretation.

Even though I enjoyed the story Magic for Beginners, from which the book derives its title, I choose not to recommend it highly. It's a clever construct that evokes the exact sort of feelings that Stephen King's children most likely have for their nearly departed dad - I'd guess - but I thought it contained a lot of filler. Though I felt sympathy for the earnest group of teens the story revolved around, I must confess I was hoping for a better denouement. Link left me dangling on the line, at the end, therefore I felt shortchanged. Link might consider placing these particular characters into a full-blown novel, with a better end result.

Really though, the story I'm most enamored of was The Great Divorce, since it delivers the strongest kick. Who on earth (besides Kelly Link?) could come up with a story about a living man and a ghostly woman spawning a trio of phantom children, the mere concept that a mismatched pair like this would then brooch the ugly topic of divorce? Better yet, what was the authoress smoking when she came up with this? This tale has some fantastic imagery, such as a trembling haunted pink bougainvillea, and departed spirits waiting in long orderly lines at Disneyland, their heels resting upon the shoulders of the living amusement park patrons. The final few paragraphs just took my breath away. The last two sentences are priceless! Turn of the screw, indeed!

Since I appreciate Link, I'd recommend she find a better Editor. I've found singular words that should have been plural, close quotes that were omitted, sentences that were missing words, and intact typos within the pages of this book. (see page 219, fourth line, for example) This clutch of errors proved a major distraction while scanning Magic for Beginners, (which must have been written in extreme haste) but don't let the little things that annoyed me dissuade you from pursuing this otherwise charming collection. I sincerely look forward to reading Kelly's third compilation; she's tapped into some vein that's truly otherworldly.

11 of 13 people found the following review helpful.
Absolutely Brilliant
By gaimangirl
Okay, so it's a silly cliche, but I'm going to use it anyway...Kelly Link is the absolute best writer that you've never heard of. Most people have no idea who she is, our bookstore doesn't even carry her books most of the time, but I think she's utterly brilliant, and she deserves to be better known. She deserves to win the Pulitzer as far as I'm concerned.

The stories in this collection are amazing--warm, witty, profound, laugh-out-loud funny, imaginative, and heartbreaking. The best way to describe her style is that she writes in dream images using dream logic. What I mean is, you know that feeling when you wake up from a vivid dream and you can't recall its chronological narrative format and it doesn't make much logical sense, yet at the same time you can remember vivid images and profound emotions that stem from it? That's exactly what reading a Kelly Link story is like. It's hard to explain precisely what happens in a literal sense, but she's able to make you feel just what she wants you to feel, even when you can't put your finger on why that is. I'm in awe of her ability make her readers feel such depth of emotion through such cryptic and dreamlike imagery.

Take "Lull" for instance, the first story that I read in this collection. It's a weird, complex story about a group of guys playing poker, a phone-sex operator/storyteller, the Devil, a cheerleader, aliens, clones, time travel, and probably a few more things I can't remember. I read it just going along for the ride at first, really having no idea where she was going with it, and then it hit me all at once that what she was really writing about was death and grief and the mourning process. I was overcome with emotion and practically cried throughout the ending.

Another one is "Stone Animals" about a family that moves into a new house that turns out to be "haunted" in a sense. It's a long story, almost a novella, that reads stylistically like a minimalist take on domestic tragicomedy, yet at the same time it's creepy and eerie and almost feels like a regular ghost story, yet there doesn't seem to be any actual ghosts in it. The whole time I felt like I was watching this ordinary suburban family self destruct before my eyes and by the ending it felt like things had gone past the point of no return, yet I can't explain exactly what happened. But it made an impression on me, believe me.

These are just two examples. Other favorites of mine are "The Faery Handbag", "Magic for Beginners" and "The Hortlak" which are all beautifully complex and heartfelt portrayals of the adolescent/young adult experience, love, and the loss of innocence.

If you're at all interested in fantasy, surrealism, experimental fiction, or just plain beautiful writing, please do yourself a favor and check out Kelly Link. Her writing makes the whole world seem like a beautiful place.

