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NEW YORK TIMES BESTSELLER

From Gabrielle Hamilton, bestselling author of Blood, Bones & Butter, comes her eagerly anticipated cookbook debut filled with signature recipes from her celebrated New York City restaurant Prune.
 
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY

NAMED ONE OF THE BEST BOOKS OF THE SEASON BY
Time • O: The Oprah Magazine • Bon Appétit • Eater

A self-trained cook turned James Beard Award–winning chef, Gabrielle Hamilton opened Prune on New York’s Lower East Side fifteen years ago to great acclaim and lines down the block, both of which continue today. A deeply personal and gracious restaurant, in both menu and philosophy, Prune uses the elements of home cooking and elevates them in unexpected ways. The result is delicious food that satisfies on many levels.  
 
Highly original in concept, execution, look, and feel, the Prune cookbook is an inspired replica of the restaurant’s kitchen binders. It is written to Gabrielle’s cooks in her distinctive voice, with as much instruction, encouragement, information, and scolding as you would find if you actually came to work at Prune as a line cook. The recipes have been tried, tasted, and tested dozens if not hundreds of times. Intended for the home cook as well as the kitchen professional, the instructions offer a range of signals for cooks—a head’s up on when you have gone too far, things to watch out for that could trip you up, suggestions on how to traverse certain uncomfortable parts of the journey to ultimately help get you to the final destination, an amazing dish.
 
Complete with more than with more than 250 recipes and 250 color photographs, home cooks will find Prune’s most requested recipes—Grilled Head-on Shrimp with Anchovy Butter, Bread Heels and Pan Drippings Salad, Tongue and Octopus with Salsa Verde and Mimosa’d Egg, Roasted Capon on Garlic Crouton, Prune’s famous Bloody Mary (and all 10 variations). Plus, among other items, a chapter entitled “Garbage”—smart ways to repurpose foods that might have hit the garbage or stockpot in other restaurant kitchens but are turned into appetizing bites and notions at Prune.
 
Featured here are the recipes, approach, philosophy, evolution, and nuances that make them distinctively Prune’s. Unconventional and honest, in both tone and content, this book is a welcome expression of the cookbook as we know it.

Praise for Prune
 
“Fresh, fascinating . . . entirely pleasurable . . . Since 1999, when the chef Gabrielle Hamilton put Triscuits and canned sardines on the first menu of her East Village bistro, Prune, she has nonchalantly broken countless rules of the food world. The rule that a successful restaurant must breed an empire. The rule that chefs who happen to be women should unconditionally support one another. The rule that great chefs don’t make great writers (with her memoir, Blood, Bones & Butter). And now, the rule that restaurant food has to be simplified and prettied up for home cooks in order to produce a useful, irresistible cookbook. . . . [Prune] is the closest thing to the bulging loose-leaf binder, stuck in a corner of almost every restaurant kitchen, ever to be printed and bound between cloth covers. (These happen to be a beautiful deep, dark magenta.)”—The New York Times
 
“One of the most brilliantly minimalist cookbooks in recent memory . . . at once conveys the thrill of restaurant cooking and the wisdom of the author, while making for a charged reading experience.”—Publishers Weekly (starred review)

• Sales Rank: #54764 in Books
• Brand: Random House
• Published on: 2014-11-04
• Released on: 2014-11-04
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.41" w x 7.60" l, 1.25 pounds
• Binding: Hardcover
• 576 pages

Review
“Fresh, fascinating . . . entirely pleasurable . . . Since 1999, when the chef Gabrielle Hamilton put Triscuits and canned sardines on the first menu of her East Village bistro, Prune, she has nonchalantly broken countless rules of the food world. The rule that a successful restaurant must breed an empire. The rule that chefs who happen to be women should unconditionally support one another. The rule that great chefs don’t make great writers (with her memoir, Blood, Bones & Butter). And now, the rule that restaurant food has to be simplified and prettied up for home cooks in order to produce a useful, irresistible cookbook. . . . [Prune] is the closest thing to the bulging loose-leaf binder, stuck in a corner of almost every restaurant kitchen, ever to be printed and bound between cloth covers. (These happen to be a beautiful deep, dark magenta.)”—The New York Times
 
“One of the most brilliantly minimalist cookbooks in recent memory . . . at once conveys the thrill of restaurant cooking and the wisdom of the author, while making for a charged reading experience.”—Publishers Weekly (starred review)

About the Author
Gabrielle Hamilton is the chef/owner of Prune restaurant in New York’s East Village and the author of the New York Times bestselling memoir Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef. She received an MFA in fiction writing from the University of Michigan, and her work has appeared in The New Yorker, The New York Times, GQ, Bon Appétit, Saveur, House Beautiful, and Food & Wine. She has also authored the 8-week Chef column in The New York Times, and her work has been anthologized in eight volumes of Best Food Writing. She has appeared on The Martha Stewart Show and the Food Network, among other TV and she has won a James Beard Foundation Award for Best Chef NYC. She currently lives in Manhattan with her two sons.

Excerpt. © Reprinted by permission. All rights reserved.
Bar Snacks



Canned Sardines with Triscuits, Dijon Mustard, and Cornichons

1 can sardines in oil

1 dollop Dijon mustard

small handful cornichons

small handful Triscuit crackers

1 parsley branch

Only Ruby brand—boneless and skinless in oil— from Morocco.

Buckle the can after you open it to make it easier to lift the sardines out of the oil without breaking them.

Stack the sardines on the plate the same way they looked in the can—more or less. Don’t crisscross or zigzag or otherwise make “restauranty.”

Commit to the full stem of parsley, not just the leaf. Chewing the stems freshens the breath.



Radishes with Sweet Butter and Kosher Salt

red globe or French breakfast radishes, well washed to remove any sand, but left whole with a few stems intact

unsalted butter, waxy and cool but not cold

kosher salt

There is nothing to this, but still . . . I have seen it go out looking less than stellar—and that’s embarrassing considering it’s been on the menu since we opened and is kind of “signature,” if Prune had such a thing as signature dishes.

Keep the radishes fresh with ice and clean kitchen towels.

Cull out any overgrown, cottony, spongy radishes; keep your butter at the perfect temperature; and be graceful on the plate, please.



Garrotxa with Buttered Brown Bread and Salted Red Onion

peeled red onion, halved and thinly sliced into ribbons

kosher salt

brown bread

unsalted butter, cool but softened for spreading Garrotxa from Spain

extra virgin olive oil

freshly ground black pepper

thyme

Liberally salt the red onion and toss with your fingers to break up the ribs. Let sit 10 minutes to weep out some of their bite.

Spread bread with a generous amount of butter, wall to wall. Cut bread in triangles and arrange on plate.

Lay slices of cheese next to bread.

Heap a generous tangle of salted onion on the plate.

