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The Scarlet Ruse: A Travis McGee Novel, by John D. MacDonald
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From a beloved master of crime fiction, The Scarlet Ruse is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat.
Travis McGee’s getting lazy. Drinking Boodles on the Busted Flush has become a full-time job. But when he hears that six figures’ worth of rare stamps have wandered off, McGee finds himself back in the salvage business. To deliver on this case, McGee will have to be suspicious of everyone he meets—because what he’s looking for is property of the mob.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Hirsh Fedderman has misplaced an extremely valuable commodity: the stamp collection of mobster Frank Sprenger. Assessed at around four hundred thousand dollars, these are no ordinary stamps, and Sprenger’s no ordinary collector: He’s liable to break some fingers if he doesn’t get what he’s owed.
Lucky for Hirsh, he’s got a friend in Travis McGee. Soon McGee is hot on the trail of the missing collection—not to mention hot for a voluptuous stamp expert by the name of Mary Alice. Only it’s not McGee’s heart that’s in danger. He soon realizes that he’s run afoul of a vicious syndicate, and neither rain, nor sleet, nor gloom of night will keep them from collecting McGee’s head.
Features a new Introduction by Lee Child
- Sales Rank: #652841 in Books
- Brand: MacDonald, John D./ Child, Lee (INT)
- Published on: 2013-08-13
- Released on: 2013-08-13
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .69" w x 5.19" l, .53 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
From Booklist
*Starred Review* Number 14 in the Travis McGee series starts slowly—unless philately is your thing—but quickly picks up the pace, leading to a vintage MacDonald climax that evokes the classic Robert Mitchum and Gregory Peck film Cape Fear. McGee is reluctant to get involved in an aging stamp dealer’s problems—inexplicably, a client’s $400,000 stamp collection has been switched with one containing far less valuable material—but the dealer is an old friend of Trav’s pal Meyer, and, in the end, Meyer usually gets what he wants. It doesn’t hurt that one of the dealer’s assistants is Mary Alice McDermit, a six-footer nearly as fit as the legendarily flat-bellied McGee. As Meyer cogitates over how the locked-room switch could have been engineered, McGee noses around the client, one Frank Sprenger, who turns out to be a money launderer for the Miami Mob. Series fans will immediately see that Sprenger does more than the laundry—the cut of this guy’s jib (and the width of his shoulders) clearly indicates that Travis has found his adversary. No one is quite what they seem this time around—Mary Alice and Sprenger, especially—and it takes Trav quite a while to put the pieces together. Cut to the Busted Flush, run amok deep in the mangroves, as Trav lays in wait for a predawn visit from Sprenger, on his way, like Mitchum in Cape Fear, to settle scores once and for all. MacDonald writes terrific climaxes—it’s always McGee versus the sociopaths, often with a new wrinkle or two (this time the sociopath is holding Meyer hostage), but as good as the climaxes are, the denouements are almost their equal, delivering postmortem details on the conflagration and showing off Trav’s scars. This time the wounds cut deep, into both Meyer and Trav, but, whereas the former shows that he can play in the hard guys’ league, the latter proves that his rawhide body isn’t quite as vulnerable as we assumed (“I felt as if I was made of cornflakes, stale rubber bands, and old gnawed bones”). This is A-list McGee—and not just because it may be the only time in the series when MacDonald describes his hero in terms that could apply to my own cornflake-brittle frame. --Bill Ott
Review
Praise for John D. MacDonald and the Travis McGee novels
“The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
“My favorite novelist of all time . . . All I ever wanted was to touch readers as powerfully as John D. MacDonald touched me. No price could be placed on the enormous pleasure that his books have given me. He captured the mood and the spirit of his times more accurately, more hauntingly, than any ‘literature’ writer—yet managed always to tell a thunderingly good, intensely suspenseful tale.”—Dean Koontz
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
“A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee, and count myself among the many readers savoring his adventures again.”—Sue Grafton
“One of the great sagas in American fiction.”—Robert B. Parker
“Most readers loved MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen
“The consummate pro, a master storyteller and witty observer . . . John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place. The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness.”—Jonathan Kellerman
“What a joy that these timeless and treasured novels are available again.”—Ed McBain
“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake
“There’s only one thing as good as reading a John D. MacDonald novel: reading it again. A writer way ahead of his time, his Travis McGee books are as entertaining, insightful, and suspenseful today as the moment I first read them. He is the all-time master of the American mystery novel.”—John Saul
From the Publisher
6 1.5-hour cassettes
Most helpful customer reviews
6 of 6 people found the following review helpful.
Complex
By Amazon Customer
This is a Travis McGee mystery. McGee is lured off his boat by a friend whose stamp dealer friend is in trouble. The dealer constructs stamp collections as investments for rich clients. One day, the dealer noticed that the stamps in one of his client's collections had been switched with low grade specimens, significantly downgrading the value of the collection. He's terrified that the client will ask to cash in the collection, leaving him with an overwhelming financial liability. He asks McGee to help him figure out how the stamps were switched, and who did it. Complicating the matter is the dealer's secretary, who McGee finds himself mysteriously attracted to.
This story is rich with detail, and it can be hard at times to keep it all straight. The plot goes over the edge of plausibility in places, and the ending has an odd twist that I still can't figure out. Nevertheless, the story remains engaging throughout, and can provide a bit of entertainment or distraction for a little while.
5 of 5 people found the following review helpful.
Of stamps, women, and introspection.
By Robert S. Clay Jr.
Travis McGee embarks on another of his trademark "salvage" missions involving a fortune in missing rare stamps. McGee's ruminations on people, relationships, human aspirations, money, politics, etc. are amusing social commentary, albeit thirty years later. Some of the observations of life in the '70s seem dated, but not enough to matter. Beyond this slight quibble, there is the vicious killer, and the complex mystery of the missing stamps. In addition, we have Mary Alice McDermit, a dark-haired giant of a woman with a healthy sex-drive and a troubled past. The lovable Meyer is present, still pontificating on economics and human foibles. As mystery-suspense novels go, the Travis McGee series is a perennial favorite. John D. MacDonald stresses introspection and character development rather than blood and thunder action. The typical Florida setting is exotic. Altogether, good lightweight reading material for summer vacations or anytime. ;-)
9 of 11 people found the following review helpful.
After the Fall
By Rolfe Windward
A more pessimistic MacDonald (and McGee) emerges after a writing hiatus of some years. The difference between earlier McGee stories and the 'new' series beginning with Scarlet Ruse is palpable to the devoted fan but not necessarily objectionable: McGee is growing older and so are we; not simply closer to the bone now (McDonald could always take us there) but closer to the end. Yet McDonald's exploration of a free life amidst its war with self and the criminal mind still entertains and instructs. We are not through yet and neither is our favorite beach-bum. See you in Lauderdale.
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