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Selected as one of the best books of the year by:
Uprooted Music Revue
Engine 145
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“Calling Me Home: is about just that: a land that always beckons, that underlies most of Gram’s songwriting, . . . a land that informs not only him but all others with whom he associated and learned from him.”—Gram InterNational
“Takes the reader from the present to the past and back again, conveying a vivid document of Gram Parsons’s life and career, as well as those who played essential roles in the country-rock pioneer’s journey. There are lots of surprises along the way.”—Holly George-Warren, author of Public Cowboy No. 1: The Life and Times of Gene Autry
“Has a great narrative velocity. Even though we know how this story is going to end—tragically, of course—Kealing keeps us turning the page as we follow Gram Parsons through his short, rich life.”—William McKeen, author of Outlaw Journalist: The Life and Times of Hunter S. Thompson
“I could almost hear the music coming from those now-dilapidated buildings where Gram Parsons received his musical education. Bob Kealing makes them come alive as he explores the faces and places that turned Parsons from a southern-bred trust fund child into a self-destructive yet visionary musical pioneer.”—Jeffrey M. Lemlich, author of Savage Lost: Florida Garage Bands: The ’60s and Beyond
On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree Inn at the age of twenty-six and the failed attempt to steal his body and burn it in the desert—but not in this literary journey.
Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early ’70s, he was a key confidante of Keith Richards. In 1972, he gave his musical soul mate, Emmylou Harris, her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country’s patron saint. In the decades after his death, tribute albums, concerts, and biographies have legitimized the role Parsons played in the evolution of modern music and freed his legacy from that half-charred coffin abandoned in the desert.
In Calling Me Home, Kealing traces the entire arc of Parsons’s career, emphasizing his southern roots. Drawing on dozens of new interviews as well as unpublished letters and photographs provided by Parsons’s family and rare images from legendary photojournalist Ted Polumbaum, Kealing examines the remarkable array of musicians and friends with whom Parsons collaborated and from whom he gained inspiration. Through his tireless efforts, Kealing has uncovered facts that even the most stalwart Parsons fans will find new and revealing.
Starting in Waycross, Georgia, Parsons’s boyhood home, Kealing traces Parsons’s journey through both famous venues and out-of-the-way dives. From the overlooked teen youth centers of Orlando and central Florida, to the southern folk mecca of Coconut Grove, Florida, and from the birthplace of outlaw country in Austin, Texas, to the Ryman Auditorium in Nashville, Tennessee, Kealing celebrates Parsons’s timeless and transformative musical legacy—a legacy that’s still alive among the swamps, palmettos, cypress knees, and Spanish moss of the American South.
- Sales Rank: #116151 in Books
- Published on: 2012-09-23
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.10" w x 6.30" l, 1.36 pounds
- Binding: Hardcover
- 296 pages
Review
"A Top Music Book of 2013"
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"I am utterly blown away by Calling Me Home. It's masterful"
-Bobby Braddock, Country Music Hall of Fame Songwriter
Author, Down in Orburndale, A Songwriter's Youth in Old Florida.
"Bob Kealing's Calling Me Home takes the reader from the present to the past and back again, conveying a vivid document of Gram Parsons's life and career...There are lots of surprises."
-Holly George-Warren, author Public Cowboy #1: The Life and Times of Gene Autrey
"Thankfully, Kealing forgoes the familiar to dig deeper in 'Calling Me Home,'...a welcome new definition of a cult figure who is long overdue for one."
Jim Abbott, Orlando Sentinel, Tribune Newspapers
"Kealing has drawn on dozens of new interviews, uncovering information that even Gram Parsons' most rabid fans will find fresh and revealing."
Dave Carew, Underground Nashville
"Mesmerizing...Kealing offers a compulsively readable and intimate portrait."
Henry L. Carrigan Jr., Bookpage
"Bob Kealing has done some fine original reporting...breaks some new ground on a story of as vital and original a musician as this country has produced."
Jeff Baker, The Oregonian
“The most well-rounded, most multi-dimensional picture we’ve ever had of the visionary yet maddeningly complex musician. . . . If you read just one biography of Gram Parsons, make sure it’s this one.”—Underground Nashville
“Kealing’s skilled reporting uncovers new twists in the Parsons narrative. It’s a worthy addition even to a bookshelf already groaning with Gram bios, and it’s best read with Parson’s music playing in the background.”—Nashville Tennessean
“A sympathetic human portrait of the man that neither glosses over nor sensationalizes him.”—Detroit Metro Times
“Looks beyond the melodrama at the musical influences that Parsons absorbed and the ones that he passed along to pals such as Keith Richards of the Rolling Stones.”—Orlando Sentinel
“A compulsively readable and intimate portrait of a young man who introduced the pure strains of country stars such as the Louvin Brothers and Merle Haggard to musicians like Bernie Leadon of the Eagles and Chris Hillman.”—Engine 145
“Follows Parsons through a succession of teenage bands and juvenile collaborations, visiting along the way many of the places . . . where in the early ‘60s there was a flourishing if mostly undocumented music scene.”—Uncut Magazine
“Read it for the tragic tale of a local boy who flew too close to the sun, and use it as a reference for, and introduction to, the thriving music scene in our neck of the woods during the 1960s.”—Florida Times-Union
“Illuminates new parts of the myth, deepens the story and further underscores that plaintive, high lonesome voice singing ‘In My Hour of Darkness.’”—REAL SOUTH Magazine
From the Author
Calling Me Home sits at a crossroads between Literary Journalism and little-known Southern history; a place where I've always loved to be.