Drizzle whole thing—cheese, buttered bread, and onion—with EVOO just before selling. Be light-handed with the oil—3 fats on one plate makes sense here but it’s about flavor and texture, not about ostentatious macho eating. Keep it accurate.

One grind black pepper and branch of thyme to finish



Marinated White Anchovies with Shaved Celery and Marcona Almonds

Per plate:

1 scant cup thinly sliced, sweet, tender inner branches of celery, leaves left whole

1 short dozen marinated white anchovies

¼ cup Marcona almonds

good drizzle extra virgin olive oil

brief squeeze lemon juice

lemon cheek

few grinds black pepper

big pinch parsley leaves, mixed into celery and celery leaves

Deviled Eggs

4 orders

8 eggs, still cold from the fridge

3 Tablespoons Dijon mustard

∂ cup Hellmann’s mayonnaise

flat-leaf Italian parsley

Bring large pot of water to a boil.

Pierce the eggs at the tip with a pushpin to prevent exploding.

Arrange eggs in the basket of the spider and gently lower them into the boiling water. This way they won’t crack from free-falling to the bottom of the pot when you are adding them.

Let boil 10 minutes, including the minutes it takes for water to return to boil after adding the cold eggs.

Moving quickly, retrieve 1 egg and crack it all the way open, in half, to see what you have inside. (If center has any rareness larger than a dime, continue cooking half a minute.)

If thoroughly cooked, drain eggs, rough them around in the dry pot to crackle their shells all over, then quickly turn them out into a frigid ice bath to stop the cooking. It helps with the cooling and the peeling to let the ice water permeate the cracked shells.

Peel the eggs.

Cut the eggs in half neatly and retrieve the cooked yolk from each. Place the hollow, cooked whites into a container with plenty of cold fresh water and let them soak to remove any cooked yolk from their cavities.

Blend yolks in food processor with mustard and mayonnaise. Make sure the bite of the Dijon can make itself felt through the muffle of the rich egg yolk and the neutralizing mayonnaise.

Scrape all the egg mixture from the processor bowl into a disposable pastry bag fitted with a ∑-inch closed star tip, but do not snip the closed tip of the bag until you are ready to pipe. Fit the pastry bag into a clean empty quart container like you might put a new garbage liner into the bin—folding the excess over the lip of the quart—to make this easier on you.

If you don’t already know, you can stick your middle finger up into the punt of the processor bowl while scraping out the contents with the spatula, to hold the messy, sharp blade in place.

Remove cooked egg whites from the cold water and lay, cavity side down, on a few stacked sheets of paper towel to allow them to drain. Don’t serve the deviled eggs wet, please.

When well drained, turn over eggs to reveal cavities and pipe the mixture in, more like a chrysanthemum than a soft-serve ice cream cone, please. Place on plate and finish with finely sliced parsley.

Make sure that the whites are not frigidly cold from the refrigerator—allow the whites and the yolk mixture to shake off the intense chill of the lowboy. The whites get rubbery and hard and the devil mix has a congealed mouth-feel if you serve them too cold. Please take care.

When there is more filling than egg white—use it to thicken the vinaigrette for poached leeks, as a condiment on family ham sandwiches, or stirred into the warm buttered lima beans on the veg plate.

Most helpful customer reviews

81 of 86 people found the following review helpful.
Comprehensive yet concise
By Jose Romero
Restaurant cookbooks tend to be a peculiar sort. Tomes from Thomas Keller are beautiful coffee table books that are as gorgeous to look at as to cook from. Additionally, many of these books are marketed toward professional chefs and dedicated hobbyists. The techniques, equipment, and ingredient lists required make them inaccessible for the novice, if they choose to cook from them.

Prune, named after the landmark NYC brunch spot headed by Chef Gabrielle Hamilton, is another massive entry in the restaurant cookbook category. However, unlike the books from Keller, or recent ones from such celebrated restaurants as Noma, Daniel, Eleven Madison Park, Coi, and so on, Prune takes a more direct approach.

The cookbook is organized very much like a restaurant recipe book. For those not aware, most restaurant recipes are usually kept in huge binders, recipes are printed from chef's computer and the sheets are added to the binder in laminated looseleaf page holder, to protect from kitchen spills. These recipe books are essential for new cooks and old as they prepare the house recipes.

In Prune, Gabrielle speaks to you as you are one of her cooks. The basic instructions also include scribblings in the margin, made in Sharpie marker, with her clarifications and addenda. The recipe yields are restaurant size, so you must adjust them if you want feed less people. Also, the book assumes that you know your way around the kitchen. Little details you may find in books for the home cook--preheating stoves and pans, exact pan sizes and such are missing.

However, for a serious home cook or restaurant professional, Prune is a treasure trove of recipes. Chef Hamilton's fare doesn't really know much bounds--there are American, Italian, French influences in her cooking. Additionally, like most restaurant fare, her cooking is very rich. Chef Hamilton loves her heavy cream and butter.

I've been pouring through the recipes and many look outstanding. I've also visited her restaurant a few years ago and went during their heralded brunch service. Like many I waited an hour or so, as they do not take reservations and the brunch seats are coveted. All her best brunch dishes are here, so no more waiting hours to replicate them at home.

For food fans, serious home cooks, and professional, Prune makes a great resource to your cookbook library. Cocktail lovers will also find much to love here as their entire cocktail program is listed with recipes as well.

My only complaint is that I wish Chef Hamilton had another restaurant and as such another cookbook to look forward to, but you can tell Prune is her baby from the careful and direct instruction she provides in this book.

29 of 32 people found the following review helpful.
High Concept but Not Much Payoff
By Nor Cal Steve
I know people who just love this book and normally, I trust them. There's a lot of thought that went into this so I don't want to just bash what I perceive to be a sincere book, but it's really odd. In an effort not to make a "food porn" book, they've created something just as false and much more corny- "chef porn". The pages are supposed to be instructions for a line cook or sous chef, so there are lots of personal notes along with the vague instructions but there are also fake spills on the pages, fake binder holes, fake post it notes, fake handwriting and who knows what else. For me, it's way too cute and it's hard to get past the self consciousness of the whole thing. It's worse than the standard chef book they were trying to avoid in the first place.
Because it's a pretend notebook for a line cook, there are no notes or context of any consequence. There's also no index.I don't work for Ms Hamilton so I'm not sure why I should make many of these dishes.
I'm sure Hamilton is incredibly talented and there are flashes of it in this book, but this "fun" concept should have been stopped by someone sensible way before they started the design phase.

125 of 152 people found the following review helpful.
Totally Dissapointed
By Kyle Pintarelli
As a chef I was truly looking forward to this book. As a patron of Prune I was craving this book...569 pages of dissapointment. The "recipes" can be divided into two catagories: the first being so pedestrian that you almost feel insulted (ie radishes with butter, iced ovaltine and yet another recipe for deviled eggs). The second being so far in left field that no home cook would even want to attempt (ie stewed tripe milanese with gremolata) Honorable mention goes to a third catagory of recipes that even the most advanced home cook, chef or adventurous foodie would not want to serve their guests (ie calf's brains fritto misto)

Bottom Line: The writing style is pretentious at best, the recipes are mostly garbage and some are not even recipes...roasted beets with their tops.

