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WINNER OF THE PULITZER PRIZE
 
The beloved, award-winning The Amazing Adventures of Kavalier & Clay, a Michael Chabon masterwork, is the American epic of two boy geniuses named Joe Kavalier and Sammy Clay. Now with special bonus material by Michael Chabon.
 
A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age.
 
NEW YORK TIMES BESTSELLER
 
Finalist for the PEN/Faulkner Award, National Book Critics Circle Award, and Los Angeles Times Book Prize
 
Winner of the Bay Area Book Reviewers Award and the New York Society Library Book Award
 
Named one of the 10 Best Books of the Decade by Entertainment Weekly

• Sales Rank: #9480 in Books
• Brand: Chabon, Michael
• Published on: 2012-06-12
• Released on: 2012-06-12
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x 1.50" w x 5.40" l, 1.25 pounds
• Binding: Paperback
• 704 pages

Amazon.com Review
Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age.

But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the Führer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways.

More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park

From Booklist
Virtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures of two Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover, the marvelous artist and free spirit Rosa, who, unbeknownst to him, is carrying his child. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
“It’s absolutely gosh-wow, super-colossal—smart, funny, and a continual pleasure to read.”—The Washington Post Book World
 
“The depth of Chabon’s thought, his sharp language, his inventiveness, and his ambition make this a novel of towering achievement.”—The New York Times Book Review
 
“I’m not sure what the exact definition of a ‘great American novel’ is, but I’m pretty sure that Michael Chabon’s sprawling, idiosyncratic, and wrenching new book is one.”—New York
 
“The themes are masterfully explored, leaving the book’s sense of humor intact and characters so tightly developed they could walk off the page.”—Newsweek
 
“A page-turner in the most expansive sense of the word: its gripping plot pushes readers forward. . . . Chabon is a reader’s writer, with sentences so cozy they’ll wrap you up and kiss you goodnight.”—Chicago Tribune

Most helpful customer reviews

302 of 315 people found the following review helpful.
Far exceeded my expectations
By The Gooch
"The Amazing Adventures of Kavalier and Clay" works on so many different levels. It has the thrills, action and pacing of a comic book, yet also has the beautiful language, fully developed, memorable characters, and moving, non-manipulative drama of the finest literary novel. It is rare to see excitement, sadness, history, and humor mix so seamlessly together. I hesitate to write too much about the plot, because this is the type of novel where if you learn too much about the fate of the characters ahead of time, it will ruin much of the fun in letting yourself get absorbed in the suspense of the novel. There are so many things done right in this book that it seems like a disservice to not try to mention as much as I can about its qualities. Chabon is able to include in this novel the history and development of the comic book, Jewish mysticism, mid-20th century American culture, the Holocaust, US involvement in WWII, Houdiniesque escape and magic, all without ever letting this researched information interfere with the flow of the story. It is also rare to read a novel where the setting is so vividly created for the reader. A large part of my enjoyment of the novel, aside from the story itself, was using Chabon's prose as a guide to transport me to New York during the middle portion of this century. This may be the one of the first enduring literary works of our new century.

131 of 142 people found the following review helpful.
Not life-changing, but worth the read.
By Ilana Teitelbaum
When I read this book, I didn't even know that it had won the Pulitzer Prize--there's no trace of that information anywhere on the library hardback that I read. So I was blissfully unaware that I was reading what was supposed to be a Literary Masterpiece, and I would have been surprised if I had known.
There's no doubt that Michael Chabon is a master of his craft; his writing is a mix of the matter-of-fact and flights of fantasy, and often reality is granted an additional glow of the magical. His characters are real from the start: Sammy, Joe, Ethel and Kornblum are not talking heads, but characters who are distinct and touching in their fallibility.
Probably the best aspect of this book is where it deals with art, and art and escapism are themes that are tightly woven throughout this story until they become inseparable. At first art is the means to manipulate one's personal reality, as Joe convinces himself that he is fighting the war against the Nazis by having his hero fight them in the comics; and later this idea is carried further, so that art is not only used to manipulate reality, but to escape it utterly; and this is viewed as the ultimate goal of the artist.
Another high point of the novel is its moments in which the blend of art and realism are so seamless that at first it is difficult to tell where reality ends and the art begins. These moments are consistent with the magical atmosphere that marks Kavalier and Clay's "Golden Age," as well as with the theme of art as a means of escape.
The theme of art and its relationship with escapism is the one theme that threads consistently throughout the novel. Otherwise, one might say that "Kavalier and Clay," for all its strong points, is lacking in that after the tight, virtuoso beginning, the story loses focus and eventually all sense of unity. The plot becomes somewhat convoluted in the manner of John Irving, as if Chabon is throwing oddities into the mix just to keep things interesting. Hence we get Antarctica, the oddball marriage, and the threatened jump from the Empire State Building, which feel as if they are taking place in a world apart from the rich world to which we were originally introduced as readers, which was in itself so compelling. The result is that one begins to wonder where the original story went, if this is the same book, and to wish that it had ended before the pure magic of the atmosphere became replaced with coincidence and contrived circumstance.
Another drawback to this book was Joe Kavalier himself, who was simply too much of a good thing, especially in contrast to Sammy Clay. Just when it seemed that there was nothing else that Joe could possibly be good at, something else came out to prove that assumption wrong. In comparison, Sammy comes across as a failure: his talent for writing is never vindicated in the way that Joe's talent for drawing is vindicated to the hilt from beginning to end; yet the original idea for the Escapist came from Sammy, so clearly he is not a wholly insignificant talent.
If Joe was meant to seem perfect and Sammy a failure, then this is not a drawback but a fact; but my sense of it was that somewhere, Sammy's story simply fell by the wayside to make way for Joe's. As a reader, I found Sammy a more interesting character precisely because nothing came easily to him and because he was so conflicted in every aspect of his life. Many times I found it strange that he was so unappreciated while Joe had center stage, yet this dynamic was never commented upon in the book, as if the author didn't notice it himself.
Without giving anything away, the ending was a climax of banality, and not a particularly realistic one at that. It is as if the author became tired and just wanted to get it over with--a common occurrence, but a bit hard to take after the epic scale of this novel had seemed to promise so much. While "Kavalier and Clay" is worth the read, it leaves lacunae to tease the reader, like a detailed painting that trails away into emptiness.