With many new primary source interviews of Gram Parsons's family, friends, love interests and collaborators from every phase of his life and career, letters and memoirs from Parsons and his sister "Little Avis," and rare photographs and memorable discoveries, even stalwart fans will find new things within these pages. This is not a Parsons biography per se, there are several fine ones in print. This is a literary journey to the heart of the Cosmic American South where Parsons's love of music caught fire seeing iconic Elvis, he wrote his first songs, played in garage bands, and eventually returned to make his most historic recording with the Byrds. Years later, when Parsons hit his stride with musical soul mate Emmylou Harris, it was in the South that Parsons's vision received its first warm receptions.
No more should Gram Parsons be defined by the legend that blew up surrounding his premature death in the California desert and the tragicomic events that came after.
Calling Me Home dwells mostly in the "Low Country" where Gram Parsons's legacy as a pioneering visionary is celebrated, and his music still holds a kind of transformative, healing power. You'll see.
As a working journalist in Orlando, I toiled on this book in my spare time while covering the sensational Casey Anthony drama from the first day until the end of her controversial trial. This book was a most welcome change of pace.
I'm proud to share with you the fruits of five years of research, travels, interviews and writing
From the Inside Flap
On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree Inn at the age of twenty-six and the failed attempt to steal his body and burn it in the desert--but not in this literary journey.
Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early '70s, he was a key confidante of Keith Richards. In 1972, he gave his musical soul mate, Emmylou Harris, her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country's patron saint. In the decades after his death, tribute albums, concerts, and biographies have legitimized the role Parsons played in the evolution of modern music and freed his legacy from that half-charred coffin abandoned in the desert.
In "Calling Me Home," Kealing traces the entire arc of Parsons's career, emphasizing his southern roots. Drawing on dozens of new interviews as well as unpublished letters and photographs provided by Parsons's family and rare images from legendary photojournalist Ted Polumbaum, Kealing examines the remarkable array of musicians and friends with whom Parsons collaborated and from whom he gained inspiration. Through his tireless efforts, Kealing has uncovered facts that even the most stalwart Parsons fans will find new and revealing.
Starting in Waycross, Georgia, Parsons's boyhood home, Kealing traces Parsons's journey through both famous venues and out-of-the-way dives. From the overlooked teen youth centers of Orlando and central Florida, to the southern folk mecca of Coconut Grove, Florida, and from the birthplace of outlaw country in Austin, Texas, to the Ryman Auditorium in Nashville, Tennessee, Kealing celebrates Parsons's timeless and transformative musical legacy--a legacy that's still alive among the swamps, palmettos, cypress knees, and Spanish moss of the American South.
Most helpful customer reviews
40 of 43 people found the following review helpful.
Fascinating, Accurate and Fun
By Jim
In all modesty, I believe my name appears in most, if not all, of the Gram Parsons biographies. I've certainly been interviewed many times for dozens of articles and books about Gram. And while there have been some fine bios written about him, this is the one I can read and say, 'yeah, that's the way it really was.' This thoughtfully written work accurately portrays and chronicles so many insightful vignettes and humorous (finally) episodes from Gram's formative years through his musical apotheosis. Kealing's writing took me back all those decades ago and evokes so many vivid memories. And I'm happy to say that this book doesn't dwell on the sensational events surrounding Gram's death. Instead, Bob Kealing presents a story that's been overlooked or perhaps dismissed by many of Gram's other biographers. Yes, the reader gets to look behind the curtain of a trust fund kid's life in the Old South but the author doesn't discount the "Happy Days" that Gram and the rest of us enjoyed. Gram was a great artist who grew up in some extraordinary circumstances, but in so many ways he was just another normal kid who loved girls, cars and rock and roll. If that's not normal, I don't know what is.
I think what impresses me the most about this book is Kealing's relentless dedication to unearthing the real Gram Parsons. He's uncovered stories and has found friends, family and acquaintances that none of the other G.P. biographers have. He got the story. It's not sugar-coated, nor is it exaggerated. It's the honest and comprehensive chronicle of a prescient and very hip young artist. Moreover, it's a fascinating story that illuminates not just Gram Parsons but also the garage band scene in Every Town, U.S.A. in the early Sixties. Do yourself a favor. Get this one. It's a great read.
21 of 23 people found the following review helpful.
A From The Heart Gram Parsons Bio.
By Billy Ray Herrin
I have been teaching folks about Gram's life and importance in music history ever since his death in Sept. 19, 1973. I helped Ben Fong Torres, Jason Walker, David Meyer, The BBC and many other writers in their research throughout the past almost 39 years now. "Calling Me Home" is one of the best and most compassionate Gram Parsons bios ever written. Bob Kealing went on a mission to tell Gram's story from a different angle than had been done by other writers. He captured some very deep and personal history that had been missed in the past. I truly enjoyed this book and meeting and helping Bob with the research. Every Gram fan and anyone else who wants to learn some music history should own "Calling Me Home" "Gram Parsons And The Roots Of Country Rock".
14 of 16 people found the following review helpful.
Finally a well researched and written biography of Gram Parsons!
By Becky G.
Bob Kealing is an award-winning reporter for the NBC affiliate in Orlando, Florida, who spent years finding long lost friends and family of Gram Parsons as well as incredible old photos in order to write a "well-balanced" story of Gram's life almost 40 years after his death. Instead of focusing on the sensationalism of his "departure" as have many other authors, Bob tells the story of Gram's experiences in the music world starting in chlldhood in Waycross, Georgia, and how those experiences helped shape the musician he became. The influence Gram's music has had on future musicians is uncanny considering the brief 26 years of his life. Gram was my step/adopted brother who died way, way too soon, and I think Bob Kealing did a remarkable job of telling the true story...
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