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^ PDF Ebook Radio and the Struggle for Civil Rights in the South (New Perspectives on the History of the South), by BRIAN E. WARD

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This compelling book offers important new insights into the connections among radio, race relations, and the civil rights and black power movements in the South from the 1920s to the mid-1970s. For the mass of African Americans—and many whites—living in the region during this period, radio was the foremost source of news and information. Consequently, it is impossible to fully understand the origins and development of the African American freedom struggle, changes in racial consciousness, and the transformation of southern racial practices without recognizing how radio simultaneously entertained, informed, educated, and mobilized black and white southerners. While focusing on civil rights activities in Atlanta, Birmingham, Charlotte, Washington, D.C., and the state of Mississippi, the book draws attention to less well-known sites of struggle such as Columbus, Georgia, and Columbia, South Carolina, where radio also played a vital role. It explains why key civil rights leaders like Martin Luther King and organizations such as the NAACP, SCLC, and SNCC put a premium on access to the radio, often finding it far more effective than the print media or television in advancing their cause. The book also documents how civil rights advocates used radio to try to influence white opinions on racial matters in the South and beyond, and how the broadcasting industry itself became the site of a protracted battle for black economic opportunity and access to a lucrative black consumer market. In addition, Ward rescues from historical obscurity a roster of colorful deejays, announcers, station managers, executives, and even the odd federal bureaucrat, who made significant contributions to the freedom struggle through radio. Winner of the AEJMC award for the best journalism and mass communication history book of 2004 and a 2004 Choice Outstanding Academic Title Award, this book restores radio to its rightful place in the history of black protest, race relations, and southern culture during the middle fifty years of the 20th century.

• Sales Rank: #2178862 in Books
• Published on: 2006-02-28
• Original language: English
• Number of items: 1
• Dimensions: 9.18" h x 1.12" w x 5.96" l, 1.42 pounds
• Binding: Paperback
• 432 pages

Review
"Painstakingly teach the connections between the entertainment industry and the struggle for civil rights....Ward's slice of movement history captures the freedom struggle's complexity very effectively."

About the Author
Brian Ward, associate professor of history at the University of Florida, is the editor of Media, Culture, and the Modern African American Freedom Struggle (UPF, 2001) and the author of Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, which won the 1999 James A. Rawley Prize from the Organization of American Historians.    

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2 of 5 people found the following review helpful.
A multifaceted study of a little known aspect of the Civil Rights Movement
By AfroAmericanHeritage
Much has been said and written about how television raised the veil on Jim Crow - for example, the fact that stark images of police brutality against African Americans were broadcast into homes around the nation. But before television, Americans connected with the world via radio, and Jim Crow lacked the power to segregate what came over the airwaves.

Ward explores the myriad ways network and local radio were used to advance the cause of Civil Rights and racial uplift, from obvious uses such as announcements of protests and rallies, to more subtle image enhancing programs such as "homemaker shows" (which might have served double duty by helping to create the collective female consciousness so crucial to the movement.)

Ward neither presents nor defends a monolithic image of black vs white radio owners, producers, on-air personalities or even consumers. Throughout the book, in various towns and sometimes even at the same station, we meet some professionals of both races dedicated to the cause, and others dedicated to the bottom line. We meet listeners who are tuning in for news of the struggle and others who just want to be entertained. Sometimes they got both at the same time.

It's rare to find a book which is both exhaustively researched AND enjoyable to read. I can obviously recommend it to anyone interested in African American Studies but I go a step further and recommend it to "old time radio" buffs as well. As one with an interest in both areas, I feel like I got 2 books for the price of one!

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@ Get Free Ebook Nexus of Empire: Negotiating Loyalty and Identity in the Revolutionary Borderlands, 1760s-1820s (New Perspectives on Maritime History and N

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Between 1760 and 1820, many groups in North America grappled with differences of identity, nationality, and loyalty tested by revolutionary challenges.

Nexus of Empire turns the focus on the people who inhabited one of the continent’s most dynamic borderlands--the Gulf of Mexico region--where nations and empires competed for increasingly important strategic and commercial advantages. The essays in this collection examine the personal experiences of men and women, Native Americans, European colonists, free people of color, and slaves, analyzing the ways in which these individuals defined and redefined themselves amid a world of competing loyalties.

This volume humanizes the promise and perils of living, working, and fighting in a region experiencing constant political upheaval and economic uncertainties. It offers intriguing glimpses into a fast-changing world in which individuals' attitudes and actions reveal the convoluted balancing acts of identities that characterized this population and this era.

• Sales Rank: #7151694 in Books
• Published on: 2009-01-03
• Original language: English
• Number of items: 1
• Dimensions: 1.30" h x 6.40" w x 9.30" l, 1.55 pounds
• Binding: Hardcover
• 408 pages

About the Author

Gene Allen Smith is professor of history at Texas Christian University and coauthor of Filibusters and Expansionists: Jeffersonian Manifest Destiny, 1800-1821. Sylvia L. Hilton is professor of history at Complutense University of Madrid and coeditor of Frontiers and Boundaries in United States History.