151 of 168 people found the following review helpful.
An Epic & Brilliant Novel!!
By Joseph J. Hanssen
This is a stunning novel about the adventures of two boys who write comic books during what was known as the Golden Age of comic books in the 1930's. This book about Joe, Sammy, and Rosa and their lives spans continents, eras, and many years of love and much hardship. The details of their lives is written in such beautiful language it makes you feel you are living in this time period. I have never been so involved in what I was reading as I was in this book, all 636 pages of it. It's a long story but one you will think about long after you have finished it. The characters you will never forget. So I guess I am saying Michael Chabon is a brilliant writer, who can certainly capture the attention of his readers. He has a florid way of writing and I really enjoyed that.
I was never a great reader of comic books, but you don't have to be to enjoy this book. I could go on and on about the story, but you just have to read the book description for that. It's all there. I would highly recommend this wonderful book if you have the time to read it. You'll find yourself staying up late till you reach the last chapter. What a great movie this would make. I really enjoyed Michael Chabon's other three novels, but I think this is his best yet.

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! Ebook Anna Madgigine Jai Kingsley: African Princess, Florida Slave, Plantation Slaveowner, by Daniel L. Schafer

Ebook Anna Madgigine Jai Kingsley: African Princess, Florida Slave, Plantation Slaveowner, by Daniel L. Schafer

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"Provides an unexpectedly thorough account that traces the life of a woman from a Wolof village in Senegal, across the Atlantic via the middle passage, to a Florida community of African slaves and white slave owners."--Southern Historian

 

"An absorbing account of Anna Madgigine Jai Kingsley, an African woman who was enslaved, forcibly transported to Florida, held in bondage, freed, and married to her white master; she bore several of his children and then rose to prominence as a slaveholder. . . . Brings a wider understanding to the lives of enslaved and free women in the nineteenth century South."--Journal of American History

 

"Contributes to a growing literature on the possibilities for slave women's emancipation, especially in Spanish territory, and for propertied women’s social and economic power in the Old South."--Journal of Southern History

 

"Reminds the reader of the variations of the slave experience, the possibilities of forging racial bonds, and the debilitating effects of the racial divide in American society."--Georgia Historical Quarterly

 

"Fosters understanding of the differences and similarities in the institution of slavery, in the distinction between free and enslaved, and in attitudes of racial prejudice between Spanish Florida and the United States."--North Carolina Historical Review

• Sales Rank: #777043 in Books
• Published on: 2010-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .25" w x 5.75" l, .62 pounds
• Binding: Paperback
• 192 pages

From Booklist
Schafer expands on previously written material about the fascinating legend of an African princess, brought to Florida as a slave, who later became a plantation and slave owner. Basing his work on extensive documentation, including interviews with African griots, Schafer traces the history of Anna Madgigine Jai from her homeland of Senegal, where she was captured at about 13 years of age in 1806 and sold to Zephaniah Kingsley, a maritime merchant, slave trader, and later an abolitionist. Kingsley eventually married Anna, made her manager of his plantation, and fathered four children with her. Anna was an independent, enterprising woman, who managed the plantation for 25 years until expanding U.S. territory threatened race relations, the family's cohesion, and inheritance rights. The family fled to Haiti, but after her husband's death Anna returned to the U.S. to answer legal challenges to his will, which left sizable portions of his estate to her and their children. This is a fascinating look at an extraordinary woman and the complexities of slavery beyond the common image of slavery in the South. Vanessa Bush
Copyright © American Library Association. All rights reserved

Review
"...an understanding of the complexities of slavery...Shafer's impressive study offers an excellent and very well-researched starting point." -- American Historical Review, October 2004

This fascinating history of one remarkable woman provides an eye-opening exploration of larger issues. -- AfroAmericanHeritage.com, Jan. 15, 2006

About the Author

Daniel L. Schafer is professor emeritus of history at the University of North Florida, Jacksonville.

Most helpful customer reviews

4 of 5 people found the following review helpful.
A history that informs and entertains
By Kay Day
Every now and then, a history comes along that not only offers a fascinating look at a past era, but also manages to hold the reader's interest and entertain. Books like David McCullough's 1776 urge a reader along much like a good novel will do. Daniel L. Schafer's Anna Madgigine Jai Kingsley has the same effect.

Schafer establishes the time period based on narratives and first hand research. Documents such as an emancipation notice for a plantation owner's slave Flora Hannahan provide an unvarnished look at the perception of African-Americans in the decades before the civil war: "On the emancipation notice, she is described as 'a mulatto-colored woman of twenty years of age, a native of Florida...about five feet high.'" (pg. 59)

These descriptives are enhanced by photographs of slave quarters as well as descendants of Anna Kingsley.

This book is a solid addition to the personal library, and it would be an excellent classroom resource for teachers of history or language arts. Author Schafer writes with an objective, even-handed approach, and accurately depicts the slave trade in all its characteristics and nuances, including the African natives who colluded with Spanish and English traders and also the elite American plantation owners who enjoyed the benefits of low-cost captive labor.

Aside from its educational value, the book is a good read for anyone interested in Southern culture or Florida history. I don't know Dr. Schafer, but I certainly admire his scholarship and his ability to tell a fascinating story.

4 of 5 people found the following review helpful.
A Florida Princess finally gets her due.
By A Customer
Dr. Daniel Schafer, the preeminent scholar of the Kingsley's of Northeast Florida, has written a riveting book exploring Anna, the African Princess turned Slave turned Plantation Owner. Anna is without a doubt one of the most interesting people of Florida's history. She has long been overlooked by historians, but now her story is told. Anna's story sounds like a movie script. Schafer has filled in one of the important blanks of Florida's history.

1 of 1 people found the following review helpful.
Anna Kingsley
By Josh Jacobson
Dr. Schafer brings the time period of Anna's life, and the Northeast Florida region to life through the story of Anna Kingsley in his book. Most of this book reads like a novel and his narrative style will keep the pages turning. With the riveting story, you are also given a very well researched story about the events that play out not only for Anna, but for the region and the African descendants who lived there. Though there are some blank spots left in Anna's history due to lack of documents, and the occasional stretching of what few primary documents are available, Dr. Schafer brings what feels like a full picture to the reader.