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"The first and . . . only extended examination of the politics of the Iranian Majles in the post-revolutionary period."--Gary G. Sick, Columbia University
In this first major English-language study of the Iranian parliament, Bahman Baktiari analyzes the intense rivalry between competing factions in the parliament--known as the Majles--and describes the political battles that have set the tone for many of the key policy developments in Iran.  He examines how elections are organized, how candidacies are approved, and how the parliament is structured internally.
 Since the revolution of 1979, the institutionalization of revolutionary politics has led to an assertive parliament as
a major force in the Islamic Republic but with turnover ratio of 60 percent, one of the highest in the world. Thus the parliamentary politics described in this book is a microcosm of the wider factional politics in revolutionary Iran today.
 Incorporating personal interviews with more than sixty members of parliament, primary sources from various research centers in Iran, and first-hand observation of parliamentary deliberations, Baktiari's study illuminates an important dimension of the political evolution of this radical Islamic state. Bahman Baktiari is associate professor of political science at the University of Maine and author of studies in the Iranian Journal of International Affairs, Journal of Middle East and South Asian Studies, and Journal of Church and State.

• Sales Rank: #171367 in Books
• Published on: 1996-08-31
• Original language: English
• Number of items: 1
• Dimensions: 9.32" h x 1.09" w x 6.39" l, 1.39 pounds
• Binding: Hardcover
• 312 pages

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The first Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around the globe through her work as a human rights lawyer defending women and children against a brutal regime in Iran. Now Ebadi tells her story of courage and defiance in the face of a government out to destroy her, her family, and her mission: to bring justice to the people and the country she loves.

For years the Islamic Republic tried to intimidate Ebadi, but after Mahmoud Ahmadinejad rose to power in 2005, the censorship and persecution intensified. The government wiretapped Ebadi’s phones, bugged her law firm, sent spies to follow her, harassed her colleagues, detained her daughter, and arrested her sister on trumped-up charges. It shut down her lectures, fired up mobs to attack her home, seized her offices, and nailed a death threat to her front door. Despite finding herself living under circumstances reminiscent of a spy novel, nothing could keep Ebadi from speaking out and standing up for human dignity.

But it was not until she received a phone call from her distraught husband—and he made a shocking confession that would all but destroy her family—that she realized what the intelligence apparatus was capable of to silence its critics. The Iranian government would end up taking everything from Shirin Ebadi—her marriage, friends, and colleagues, her home, her legal career, even her Nobel Prize—but the one thing it could never steal was her spirit to fight for justice and a better future. This is the amazing, at times harrowing, simply astonishing story of a woman who would never give up, no matter the risks. Just as her words and deeds have inspired a nation, Until We Are Free will inspire you to find the courage to stand up for your beliefs.

Praise for Until We Are Free

“Ebadi recounts the cycle of sinister assaults she faced after she won the Nobel Prize in 2003. Her new memoir, written as a novel-like narrative, captures the precariousness of her situation and her determination to ‘stand firm.’”—The Washington Post

“Powerful . . . Although [Ebadi’s] memoir underscores that a slow change will have to come from within Iran, it is also proof of the stunning effects of her nonviolent struggle on behalf of those who bravely, and at a very high cost, keep pushing for the most basic rights.”—The New York Times Book Review

“Shirin Ebadi is quite simply the most vital voice for freedom and human rights in Iran.”—Reza Aslan, author of No god but God and Zealot

“Shirin Ebadi writes of exile hauntingly and speaks of Iran, her homeland, as the poets do. Ebadi is unafraid of addressing the personal as well as the political and does both fiercely, with introspection and fire.”—Fatima Bhutto, author of The Shadow of the Crescent Moon

“I would encourage all to read Dr. Shirin Ebadi’s memoir and to understand how her struggle for human rights continued after winning the Nobel Peace Prize. It is also fascinating to see how she has been affected positively and negatively by her Nobel Prize. This is a must read for all.”—Desmond Tutu

“A revealing portrait of the state of political oppression in Iran . . . [Ebadi] is an inspiring figure, and her suspenseful, evocative story is unforgettable.”—Publishers Weekly (starred review)

“Ebadi’s courage and strength of character are evident throughout this engrossing text.”—Kirkus Reviews

• Sales Rank: #68002 in Books
• Published on: 2016-03-08
• Released on: 2016-03-08
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 5.90" l, 1.25 pounds
• Binding: Hardcover
• 304 pages

Review
“[Shirin] Ebadi recounts the cycle of sinister assaults she faced after she won the Nobel Prize in 2003. Her new memoir, written as a novel-like narrative, captures the precariousness of her situation and her determination to ‘stand firm.’”—The Washington Post
 
“Powerful . . . Although [Ebadi’s] memoir underscores that a slow change will have to come from within Iran, it is also proof of the stunning effects of her nonviolent struggle on behalf of those who bravely, and at a very high cost, keep pushing for the most basic rights.”—The New York Times Book Review

“Shirin Ebadi is quite simply the most vital voice for freedom and human rights in Iran.”—Reza Aslan, author of No god but God and Zealot
 
“Shirin Ebadi writes of exile hauntingly and speaks of Iran, her homeland, as the poets do. Ebadi is unafraid of addressing the personal as well as the political and does both fiercely, with introspection and fire.”—Fatima Bhutto, author of The Shadow of the Crescent Moon
 
“I would encourage all to read Dr. Shirin Ebadi’s memoir and to understand how her struggle for human rights continued after winning the Nobel Peace Prize. It is also fascinating to see how she has been affected positively and negatively by her Nobel Prize. This is a must read for all.”—Desmond Tutu

“A revealing portrait of the state of political oppression in Iran . . . [Ebadi] is an inspiring figure, and her suspenseful, evocative story is unforgettable.”—Publishers Weekly (starred review)

“Ebadi’s courage and strength of character are evident throughout this engrossing text, which illuminates the power the few have had over the many, particularly the women and children of Iran. The captivating and candid story of a woman who took on the Iranian government and survived, despite every attempt to make her fail.”—Kirkus Reviews

About the Author
Dr. Shirin Ebadi was one of Iran’s first female judges and served as the first female chief magistrate of one of the country’s highest courts until the 1979 Islamic Revolution stripped her of her judgeship. In the 1990s Ebadi returned to the law as a defender of women’s and children’s rights, founding a human rights center that spearheaded legal reform and public debate around the Islamic Republic’s discriminatory laws. She has defended many of the country’s most prominent prisoners of conscience and spent nearly a month in prison in 1999 for her activities. For many years she was at the center of Iran’s grassroots women’s movement. In 2003 she was awarded the Nobel Peace Prize for her work. Since the election uprising of June 2009 she has lived in exile.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

Intimidation

The story of Iran is the story of my life. Sometimes I wonder why I am so attached to my country, why the outline of Tehran’s Alborz Mountains is as intimate and precious to me as the curve of my daughter’s face, and why I feel a duty to my nation that overwhelms everything else. I remember when so many of my friends and relatives began leaving the country in the 1980s, disheartened by the bombs raining down from the war with Iraq and by the morality police checkpoints set up by the still new Islamic government. While I did not judge anyone for wanting to leave, I could not fathom the impulse. Did one leave the city where one’s children had been born? Did one walk away from the trees in the garden one planted each year, even before they bore pomegranates and walnuts and scented apples?

