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Winter Season: A Dancer's Journal, with a new preface, by Toni Bentley
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"Quite possibly the most revealing book about the world of ballet ever to see print."--National Review
"One of the most intelligent and introspective glimpses ever offered into one of the most competitive and excruciatingly nervous existences in the arts."--New York Times Book Review
"Without entirely stripping away the glamour of being a dancer, Bentley's candid and modest account makes for a moving revelation about the price discipline and control exacts from young dancers in the name of art."--Chicago Tribune
"A mini-marvel, impossible to put down. . . . As a dancer's-eye portrait of the choreographer, a divinity to Ms. Bentley as well as, apparently, to everyone else in the NYCB and to uncounted other ballet lovers in the world beyond, the book is invaluable."--New York Review of Books
An irresistible inside look at one of the world's great dance companies, Winter Season is also a sensitive, intimate, and almost painfully honest account of the emotional and intellectual development of a young woman dedicated to one of the most demanding of all the arts.
Bentley's association with the New York City Ballet began when she was accepted by the affiliated School of American Ballet at the age of eleven. Seven years later, she became a member of the company. In the fall of 1980, as the winter season opened, she found herself facing an emotional crisis: her dancing was not going well. At 22 she felt that her life had lost direction. To try to make something of her experience, on paper if not on stage, she began to keep a journal, describing her day-to-day activities and looking back on her past. The result is perhaps the closest that most of us will ever come to knowing what it feels like to be a dancer, on stage and off. It also offers memorable glimpses of some notable members of the City ballet, with, at the center, the man whose vision they all served--George Balanchine.
Toni Bentley was born in Perth, Australia, and after moving to Bristol, England, took her first ballet lesson at the age of four. At the age of 18 she became a member of George Balanchine's New York City Ballet, where she performed for ten years. Since retiring from dancing, she has written Holding On to the Air with Suzanne Farrell (Farrell’s autobiography), Costumes by Karinska, and Sisters of Salome, as well as articles for periodicals ranging from the New York Times, New York Newsday, and the Los Angeles Times, to Rolling Stone, Smithsonian, Mirabella, and Ballet Review.
- Sales Rank: #951952 in Books
- Brand: Bentley, Toni
- Published on: 2003-11-10
- Original language: English
- Number of items: 1
- Dimensions: 8.24" h x .52" w x 5.51" l, .47 pounds
- Binding: Paperback
- 168 pages
- Used Book in Good Condition
Review
"A mini-marvel, impossible to put down. ... As a dancer's-eye portrait of the choreographer, a divinity to Ms. Bentley as well as, apparently, to everyone else in the NYCB and to uncounted other ballet lovers in the world beyond, the book is invaluable."
About the Author
Toni Bentley danced with George Balanchine's New York City Ballet for ten years. She is the author of Winter Season: A Dancer's Journal, Holding On to the Air: An Autobiography (by Suzanne Farrell with Toni Bentley), Costumes by Karin-ska and Sisters of Salome, all of which were New York Times Notable Books. She has written articles for numerous publications including the New York Times, Los Angeles Times, Allure, and Rolling Stone.
Most helpful customer reviews
65 of 69 people found the following review helpful.
Why isn't this still in print?
By Shantell Powell
Winter Season: A Dancer's Journal is the exquisite chronicle of a ballet dancer's experiences with the New York City Ballet. The dancer, Toni Bentley, claims a certain naivetee, but I don't believe it's innocent ignorance as much as it is simple yearning for experiences she rarely has.
She has a delicate flair for words, and her prose couldn't be any less lovely than her pliees and tondus.
Dancing with a world-famous ballet company is gruelling. The dancers are overworked, underfed, and have little understanding of how the "real world" works, yet it would seem they like it that way. Ballet companies thusly have much in common with military outfits: soldiers and dancers work brutally hard, but have their concerns looked after by the higher-ups. Balanchine is the dancers' general.
With the incredibly long hours and the accompanying mental and physical exhaustion, how did Toni get the time to write this book?
She writes,
"We are hairless. We have no leg hairs, no pubic hair, no armpit hair, no facial hair, no neck hair and only a solid little lump at the top of our heads. Any sign of stubble must be closely watched out for and removed.
"That is not all. We don't eat food, we eat music. We need artistic sustenance only. Emotional, inspiring sustenance. Al our physical energy is the overflow of spiritual feelings. We live on faith, belief, love, inspiration, vitamins and Tab."
Toni eventually does break free of the NYC Ballet machine, but she's drawn inexorably back. After all, as she says, "We live only to dance. If living were not an essential prerequisite, we would abstain."
36 of 36 people found the following review helpful.
Wonderful glimpse into an intriguing, demanding world
By Sophia
With "Winter Season," Toni Bentley allows her audience to see a real picture of the incredibly tough, demanding and creative world of professional ballet. We see George Balanchine at the end of the career, and such greats as Suzanne Farrell and Peter Martins. The incredible, difficult, almost insane demands put on the dancers are clearly drawn, as is Ms. Bentley's love for her art. Especially evocative is her struggle with reconciling art with her demanding profession.
Often, artistic memoirs focus on the superstars, the Tallchiefs and Nureyevs, for instance. The view from the corps de ballet is all the more interesting for being so rare. This book is beautiful, wry, humorous and exquisitely-written. I wish Ms. Bentley had written several other volumes.
20 of 21 people found the following review helpful.
Excellent, revealing, thouroughly enjoyable
By A Customer
I really enjoyed this book. It gave a wonderful glimpse into the real world of professional dancing. Miss Bentley told this story with beautiful language, her words flowed like water. I found it wonderful to know what it was like to live the life of a dancer, to know the struggles and the victories, the fantasies and the realities. I recommend this book for all who love dance and for anyone interested in show business or simply anyone who enjoys a good read.
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