The only real issues that kept this book from getting five stars in my opinion, were the fact that some primary sources did have to be stretched in order to back up points being made. There are a few instances where it feels that some of these primary sources could be construed in other ways than just how they are presented here. This however can sometimes be necessary and the occurrences are very rare. The other issue was the pacing of the book can leave many readers struggling to finish the book. There comes a point near the end of the book where Dr. Schafer abandons his narrative style to lay out the genealogies of many of the area's residents. This chapter is sandwiched between two narrative chapters and probably could have been presented in an appendix.

Overall this book was very fascinating and Dr. Schafer's research leaves the reader with a very strong sense of being able to trust in his interpretation of the past.

See all 14 customer reviews...

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“Draws readers into its difficult subject by resorting to the dirtiest trick in the journalist’s bag of tricks: great storytelling.”—Creative Loafing

“Uncovers what ought to rank among Florida’s most notorious development scandals—and that’s something in a state infamous for swampland scams and subprime sprawl. . . . An infuriating, all-too-familiar tale of how powerful developers, shrewd lobbyists, and callow politicians shape public policy for private profit.”—Miami Herald

“This is an exhaustive, timely, and devastating account of the destruction of Florida’s wetlands, and the disgraceful collusion of government at all levels. It’s an important book that should be read by every voter, every taxpayer, every parent, every Floridian who cares about saving what’s left of this precious place.”—Carl Hiaasen

Florida possesses more wetlands than any other state except Alaska, yet since 1990 more than 84,000 acres have been lost to development—despite presidential pledges to protect them.

In this hard-hitting book, St. Petersburg Times investigative journalists Craig Pittman and Matthew Waite explain how taxpayers who think they’re paying for wetland protection have been stuck with a program that creates the illusion of environmental protection while doing little to stem the tide of destruction.

?A potent combination of groundbreaking historical research and no-holds-barred reporting, this book portrays a landscape that has been compromised by greed, fear, and incompetence.

• Sales Rank: #1625824 in Books
• Brand: Brand: University Press of Florida
• Published on: 2010-05-25
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .90" w x 6.00" l, 1.10 pounds
• Binding: Paperback
• 376 pages

Features

• Used Book in Good Condition

Review
"This is an exhaustive, timely, and devastating account of the destruction of Florida's wetlands and the disgraceful collusion of government at all levels. It's an important book that should be read by every voter, every taxpayer, every parent, every Floridian who cares about saving what's left of this precious place." - Carl Hiaasen "Pittman and Waite pulled the lid off federal and state wetlands regulation in Florida and peered deep into the cauldron of 'mitigation,' 'no net loss,' 'banking,' and the rest of the regulatory stew. This is an eye-opening, must-read book." - J. B. Ruhl"

About the Author

 

Craig Pittman, a Florida native, is a reporter for the St. Petersburg Times, and Matthew Waite, who hails from Nebraska, is the Times’s news technologist. Their reporting on wetlands has twice earned the top investigative reporting prize in the nation from the Society of Environmental Journalists as well as the Waldo Proffit Award for Excellence in Environmental Journalism in Florida.

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14 of 15 people found the following review helpful.
Paving Paradise - Joy's review
By J. Ezell
IMO, Paving Paradise should be required reading for all DEP and ACOE employees, all water management district employees, all regional planning council members, all legislators, cabinet members, all elected officials in the state, the Governor and his staff, all developers and real estate brokers and agents. St. Joe and Lennar come to mind immediately. Craig Pittman is my favorite Florida writer, and his work shines in this book. I highly recommend it to anyone who cares about the Sunshine State.
Paving Paradise: Florida's Vanishing Wetlands and the Failure of No Net Loss (Florida History and Culture)

9 of 9 people found the following review helpful.
Read this book now
By Susan I. Cerulean
Craig Pittman and Matthew Waite explain why bulldozed and buried wetlands underlie the foundations of thousands of mines, highways, golf courses and shopping malls all over Florida, despite clear federal and state policy calling for no net loss of wetlands. This probing, well-crafted narrative will keep you turning every page of Paving Paradise. The prize-winning pair of St. Petersburg Times will help you understand the "topsy-turvy world where a minus can equal a plus, dry land masquerades as wet, and supposedly scientific test results don't count if they yield an undesirable answer." It might sound depressing, but the truth can help us move forward, or at least have that choice!

11 of 12 people found the following review helpful.
naked truth
By Robert H. Mooney
From three-decades as government employee -- county, state and federal -- I felt like a streetwalker reading about $5,000-an-hour "escorts" who portray they are providing a valuable public service. This says it all (from page 167): "One of the areas hardest hit was the western side of the Everglades, where the Corps cranked out permits allowing the destruction of some 4,000 acres of swamps and marshes, even as it drew up plans to spend billions of dollars repairing the damage done by man to the eastern side of the River of Grass."

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>> Download Ebook The Archaeology of Anti-Slavery Resistance (American Experience in Archaeological Pespective), by Terrance M. Weik

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 “Weik’s comprehensive survey of the archaeology of freedom represents a critical contribution to African Diaspora studies, and serves as an admirable standard to which future research in this area should strive to achieve.”—Maria Franklin, University of Texas at Austin “Offers a fresh approach to understanding the varied ways in which enslaved people sought freedom.”—Theresa Singleton, Syracuse University In the days of slavery, people of African descent sought to protect their human rights, escape from bondage, and combat exploitation. Their actions varied across different settings and times, and included accommodation, collaboration, autonomy, and militancy. This volume focuses on the evolution of antislavery resistance by examining material culture, documents, oral traditions, and other evidence that illustrate how enslaved people fought for their freedom.
Terrance Weik presents readers with case studies accumulated from the material record left by Maroons in the Americas, Black Seminoles, and the Underground Railroad. He specifically highlights the way archaeologists’ contributions have added to our understanding of struggles for freedom from slavery that were pursued by people of the African Diaspora in the Americas and their allies.
Weik encourages readers to consider the global dimensions of antislavery resistance as well as issues that continue to spark debate today, including racism, cultural survival, self-determination, and inequality. 

