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When the multitalented biographer Edmund Morris (who writes with equal virtuosity about Theodore Roosevelt, Ronald Reagan, Beethoven, and Thomas Edison) was a schoolboy in colonial Kenya, one of his teachers told him, “You have the most precious gift of all—originality.” That quality is abundantly evident in this selection of essays. They cover forty years in the life of a maverick intellectual who can be, at whim, astonishingly provocative, self-mockingly funny, and richly anecdotal. (The title essay, a tribute to Reagan in cognitive decline, is poignant in the extreme.)
Whether Morris is analyzing images of Barack Obama or the prose style of President Clinton, or exploring the riches of the New York Public Library Dance Collection, or interviewing the novelist Nadine Gordimer, or proposing a hilarious “Diet for the Musically Obese,” a continuous cross-fertilization is going on in his mind. It mixes the cultural pollens of Africa, Britain, and the United States, and propogates hybrid flowers—some fragrant, some strange, some a shock to conventional sensibilities.
Repeatedly in This Living Hand, Morris celebrates the physicality of artistic labor, and laments the glass screen that today’s e-devices interpose between inspiration and execution. No presidential biographer has ever had so literary a “take” on his subjects: he discerns powers of poetic perception even in the obsessively scientific Edison. Nor do most writers on music have the verbal facility to articulate, as Morris does, what it is about certain sounds that soothe the savage breast. His essay on the pathology of Beethoven’s deafness breaks new ground in suggesting that tinnitus may explain some of the weird aural effects in that composer’s works. Masterly monographs on the art of biography, South Africa in the last days of apartheid, the romance of the piano, and the role of imagination in nonfiction are juxtaposed with enchanting, almost unclassifiable pieces such as “The Bumstitch: Lament for a Forgotten Fruit” (Morris suspects it may have grown in the Garden of Eden); “The Anticapitalist Conspiracy: A Warning” (an assault on The Chicago Manual of Style); “Nuages Gris: Colors in Music, Literature, and Art”; and the uproarious “Which Way Does Sir Dress?”, about ordering a suit from the most expensive tailor in London.
Uniquely illustrated with images that the author describes as indispensable to his creative process, This Living Hand is packed with biographical insights into such famous personalities as Daniel Defoe, Henry Adams, Mark Twain, Evelyn Waugh, Truman Capote, Glenn Gould, Jasper Johns, W. G. Sebald, and Winnie the Pooh—not to mention a gallery of forgotten figures whom Morris lovingly restores to “life.” Among these are the pianist Ferruccio Busoni, the poet Edwin Arlington Robinson, the novelist James Gould Cozzens, and sixteen so-called “Undistinguished Americans,” contributors to an anthology of anonymous memoirs published in 1902.
Reviewing that book for The New Yorker, Morris notes that even the most unlettered persons have, on occasion, “power to send forth surprise flashes, illuminating not only the dark around them but also more sophisticated shadows—for example, those cast by public figures who will not admit to private failings, or by philosophers too cerebral to state a plain truth.” The author of This Living Hand is not an ordinary person, but he too sends forth surprise flashes, never more dazzlingly than in his final essay, “The Ivo Pogorelich of Presidential Biography.”
