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NAMED BY THE NATIONAL BOOK FOUNDATION AS A 5 UNDER 35 AUTHOR
Vaclav and Lena seem destined for each other. They meet as children in an ESL class in Brighton Beach, Brooklyn. Vaclav is precocious and verbal. Lena, struggling with English, takes comfort in the safety of his adoration, his noisy, loving home, and the care of Rasia, his big-hearted mother. Vaclav imagines their story unfolding like a fairy tale, or the perfect illusion from his treasured Magician’s Almanac. But one day, Lena does not show up for school. She has disappeared from Vaclav and his family’s lives as if by a cruel sleight of hand. For the next seven years, Vaclav says goodnight to Lena without fail, wondering if she is doing the same somewhere. On the eve of Lena’s seventeenth birthday he finds out. In Vaclav & Lena, Haley Tanner has created two unforgettable young protagonists who evoke the joy, the confusion, and the passion of having a profound, everlasting connection.
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Praise for Vaclav & Lena
“Wonderful and wrenching . . . Vibrant characters, believable romance and dark undertones make for a moving tale.”—The New York Times
“From the moment they meet, Vaclav and Lena make magic together. . . . Through all the twists and turns of the book, the most enduring theme of the novel is love.”—NPR
“Haley Tanner’s assured narrative voice finds new ways to describe emotion and character, stunning the reader again and again with small shocks of awareness. This book is sad, funny, true, and shot through with grace.”—Judy Blundell, National Book Award–winning author of What I Saw and How I Lied
“Highly recommended . . . Tanner’s captivating debut novel is a love story of unusual innocence and intensity [and] a suspenseful, literary work that is hard to put down.”—Library Journal
“A debut to savor . . . Tanner’s charming story unfolds as gracefully as a flower.”—People
“The magic Tanner makes is as dazzling as it is profound.”—Booklist
- Sales Rank: #84043 in Books
- Published on: 2012-02-07
- Released on: 2012-02-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .66" w x 5.20" l, .50 pounds
- Binding: Paperback
- 320 pages
Review
“Wonderful and wrenching . . . Vibrant characters, believable romance and dark undertones make for a moving tale.”—The New York Times
“From the moment they meet, Vaclav and Lena make magic together. . . . Through all the twists and turns of the book, the most enduring theme of the novel is love.”—NPR
“Haley Tanner’s assured narrative voice finds new ways to describe emotion and character, stunning the reader again and again with small shocks of awareness. This book is sad, funny, true, and shot through with grace.”—Judy Blundell, National Book Award–winning author of What I Saw and How I Lied
“Highly recommended . . . Tanner’s captivating debut novel is a love story of unusual innocence and intensity [and] a suspenseful, literary work that is hard to put down.”—Library Journal
“A debut to savor . . . Tanner’s charming story unfolds as gracefully as a flower.”—People
“The magic Tanner makes is as dazzling as it is profound.”—Booklist
About the Author
Haley Tanner lives in Brooklyn. This is her first novel.
Excerpt. © Reprinted by permission. All rights reserved.
No Assistant, No Magician
"Here, I practice, and you practice. Ahem. AH-em. I am Vaclav the Magnificent, with birthday on the fourth of December, the famous day for the generations to celebrate and rejoice, a day in the future years eclipsing Christmas and Hannukah and Ramadan and all pagan festivals of that season of winter, born in a land far, far, far, far, far, far, far distance from here, a land of ancient and magnificent secrets, a land of enchanted knowledge passed down from the ages and from the ancients, a land of illusion, (Russia!) born there in Russia and reappearing here, in America, in New York, in Brooklyn, (which is a Borough) near Coney Island, which is a famous place of magic in the great land of opportunity (which is, of course, America) where anyone can become anything, where a hobo today is tomorrow a businessman in a three-pieces-suit, and a businessman yesterday is later this afternoon a hobo, Vaclav the Magnificent, who shall, without no doubt, be ask to perform his mighty feats of enchantment for dukes and presidents and czars and ayatollahs, uniting them all in awe struck and dumb-strucks, and thus, one day in the future years, be heralding a new era (which is a piece of time) of peace on earth. Ladies and gentlemans, I give you, I present to you, I warn you in advance of his arrival so that you may close your eyes or put your hands on your face if you are afraid, Vaclav the Magnificent, Boy-Magician."