• Sales Rank: #1893084 in Books
• Published on: 2012-01-08
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .44" w x 6.00" l, .92 pounds
• Binding: Hardcover
• 210 pages

About the Author
Terrance M. Weik, associate professor of anthropology at the University of South Carolina, is a contributor to Archaeology of Atlantic Africa and the Africa Diaspora.

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^ Ebook Free Fishing Key West and the Lower Keys, by Mr. David Conway

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An insider's guide to one of the world's greatest fisheries "Fishing Key West is filled with local knowledge, tips, and techniques. Novice anglers will learn skills that they can use, and experienced anglers should add it to their tool box. The book is an absolute encyclopedia of fishing techniques."--Captain Ron Presley, Florida Guides Association "An extremely valuable resource. No matter what the reader's favorite style of fishing may be, the diverse 'how-to' techniques and invaluable 'where-to' aspects of the book will significantly improve the chances of successful fishing outings when visiting the Key West area."--Doug Kelly, Florida Outdoor Writers Association Key West and its surrounding water rank as one of the world's most popular fishing destinations. Hundreds of thousands of visitors descend upon those islands each year to fish, and some of the best and most innovative fly, light tackle, and offshore charter captains reside there. Whether you are a beginner or an experienced professional, this comprehensive and practical saltwater fishing guide provides all the information necessary to successfully fish the waters surrounding the Lower Keys, including the near-shore Atlantic, the reef and the blue water, the nearby Gulf of Mexico, and the flats and channels surrounding the backcountry keys. An experienced angler himself, David Conway presents the techniques and tackle successfully used to pursue the primary and most popular species of food and game fish in all these waters, as well as some of the lesser-known and migratory species. A broad range of topics of interest for visitors to the keys are covered in this guide, including how to fish the bridges, how and where to tow your boat into the keys, and how to charter a captain. Nothing else matches the depth and breadth of information in Fishing Key West and the Lower Keys.

• Sales Rank: #506993 in Books
• Brand: Brand: University Press of Florida
• Published on: 2009-01-04
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .90" w x 5.40" l, .90 pounds
• Binding: Paperback
• 296 pages

Features

• Used Book in Good Condition

Review
"Fishing Key West is filled with local knowledge, tips, and techniques. Novice anglers will learn skills that they can use, and experienced anglers should add it to their tool box. The book is an absolute encyclopedia of fishing techniques." - Captain Ron Presley, Florida Guides Association "An extremely valuable resource. No matter what the reader's favorite style of fishing may be, the diverse 'how-to' techniques and invaluable 'where-to' aspects of the book will significantly improve the chances of successful fishing outings when visiting the Key West area." - Doug Kelly, Florida Outdoor Writers Association"

About the Author
David Conway is the managing editor of Florida Sportsman magazine.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very good book
By Jay P.
This is a very good book. I just got it and read it cover-to-cover in a day...it was hard to put down. Now I'll have to read it again and study it. He doesn't waste many words, and gets right into specifics of fishing around Key West. The book is broken down into sections - areas, techniques, and species. I'm not a local, but have been on several guide trips and have spent probably 50-75 days on the water down there in my own boat (mostly inside the reef) and many things I've discovered through trial and error, guide trips, and browsing hundreds or thousands of forum posts are in this book. It's pretty obvious within the first few pages that the guy knows what he's talking about, and there are quite a few very useful quotes from local guides also.

2 of 2 people found the following review helpful.
A fine pick for the traveling fisherman who will soon find themselves in Florida
By Midwest Book Review
One of the paramount destinations for recreational fishers, "Fishing Key West: and the Lower Keys" is a handbook for those who want to get started doing their favorite pastime in this wonderful vacation destination. Aimed at any level of fisher, there is much to be learned within the manual for fishing in the region, some tips which are valuable when fishing elsewhere as well. "Fishing Key West" is a fine pick for the traveling fisherman who will soon find themselves in Florida.

1 of 1 people found the following review helpful.
Awesome source of information
By Tiffany Ratterree
I bought these for my husband for his Birthday because we are hoping to move to the keys. He loves this book it has a lot of different information most books do not have and is very informational when your are used to fishing in California the pacific ocean. Down in Florida is a whole different ball game. As I am writing this he is actually on the couch nose deep in this book!

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^^ PDF Ebook Only in Naples: Lessons in Food and Famiglia from My Italian Mother-in-Law, by Katherine Wilson

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Full of lighthearted humor, sumptuous food, the wisdom of an Italian mother-in-law, and all the atmosphere of Elena Ferrante’s Neapolitan Novels, this warm and witty memoir follows American-born Katherine Wilson on her adventures abroad. Thanks to a surprising romance—and a spirited woman who teaches her to laugh, to seize joy, and to love—a three-month rite of passage in Naples turns into a permanent embrace of this boisterous city on the Mediterranean.

When I saw the sea at Gaeta, I knew that Naples was near and I was coming home.

“There is a chaotic, vibrant energy about Naples that forces you to let go and give in,” writes Katherine, who arrives in the city to intern at the United States Consulate. One evening, she meets handsome, studious Salvatore and finds herself immediately enveloped by his elegant mother, Raffaella, and the rest of the Avallone family. From that moment, Katherine’s education begins: Never eat the crust of a pizza first, always stand up and fight for yourself and your loved ones, and consider mealtimes sacred—food must be prepared fresh and consumed in compagnia.

Immersed in Neapolitan culture, traditions, and cuisine, slowly and unexpectedly falling for Salvatore, and longing for Raffaella’s company and guidance, Katherine discovers how to prepare meals that sing, from hearty, thick ragù to comforting rigatoni alla Genovese to pasta al forno, a casserole chock-full of bacon, béchamel, and no fewer than four kinds of cheeses. The secret to succulent, tender octopus? Beat it with a hammer. While Katherine is used to large American kitchens with islands and barstools, she understands the beauty of small, tight Italian ones, where it’s easy to offer a taste from a wooden spoon.

Through courtship, culture clashes, Sunday services, marriage, and motherhood (in Naples, a pregnancy craving must always be satisfied!), Katherine comes to appreciate carnale, the quintessentially Neapolitan sense of comfort and confidence in one’s own skin. Raffaella and her famiglia are also experts at sdrammatizzare, knowing how to suck the tragedy from something and spit it out with a great big smile. Part travel tale, part love letter, Only in Naples is a sumptuous story that is a feast for the senses. Goethe said, “See Naples and die.” But Katherine Wilson saw Naples and started to live.

