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The Dreadful Lemon Sky: A Travis McGee Novel, by John D. MacDonald
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From a beloved master of crime fiction, The Dreadful Lemon Sky is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.
Around four in the morning, Travis McGee is jarred awake by a breathless ghost from his past: an old flame who needs a place to stash a package full of cash. What’s in it for McGee? Ten grand and no questions asked. Two weeks later, she’s dead.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Carolyn Milligan was only aboard McGee’s boat for one night. She came to drop off a hundred grand for safekeeping. What Carrie really needed was someone to keep her safe. She said she’d be back in a month. Instead Carrie is killed in a dubious roadside accident. Now McGee is left with a fortune—and a nagging conscience.
So McGee takes a trip to the seedy little town of Bayside, Florida, to look into Carrie’s life before she showed up on his boat. What McGee finds only pushes him further into the corrupt world of drugs and blood that Carrie was trying to escape. McGee is used to high stakes, but when the bodies start piling up, even he may be in over his head.
Features a new Introduction by Lee Child
- Sales Rank: #666288 in Books
- Brand: Brand: Random House Trade Paperbacks
- Published on: 2013-09-10
- Released on: 2013-09-10
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.30" l, .47 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
Review
Praise for John D. MacDonald and the Travis McGee novels
“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
“A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee, and count myself among the many readers savoring his adventures again.”—Sue Grafton
“One of the great sagas in American fiction.”—Robert B. Parker
“Most readers loved MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen
“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place. The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness.”—Jonathan Kellerman
“What a joy that these timeless and treasured novels are available again.”—Ed McBain
“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake
“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, his Travis McGee books are as entertaining, insightful, and suspenseful today as the moment I first read them. He is the all-time master of the American mystery novel.”—John Saul
From the Inside Flap
"The professional's professional of suspense writers."
THE NEW YORK TIMES
Travis McGee has been offered easy money by a longtime lady friend. But when she gets killed, McGee's got a boatload of mystery. Navigating his boat into troubled waters, he heads for the seamier side of Florida--where drug dealing, twisted sex, and corruption are easy to find--but murderous riddles are hard to solve....
About the Author
John D. MacDonald was an American novelist and short-story writer. His works include the Travis McGee series and the novel The Executioners, which was adapted into the film Cape Fear. In 1962 MacDonald was named a Grand Master of the Mystery Writers of America; in 1980, he won a National Book Award. In print he delighted in smashing the bad guys, deflating the pompous, and exposing the venal. In life, he was a truly empathetic man; his friends, family, and colleagues found him to be loyal, generous, and practical. In business, he was fastidiously ethical. About being a writer, he once expressed with gleeful astonishment, “They pay me to do this! They don’t realize, I would pay them.” He spent the later part of his life in Florida with his wife and son. He died in 1986.
Most helpful customer reviews
14 of 17 people found the following review helpful.
A great introduction to the legendary Travis McGee series.
By A Customer
This happened to be the first novel of the Travis McGee series I read, back in the 80's, and I was instantly hooked. I grew up in Florida, and McDonald, as every reader familiar with Florida notices, knew the state intimately and paints that strange place with a master's touch. Travis McGee is probably the most perfectly realized character in series fiction, but what really grabbed me about this novel was the ultra-frightening villain. In fact, I think McDonald's greatest talent was the invention and development of his horrifying bad guys.
15 of 19 people found the following review helpful.
Lucky 13th for Travis
By sweetmolly
"Dreadful Lemon Sky," MacDonald's 13th in the Travis McGee series, is vintage McGee. I would put it right up there with the best of them, "Green Ripper" and "Bright Orange Shroud." It boggles my mind that MacDonald could write the abominable loser "Turquoise Lament" in 1973, and turn around and write this sparkling gem in 1974.
Carrie, a blast from the past, pays McGee a surprise visit aboard the Busted Flush with a suitcase full of suspicious money. She asks him to keep it safe for her, keep a $10,000 "fee," and if she does not return for it in two weeks, send it to her sister. Two weeks later and no Carrie; McGee goes out to earn his fee. Carrie has died in a car "accident." McGee mounts his white horse and vows vengeance for the lady. He finds drugs, danger, more action than even he bargained for, and meets a load of fascinating (if not righteous) characters. He discovers an all too happy singles only apartment complex apparently fueled by marijuana and presided over by a Big Daddy who is the benevolent landlord. A mysterious newly widowed Cindy Birdsong plays his Bond girl role, if somewhat diffidently. The locale is all Florida, purely Florida.
"Dreadful Lemon Sky" is superbly plotted with a surprising number of twists and turns for a MacDonald book. The character vignettes are sharp and right on the money. This is a Travis McGee not to be missed.
0 of 0 people found the following review helpful.
Murder of an Old Friend Begins the Story
By Toni V. Sweeney
A friend of Travis McGee appears in the middle of the night, asking him to keep a package for her and if she doesn't return for it, to make certain her sister gets it. The package contains a sum of money, a portion of which McGee is given for this favor. A short time later, the friend dies in an auto accident. McGee goes to the funeral intending to carry out his promise, asks the wrong questions and becomes convinced the friend was murdered.
Thus he and we, the readers, are catapulted into a tale of drug smuggling, murder, a serial rapist, and the inevitable hand-to-hand combat with the killer, in this case involving a jeep, a backhoe, and a dead horse. While the villains McGee meets are egotistical and not easily brought down, the women are also some of the toughest and usually just as wicked and cold-blooded as the men in what they want and what they'll do to get it...no sweet simpering ladies here.
Through it all McGee's world-weary and philosophical first person POV narrative brings to us the beauty and the ugliness existing around him as seen from his boat the Busted Flush. Travis McGee is a man wanting to withdraw from the world but is forever being pulled back into it by the people he calls friends, whether they are actually so, merely acquaintances for whom he has a certain emotional connection or the true kind with whom one somehow loses touch. He doesn't want to get involved, but he does for them because they need him. There is violence but it's described in a way being almost bemused, even when McGee barely comes out of it unscarred. This is one hero who never escapes unscathed. As with his sexual encounters, there's always an apartness, as if he's withholding part of himself. There is sex but it's described so poetically one can't actually be certain it has happened or is merely in the McGee's mind, as he dissects it and his emotions concerning it. He's a man who loves, within limits, not cold or predatory, but reserving wholehearted commitment, never giving that last bit which will completely fulfill. It's as if he's waiting for the one person who will provide the spark to melt the barrier he's put around his own life and give him the final excuse to enter our world again.
The ending is another bittersweet McDonald ending but as usual, it pulls the reader back to look for another Travis McGee story.
This novel is owned by the reviewer and no remuneratiin was involved in the writing of this review.
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