For me, this was unthinkable. When I walked into the country’s highest court and the new revolutionary authorities told me that women could no longer be judges, I stayed. I stayed when the authorities demoted me to clerk in the same court I had presided over as a judge. I shut my ears when the revolutionaries who had taken over the justice system talked in my presence about how women were fickle and indecisive and unfit to mete out justice, which would now be the work of men. I stayed as the Iraqi warplanes bombed houses on our street to rubble. I stayed when the new authorities said Islam demanded violent justice, that Islam allowed for young men and women to be executed on rooftops and hung from cranes for their political beliefs, their bodies dumped in mass graves.

In the same way that I did not leave Iran, I did not leave Islam, either. If we all packed our suitcases and boarded planes, what would be left of our country? If we bowed our heads and stayed quietly at home, permitting them to say that Islam allowed the assassination of writers and the execution of teenagers, what would be left of our faith?

I wrote long letters to friends who had emigrated, on the thin, diaphanous paper we used for airmail in those days, and told them that I was still managing to live. In the mid-1980s, I stopped working altogether and turned inward, disconnected from the brutal politics of the new regime. Despite the bombs and the morality checkpoints, my husband and I raised our two girls, who went to school in pigtails and learned how to read. We had dinner together every night. My husband, Javad, continued with his work as an engineer, and I raised the girls, contemplating how I could reinvent myself, now that the judiciary had become the realm of men.

In the early 1990s, after the war had ended, the girls were older and didn’t need me as much. I briefly tried practicing family law, but I saw quickly that the courts under the Islamic Republic operated very differently than they had under the shah. The authorities permitted women to work as lawyers, but the system and all its new procedures were so dysfunctional that it was impossible to take a case forward. On several occasions, I had trouble simply trying to review a file at the courthouse. The clerk, upon realizing that I wasn’t going to “tip” him for retrieving the file (corrupt countries have endless euphemisms for bribery), would say, “Sorry, the file is missing. Come back tomorrow.” I would go back the next day, and he would say, “Sorry, I haven’t had a chance to search for your file.” On the third or fourth day, knowing that I would keep coming back, he would finally produce the file. But because I wasn’t prepared to pay a bribe, I had lost two or three days of work.

It was much worse in the courts. There, the person who was willing to pay more was in the right; justice was bought, not fought for or deliberated. To protest, I eventually hung a big sign in front of my law office: “Due to the current inhospitable circumstance of the courts, I will no longer be accepting clients and can only offer legal advice.” This did not feel, at the time, like a particularly risky thing to do. I was simply being honest about the country’s legal climate, rather than consciously trying to defy the state. But I see now, and learned with time, how peaceful disobedience can be a powerful act of defiance. After a while, people who could not afford to hire a lawyer—often defendants who had been accused of political crimes—found their way to me.

The state of criminal law was especially grave after the 1979 revolution. The Islamic Republic had replaced the secular criminal code Iran had followed under the shah with a system of Islamic law based on seventh-century readings of sharia, Islamic law. I still vividly remember the case that revealed to me the full extent of the system’s dysfunction and cruelty.

My friend Shahla Sherkat, the country’s foremost feminist editor and publisher, called to ask if I could offer any advice to the family of an eleven-year-old girl named Leila. One day, as Leila was picking wildflowers in the hills outside her village, three men snuck up and attacked her. The men raped her, struck her repeatedly on the head, and then threw her to her death over a nearby cliff. The local police arrested the men. One mysteriously hung himself in prison, and the court found the other two guilty of rape and murder. Because the laws at the time valued the life of a man convicted of murder more than that of a girl raped and tossed off a cliff, Leila’s family was held responsible for paying for their executions. The family was unable to come up with the money, and the men were released. The Islamic Republic claimed that these laws were based on the principles of blood money in Islamic sharia, but I believed that not only were they unjust, they were a distortion of true Islamic legal principles.

In the course of seeking justice through the courts, Leila’s family became destitute. Her mother had taken to sitting outside the courthouse each day in a white shroud, silently holding up a placard that described what had happened to her daughter. As I recounted more fully in Iran Awakening, I took on their case, and while I did not manage to secure anything like justice, their ordeal shaped the sort of legal response that became my second career. Though the judge in Leila’s case accused me of contravening Islam in my arguments, I drew on Islamic law and principles to challenge him. I discovered that many judges in the Islamic Republic had little or no understanding of Islamic legal tenets, and also that many Iranian women had no idea of how egregiously the law discriminated against them. It was only when life dragged them to some dark crossroads—divorce, the death of a child, a fight over inheritance—that they realized how little status they had before the law.

I made a showcase out of Leila’s case, writing articles and speaking out publicly, and extensive coverage in the Iranian press soon led to a public outcry. In one article I described how the criminal code around blood money holds that if a man suffers an injury that damages his testicles, he receives compensation equal to a woman’s life. I posed the question this way: If a woman with a PhD is run over by a car and dies, and an illiterate thug gets his testicle hurt in a fight, the value of that woman’s life and that thug’s testicle are equal. Is this, I wrote, how the Islamic Republic regards its women?

For the first time since the revolution, the question of women’s equality before the law came into the national spotlight. I saw then how sympathetic Iranian society was to such injustice and how powerful public outrage could be; more than anything else, it made the authorities pay attention. It was then that I started on the course that I follow to this day, seeking justice in the law through upholding the rights of those most vulnerable—women, children, dissidents, and minorities—and pushing for legal change on the battlefield of public sentiment.

The Islamic Republic has a myriad of shortcomings. It vests absolute power in an unelected supreme leader, harasses independent-minded clerics who challenge the religious basis of its severe Islamic rule, and pursues policies that are ideologically radical and detached from the national interests of the Iranian people. But like any regime committed to perpetuating its own power, it has on some occasions shown sensitivity to the condemnation of the international community and the brewing discontent of its own citizens. It is the system we have in place, and especially in those years, the 1990s and early 2000s, it made several reluctant adjustments to some of its most inhumane laws and policies, in response to the activism I and many colleagues in the field of human rights and the women’s movement pursued. This course seemed the only path possible to follow, bar packing up and leaving. Although, in this era, Iranians began emigrating by the thousands, both those who left and those who stayed behind remained fiercely proud of Iran the nation. We had been ruled by autocrats, kings, and now clerics; our history reached back thousands of years, all the way to Cyrus the Great, the Persian king who inscribed civilization’s first human rights charter on a clay cylinder. I viewed myself as an inheritor of this history, of the great tradition of epic Persian poetry that I had read to my girls every night before bedtime. Like most Iranians, I was bitterly disappointed in Iran’s present precisely because of the love and admiration I had for its past.