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1 of 1 people found the following review helpful.
A scholarly, extensively researched and ultimately enlightening cross-examination of history
By Midwest Book Review
Nexus of Empire: Negotiating Loyalty and Identity in the Revolutionary Borderlands, 1760s-1820s is an anthology of essays by learned authors discussing the people who inhabited the Gulf of Mexico region - a location and era when nations and empires, both political and mercantile, jockeyed fiercely for every strategic and commercial advantage they could get. Individual essays focus upon the experiences of men, women, Native Americans, European colonists, free people of color, slaves, and more. A scholarly, extensively researched and ultimately enlightening cross-examination of history through human experience, Nexus of Empire is highly recommended particularly for college library collections.

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? Ebook Download Key West on the Edge: Inventing the Conch Republic (Florida History and Culture (Hardcover)), by Robert Kerstein

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Neither Florida nor Cuba; neither American nor Caribbean

“Key West is an island steeped in lore, from Hemingway to Fantasy Fest, but behind the façade of Margaritaville lie buried tensions and conflicts in need of examination. Kerstein provides a much-needed dose of reality in the form of a masterfully researched study of the island’s tourism industry, from the shadowy power brokers who pull the strings to the underpaid workers who serve the drinks. From seedy bars to trendy discos, Kerstein has managed to capture the improbable mixture of this strange island, while offering a cautionary tale of tourism run amok.”—Robert Lee Irby, author of 7,000 Clams

“An exemplary study and a cautionary tale that should be read by everyone interested in the suicidal course of a society driven by an irrational and self-destructive compulsion to erase differences in the pursuit of the almighty dollar.”—Brewster Chamberlin, author of Mario Sanchez: Once upon a Life

Key West lies at the southernmost point of the continental Unites States, ninety miles from Cuba, at Mile Marker 0 on famed U.S. Highway 1. Famous for  six-toed cats in the Hemingway House, Sloppy Joe’s and Captain Tony’s, Jimmy Buffett songs, body paint parade “costumes,” and a brief secession from the Union after which the Conch Republic asked for $1 billion in foreign aid, Key West also lies at the metaphorical edge of our sensibilities.
     How this unlikely city came to be a tourist mecca is the subject of Robert Kerstein’s intrepid new history. Sited on an island only four miles long and two miles wide, Key West has been fishing village, salvage yard, U.S. Navy base, cigar factory, hippie haven, gay enclave, cruise ship port-of-call, and more. Duval Street, which stretches the length of one of the most unusual cities in America, is today lined with brand-name shops that can be found in any major shopping mall in America.
     Leaving no stone unturned, Kerstein reveals how Key West has changed dramatically over the years while holding on to the uniqueness that continues to attract tourists and new residents to the island.

 

• Sales Rank: #1403047 in Books
• Published on: 2012-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.40" w x 6.10" l, 1.50 pounds
• Binding: Hardcover
• 384 pages

From the Inside Flap
Key West lies at the southernmost point of the continental United States, ninety miles from Cuba, at milemarker zero on the famed highway U.S. 1. Famous for six-toed cats in the Hemingway House, Sloppy Joe's and Captain Tony's, Jimmy Buffett songs, body paint "costumes" during Fantasy Fest, and a brief secession from the Union after which the Conch Republic asked for $1 billion in foreign aid, Key West also lies at the metaphorical edge of our sensibilities.

How this unlikely city came to be a tourist mecca is the subject of Robert Kerstein's intrepid new history of Key West. Sited on an island only four miles long and two miles wide, Key West is neither Florida nor Cuba, neither American nor Caribbean.

Key West in its time has been many things to many different people. It was once the largest city in Florida. It has been one of the wealthiest cities, per capita, in the country; it has also been among the poorest. In the 1980s, it elected the first openly gay mayor in the United States, and later a mayor who, according to the Washington Post, had been a "gambler, gunrunner, saloonkeeper, fishing boat captain, ladies' man, and peerless raconteur." But where Key West is going is hardly clear.

Kerstein examines the reasons for the increase of both short-term tourism and seasonal residents and the consequences of these changes for the community on an island where the demand for real estate quickly escalated above the means of year-round residents and service workers. He contextualizes this movement within a discussion of the character of Key West before it became and as it transitioned into a tourist town.

Key West today is a community constantly being reinvented as it seeks to find a balance between unique and generic, even as it teeters on the edge of losing itself.