- Sales Rank: #1181593 in Books
- Brand: Brand: Random House
- Published on: 2012-10-23
- Released on: 2012-10-23
- Original language: English
- Number of items: 1
- Dimensions: 9.58" h x 1.52" w x 6.42" l, 1.89 pounds
- Binding: Hardcover
- 528 pages
- Used Book in Good Condition
Review
“Effortless, hasty, tasty, autobiographical, strange, surprising, twisting, graceful, rich, beautiful, haunting, and devastating.”—The Daily Beast
“A sterling collection of essays from the Pulitzer Prize and National Book Award winner . . . a splendid assemblage of significant work by one of our keenest observers.”—Kirkus Reviews (starred review)
“Morris’s prose is precise and engaging; his wit and thoughtfulness make for lively and often moving reading.”—Publishers Weekly
“Merrily perverse . . . fascinating . . . His final [essay] turns out to be a near-classic overview of civilization’s long and complex contrapuntal interplay between imagination and fact.”—Buffalo News
“A revealing and rewarding glimpse as to how a gifted writer has been able, in his own words, to ‘cut some of his brightest jewels from the raw rubble of experience.’”—The Washington Times
“A masterful exposition of English prose . . . Morris does for words what George Frideric Handel did for musical notes.”—The Roanoke Times
About the Author
Edmund Morris was born and educated in Kenya and went to college in South Africa. He worked as an advertising copywriter in London before immigrating to the United States in 1968. His first book, The Rise of Theodore Roosevelt, won the Pulitzer Prize and the National Book Award in 1980. Its sequel, Theodore Rex, won the Los Angeles Times Award for Biography in 2002. In between these two books, Morris became President Reagan’s authorized biographer, and published the national bestseller Dutch: A Memoir of Ronald Reagan. More recently he has written Beethoven: The Universal Composer and completed his Theodore Roosevelt trilogy with Colonel Roosevelt. Edmund Morris lives in New York City and Kent, Connecticut, with his wife and fellow biographer, Sylvia Jukes Morris.
Most helpful customer reviews
12 of 12 people found the following review helpful.
A collage of essays.
By SInohey
In the spirit of full disclosure, I confess that I had developed an aversion to the author after I read his bizarre, mostly fictional so-called biography of Ronald Reagan (Dutch: A Memoir of Ronald Reagan/1999). I felt duped by him because I had very much enjoyed his previous book "The Rise of Theodore Roosevelt", a serious biography for which Mr. Morris was awarded, a well-deserved, Pulitzer Prize as well as the National Book Award in 1980. The follow-up tome "Theodore Rex" was equally as good.
For this book, the author stitched together 59 of his old essays, published in various magazines and journals over the past four decades. The subjects vary from his childhood in Kenya and South Africa and his return there as a tourist, to his adoration of Beethoven and Theodore Roosevelt, to his tour de force discussion of music technique and ovation to Sir Donald Francis Tovey and Ferrucio Busoni, whom he acclaims as the best pianist to ever exist. There is the usual deference to some famous writers such as Twain, Wendell Holmes et al, while he takes a swipe at James Thurber and Norman Mailer. He also brings to life forgotten poets, writers and musicians.
Personal notes on emigration, apartheid, sojourn in England including a visit to Savile Row tailor where he rehashes that tired old joke "which way does Sir dress"?'
Bill Clinton is not spared in "The Bill and Teddy Show" and "Bill Liar" where members of the Ananias Club (liars club), such as McCarthy and Nixon, debate wether Clinton should be admitted...of course he was.
Morris returns to Ronald Reagan in "A steady Hiss of Corn" about the President's correspondance and concludes with "Leavings of a Life". But Morris' redemption comes from his compassionate treatment of Reagan in his decline in the title essay "The Living Hand".
"The Living Hand" is 497 pages + indexes etc. Its division into over 50 independent essays make it easy to read, put down and start a new chapter without having to review the previous pages.The prose is smooth and cohesive, the humor is sometimes awkward, and the criticism is sharp but never mean or insulting.
On the whole, this collection of essays will certainly be favored by fans of Edmond Morris but its universal appeal is doubtful.
0 of 0 people found the following review helpful.
One of a kind
By John J Forbes Jr
I enjoyed most of this book. I think I have a better appreciation of Dutch after reading what the author was trying to do in writing Reagons biography. I loved his Roosevelt books. His talent can be breathtaking at times and troubling at other times. I was so impressed with his library research and documentation. I expect that he will be given the high praise he deserves someday.
2 of 3 people found the following review helpful.
Craftsman Par Excellent
By CT Lane
I am never disappointed by Edmund Morris. Never! Whether biography or ideas, he is the ultimate language craftsman. Morris has this sixth sense of the human story and can craft language to express it, clearly. His books are my favorite gifts.
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