I received the Nobel Peace Prize in October 2003 for my efforts for democracy and human rights, and though you would think that this would have propelled my work in Iran and won me some grudging respect, it put me under even more pressure and scrutiny by the government. The Iranian state did everything it could to suppress the news of my award, forbidding the state radio and TV stations to so much as mention it and putting me under an even more severe news embargo. When a reporter asked President Mohammad Khatami, a reformist who was in power at the time, why he had not congratulated me, he responded, “This isn’t such an important prize. It’s only the Nobel in literature that really matters.”

But as is always the case with Iran, there are ways to get around official censorship. News that matters finds its way to those who need to hear about it. I invited a Kurdish music group to perform at the Nobel awards ceremony. The Iranian regime has discriminated against its Kurdish minority for years, denying them the right to study in their own language and to maintain their Kurdish identity in public life. Iranian Kurds across the country watched this Kurdish group performing on satellite television and wept with pride at their inclusion. It was a small act, but symbolic, and the rumor spread among Iranian Kurds that I must be of Kurdish background. While the Iranian government sought to ignore my Nobel Prize—which ultimately recognized the work of human rights defenders trying to peacefully moderate the country from within—we had reached an age when satellite television and digital media meant it was no longer possible to keep a nation in the dark.

Others took notice of the prize as well, particularly the women of Iran, who had long been working for equal rights and recognition; they saw in the Nobel committee’s decision a global support and awareness of their struggle. The chancellor of the all-female Alzahra University, Zahra Rahnavard, invited me to give a public lecture on women’s legal status. Rahnavard, the first woman to head a university since the Islamic Revolution, was a distinguished scholar and activist. The world would come to know her in 2009, when she appeared on the front pages of newspapers as the wife of Mir Hossein Mousavi, the Green Movement opposition leader. That day in 2003, Rahnavard greeted me at the campus lecture theater, a tall building of yellow brick surrounded by wide lawns dotted with young women reading under sycamore trees. Hundreds of students were lining up outside for seats, though the room was already filled to capacity and buzzing with voices. We were discussing where to put the lectern when the doors at the back of the auditorium flew open and a mob of about thirty women, their heads covered by black chadors, poured in, shouting angrily.

“If Ebadi lectures here today, then tomorrow you’re going to ask for George Bush!” they yelled, pushing toward the stage, which Rahnavard and I were standing in front of. They were clearly not students; they were vigilantes supported by the state. “This lecture is canceled!” they shouted. The students in the front rose and moved toward me, forming a protective ring. Rahnavard walked forward a few paces, her face etched with fury.

“This lecture is being held with the official permission of the university. You have no right to disrupt it,” she said. “All of you must leave immediately.”

One of the mob women sprang forward and reached for Rahnavard’s chador. “You don’t even deserve to have this chador on your head,” she said, pulling violently at the fabric, which was pinned to Rahnavard’s manteau beneath.

The rest of her accomplices surged forward. The small band of students who had formed a circle around me started moving toward the back of the lecture hall. “Khanoum Ebadi,” they urged, “we have got to get you out of here—follow us.” They herded the chancellor and me out a back door and down a long corridor. The students led us into a small classroom and closed the door and barricaded it with chairs and tables. Soon we heard shouts and running, cries of “They’re here, they’re hiding in this room!” and then fists pounding against the door, trying to push it open. Rahnavard called the security services on her mobile phone.

“They’ve forced me to do something I never wanted to see happen. I don’t believe that police should set foot on university grounds, but there’s no other choice,” she said to me.

The police arrived and forcibly escorted the mob of women away. We agreed that canceling the lecture seemed the safest course, and I thanked the chancellor and her colleagues for the invitation and their quick wits as we’d faced attack. We shook hands warmly, and then two officers who had stayed behind walked me safely off university grounds. Nothing ever came of the incident, the authorities made no arrests, and we never found out exactly who had dispatched the women to disrupt my lecture that day. Rahnavard threatened to resign if the authorities didn’t find and prosecute those responsible. But they never did, and after Mahmoud Ahmadinejad’s election, she eventually stepped down herself or was fired—it was never clear. Though discussing women’s rights in Iran had always been fraught with difficulty, what happened there that day seemed the beginning of an altogether new kind of harassment and intimidation.

Most helpful customer reviews

7 of 7 people found the following review helpful.
inspiring account of a purpose filled life
By Liz
In this autobiographical account of several decades of her life Ebadi shares her struggles and fears in the harsh reality of her work life and the ways it altered the course of her personal life. Many chapters read like a movie script, a fact that is both fascinating and disconcerting. I often found myself appalled by her disregard for her own safety only to be cheering her on after a few pages. Later in the book I was hard pressed to keep my emotions in check as I read the effect her work had on her family and private life.

Ebadi writes of the injustices and brutality of her life in the unsettlingly sober way of those who have lived through what are only nightmares to others. The writing is eloquent yet matter of fact. Even the most horrendous of scenes are discussed plainly. This allowed me to form my own opinions and learn all I could before doing so.

Ebadi tells her story with a bold compassion for those she has and continues to help. She is humble to a fault, often ignoring her own accomplishments and downplaying their ramifications. Her unwavering commitment to the cause of human rights is evident from the first page to the last. Her life is an inspiration and this book reflects that. Ebadi's brazen will to change the treatment of people in Iran is an inspiration. This book is one that will certainly appeal to those interested in the struggle for human rights but also to women as a whole as well as scholars looking for a firsthand account of the life of a female lawyer inside Iran. This was not an easy book to read but it's one I feel privileged to have read as I know it will be a book that will stay with me.

4 of 4 people found the following review helpful.
A Superb Real Story From A Civilized And Persecuted Muslim
By Dean Family
In the present political climate in America and much of the civilized world, this is a book it would do well for most of us to read. Let's face it; when much of the news about Muslims is only about terrorist attacks, death threats against Israel and our nation -- and against many who speak out against the violent and suppressive actions of the fundamentalist fanatics -- it's hard not to become fearful, and mistrust an entire group of nations.

