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A Thousand Pardons: A Novel, by Jonathan Dee
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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS
For readers of Jonathan Franzen and Richard Russo, Jonathan Dee’s novels are masterful works of literary fiction. In this sharply observed tale of self-invention and public scandal, Dee raises a trenchant question: what do we really want when we ask for forgiveness?
Once a privileged and loving couple, the Armsteads have now reached a breaking point. Ben, a partner in a prestigious law firm, has become unpredictable at work and withdrawn at home—a change that weighs heavily on his wife, Helen, and their preteen daughter, Sara. Then, in one afternoon, Ben’s recklessness takes an alarming turn, and everything the Armsteads have built together unravels, swiftly and spectacularly.
Thrust back into the working world, Helen finds a job in public relations and relocates with Sara from their home in upstate New York to an apartment in Manhattan. There, Helen discovers she has a rare gift, indispensable in the world of image control: She can convince arrogant men to admit their mistakes, spinning crises into second chances. Yet redemption is more easily granted in her professional life than in her personal one.
As she is confronted with the biggest case of her career, the fallout from her marriage, and Sara’s increasingly distant behavior, Helen must face the limits of accountability and her own capacity for forgiveness.
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
Praise for A Thousand Pardons
“A Thousand Pardons is that rare thing: a genuine literary thriller. Eerily suspenseful and packed with dramatic event, it also offers a trenchant, hilarious portrait of our collective longing for authenticity in these overmediated times.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
“Hugely enjoyable . . . Dee is a snappy, cinematic writer. . . . A Thousand Pardons moves fast. It’s a mere 200 or so pages, and it packs a lot of turns of fate within there.”—The Boston Globe
“Dee’s gifts are often dazzling and his material meticulously shaped. . . . [He] articulates complex emotional dynamics with precision and insight.”—The New York Times Book Review
“Some stories begin with a bang. And some begin with a roaring fireball of truth. Jonathan Dee’s latest novel belongs in the latter camp.”—O: The Oprah Magazine
“Dee bounds gracefully among Helen’s, Ben’s, and Sara’s points of view as they try to reassemble their lives. Their stories feel honest, and the prose is beautiful.”—Entertainment Weekly
“A page turner . . . What a triumph.”—Kirkus Reviews (starred review)
“Graceful prose and such a sharp understanding of human weakness that you’ll wince as you laugh.”—People
“Propulsively readable.”—The Millions
“Dee continues to establish himself as an ironic observer of contemporary behavior. . . . The plot is energetic. . . . But most compelling is the acuteness of the details.”—The Atlantic
- Sales Rank: #1203793 in Books
- Published on: 2013-08-06
- Released on: 2013-08-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .48" w x 5.12" l, .38 pounds
- Binding: Paperback
- 240 pages
From Booklist
A Pulitzer Prize finalist for The Privileges (2010), Dee is adept at meshing the complexities of marriage and family life with the paradoxes of the zeitgeist. In his sixth meticulously lathed and magnetizing novel, he riffs on the practice of crisis management, beginning with the abrupt end to the seemingly happy home of lawyer Ben, housewife Helen, and their 14-year-old adopted Chinese daughter, Sara. After Ben’s scandalous self-destruction, Helen heads resolutely into Manhattan and manages to get a job at a shabby little public-relations agency. There she convinces clients desperate to repair their public image to apologize for their bad behavior and ask for forgiveness, a radical approach in a field dedicated to deception. When she tries to help movie megastar Hamilton, with whom she grew up and who is now facing the abyss, everything comes to a boil. In this cunning novel of selfishness, despair, and second chances, Dee nets the absurdities of a society geared to communicate in a thousand electronic modes while those closest to each other can barely make eye connect. --Donna Seaman
From Bookforum
Whether Dee intended his plot turns to read as fantastical or not, they often feel rushed and un-thought-through. His awkward mix of narrative strategies—realistic on the surface, fantastical beneath—is the worst of both worlds, and ultimately bears only a passing resemblance to the one we actually live in. —David Haglund
Review
“A Thousand Pardons is that rare thing: a genuine literary thriller. Eerily suspenseful and packed with dramatic event, it also offers a trenchant, hilarious portrait of our collective longing for authenticity in these overmediated times.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
“Hugely enjoyable . . . Dee is a snappy, cinematic writer. . . . A Thousand Pardons moves fast. It’s a mere 200 or so pages, and it packs a lot of turns of fate within there.”—The Boston Globe
“Dee’s gifts are often dazzling and his material meticulously shaped. . . . [He] articulates complex emotional dynamics with precision and insight.”—The New York Times Book Review
“Some stories begin with a bang. And some begin with a roaring fireball of truth. Jonathan Dee’s latest novel belongs in the latter camp.”—O: The Oprah Magazine
“Dee bounds gracefully among Helen’s, Ben’s, and Sara’s points of view as they try to reassemble their lives. Their stories feel honest, and the prose is beautiful.”—Entertainment Weekly
“A page turner . . . What a triumph.”—Kirkus Reviews (starred review)
“Graceful prose and such a sharp understanding of human weakness that you’ll wince as you laugh.”—People
“Propulsively readable.”—The Millions
“Dee continues to establish himself as an ironic observer of contemporary behavior. . . . The plot is energetic. . . . But most compelling is the acuteness of the details.”—The Atlantic
From the Hardcover edition.
Most helpful customer reviews
23 of 27 people found the following review helpful.
