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Florestine Perrault Collins (1895–1988) lived a fascinating and singular life. She came from a Creole family that had known privileges before the Civil War, privileges that largely disappeared in the Jim Crow South. She learned photographic techniques while passing for white. She opened her first studio in her home, and later moved her business to New Orleans’s black business district. Fiercely independent, she ignored convention by moving out of her parents’ house before marriage and, later, by divorcing her first husband.
Between 1920 and 1949, Collins documented African American life, capturing images of graduations, communions, and recitals, and allowing her subjects to help craft their images. She supported herself and her family throughout the Great Depression and in the process created an enduring pictorial record of her particular time and place. Collins left behind a visual legacy that taps into the social and cultural history of New Orleans and the South.
It is this legacy that Arthé Anthony, Collins’s great-niece, explores in Picturing Black New Orleans. Anthony blends Collins’s story with those of the individuals she photographed, documenting the profound changes in the lives of Louisiana Creoles and African Americans. Balancing art, social theory, and history and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony gives us a rich look at the cultural landscape of New Orleans nearly a century ago.- Sales Rank: #1748722 in Books
- Brand: Brand: University Press of Florida
- Published on: 2012-09-02
- Original language: English
- Number of items: 1
- Dimensions: 10.10" h x .60" w x 6.90" l, 1.35 pounds
- Binding: Hardcover
- 128 pages
- Used Book in Good Condition
From the Inside Flap
Florestine Perrault Collins (1895–1988) lived a fascinating and singular life. The privileges enjoyed by her Creole family before the Civil War had largely disappeared in the Jim Crow South of her youth. She learned photographic techniques while passing for white, opened her first studio in her home, and later moved her business to New Orleans’s black business district. Fiercely independent, she ignored convention throughout her life. She moved out of her parents’ house while still single and unengaged and, later, divorced her first husband.
Throughout her career, Collins successfully negotiated societal constraints of race and gender. Even during the Great Depression, she financially supported herself and her family. In the process, she created an enduring pictorial record of her particular time and place. Collins’s portraits have appeared in many museums and some of them now reside in the Smithsonian’s photography archives.
Between 1920 and 1949, Collins documented the presence, beauty, and dignity of Creole and African American life in New Orleans, a world often forgotten or ignored today. Her skill behind the camera allowed her to make intimate portraits that attracted families who wanted photographs of their babies and children’s first communions. Wedding parties, high school graduates, and debutantes also came to her studio. Contemporary viewers are readily drawn to the social and cultural history of New Orleans and the South that is the legacy of her life work.
It is this legacy that Arthé Anthony, Collins’s great-niece, explores in Picturing Black New Orleans. Anthony blends Collins’s story with those of the individuals she photographed, documenting the profound changes in the lives of Louisiana Creoles and African Americans throughout the first half of the twentieth century. Balancing art, social theory, and history, and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony offers a rich and nuanced look at the lasting record of an important early twentieth-century African American photographer.
Arthé A. Anthony is professor of American studies at Occidental College.
From the Back Cover
“Collins was a feisty, ambitious Creole woman in twentieth-century New Orleans who overcame the barriers society and the law put in her way. She meant to be successful on her own terms and she was.”—Patricia Brady, author of Martha Washington: An American Life
“A welcome addition to the study of vernacular photography. Anthony reveals how this remarkable woman marked her place in a ‘man’s world.’ Picturing Black New Orleans will have an impact on the history of photography and the city of New Orleans, particularly the Tremé neighborhood. This book is a revelation.”—Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present
“Anthony has gracefully combined the exploration of her family history with the analysis of the larger cultural pasts of Creole identity and Black photography. Picturing Black New Orleans offers insight into the life of a photographer whose independent spirit and artistic talent helped shape the identity of a people.”—Bridget R. Cooks, author of Exhibiting Blackness: African Americans and the American Art Museum
About the Author
Arthé A. Anthony is professor of American studies at Occidental College.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Great Book!
By TapGirl
I ordered this book for my 88 year old Mother who grew up in New Orleans. She proceeded to call all of her cousins who no longer live in Louisiana and rave about this book! It was a walk down memory lane for all of these ladies!! My mother described the pictures (over the phone) of people they either knew or knew about. They had a terrific time discussing the New Orleans pictures of folks that they knew as children, teenagers, and young adults. It actually turned into a contest to see who could remember the most about someone in the pictures. This book sparked so many memories for these former NOLA ladies that I now I have more information for my hobby as an amateur NOLA genealogist!! I can't wait for my copy to arrive. This is a great book for anyone who is in love with NOLA and wants to get a glimpse of what life was like in the early twentieth century!! Even if you have no connection to this city, you will enjoy the wonderful pictures of NOLA Creoles that are displayed!!!
4 of 4 people found the following review helpful.
Unusual subject, skillful treatment
By Northeast
First rate bio of a little known subject, well worth exploring. The life of photographer Florestine Perrault Collins unwinds in an interesting and entertaining fashion. I found some of the most fascinating bits to be about the technical aspects of early professional photography, as well as the social strata of creole New Orleans. The book itself is quite beautiful, with a generous sampling of photos in both b/w & color.
1 of 1 people found the following review helpful.
This book shines a lovely light on New Orleans history
By Debra A. Mouton
I really enjoyed the book... probably enhanced by my mother's picture on the covers . Rocking the cradle of jazz has fewer pictures but much of the same historical information
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