Praise for Only in Naples

“In a world filled with food memoirs, this one stands out. Katherine Wilson gives us more than the fabulous food of Naples. She offers us a passport to an exotic country we would never be able to enter on our own.”—Ruth Reichl, author of My Kitchen Year

“Warmhearted . . . an exuberant account of love and great Italian food.”—Kirkus Reviews (starred review)

“Sweet and humorous.”—Publishers Weekly

“Wilson has written a glorious memoir celebrating the holy trinity of Italian life: love, food, and family. Her keen eye and sense of humor take you through the winding streets of Naples at a clip, on a ride you hope will never end.”—Adriana Trigiani, author of The Shoemaker’s Wife

“How lucky we are to get these hilarious and wise perceptions filtered through a sincerely loving eye.”—Julie Klam, author of Friendkeeping

“This thoroughly enjoyable love letter to Naples is a tribute to the author’s irrepressible mother-in-law.”—Luisa Weiss, author of My Berlin Kitchen and founder of The Wednesday Chef

• Sales Rank: #47360 in Books
• Published on: 2016-04-19
• Released on: 2016-04-19
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.10" w x 5.80" l, .96 pounds
• Binding: Hardcover
• 304 pages

Review
“In a world filled with food memoirs, this one stands out. Katherine Wilson gives us more than the fabulous food of Naples. She offers us a passport to an exotic country we would never be able to enter on our own.”—Ruth Reichl, author of My Kitchen Year
 
“Warmhearted . . . an exuberant account of love and great Italian food.”—Kirkus Reviews (starred review)
 
“Sweet and humorous.”—Publishers Weekly

“Katherine Wilson has written a glorious memoir celebrating the holy trinity of Italian life: love, food, and family. Her keen eye and sense of humor take you through the winding streets of Naples at a clip, on a ride you hope will never end. If you love Italy, or the idea of it, you will love this book. And, if you ever plan to visit Naples, tuck this in your suitcase: It’s the best primer I’ve ever read as a guide to this bustling, vibrant southern Italian port city.”—Adriana Trigiani, author of The Shoemaker’s Wife

“In her debut memoir, Only in Naples, Katherine Wilson manages to combine everything I love—food, family, and Italy—with heaping portions of heart and humor. How lucky we are to get these hilarious and wise perceptions filtered through a sincerely loving eye. You’ll want to share this book with friends and family over a big bowl of rigatoni alla Genovese.”—Julie Klam, author of Friendkeeping
 
“This thoroughly enjoyable love letter to Naples is a tribute to the author’s irrepressible mother-in-law, a larger-than-life figure who teaches Wilson (and us) not just how to cook a true Neapolitan lasagna complete with tiny meatballs, but how to approach life itself with gusto and a healthy appetite. Read this and you’ll find yourself pining for your very own sequined Italian mother-in-law.”—Luisa Weiss, author of My Berlin Kitchen and founder of The Wednesday Chef
 
“Only in Naples is a cozy, funny, heartfelt love letter to Katherine Wilson’s adopted city and beloved family-by-marriage, especially her mother-in-law, the gorgeous, indomitable Raffaella, whose cooking fills these pages with luscious ricotta and chewy octopus alike. Wilson’s easygoing writing perfectly suits this tale of an innocent abroad, an American girl who discovers herself in the midst of a foreign culture that becomes, in the end, her own.”—Kate Christensen, author of How to Cook a Moose
 
“A delightful, insightful tale of being romanced by a vibrant city, a strong-willed mother and a sweet man—all at once . . . Wilson’s eye for detail and character bring the culture, the rhythm, and the food of Naples to life. Only in Naples is a must-read for anyone who loves Italian food—and isn’t that everyone?”—Kathleen Flinn, author of The Sharper Your Knife, the Less You Cry

About the Author
Katherine Wilson was born and raised in Washington, D.C. She graduated Magna Cum Laude and Phi Beta Kappa from Princeton University, where she studied with Toni Morrison and Peter Sellars. She has lived in Italy for the past nineteen years, working in television, film, and theater. Most recently, she acted in Giuseppe Tornatore’s The Best Offer, with Geoffrey Rush and Donald Sutherland. She lives in Rome with her husband and their two children.

Excerpt. © Reprinted by permission. All rights reserved.
’A Pizza

When Salvatore sputtered up in his tiny red Fiat for our first meeting, he was over twenty minutes late. The car looked like a tin can and sounded like it was on its last legs. It spat a steady stream of exhaust, and I started to cough. Salvatore responded with two short honks of his horn and a big smile.

It was the first time I was meeting this guy, and he was twenty minutes late. What was that?

I was fresh out of college, and had arrived in Naples a few days earlier to start a three-month internship at the U.S. Consulate there. I was standing outside the entrance of the boarding school where I rented a room, wearing a boxy blue jacket with black trousers.

My internship wasn’t as much a career move as it was a rite of passage—members of my family did an “experience abroad” during or after college. Big leather photo albums in my parents’ attic in Washington show my father WASPy and smiling in Bordeaux in 1961; my mother all sueded out in Bologna in 1966. They had learned foreign languages, and they’d had the time of their lives. Now that it was my turn, where was I going to go?

Naples was not a logical destination. When I’d visited Italy on vacations as a kid, we avoided the city or passed through it as quickly as we could to get to Pompeii or Vesuvius. Naples was dirty and dangerous, we heard. My grandfather, whose parents were from Calabria, said that Neapolitans could steal your socks without taking your shoes off.

“You really should go to Tuscany,” family friends had told me. “Have you seen Siena? Florence?”

The serene splendor of Tuscany would have been appropriate for an upper-class girl like me. It felt like what I was supposed to do, and I’d always been very good at doing what I was supposed to do. I spent my childhood overachieving at private schools, and in college I could have majored in Surpassing Expectations or Making Mommy and Daddy Proud. It was time for a change.