From the Back Cover

“Key West is an island steeped in lore, from Hemingway to Fantasy Fest, but behind the façade of Margaritaville lie buried tensions and conflicts in need of examination. Kerstein provides a much-needed dose of reality in the form of a masterfully researched study of the island’s tourism industry, from the shadowy power brokers who pull the strings to the underpaid workers who serve the drinks. From seedy bars to trendy discos, Kerstein has managed to capture the improbable mixture of this strange island, while offering a cautionary tale of tourism run amok.”—Robert Lee Irby, author of 7,000 Clams

 “An exemplary study and a cautionary tale that should be read by everyone interested in the suicidal course of a society driven by an irrational and self-destructive compulsion to erase differences in the pursuit of the almighty dollar.”—Brewster Chamberlin, author of Mario Sanchez: Once Upon a Way of Life

 “Refreshingly accurate account of how Key West invented the Conch Republic tourist economy from the ruins of the closed military complex. Highly recommended.”—Tom Hambright, Monroe County Historian

 

“For anyone who has visited Key West or hopes to do so one day, Bob Kerstein provides a splendid history of the larger-than-life people and powerful social forces that shaped this unique American city into what it is today. He chronicles the decades-long struggle and mixed success of Key West’s efforts to avoid the homogenization that seems inevitably to accompany large-scale tourism.”—Scott Keeter, Pew Research Center

 

“Bob Kerstein’s urban history of the ‘Conch Republic’ charts the evolution of Key West’s quirky, nonconformist charm but also teases out long-running conflicts between its embrace of tourism and defense of authenticity. Alongside fascinating chronicles of the characters and capers that have made this city unique, Key West on the Edge presents a sobering consideration of the ways larger economic forces create tensions between the global and local, modernity and heritage, the power of the market and the power of place.”—Rosemary Jann, George Mason University

About the Author

Robert Kerstein is professor of government at the University of Tampa and the author of Politics and Growth in Twentieth-Century Tampa.

Most helpful customer reviews

2 of 2 people found the following review helpful.
I down loaded this book in anticpation of an upcoming trip to Key West.
By Kindle Customer
The book is informative and easy to read... it reads a little like a Phd discertation made into a book. There is no real writing style, but non-the-less, I am enjoying getting to know something about this little Island. It is fascinating to realize how much closer they were to world war 2, than the rest of country. There are many wonderful and interesting things to learn about Key West the railroad, the highway, the depression, the tourism, fishing, and the painters, authors, and writers who made Key West home.... and more.

1 of 1 people found the following review helpful.
Great preparation for a Key West trip...
By Long-Suffering Technology Consumer
Sometimes our travel destinations are laid out for us, and sometimes we get to pick them. After a recent decision to visit Key West for a mid-winter break from the edge of a mid Atlantic winter, I wanted to expand my knowledge of an iconic American destination.

If your knowledge of Key West is limited --like mine was-- to superficial impressions of its persona (Buffet, Hemingway, fishing, partying and an acceptance of unconventional lifestyles), this is an excellent book for augmenting that with an excellent blend mix of quantitative and narrative descriptions of the converging geographic, cultural and economic influences.

While this book is part of a series from the University of Florida on the state's history and culture, don't expect a textbook. It readable and accessible without being superficial.

This is not the book you should use to help pick a place to stay or a place to eat. Instead, use this book to understand the nearly 200 years of human and maritime currents that have created the Key West of today.

As with any historic examination of an awesome destination, it makes you wish you got there sooner!

1 of 1 people found the following review helpful.
Key West on the Edge
By Sallie Miller-House
This is a fascinating book about the history , flavor and uniqueness of Key West.My husband and I honeymooned in Key West in 1989. I am glad for the memories when it was less commercial. The very next year, according to the book, the cruise buisness started. I was not even aware until I read the book that nearly a million criise ship passengers visit there each year. Also, that the quirky bed and breakfasts have been replaced by mutinational corporations like Blackstone. I first visited in 1972 and the Navy was still there. Now, Truman Annex has been bought up by people that rarely visit. The author describes it as a ghost town in the summer. I found the early history fascnating. The bohemian roots go back to the 1850s. While the quirkiness still exists, the immpression I got got is it is laregly a place to indulge in debauchery. The laid back island seems to have been largley replaced by chain stores and resorts where you could be anywhere. The diversity seems to be overridden by money.
It makes me not what to go there. I visted Sanibel Island for the first time August, 2012, will defintly be back there.

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