The rocky road to redemption
By Susan Tunis
As Jonathan Dee's latest novel opens, readers get to witness suburban New Yorkers Ben and Helen Armstead give up the ghost on couples counseling. Their marriage is at an impasse when successful lawyer Ben goes off the rails. Staggeringly bad judgment causes both his marriage and his career to implode. His very freedom is jeopardized. And now forty-something housewife Helen must care for their adolescent daughter and find a new path for their lives.
In a somewhat unrealistic turn of events, Helen finds her professional calling. The thing is, realism isn't everything. I was willing to give Dee a pass on some of the finer plot points, because I was entertained and invested in the tale being told. Husband Ben, stays on the periphery of the narrative, but there's a third character, a childhood friend of Helen's who has achieved great fame. This reader was just waiting for him to make an appearance, and of course, eventually he did--though not, perhaps, exactly as I expected him to.
This was my first experience reading Mr. Dee, but I certainly heard the buzz on his last novel, The Privileges, and am aware of his literary reputation. Therefore, I think I was a bit surprised by the simplicity of this novel. The prose is highly readable, but neither remarkable nor overly ornate. Characters were well-drawn and sympathetic (surprisingly so in many cases), but it's a fairly brief redemption tale being told. It's just not that deep. I point this out not as a fault; it simply is what it is. And A Thousand Pardons succeeds quite well on that level. This was a quick, entertaining read that I enjoyed more for the story being told than anything else. It moved quickly and I read the book in no time flat.
I would offer one caveat: Readers who need to have all narrative threads tied up neatly in a bow may feel some frustration with the novel's ending. I, myself, have no objection to a few loose ends. They leave me with food for thought. Still, this novel's ending did give me pause. It sort of snuck up on me. I read it, thought, "I don't know about that," and read it again. And upon second reading I decided that it was all good. This was an enjoyable and overdue introduction to an author on the ascent.
16 of 18 people found the following review helpful.
Fess up, move on
By Yours Truly
Jonathan Dee makes an interesting point in this novel: an honest, unequivocal apology followed up by changed actions is the best, but often rarest, response to public misbehavior, personal or institutional. He also has some interesting observations about race, adoption, marriage counseling and rehab.
That said, I was disappointed this novel, primarily by its wandering point of view and confused character development. After her husband, Ben, a depressed attorney, acts out sexually with an intern at his law firm and caps the night off with a drunk driving arrest, an angry Helen Armstead finds a job in Manhattan and moves with their adopted Chinese daughter Sara away from the distant northern suburb where they've lived. Miraculously, Helen, whose only work experience is as a sales clerk, lands a vice presidency in a penny-ante PR firm. After the owner gets knocked off in a car accident, Helen gets hired by a big time corporate firm by the CEO who's been watching her work with admiration from afar. I was two thirds into the book before I figured out that the supposed explanation for Helen's character was a Catholic education in a small town where she had a crush on someone who became a big-time movie star. Once in the city, Helen reconnects with this alcoholic narcissist and enlists herself in an effort to save him from himself at great peril to her own budding career. No sex, though. All this leads, magically, with a reconstitution of her old suburban life. Nevermind Catholic devotion to work you've been well paid to perform. It's Ben who's humbled now, so maybe the story is supposed to be about him. I don't know.
The character I found most interesting was Sara, whose adolescent confusion is complicated by her ancestry and the clueless behavior of the people who brought her here. It is she who takes understandable risks, feels pain and, ultimately, figures out what she wants. That makes her the novel's only grown-up, in my opinion.
Given Dee's stellar credentials, including a Pulitzer fiction prize, I hesitated before slamming this novel. But surely this is not his best work.
10 of 11 people found the following review helpful.
A Thousand Drinks & A Thousand Lies . . . .
By SundayAtDusk
In a letter included with the ARC of A Thousand Pardons: A Novel, an editor at Random House describes the "opening scene" of this book as "extraordinary!" I guess I was probably a fourth of the way through the book before it dawned on me that the opening scene was probably long over. What exactly was extraordinary? It was a puzzle. Actually, the whole book is a bit of a puzzle. I'm not sure if it's simply like an alcoholic's fantasy story, or if the writer is pointing out that the story he has written is ludicrous.
Helen, the wronged wife, reacts to the disintegration of her married life in an admirable, strong-willed manner; yet, almost everything that happens in her life after that point seems totally unreal. She hasn't worked since adopting her 14-year-old daughter, but then instantly finds a job in New York with a small PR company. She turns out to be incredibly good at what she does, but then the owner dies very soon after she`s hired, and she has to take over the company. The story goes on and one with such make-believe stuff. The most amusing fantasy is that Helen solves all of her client's problems, who are usually men, by convincing them to tell the truth and then ask for forgiveness. This leads to everyone involved in all of the situations apparently living happily ever after . . . until the next moral crime and the next needed pardon? The same thing eventually happens in her own personal life. (Is the author joking or mocking or what?) As a main character in a book, Helen is basically a very superficial, unbelievable character. Yet, in that Random House letter it states that it's Helen who "powers the novel".
I think the one big thing that is possibly powering this novel is alcohol. Drinking is very, very big in this book. Everyone drinks in this book--Ben, Helen, Sara, the actor, the small town lawyer, etc. Ben, Sara's father, gives up drinking after rehab, but is soon drinking again, and even gives 14-year-old Sara a beer when she asks for it. He doesn't give her a requested second beer, and that supposedly makes him a good father? This book is less about a thousand pardons, and more about a thousand drinks and a thousand lies. There are no fewer lies at the end of the story than in the beginning. Is that what the author was trying to say or trying not to say? I couldn't tell. I could only tell that the only true love in this book is the love of alcohol.
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