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"Absolutely spellbinding: ballerina Farrell's autobiography is the story of someone doing exactly what she wanted in life, and loving every minute of it. Through her work with George Balanchine, it is also the story of one of the greatest artistic collaborations in dance. . . . An uplifting, splendid memoir."--Kirkus
"An extraordinarily moving story."--New York Times Book Review
"Farrell's story is not only that of a great dancer but of a great star. . . . this book is important. The subject is great, the views of Balanchine are real and unique."--Washington Post Book World
Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world. Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before. By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart. Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.
Suzanne Farrell has staged Balanchine’s ballets in New York, Boston, Seattle, and Miami and for the Vienna Opera Ballet, the Kirov, and the Bolshoi. She is the subject of an Academy Award nominated documentary, Suzanne Farrell--Elusive Muse. A professor of dance at Florida State University in Tallahassee, she also teaches a summer ballet course at the Kennedy Center for the Performing Arts in Washington, D.C. In the fall of 2000, the Suzanne Farrell Ballet was launched as an ongoing partnership with the Kennedy Center.
- Sales Rank: #529543 in Books
- Published on: 2002-09-25
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 1.00" l, 1.25 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
Farrell, for years the chief muse of New York City Ballet cofounder and master choreographer George Balanchine, has led an extraordinary, frequently controversial life. Here with former NYCB dancer Bentley, she tells of it with humility, integrity, wit and sophistication. Farrell's is first of all a classically American story of a self-made woman: growing up a tomboy and a dance student in a broken home in Cincinnati, Ohio, she struck out at 15 for Manhattan with her mother and sisters on the chance that she might be accepted into the famed School of American Ballet. Discovered, aesthetically molded and eventually wooed by Russian-born Balanchine, she left NYCB in 1969 after it became apparent that her husband, dancer Paul Mejia, could have no career there so long as Mr. B.'s jealous moods prevailed. Farrell returned to the company in 1974 and retired in 1989 at the age of 44, one of the century's greatest ballerinas. The details of her decades as a dancer vie in interest here with those of her private self; she is both discreet and incisive in her views of on- and offstage events. Photos not seen by PW. BOMC alternate.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
The dance world has been waiting to hear Farrell's story ever since this noted ballerina retired from the New York City Ballet in 1989, six years after the death of NYCB director George Balanchine, acknowledged choreographic genius of this century. As Balanchine's muse and center of his attentions, she collaborated with him in the creation of his most enduring ballets. Though she could not reciprocate in kind when he fell in love with her, she speaks with real feeling of their mutual devotion, which found its physical consummation in their work together at the ballet studio and in her performances for him onstage. The book's highest appeal will be to the dance audience; ballet students and fans will find it fascinating. It is essential for any performing arts collections. Previewed in Prepub Alert, LJ 5/15/90.
- Sheila Riley, Smithsonian, Washington, D.C.
Copyright 1990 Reed Business Information, Inc.
Review
"Absolutely spellbinding." -- Kirkus
"An extraordinarily moving story." -- New York Times Book Review
"This book is important. The subject is great, the views of Balanchine are real and unique." -- Washington Post Book World
"[Farrell] offers fascinating looks into the demanding discipline of ballet as well as her own natural artistic gift." -- Charlotte Observer, January 12, 2003
Most helpful customer reviews
0 of 0 people found the following review helpful.
Dance and life
By Natalie
Dance part of the book- great!
Life part- a bit disturbing. Balanchine was a great manipulator. I find it interesting that she didn't think Balanchine needed to apologize for pursuing her. How can you just accept the fact that a much older, married man, made you feel guilty for not having an exclusive relationship with him, to the point of driving away a man you love? And then banishing you for daring to get married?? The personal stuff, just screams emotional abuse to me, and she seems to justify it all. It left me feeling sad that she had to deal with a man like that in order to have a dance career.
But again, the dance parts were a great read.
9 of 10 people found the following review helpful.
Very special.... you'll be touched by this story
By Ingrid Roberts
I stumbled across this book by accident almost a year ago and have been touched by it ever since. I'm not sure that I can explain the specialness of this of this story but it feels like a real life fairy tale. You can feel Ms. Farrell's emotions and passion of what it must have been like for her to work with her teacher, George Balanchine. What a dynamic duo they must have been together. I would recommend this book to everyone, whether you have been exposed to ballet or not, as a special glimpse into a very public but very private life. Truly a lovely story.
9 of 11 people found the following review helpful.
I have the older version!
By Sylviastel
First, I have the 1990 version of her autobiography. While it is interested, a lot has happened to Suzanne Farrell since 1990. She was awarded the National Medal of the Arts and inducted as one of the five Kennedy Center Honors in Washington D.C. Suzanne Farrell is a classically trained ballerina who has become a force in American ballet. Her relationship with George Ballanchine is fascinating. She was one of his beloved muses.
At 15 years old, she moved with her divorced mother and sister to New York City to attend the prestigious ballet school founded by George Ballanchine. Her life would never be the same. While reading her autobiography, I found her intriguing and likable and approachable. She's not famous enough to be mobbed unless you are in the ballet world.
Even then, Suzanne Farrell is quite generous and kind to her svengali, George Balanchine. They had an unusual relationship. She probably considered him more as the surrogate father figure than a possible lover. George was not only enamored with the youthful Suzanne but quite possessive of her. The relationship between George and Suzanne is both fascinating and disturbing maybe because of the age difference or his five marriages. Suzanne was a bit naive but she was capable of knowing George's feelings towards her than the other dancers in the company. Still it's quite a powerful read and Suzanne's rebellion and independence is quite interesting particularly her relationship with George or Mr. B. as she refers him in the book.
No matter what happened in this complex relationship, she is rather a kind individual with a generous heart and soul and a conscience. Her relationship with George was complicated, let's just leave it to that.
This book is also a dance history book of the ballet rise in America as well. Suzanne Farrell chronicles the difficulties of being a ballerina even one of the most successful. She's not drowning in money. Rather, she lives a lot more modestly. Of dance, ballet is a passionate career filled with sacrifices, pain, stress, and competition. Ballerinas like Suzanne must always look the part. Of course, the dances have choreographed moves like actors learning Shakespearean lines in iambic pentameter. She writes about the being a dancer in today's world.
I went to the ballet at Lincoln Center months ago and how many people go to the ballet, opera, or symphony. Not many as they would like to fit those seats. Ballet is the source of many great Russian figure skaters and even Torvill and Dean. The ballet is to dance like Shakespeare to theatre and opera to music.
I worry about the future of ballet, opera, and theatre in our society. We seem to have lost a greater need to be entertained in our theatres. In fact, we are losing in the arts world. The arts world can't compete with today's technology but we don't need it too. We need to have the ballet, opera, and theatre to be both entertained and enlightened in our lives.
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