"Eh," Lena says in a grumbly voice.
"Lena, what we are having here is perfect introduction to the act. It is long and perfect and made of only the best and longest thesaurus words," says Vaclav.
"After third sentence, say, Magic is art of control events with supernatural powers," says Lena. This sentence is a favorite of Lena’s- she memorized it from the Magician’s Almanac, which is big old black book with gold all around the edges of the pages, all about magic and tricks and illusions. Vaclav kept checking the Almanac out of the library, so last year for his birthday she put it in her backpack and took it home with her, so that she could give it to him for a birthday present, and it could be theirs forever.
"That sounds good, but is not belonging in the act. I already told you. This is the introduction, complete. Seal it now with the magic birthday candle." Vaclav folds the notebook paper on which the introduction to the act is written and he holds it out to Lena. Lena does not take it from him. Lena holds the magic birthday candle in her left hand and rubs its spiraled ridges with her thumb. In her right hand, she holds the lighter with which she is to light the candle. The wax-dripping paper-sealing is an important part of anything Vaclav and Lena write, and it is Lena's job, exclusively Lena's, to light the magic birthday candle, to hold it high, and to then let the wax drip onto the folded paper, sealing it for all of time.
Under Vaclav’s bed, next to a forgotten sock that , among many gatherings of fuzzy dusty things, is a shoe box full of pieces of notebook paper folded and sealed with Lena’s wax drips. The things written on them are important declarations, pacts, lists, and other artifacts of the lives of the young magicians.
“We write and finish now, Lena, and tonight I will ask permission to have a show."
"Impossible," Lena says.
"Possible. I can make this happen. Maybe not tonight, but soon. And so we seal the introduction, which means we can begin on the act. Once we have permission, we perform. Light. Melt. It is done."
"Unfold. Write. Magic is art of control events using supernatural powers."
"I will not, Lena, no. This is not part of the introduction of the act, this does not belong. It is very good English, but it does not belong. This is the introduction, which we must seal, so that it will be, and so that we begin work on practice the act."
Lena looks at the lighter she stole from the pocket of The Aunt’s robe. Lena knows is not right to steal unless you need something really badly, and the person is not home, and won’t even realize the thing is missing. Stealing the lighter felt scary, and it felt good, and brave. Lena feels very brave with the lighter in her hand, very grown-up.
“Why you are the boss always?” Lena asks.
“For one thing I am magician and you are assistant. Assistant is second to magician. There is no assistant without magician,” says Vaclav.
“Without assistant, no magician,” says Lena.
“I am one year older than you,” says Vaclav.
“Ten is only little more than nine-and-three-quarters,” says Lena.
“Magician is more important than assistant, because…” says Vaclav, getting ready to say one more thing to prove that he should have authority over Lena. He wants to win this argument, even though he knows they will have this argument again. This fight is a fight they have over and over again. It is like the famous argument between the chicken and the egg, about which came first, and which one is more important and better than the other. This fight is never resolved because it is impossible to prove which came first or which is better when actually both things are the same thing.
There is a knock on the door. Lena and Vaclav look at the door with wide, terrified eyes. There are three loud knocks, and then the doorknob jiggles, but does not open, because the door is locked.
Vaclav is filled with regret. Locking the door was a terrible idea. A locked door indicates to Vaclav's mother that something illicit may be happening in the bedroom of the young magician.
"Vaclav! Open the door right now or I'll open it for you! You wanndo this hard way or the easy way?!"
Lena and Vaclav shove their magic things under the bed, hide them behind the eyelet-perforated dust-ruffles of the bedskirt.
"Coming, coming!" says Vaclav, scrambling to his feet. As soon as Vaclav unlocks the door, it bursts open, pushing him backward.