The American consul of Naples was a fellow alum of my parents’ graduate school of international relations. I’d been seated next to him the previous spring at a fundraising dinner in Washington, and he asked me if I’d considered Naples for my experience abroad. He could arrange an unpaid internship in the political office of the Consulate if I was interested.

Naples?

I thought stolen socks and wallets, the Mafia, and corruption. I also thought pizza. I was intrigued.

I bounced the idea off people who asked what I was going to do after graduation. “I was thinking of going to Naples,” I told them. That was when I got the Look. The Look was a wide-eyed, Beware facial expression, accompanied by warnings of “It’s filthy!” “It’s dangerous!” and even “The good guys and the bad guys all look alike! There’s no way to tell the difference!”

Aha, I thought. Sounds fascinating.

I now know that Naples is like New York City: you either love it or you hate it. And if you love it, there’s no use proselytizing. Those who hate it will not be converted. There is a chaotic, vibrant energy about Naples that forces you to let go and give in. If you fight it, judge it, or even hide from it, you might as well get out before you get your wallet snatched.

Lucky I hadn’t gotten my wallet snatched waiting for this Salvatore guy, I thought, as he opened the creaking door of his car and got out to introduce himself. I mean, twenty minutes?

It had been Salvatore’s mother, Raffaella Avallone, who had found me the room at the boarding school where I was staying. After working out the details of the internship, I had asked the consul’s help with housing. He immediately passed the issue on to his wife, an Italian signora who hung out not only with diplomats but also Neapolitan society. She knew that the lady who got things done at benefit lunches, charity galas, and bridge tournaments was Raffaella Avallone. Plus, Raffaella had two kids this girl’s age!

And so Raffaella learned that there was a young woman in need of a sistemazione, a setup. Mi sono mossa subito is the expression she would use. I got myself moving. She found me a place to stay and told her son Salvatore that there was an American girl whom he was to call and meet up with. “Salva?” she said. “Take her out. The poor girl knows no one here. And please, don’t be late.”

The next day I got a call from Salvatore. The telephone was a challenge, as my Italian was very basic and I could only communicate concepts like “I am hungry” and “I am American.” Although I didn’t understand most of what Salvatore said, I thought his laugh was adorable. Plus, I didn’t know a soul in Naples. The night before, I’d gone out for dinner with two seventeen-year-old boys that I had met on a bus. I wanted to be in compagnia. So I was glad that, if I had understood correctly, this Salvatore was going to pick me up the next evening. Worst-case scenario, I figured, I could practice my Italian.

“You don’t look American!” I thought I understood him to say after he introduced himself. Well, he didn’t look typically Neapolitan, either. He was tall; not muscular, but long and narrow, with a thin torso that emptied into a little pool of tummy that hung over the button of his jeans. His skin was tanned, his lips full, his nose big and Roman. He was wearing a T-shirt that said miami! in bubble letters.

I was expecting “Nice to meet you, sorry I’m late,” but there was no apology, no niceties, no “What do you want to do?” There was, however, that adorable laugh again. It was a laugh on an inhale, which started at a high pitch and came down the scale to end at the note of his speaking voice. It was accompanied by a smile that showed lots of perfect white teeth.

He opened the passenger door, and the seat squeaked as I sat down. Salvatore seemed too big for this tiny car—his black hair stuck with static to the top. I noticed that his fingernails on the steering wheel were such perfect ovals that they could only have been shaped by a manicurist. He was a boy, not yet a man, who ate and lived well.

Salvatore’s style of driving did not necessitate keeping his eyes on the road. He looked me in the eyes and tried out his horrific English, with no apologies for messing up his verb forms. How could a boy of twenty-three be so confident? I felt infantile, passive, silent. Try to say something in Italian! I told myself. Like, for example, Where are we going? You can’t have zero control of the situation!

“Dove andiamo?”

“To my apartment. America! America! Petrol-dollari!” American oil dollars? Did he have some idea that I was superrich from oil? I now know that thanks to the TV show Dallas, lots of Italians believe that if Americans have money, it’s thanks to Texas oil. But in the car that first evening, I didn’t know where this expression came from—only that Salvatore greatly enjoyed saying it. Over and over.

And then there was that laugh again.

“My” apartment, for a twenty-three-year-old Neapolitan did not mean a dorm room or a flat with a roommate. It meant his parents’ apartment. I had assumed that we would go to a pizzeria or that he would show me around the city. Instead he was bringing me home to Mamma and Papà.

The Avallones lived a short drive from my boardinghouse in Posillipo, the nicest residential area of Naples. Named Pausilypon by the Greeks—meaning “rest from toils”—the hill is the high end point of the promontory that juts out into the Bay of Naples. For thousands of years, before the area became part of the city, the Neapolitan upper classes would summer here in the villas that dot the coastline. Winding up the panoramic Via Posillipo, you can see the stone markers for Villa Elena, Villa Emma, Villa Margherita. Steps lead from these villas down to Marechiaro, the clear sea.

Although the city of Naples is one of the densest in Europe, Posillipo is airy and peaceful. The Avallones’ building is opposite the entrance to the Virgiliano, a terraced park with views of the electric blue water and the islands of Capri, Ischia, and Procida, as well as the Amalfi coast. During the day, you can hear the squawks of seagulls; in the evening, the occasional buzz of a motorbike or distant fireworks over the ocean.

You think you’re from Posillipo is a Neapolitan expression meaning you’re a snooty ass, get off your high horse.

The Avallones’ palazzo, which Salvatore’s father had built in the 1960s, was set inland. It had twelve apartments, nine of which were owned by the family. The building had survived the massive 1980 earthquake unscathed (although Salvatore later told me he remembered leaving the soccer match he was watching on TV and running down steps that swayed and swelled like the ocean). The palazzo was theirs and it was built well, in a place of beauty and rest.

We pulled into an underground garage maze. It was unbelievable how many vehicles at how many different angles were parked in such a small space. They were nose to nose, side window to side window, bumper to bumper. I was confused: there was so much space outside! (“What,” Salvatore would respond when I asked him about it later, “people don’t steal cars where you come from?”)

He parked the little Fiat between two other cars in one swinging, expert maneuver and led me to the elevator. I hadn’t smelled the sea air. I smelled mildew and humidity and exhaust fumes.

