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Murder at sea. No survivors, no evidence, no loose ends. Only a boatload of cash left for the taking. In this explosive novel from the author of the Travis McGee series, nothing is certain—not with enough money at stake to change a dozen lives . . . or end them.
Introduction by Dean Koontz
Crissy Harkinson knows all about the cash that left the Gold Coast of Florida, headed for the Bahamas on board a pleasure boat. It came from Texas, unrecorded, intended as a bribe. Now it is Crissy’s last chance for the big score she’s been working toward for years, using her brains and her body.
Then other people get involved, including a Texas lawyer too cool to commit himself to anything or anybody, a beautiful Cuban maid who might not be as silly as she seems, and a pitifully broken girl, adrift and unconscious in a tiny boat on the giant blue river of the Gulf Stream. Turns out these are shark-infested waters. And none of them are going down without a fight.
Praise for John D. MacDonald and The Last One Left
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
“A stunning adventure.”—Chicago Tribune
“John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place.”—Jonathan Kellerman
- Sales Rank: #408575 in Books
- Published on: 2014-03-11
- Released on: 2014-03-11
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.01" w x 5.16" l, .81 pounds
- Binding: Paperback
- 480 pages
Review
Praise for John D. MacDonald
“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place.”—Jonathan Kellerman
“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, he is the all-time master of the American mystery novel.”—John Saul
About the Author
John D. MacDonald was an American novelist and short-story writer. His works include the Travis McGee series and the novel The Executioners, which was adapted into the film Cape Fear. In 1962 MacDonald was named a Grand Master of the Mystery Writers of America; in 1980, he won a National Book Award. In print he delighted in smashing the bad guys, deflating the pompous, and exposing the venal. In life, he was a truly empathetic man; his friends, family, and colleagues found him to be loyal, generous, and practical. In business, he was fastidiously ethical. About being a writer, he once expressed with gleeful astonishment, “They pay me to do this! They don’t realize, I would pay them.” He spent the later part of his life in Florida with his wife and son. He died in 1986.
Most helpful customer reviews
39 of 40 people found the following review helpful.
Maybe MacDonald's best novel?
By anonymous
This novel almost certainly started out as a Travis McGee story. Then, somewhere along the line, I'm guessing that it started to come alive in ways that demanded a more omniscient narrator. Just a guess, but MacDonald's dedication of the book to McGee himself is suggestive.
It's also worth noting that in this novel, McGee's runabout *Munequita* figures prominently..McGee acquired the boat after the events related in the novel--the sort of sly integration McDonald indulged from time to time.
So, for those of you who love the McGee stories, but haven't read this one yet, you're in for what may be the best Travis McGee story of them all, although McGee is nowhere to be found, at least, not directly.
Besides the usual MacDonald qualities of a wonderfully complex plot that unfolds in an entirely organic way; every character pretty much straight out of life; and all kinds of memorable local color, there is an elaborate portrait of one of the more frightening human beings to ever inhabit a crime novel. This character is straight out of Kraft-Ebbing's worst nightmares, and the way in which MacDonald gets inside her head is downright spooky. The novel is worth your time just for this character alone.
But there is so much more. The novel ranges over a vast swath of human experience. MacDonald's deep insight into the human condition is in full flower here, and makes for some of the most gratifying storytelling of the last 50 years. The little framing story that opens and closes the book is itself a small masterpiece. You'll be glued to this novel until you finish it.
In short, this is another one of MacDonald's deeply literary novels that masquerades as crime fiction. I've often thought that it's his best novel, and I've read them all, most more than once.
I've never been able to figure out why no-one has made this into a movie. Done right, this would be a very impressive flick.
11 of 11 people found the following review helpful.
no title
By C. L Wilson
This was quite a plot - murder, greed, money, lust, love, soul searching - the whole nine yards. And a murder at the core, with a persona just made for Sharon Stone to play on the big screen. Very carefully plotted and intrically woven, lots of detail, solid, thorough read. Not fast moving at all. Characters well drawn and complete. Kind of story where you basically know what is going on at all times, you're just reading to see how all the characters come to know what you know and so resolve the issues. Make a great film. Lots of sex and talk about it. Written in 1967. And lots of different characters. Each so sharply drawn I think that's what made the book so good. All the visuals very well described also.
8 of 8 people found the following review helpful.
Meticulously detailed, brilliantly plotted.
By Michael G.
The Last One Left by John D. MacDonald is a remarkable novel. One of the best I've had the pleasure to read in quite some time. It's about an unspeakable crime wherein a pleasure cruise from Texas to the Bahamas by way of Florida ends in death for most of those on board. The plot has been superbly crafted so that details of the crime are skillfully and tantalizingly revealed to the reader as the narrative unfolds. Not only is the plot a great one but the multiple characters are sensational as well. There are no two dimensional stick figures here. These are well fleshed out characters who fascinate and sometimes shock even as they come across as highly believable.
MacDonald was in top form when he wrote The Last One Left. Very highly recommended.
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