PDF Ebook Wildman of Rhythm: The Life and Music of Benny Moré, by John Radanovich
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Wildman of Rhythm: The Life and Music of Benny Moré, by John Radanovich
PDF Ebook Wildman of Rhythm: The Life and Music of Benny Moré, by John Radanovich
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Association for Recorded Sound Collections Award for Excellence
"An important and highly entertaining book that tells the story of the great and troubled Cuban singer Benny More. Helps roll back the curtain that often comes between American audiences and their appreciation of the great musical cultures to the south."--Sam Charters, author of A Language of Song: Journeys into the Musical World of the African Diaspora
"An informative and compelling chronicle on the life of Cuba's most dazzling singer, Benny More, tidily strung together as a series of small bright story-jewels."--Ann Louise Bardach, author of Cuba Confidential
Benny Moré was one of the greatest singers to come out of Cuba, and his name evokes overwhelming nostalgia among Cubans and Cuban exiles alike. Known for the power of his expressive boleros, his tributes to beloved guajiro (country) towns, and his exciting, up-tempo songs, Moré was a lightning rod at the center of the golden age of Cuban music. The leader of Banda Gigante, one of the leading Cuban big bands of the 1950s, he was dubbed “El Bárbaro del Ritmo,” the wildman of rhythm.
Moré became an icon of Cuban music, but he died tragically at forty-four and in the larger scheme of political difficulties between the U.S. and Cuba, his legacy was nearly forgotten. Music journalist John Radanovich provides the definitive biography for Moré and reinvigorates his memory with information learned from the musicians who knew and performed with the man himself, as well as his family members. Radanovich also examines the milieu of Cuban music in the 1950s, when Havana was the playground of Hollywood stars and the Mafia ran the nightclubs and casinos.
- Sales Rank: #2321256 in Books
- Brand: Brand: University Press of Florida
- Published on: 2009-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.30" l, 1.05 pounds
- Binding: Hardcover
- 240 pages
- Used Book in Good Condition
Most helpful customer reviews
5 of 5 people found the following review helpful.
Benny Moré: The Greatest cuban singer and the best biography
By Jaime Jaramillo
I met the author during the Generoso Jimenez' funeral when I was introduced by the deceased's daughter in 2007. I was skeptical that this white , young bespectacled american man could write a book about "El Benny". After exchanging a few words I realized that John was the person that could do an excellent job and indeed he did!.
Only a couple of small books were written about Benny previously and they were incomplete and in cheap paper as opposed to this masterpiece in hardcover, fine paper with some very good pictures.
From the beginning when the author mentions how he got acquainted with Benny when living in New Orleans and how he started a serious research that took him to Cuba a couple of times in 2000 when he met Generoso Jimenez and 2007 when he visited Benny'house in La Cumbre and talked to Hilda, his daughter.
To ensure that information was accurate he interviewed musicians that actually worked with Benny like Generoso, Chocolate Armenteros, Enrique Benitez and others. The book is divided into 15 chapters in chronological order that cover his youth, african roots, hard life and his move to Havana and all the problems he faced playing in the bars and in the streets for cents, his acquaintance with Miguel Matamoros whose famous trio accompanied Benny in his first recordings and trip to Mexico. Covered in detail is his life in this big city and the problems he faced in this city because he was not a mexican and did not have the musician's union card, his work later when through Chicho (not Chico) Piquero he was able to obtain the union card.
His recording activities with several groups and orchestras like Mariano Merceron, Perez Prado and Rafael de Paz plus others is thoroughly evaluated, his marriage to a young mexican girl plus his work in the movies and acquaintance with artists like Ninon Sevilla, Amalia Aguilar, Pedro Infante is depicted.
Upon his return to Cuba he was already famous but it was not an easy transition and the author digs deep into Benny's activities recording again with Merceron, Ernesto Duarte and others prior to forming his own band.
There are several chapters with tons of information previously unknown and some misinformation or fables are clarified. This book should be read not only by Benny's fans but also music collectors, researchers of cuban music, music teachers, musicians and just about any person who wants to penetrate inside the cuban music and know about this fascinating singer who died too young caused by exccesive drinking.
He was a sociable, very intelligent musician who never went to music school but his feeling and his gift of a privileged ear allowed him to be a great orchestra director. He could not write arrangements but he hired the best arrangers and had them do whatever he wanted for his big band.
His love life, relationship with the mafia dons such as Meyer Lansky and Santo Trafficante as well as President Fulgencio Batista is also covered. His lovig relationship with his musicians that adored and respected him for being understanding and compassionate.
I was impressed for his accurate description of each of his recordings and the story behind them and his trips to Jamaica, Dominican Republic, Haiti, Colombia, Panama, New York and California (in these two cities he was accompanied by the great orchestra director Tito Puente).
The author describe in detail the progressive deterioration of his health and the last moments that were very painful that drove me to tears.
Benny's myth has had a meteorical rise in popularity through the years and his records have been selling consistently with reissues and recently, a movie was made about his life. Celia Cruz with whom Benny had a good relationship labelled him "the greatest cuban singer"
Do yourself a favor: buy this book through Amazon where you could get it for less than $20, which is a steal and when you finish reading it, nobody will be able to come to you to tell all the fables and stories about "El Benny' because John covered all the bases and those who don't know much about this legendary singer will start to buy his records.
Jaime Jaramillo
3 of 3 people found the following review helpful.
The Cuban Sinatra
By Ian Mount
John Radanovich has written a truly fine book on one of brightest lights of modern Cuban music and in doing so has resurrected a figure who truly deserves to be widely known. Moré is a exuberant, passionate musician with a mile-wide self-destructive streak, just the kind of fascinating character to anchor a book about the last bacchantic years of Fulgencio Batista's corrupt rule and the first whispers of the Castro regime. Radanovich (who is, full disclosure, a friend of mine), paints a vivid historical landscape with Moré at the center, trailing the band-leader from his African-influenced rural childhood in Santa Isabel de las Lajas (b. 1919) to his painful death from cirrhosis in 1963 at age 42. Along the way, Radanovich introduces us to everyone from mobster Meyer Lansky to Batista himself to Benny's comic and constantly changing roll of bandmates. The setting is largely the go-go, mob-run Havana of the 1950s, and it's a wonderfully absurd, corrupt and lush backdrop which Radanovich mines to great effect. The painstakingly researched book is a wonderful way to visit that era and to do so from the inside, far from the usual mob idealization or tourist view.
1 of 1 people found the following review helpful.
Wildman of Rhythm; The Life and Music of Benny More
By Lisette Masso
This biography of one of Cuba's greatest and most beloved musicians was excellent. I could not put the book down once I began reading it. The book also gives great information on other great musicians such as Generoso Jimenez and the exciting nightlife scene of Havana in pre-Castro days. Thank you so much to the author for this gem. I was a young child in Cuba and Benny came to my town to play during carnival time. I still treasure the memory of my brief meeting with the Wildman of Rhythm, such an apt English description for El Barbaro del Ritmo. Even my American born daughter has Benny's hits on her iphone. Who could have told that 50 years after Benny's death, his life and music would still be remembered and cherished by those who knew of him and by generations born decades after his passing. Benny surely would be pleased. Again, thanks so much to the author, John Radanovich, for this jewel.
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