We were silent in the tiny elevator that brought us to the third, and highest, floor. Salvatore opened the door to the Avallones’ apartment with a bulky silver key and showed me in. “Vieni, vieni,” he said as he dumped the keys on a eighteenth-century chaise longue at the entrance to the living room. From the foyer, I peeked into the dark, elegant salone, where I could make out statues of gold cherubim and folds of heavy silk. Terra-cotta vases stood on pedestals (“Oh, those are from Pompeii,” Salvatore would explain—there was a lot of looting when Pompeii was rediscovered nealy three hundred years ago).

I waited to see what would come next.

“Mammmmma!” he called. That resonant tenor voice that I had found so charming in the car was grating and nasal when he called his mamma. I was beginning to dread meeting his parents. It was hard enough to understand Italian and speak with someone my own age: the last thing I felt up for now was conversing with an imposing, formal, wealthy Neapolitan woman who was surely protective of her son. On her own turf! Also, I was ravenously hungry.

“Mammmmmma! È pronto?” (Is dinner ready? Wasn’t he going to say that the American girl was here?) I heard the shuffling of bedroom slippers and in came a man whom I took to be Salvatore’s father. About seventy, he was not a scary patriarch, but a gentle, distinguished man wearing a dark sweater and lots of cologne. We shook hands and he introduced himself as Nino. He spoke some English, thanks to the thirty years that he had spent managing his family’s luxury hotel.

“Salvató, è pronto ’a magnà?” Nino reverted to Neapolitan dialect to ask his son if dinner was ready, grabbing Salva’s arm. He was as hungry as the rest of us.

I was led into the kitchen, where Raffaella was getting off the phone as she took the homemade pizza out of the oven and closed the refrigerator with her heel. It was all movement, all action, all graceful. She wasn’t fat and stationary and stirring pasta sauce. She was gorgeous.

About five foot four and fit, Raffaella wore high-heeled boots and a pink oxford shirt. Her white jeans were tight and cinched at the waist with a rhinestone-studded leather belt. She was fully made up: lip liner melded into gloss, eyeliner smudged naturally into charcoal eye shadow. Her hair was short and blond, highlighted expertly. Despite the sparkles and heavy-handed makeup, her look was in no way trashy, only glamorous. I felt large and gawky in my blue blazer and baggy pants. My mother had called the outfit “slenderizing” in a spacious Washington dressing room, but next to this fifty-six-year-old in white jeans, I didn’t feel slenderized. I felt like a silent American slug.

“Ciao tesoro! Honey, have a seat. I hope you like Neapolitan pizza! Nino, scoot your chair over.”

When Raffaella moved, whiffs of Chanel perfume cut through the aroma of baked dough and basil. The salone of the apartment may have been opulent but the kitchen was minuscule. On the right side, a rectangular Formica table was built into the checkered tile wall and sat four people at most. The stove, oven, sink, and some (very limited) counter space were on the left. If more than two people were eating at the table, nobody could pass to get to the refrigerator at the back of the kitchen. Why would any family who clearly had money not build a bigger kitchen? I wondered.

As it turned out, extra space was reserved for the living room with its dining niche, where the Avallones ate when they had guests. The kitchen was for cooking and eating in famiglia. You can scooch around and bump into family, after all. Lean over them, step on them, feed and be fed by them. A lot of space isn’t really necessary when you’re with people you love.

There was no place at the table for Raffaella, but fortunately she wasn’t planning on sitting. She was planning on doing at least eight other things, including making the American girl feel at home. At some point Salvatore’s older sister, Benedetta, arrived, squeezed in, and introduced herself. She was twenty-six, three years older than Salvatore, and had intimidating turquoise eyes framed by thin Armani glasses. Her light brown hair was long and silky straight, and swished like that of the coolest girls in high school. Strangely (it was only 8:00 in the evening), she was wearing pajamas, decorated with pink and white teddy bears holding balloons and a ruffle at the neck. Mi piace star comoda, she would tell me later. When I’m at home I like to be comfy. Her brother was wearing his comfy T-shirt and jeans and she was in her comfy PJs. Only their mother had spent time getting done up.

Most helpful customer reviews

0 of 0 people found the following review helpful.
What a fun book! I read it on a beach trip ...
By Susanvdvr
What a fun book! I read it on a beach trip this summer and it transported me to Italy, where I could practically smell the food cooking based on the wonderful descriptions. Chapters are short, and I laughed out loud at some of the stories. These cultural differences are real, and instead of getting frustrated, the author embraces the differences and shares them with us. I loved it and will suggest it to friends. Soon I will be re-creating some of these recipes in my kitchen too!

0 of 0 people found the following review helpful.
Divertentissimo!
By Giovanna Dore
This is a fun and entertaining book! The author's views and impressions of Naples are spot on, and every situation is described with irony and wit! I am Italian but not from Naples and I can still recognize in the author's mother in law my own mom's behavior with my (American) friends the first time they visited my parents' house! The combination of food anecdotes and tales of culture shock is hilarious and a winning formula for the book!

0 of 0 people found the following review helpful.
Thank goodness my beautiful friend (get it
By Meghan
I couldn't put down the Neopolitan Novels and then, right when I finished (seriously the next day), this arrived on my doorstep. Thank goodness my beautiful friend (get it?) Katherine Wilson wrote this book.
I recommend this to everyone who loves good family drama, culture shock, Italian food, and reading about Naples. I will get there someday..

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~ PDF Ebook Wildman of Rhythm: The Life and Music of Benny Moré, by John Radanovich

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Association for Recorded Sound Collections Award for Excellence
 

"An important and highly entertaining book that tells the story of the great and troubled Cuban singer Benny More. Helps roll back the curtain that often comes between American audiences and their appreciation of the great musical cultures to the south."--Sam Charters, author of A Language of Song: Journeys into the Musical World of the African Diaspora

"An informative and compelling chronicle on the life of Cuba's most dazzling singer, Benny More, tidily strung together as a series of small bright story-jewels."--Ann Louise Bardach, author of Cuba Confidential
 

Benny Moré was one of the greatest singers to come out of Cuba, and his name evokes overwhelming nostalgia among Cubans and Cuban exiles alike. Known for the power of his expressive boleros, his tributes to beloved guajiro (country) towns, and his exciting, up-tempo songs, Moré was a lightning rod at the center of the golden age of Cuban music. The leader of Banda Gigante, one of the leading Cuban big bands of the 1950s, he was dubbed “El Bárbaro del Ritmo,” the wildman of rhythm.