Rasia's eyes search the room. Rasia doesn’t know what she is looking for, but all the time she is worried. Every day at ten-past five she rushes home as fast as she can, because her son is growing and changing every second and she has only so many hours to mold him like clay. She has only so many hours to show him that it is important to do homework, to have dinner like a family, to not do drugs or to steal or to be a lazy person or a cheat. She must protect him from pedophiles, from strangers, from other children at his school who might bully him, from guns, and from carbon monoxide poisoning. She is worried, because he comes home to an empty house after school, he is what they call the latch-key kid, and she is a working mother, and they live in an urban area, and Vaclav attends a crowded public school, and all these things are the ingredients of disaster, if you are listening to the news, which she is, carefully, vigilantly, always to see what next to be afraid of.
"I do not like what I see here. What is going on here when I am not home?"
"Nothing! We are doing nothing! Homework. We are doing nothing but homework," Vaclav says.
"Nothing and homework for three hours? This I do not believe. I want to see all homework after dinnertime." Rasia backs away toward the door, keeping her eyes on Lena. She’s worried about Lena because of the well-known occupation of The Aunt. This is unfair and also fair at the same time.
“Okay, nothing and homework and, also, maybe a little practicing the magic act,” Vaclav says. Rasia steps back into the room.
“Maybe a little practicing the magic act?”
“Actually, yes we are practicing the magic act,” Vaclav says trying to look earnest, “...maybe, also, if it is okay with you, because all homework is done, maybe...” Vaclav looks up at his mother, and Rasia looks down at her son, at this dancing around what he wants, at his velcro sneakers digging nervous little circles in the carpet.
“Maybe what?” says Rasia.
“Maybe, before we are eating dinner...” says Vaclav.
“Say what you are saying,” says Rasia, narrowing her eyes.
“Can Lena and I do for you a magic show, in the living room, before dinner?” Vaclav says, very fast, all in one breath.
“All homework is done?” she asks.
“Yes, all is done,” Vaclav says, even though his homework is only mostly done.
“Lena, you are staying for dinner?” Rasia asks.
"Dah," says Lena.
"English!" says Rasia.
"Ye-us," says Lena, with a growl.
“Table must be set before any magic is happening. Homework must be done,” Rasia says.
Vaclav smiles, because he knows that this is her way of saying yes.
Rasia scowls at the room for one extra minute, just to eradicate any funny business that may or may not be happening, then, satisfied, she finally leaves the room, pulling the door almost-shut behind her. As soon as she is gone, Vaclav and Lena jump up and down and squeal with excitement, and then start scrambling frantically to prepare their magnificent act.
Lady and Gentleman
Vaclav and Lena turn off the big-screen television in the living room. They push the big mahogany coffee table back against the wall; it is a perfect stage, black and solid and shiny. They have moved the coffee table this way many times, it is easy to push across the big threadbare persian rug.
Vaclav and Lena stand on stage, waiting for the audience to take their seats.
“DAD,” Vaclav shouts, “Come on, we’re ready!” Rasia is already sitting on the big black leather sofa, waiting for the show to start. Vaclav’s father comes in with a glass of vodka in his hand and sinks down into the sofa.
“Okay, so I am here. What are we watching. What are you going to show.” Vaclav’s father says.
“Only watch, okay?” Vaclav wears his school clothes, jeans and a green-t-shirt, with his bow-tie hanging around his neck and his magician’s top hat on his head. Lena wears only her normal clothes, jeans and a sweater, because she has not made her costume yet.
“First, welcome to my lovely and intellectual audience. Lady, and gentleman, you are in for quite a surprise. I am Vaclav the Magnificent, and this,my assistant, the Lovely Lena,” Vaclav swings his left arm out to indicate Lena, who takes a long, deep, serious bow.
Vaclav and the audience wait in silence for her to return to an upright position.
“Tonight we have for you a special treat which will astound and amaze you. May I please, from the audience, give someone the honor of volunteering a quarter to give to me to be involved in a magical trick?”
“This is scam,” says Vaclav’s father.
“Dad!” says Vaclav.
“Oleg, give it,” growls Rasia, and with much moaning and groaning, he reaches under his butt and into his pocket and retrieves a warm quarter, then hands it to his son.
“Thank you, kind sir. Much appreciate.” Vaclav holds the coin pinched between his forefinger and his thumb, and holds it forward for the audience to inspect.