So it's good to know that there remain voices of tolerance and reason in the midst from the Muslim world. It's good to know that a few of Islam's own "Silent Majority" can and will speak out, in spite of their personal danger. Shirin Ebadi's "Until We Are Free" is such a voice. Ms. Ebadi was once a judge in Iran, until the rise of the Ayatollahs and their political pawns like Amadinejad. After that, a woman was no longer allowed on the bench. She withstood grave and even life-threatening opposition, and continued to be a lawyer and advocate for many persecuted people -- even though she has never given up her love for her country and her religion. While many in the West have been victims of violent Islamic fanaticism, we can easily forget (or never even be aware) that persecution of their own citizens in nations including Iran, can often be the worst of all. When their own tolerant, civilized, educated voices are silenced, the freedoms we often take for granted are the first casualties.

Shirin Ebadi's is just such a story. For her efforts, she was awarded the prestigious Nobel Peace Prize, but this was a mixed blessing, as you will read. While it increased her stature around the world, and the prize money funded her pro bono legal advisory practice, it brought her more hatred and danger from the fanatics. The religious and political government of Iran broke her family up, and persecuted her until she had lost almost everything -- except her courage, her convictions, and her voice.

"Until We Are Free" is an important work. Ebadi is a good writer who can tell a story. This reads in many ways like a thriller that could have been lifted from today's headlines. However, most compellingly of all, the story is true.

Highly recommended!

3 of 3 people found the following review helpful.
Read it for the remarkable tale of a courageous woman's struggle, not for the prose style or structure
By S. McGee
This isn't a book that you read for the caliber of its prose or the organization of its ideas or any of those mundane details, but because of its author: the recipient of the 2003 Nobel Peace Prize, Shirin Ebadi, now a de facto exile from her home country Iran, who writes with pain that literally brought tears to my eyes about what it is like to live outside the country that she loves because of the human rights work that she has done for the people in her homeland that won her the Nobel and the enmity of the Iranian hardliners.

Ebadi is ruthlessly honest with herself, unsparing in her analysis of her own flaws and shortcomings, accepting that she can be mistaken (for instance, in her initial acceptance of the idea that Iran's insistence on needing a nuclear power program was justified) as she is in her criticism of the current Iranian regime. She is aware that her own devotion to her ideals has cost her dearly, but also aware that she could have acted no other way -- and has accepted the painful prices she has had to pay. And while I don't want to deliver any spoilers here, that list grows longer throughout the years covered by this memoir, which begins with her winning the Nobel and culminating in her departure from Iran on the eve of the 2009 election and the violent repression that followed, to give a speech in Spain. Cautioned not to return, it soon became clear that if she did, she would end up in prison -- at best -- and since then everyone close to her who remained in Iran has been harassed to breaking point.

The litany of human rights abuses is startling and revelatory. The facts are laid out plainly and succinctly, as if being presented in legal summaries.

Is this a particularly well written memoir? Nope. It's sometimes repetitive, jumps from one episode or anecdote to another without obviously having much connection between them, and aside from the main figures in Ebadi's family, characters come and go. Those flaws are incidental, because the pace is brisk and the story is so compelling that you can't help but read on in a horrified, fascinated and empathetic compassion.

Iran is fortunate to have Ebadi as its national conscience, speaking truth to power from within the country's own political, social and religious traditions. The rest of us are lucky to have a window into what is happening within that country, from the perspective of someone familiar with Iranian jurisprudence and society, and able to keep a calm, impartial (by which I mean, a non-political focus on the rights of the country's citizens, rather than on the merits of a particular political group or movement) perspective on what is transpiring there. It is perhaps unfortunate for Iran, at least, that Ebadi has no political ambitions.

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>> Free Ebook The Florida Allergy Handbook, by Theresa Willingham

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The guide to congested, sneezing, itching, coughing relief in the Sunshine State

"An excellent overview of Florida allergens, combining real-life stories with scientific facts."--Patrick DeMarco, MD, practicing allergist

"If you have allergies and live in Florida, you need to have this book on your shelf. It blends useful allergy information with real-life examples to guide you through all the possible allergy triggers in the Sunshine State."--Wendy Wilber, Environmental Horticulture Agent

Florida is the land of sunshine, ocean breezes, magnificent live oak canopies, delicious seafood, and beautiful flowers. But it is also home to an environment that conspires to make many of us suffer from allergy symptoms ranging from light rashes and scratchy eyes to difficulty breathing or anaphylactic shock.

The Florida Allergy Handbook combines scientific explanations for what causes allergic reactions with practical advice on how to minimize symptoms along with cautionary tales from some of the most dramatic sufferers. With a direct, accessible style and a systematic approach, Theresa Willingham begins with the various overlapping pollen seasons and ends with seafood allergens. Along the way she examines plant allergies (including some caused by ingestion), the dangers of mold, and insects, which can cause allergic reactions through stings, bites, contact, or even just close vicinity.

Willingham explains how, of the two ubiquitous late winter bloomers, oak pollen
is far more allergenic than pine. She reveals how moldy duct work or airborne particles of cockroach carapaces in the home can lead to severe reactions and discusses recent research that suggests links between cleanliness and the rise of allergic reactions. She points out the surprising number of mosquito species that live in Florida (more than eighty) and explains why their bites itch, and she offers first-aid advice should you become one of the nearly 1,500 people injured by stingrays each year.

So grab your sunscreen, spritz on the bug spray, light a citronella candle, keep the antihistamines handy, watch what you eat, and fearlessly enjoy Florida's great outdoors.

• Sales Rank: #4035128 in Books
• Published on: 2012-02-26
• Original language: English
• Number of items: 1
• Dimensions: 1.20" h x 5.40" w x 8.30" l, 1.05 pounds
• Binding: Paperback
• 360 pages

From the Author
As with the Food Allergy Field Guide, my goal with the Florida Allergy Handbook is to empower people through knowledge.  The better one understand both health and environmental limitations, the more effectively one can live within those limits, in control of, rather than at the mercy of the limiting factors.

Florida is a fantastic state, rich with fauna and flora that is beautiful to look at, wonderful to enjoy, and sometimes dangerous or at least uncomfortable.  The Florida Allergy Handbook is designed to guide visitors and residents alike on a more enjoyable journey through the Sunshine State.

About the Author
Theresa Willingham is a freelance writer and photographer and author of The Food Allergy Field Guide: A Lifestyle Manual for Families.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Excellent book for Florida allergy sufferers
By Thomas Leo Ogren
Florida, being such a diverse state, with such a multitude of life forms, is naturally "rich" also in allergies.
There are many possible allergies to sea life, to plant life, to ants, wasps, bees, molds, spores, insects, and other creatures....and all of it seems to be well covered in this fine book by Theresa Willingham.
The sections on spiders and insects and associated allergies are by themselves worth the price of the book...very interesting! Ms. Willingham is not just an informative writer, but she's also a very entertaining writer, too, and the whole book is quite readable.
However, even though my own work is quoted on the first page (I am author of Allergy-Free Gardening, and also of, Safe Sex in the Garden) I am not in total agreement with her on a number of pollen-related issues. For example, goldenrod. She writes that: goldenrod is often falsely accused of causing fall allergies, when in fact it is the fall-blooming ragweed that is actually triggering allergies.
In my own research I've found that often (30% or more) people become allergic to BOTH ragweed and goldenrod.
She writes that: plants are either pollinated by the wind (oaks) or by insects (apple blossoms), and that the insect-pollinated flowers do not cause allergies. Again, this is only partly true, only true some of the time.
There are a great many flowers (for example privet or willow flowers, or goldenrod flowers) that are in fact pollinated by BOTH insects and the wind....and all of these can, and do, trigger pollen-allergies.
But I don't mean to nit-pick here. This is overall a fine book, a welcome addition to the allergy literature of Florida, and for those lucky souls who live down there (I don't, but I do love to visit Florida), The Florida Allergy Handbook is packed full of loads of fun and interesting facts, and should prove quite useful to any and all Floridans who have any kind of an allergy.