Moré became an icon of Cuban music, but he died tragically at forty-four and in the larger scheme of political difficulties between the U.S. and Cuba, his legacy was nearly forgotten. Music journalist John Radanovich provides the definitive biography for Moré and reinvigorates his memory with information learned from the musicians who knew and performed with the man himself, as well as his family members. Radanovich also examines the milieu of Cuban music in the 1950s, when Havana was the playground of Hollywood stars and the Mafia ran the nightclubs and casinos. 

• Sales Rank: #2321256 in Books
• Brand: Brand: University Press of Florida
• Published on: 2009-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.30" l, 1.05 pounds
• Binding: Hardcover
• 240 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

5 of 5 people found the following review helpful.
Benny Moré: The Greatest cuban singer and the best biography
By Jaime Jaramillo
I met the author during the Generoso Jimenez' funeral when I was introduced by the deceased's daughter in 2007. I was skeptical that this white , young bespectacled american man could write a book about "El Benny". After exchanging a few words I realized that John was the person that could do an excellent job and indeed he did!.

Only a couple of small books were written about Benny previously and they were incomplete and in cheap paper as opposed to this masterpiece in hardcover, fine paper with some very good pictures.

From the beginning when the author mentions how he got acquainted with Benny when living in New Orleans and how he started a serious research that took him to Cuba a couple of times in 2000 when he met Generoso Jimenez and 2007 when he visited Benny'house in La Cumbre and talked to Hilda, his daughter.

To ensure that information was accurate he interviewed musicians that actually worked with Benny like Generoso, Chocolate Armenteros, Enrique Benitez and others. The book is divided into 15 chapters in chronological order that cover his youth, african roots, hard life and his move to Havana and all the problems he faced playing in the bars and in the streets for cents, his acquaintance with Miguel Matamoros whose famous trio accompanied Benny in his first recordings and trip to Mexico. Covered in detail is his life in this big city and the problems he faced in this city because he was not a mexican and did not have the musician's union card, his work later when through Chicho (not Chico) Piquero he was able to obtain the union card.

His recording activities with several groups and orchestras like Mariano Merceron, Perez Prado and Rafael de Paz plus others is thoroughly evaluated, his marriage to a young mexican girl plus his work in the movies and acquaintance with artists like Ninon Sevilla, Amalia Aguilar, Pedro Infante is depicted.

Upon his return to Cuba he was already famous but it was not an easy transition and the author digs deep into Benny's activities recording again with Merceron, Ernesto Duarte and others prior to forming his own band.

There are several chapters with tons of information previously unknown and some misinformation or fables are clarified. This book should be read not only by Benny's fans but also music collectors, researchers of cuban music, music teachers, musicians and just about any person who wants to penetrate inside the cuban music and know about this fascinating singer who died too young caused by exccesive drinking.

He was a sociable, very intelligent musician who never went to music school but his feeling and his gift of a privileged ear allowed him to be a great orchestra director. He could not write arrangements but he hired the best arrangers and had them do whatever he wanted for his big band.

His love life, relationship with the mafia dons such as Meyer Lansky and Santo Trafficante as well as President Fulgencio Batista is also covered. His lovig relationship with his musicians that adored and respected him for being understanding and compassionate.

I was impressed for his accurate description of each of his recordings and the story behind them and his trips to Jamaica, Dominican Republic, Haiti, Colombia, Panama, New York and California (in these two cities he was accompanied by the great orchestra director Tito Puente).

The author describe in detail the progressive deterioration of his health and the last moments that were very painful that drove me to tears.

Benny's myth has had a meteorical rise in popularity through the years and his records have been selling consistently with reissues and recently, a movie was made about his life. Celia Cruz with whom Benny had a good relationship labelled him "the greatest cuban singer"

Do yourself a favor: buy this book through Amazon where you could get it for less than $20, which is a steal and when you finish reading it, nobody will be able to come to you to tell all the fables and stories about "El Benny' because John covered all the bases and those who don't know much about this legendary singer will start to buy his records.

Jaime Jaramillo

3 of 3 people found the following review helpful.
The Cuban Sinatra
By Ian Mount
John Radanovich has written a truly fine book on one of brightest lights of modern Cuban music and in doing so has resurrected a figure who truly deserves to be widely known. Moré is a exuberant, passionate musician with a mile-wide self-destructive streak, just the kind of fascinating character to anchor a book about the last bacchantic years of Fulgencio Batista's corrupt rule and the first whispers of the Castro regime. Radanovich (who is, full disclosure, a friend of mine), paints a vivid historical landscape with Moré at the center, trailing the band-leader from his African-influenced rural childhood in Santa Isabel de las Lajas (b. 1919) to his painful death from cirrhosis in 1963 at age 42. Along the way, Radanovich introduces us to everyone from mobster Meyer Lansky to Batista himself to Benny's comic and constantly changing roll of bandmates. The setting is largely the go-go, mob-run Havana of the 1950s, and it's a wonderfully absurd, corrupt and lush backdrop which Radanovich mines to great effect. The painstakingly researched book is a wonderful way to visit that era and to do so from the inside, far from the usual mob idealization or tourist view.

1 of 1 people found the following review helpful.
Wildman of Rhythm; The Life and Music of Benny More
By Lisette Masso
This biography of one of Cuba's greatest and most beloved musicians was excellent. I could not put the book down once I began reading it. The book also gives great information on other great musicians such as Generoso Jimenez and the exciting nightlife scene of Havana in pre-Castro days. Thank you so much to the author for this gem. I was a young child in Cuba and Benny came to my town to play during carnival time. I still treasure the memory of my brief meeting with the Wildman of Rhythm, such an apt English description for El Barbaro del Ritmo. Even my American born daughter has Benny's hits on her iphone. Who could have told that 50 years after Benny's death, his life and music would still be remembered and cherished by those who knew of him and by generations born decades after his passing. Benny surely would be pleased. Again, thanks so much to the author, John Radanovich, for this jewel.

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