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> Ebook Tales of the South Pacific, by James A. Michener

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Tales of the South Pacific is the iconic, Pulitzer Prize–winning masterpiece that inspired a Broadway classic and launched the career of James A. Michener, one of America’s most beloved storytellers. This thrilling work invites the reader to enter the exotic world of the South Pacific and luxuriate in the endless ocean, the coconut palms, the waves breaking into spray against the reefs, the full moon rising behind the volcanoes. And yet here also are the men and women caught up in the heady drama of World War II: the young Marine who falls for a beautiful Tonkinese girl; the Navy nurse whose prejudices are challenged by a French aristocrat; and all the soldiers and sailors preparing for war against the seemingly peaceful backdrop of a tropical paradise.
 
Praise for James A. Michener and Tales of the South Pacific
 
“Truly one of the most remarkable books to come out of [World War II] . . . Michener is a born storyteller.”—The New York Times
 
“Riveting and emotional . . . Ever since James Michener wrote Tales of the South Pacific, the dreamers among us have been searching for our own Bali Ha’i.”—The Washington Post
 
“Atmospheric . . . [Tales of the South Pacific marks] the beginning of Michener’s long exploration of what happens when cultures connect, or fail to.”—Los Angeles Times
 
“Few writers changed the face of American fiction as profoundly as did James Michener.”—San Francisco Chronicle


From the Paperback edition.

• Sales Rank: #41642 in Books
• Brand: Michener, James A./ Berry, Steve (INT)
• Published on: 2014-09-09
• Released on: 2014-09-09
• Original language: English
• Number of items: 1
• Dimensions: 8.22" h x .82" w x 5.50" l, .81 pounds
• Binding: Paperback
• 384 pages

Review
Praise for James A. Michener and Tales of the South Pacific
 
“Truly one of the most remarkable books to come out of [World War II] . . . Michener is a born storyteller.”—The New York Times
 
“Riveting and emotional . . . Ever since James Michener wrote Tales of the South Pacific, the dreamers among us have been searching for our own Bali Ha’i.”—The Washington Post
 
“Atmospheric . . . [Tales of the South Pacific marks] the beginning of Michener’s long exploration of what happens when cultures connect, or fail to.”—Los Angeles Times
 
“Few writers changed the face of American fiction as profoundly as did James Michener.”—San Francisco Chronicle

From the Inside Flap
"Truly one of the most remarkable books to come out of the war. Mr. Michener is a born story-teller."
THE NEW YORK TIMES
Winner of the 1948 Pulitzer Prize for Fiction
Enter the exotic world of the South Pacific, meet the men and women caught up in the drama of a big war. The young Marine who falls madly in love with a beautiful Tonkinese girl. Nurse Nellie and her French planter, Emile De Becque. The soldiers, sailors, and nurses playing at war and waiting for love in a tropic paradise.

About the Author
James A. Michener was one of the world’s most popular writers, the author of more than forty books of fiction and nonfiction, including the Pulitzer Prize–winning Tales of the South Pacific, the bestselling novels The Source, Hawaii, Alaska, Chesapeake, Centennial, Texas, Caribbean, and Caravans, and the memoir The World Is My Home. Michener served on the advisory council to NASA and the International Broadcast Board, which oversees the Voice of America. Among dozens of awards and honors, he received America’s highest civilian award, the Presidential Medal of Freedom, in 1977, and an award from the President’s Committee on the Arts and Humanities in 1983 for his commitment to art in America. Michener died in 1997 at the age of ninety.


From the Paperback edition.

Most helpful customer reviews

83 of 86 people found the following review helpful.
War, romance, and black-marketeering in the Pacific
By Mark Borchers
To use an old cliche, this book gives the reader a sense of "being there" during the Second World War in the Pacific theater.
This is not a chronicle of the war itself. It is not a military history, although it is full of military anecdotes. It's a series of loosely connected stories of the prolonged island-hopping campaign across the Pacific, related through the personal experiences of a variety of characters. Michener's emphasis is on the individuality, humor, valor, and idiosyncrasies of the men and women who populated the bases and combat units of the Pacific campaign.
As anyone who has seen the musical "South Pacific" (based on a part of this book) knows, it includes the island natives and expatriates who happened to live in the places where the war was taking place. In reading these stories, you may come to understand why many of the armed forces veterans of the Pacific war were drawn to go back to the islands in later years.
If I were limited to one sentence, I'd say that this book is about everyday Americans doing unusual jobs in exotic places. I like it well enough that I've read it multiple times and consider it a favorite. It's a lot easier reading than many of Michener's later epics, and in my opinion it's as good as anything he's ever written and better than most.

72 of 76 people found the following review helpful.
Underrated American Masterwork--Provocative, Complex, Profound (and Patriotic)
By Giuseppe C.
The omission of this work from the academic canon is another comment on the discriminatory but hardly discriminating state of literary studies today. Michener is far more than a captivating storyteller, collector of colorful characters, painter of vivid natural imagery, and documentor of the orchestrations of world warfare. Each of the "tales" comprising his carefully-constructed epic narrative is at once thematically and stylistically related to the other smaller narratives and at the same time artistically whole in itself.

If the reader has expectations of a single-minded patriotic paean to the fighting men of the South Pacific, a close reading of the early chapter, "Mutiny," should dispel any such illusions. Here, as throughout the book, Michener uses nature and the ocean as a test, a touchstone, and a foil--exposing the folly not just of warring nations and military campaigns but of arrogant, imperialist civilizations and many of their prideful citizens. Tony Fry, his anti-authoritarian, compassionate "hero," commits a subversive act that links him with the mutineers on board the Bounty and casts the American command in the role of Bligh and Hitler! In the next story, "Cave," Fry emerges as a war-time philosopher whose meditations on courage move him to acts of selfless, Christ-like charity. In "Boar's Tooth" Fry is able to overcome his resistance to a primitive religious ritual involving pain and sacrifice as he contrasts it with the empty and self-serving practices of modern religion.

The American fighting men and women who come to the South Pacific bring no small amount of baggage from a flawed social order back home, and Michener's heroes are not simply the individuals who perform fearlessly in combat: they're just as likely to be the narrow-minded Americans who are transformed by their experiences in the South Pacific into better human beings. "Our Heroine," the story of Nellie Forbush, is a shocking expose of racism, delivering a reeling blow comparable to explosive moments in Flannery O'Connor or Faulkner. When Nellie learns that her fiance's former lover is dead and rejoices not because a rival has been removed but because a black person has been eliminated, she would seem to be beyond the redemption experienced even by O'Connor's most degenerate souls. But in an earlier story about "the Remittance Man" Michener's narrator has constructed a definition of heroism based on courage and an exclusive vision of the sacred status of all human life, allowing us to see how Nellie's eventual change of heart qualifies her for inclusion among the company of true heroes.

The famous Bali Hai chapter ("Fo' Dolla"), far from an escapist love story, is at once romantic tragedy in the tradition of "Madame Butterfly" and tragicomedy in its portrayal of accessory characters who recall the nurse and friar in "Romeo & Juliet." And once again the narrative's definition of the "heroic" allows us to see the tragedy play out not merely as a tale of star-crossed lovers but as a drama of choices and their painful consequences. In each case the act precedes and produces illumination: Joe Cable's venture into Bali Hai and the Dionysian produces self-discovery because ultimately it becomes a "shared discourse" with his dark-skinned, native lover, who turns out to be a "real person" with a history of her own.

Michener is as likely to locate the heroic away from the war as on island battlefields or the Pacific main, because his real subject is human nature and the courage to live in the face of obstacles both natural and human. To their credit, Rodgers and Hammerstein detected (and partially, if unevenly, captured) the strength in Michener's novel: Each of us has a Bali Hai, and our failures to reach it can be traced as much to failures of courage and vision as to the ironclad circumstances of existence.

48 of 49 people found the following review helpful.
Better the second time around
By rohn2@gte.net
I first read this book when I was young, not long after I saw the movie "South Pacific". I didn't particularly like it because the characters were the same ones as in the movie but they didn't "fit" in the same way. After many, manyy years, I read it just the other night and loved it! It had been long enough since I saw the film that the characters could stand on their own. Mitchener wrote this soon after the war when his memories were still fresh and he displays a great deal of affection for the "typical" sailor caught thousands of miles from home. For many, they would never get home. To this American tale, he adds a lot of tropical spice: Bloody Mary, the Frenchman's Daughter, Emil De Becque himself. Mitchener shows the American fighting man as hero, coward, nice guy, louse, sacrificial, selfish, and mostly a combination of all of these traits. Although I have read many of Mitchener's books, this is still his best: young, filled with Mitchener's memories from his recently-concluded naval service during World War II. Deservedly one of the classics that came from World War II.

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"Recounts a time when range wars, cattle drives, rustling, street brawls, and rum running were commonplace in Florida. Though the focus is on Mizell, Tinsley also gives an engaging history of Florida and the cattle industry."--Tampa Tribune

• Sales Rank: #184348 in Books
• Published on: 1991-01-20
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .41" w x 6.04" l, .56 pounds
• Binding: Paperback
• 131 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Stockman Bone Mizell
By John R. Sproat Jr.
This is an excellent bio of Bone Mizell--the only cow hunter who is memorialized with an historical plaque in Zolfo Springs, Florida. Bone was from good stock and he was quite a character. Living not far from, and being familiar with, the sites and regions mentioned in this book, I can readily visualize "being there" with good old Bone. His sense of humor and brotherhood can never be repeated--especially in the current way of life in this country. But it was fun while it lasted.

0 of 0 people found the following review helpful.
not for me
By John A. Johnson
I expected a story about horses and cattle, was more a story of people and ranches, none of which interested me. I tried a couple of times to get through it, too much like reading an old time phone book.

9 of 9 people found the following review helpful.
Snapshot of a Forgotten Time--and a Forgotten Breed of Men
By Big D
This book is not so much about Bone Mizell as it is about the times in which he lived. Long before Disney, Florida, in the late 1800s, had a lot in common with the Wild West. The west had "cowboys," Florida had "cow hunters." In reality, they were one and the same...Tranfer the locale and the stories are very similar if not the same. Florida had its Judge Roy Bean's, too, and there was very little law in the Florida cow country, even in the 1880s.

The western cowboys, though just like the Florida Cow Hunters, are remembered and glorified in film and literature while the Florida cow hunters are virtually forgotten, most likely because the "untamed" west had more appeal to eastern journalists than did sparsely populated Florida.

Bone Mizell is as colorful character, maybe best described as "King of the Florida Cow Hunters." Quick, easy read that preserves a time and character of a Florida that is almost forgotten.

An interestisng, worthwile read.

Great snapshot in time...a time and a locale that is almost forgotten..this book preserves that time and those characters for future generations, for their amazement, appreciation and wonder.

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** Download Ebook Merchant Mariners at War: An Oral History of World War II (New Perspectives on Maritime History and Nautical Archaeology), by Dr. George J

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Thousands of cargo ships sailed in both the Atlantic and Pacific theaters of World War II manned by young men who braved blockades, torpedoes, and bombings to deliver vital supplies to the Allied forces and make victory possible. These mariners have received little if any credit; they are the forgotten group of "the greatest generation."

• Sales Rank: #176843 in Books
• Brand: Brand: University Press of Florida
• Published on: 2008-09-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.30" w x 6.40" l, 1.45 pounds
• Binding: Hardcover
• 352 pages

Features

• Used Book in Good Condition

Review
"A valuable source for maritime scholars, persons interested in World War II and the war at sea, and WWII veterans, particularly the merchant marine community. An important contribution to the field of maritime history." - Robert M. Browning Jr., chief historian, U.S. Coast Guard "An epic account of survival against the enemy and the elements of nature." - Gene Allen Smith, series editor"

About the Author
George J. Billy is chief librarian at the United States Merchant Marine Academy and the author of Palmerston's Foreign Policy: 1848 and the annotated bibliography Sources of Information in Transportation, Shipping. Christine M. Billy, formerly assistant to the public information officer at the United States Merchant Marine Academy, is a graduate of Harvard Law School.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Unheralded Heroes
By KP57 George
So little is heard of the valuable contribution of the U.S. Merchant Marine in World War II. These individual stories of men from the Merchant Marine Academy at Kings Point tells the stark stories of survival in very austere conditions around the world but particularly in the North Atlantic and the Mediterranean.

2 of 2 people found the following review helpful.
Little Known but Brave Combantants in WW II Seas
By Ernest C. Rehder
Vivid first person oral history coming directly from the merchant marines who, operating in incredibly dangerous conditions, supplied the US navy, army and air force combatants in World War II.

2 of 2 people found the following review helpful.
Five Stars
By minky
for my Dad who was in the Merchant Marines

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