“Lena, if you will, the paper.” Lena produces a sheet of paper from behind her back. She steps forward to the front of the stage, and shows the audience the front of the paper, the back of the paper, and the edges of the paper. She holds the sheet of paper up to the light, then she steps back.
“As my lovely assistant is showing this is a normal piece of paper - no holes or rips or no tears. This is just a normal paper. Thank you Lena.” Lena nods.
“Please watch carefully. I am now folding the paper around the coin.” Vaclav folds the paper several times, so that the coin is contained within it, as in an envelope. Rasia scoots a bit forward on the couch, following her son’s direction to watch carefully. Oleg crosses his arms. Oleg has sleeping marks like deep scars on his face and neck, and hairs bursting out of the top of his shirt.
“You can see that the coin is completely sealed within the paper.” Lena steps next to Vaclav, and extends her hands sideways to draw the audiences attention here, to the mysterious coin-wrapped-in-paper.
Focusing carefully, Vaclav passes the paper-wrapped coin from his left to his right hand. He doesn’t explain this movement. Lena puts her arms stiffly up in the air and twirls around and around, coming dangerously close to the edge of the coffee table. Rasia gasps, afraid for Lena to fall.
“Using my magic wand, I will now make the coin disappear from thin air,” Vaclav says, holding the coin-packet stiffly in his right hand, and nervously slipping his left hand into his back pocket. Lena attempts to shimmy, twitching her bony shoulders back and forth.
Vaclav keeps his hand in his pocket for a moment of Lena’s shimmying, and then removes it, smiling, and shows the audience his magic wand.
Vaclav’s magic wand is one of his most special things. It is a real magic wand, from the magician’s supply shop in Manhattan. His mother took him, and they had to ride on the subway for more than an hour to get there, and they had to transfer twice. At the store, they asked the shop owner for help picking out the best wand, and afterward, they had lunch at a restaurant, and Vaclav held it in his lap the entire time.
Vaclav taps this very wand three times on the paper packet.
“Abracadabra!” he says, with the final tap, “The coin has disappeared!”
“Lena,” he says, “my lovely assistant, if you would be kind, please take this paper envelope and tear it into two complete pieces.” Lena takes the paper packet from him, and effortlessly tears the paper in two. She then shows the paper pieces to the audience, and once the audience has seen sufficient evidence of the disappearance of the quarter, she throws the pieces of paper up into the air, for dramatic effect.
Vaclav and Lena bow, so that the audience knows to begin clapping.
“Fantastic!” Says Rasia, although she is not sure which part of the trick was the trick. She is almost certain that she was not supposed to see Vaclav tip the coin out of the paper packet and into his open hand, and that she was not supposed to see him put the coin into his pocket when he went to take out the wand..
Vaclav and Lina bow again.
“Bravo!” says Rasia. Vaclav and Lena step down from the coffee table.
“Where is my quarter,” says Oleg.
“A magician never reveals the secrets,” says Vaclav.
“Oleg,” says Rasia to his father, meaning, do not ask about the quarter again.
“Thank you,” says Vaclav, “I am glad you like. Lena and I will perform this on Saturday for fans at the boardwalk of Coney Island.” Vaclav is beaming.
“Vaclav,” Rasia takes a deep breath. She’s been trying to ignore this idea of a performance at Coney Island, but Vaclav won’t forget. He’s too persistant. He doesn’t know that this is a very bad idea.
“This is not such a good idea,” she says.
“Why?” asks Vaclav.
“It just is not.” How can she tell him the truth? She can’t tell him that the drunks and the teenagers at Coney Island will laugh at him. She can’t tell him that he will humiliate himself. She can’t tell him that no one will clap, that no one will do ooh and aah.
“Why?” asks Vaclav.
“It is not safe.” This is maybe close to being honest, she thinks. It is not safe, for Vaclav, out in the world, with his eyes open to everything and his heart beating right on his sleeve, with his dreams in his hands, ready to show and tell.
“That’s not fair! We must practice to do the show for a REAL audience!” he yells. This is fine, she tells herself, to let him think she is being the meanest person in the world. Let him think that she does not want him to perform his magic.
“That is the final word. I will not discuss,” she says.
“I cannot believe!” says Vaclav.
“Go wash your hands and get ready for dinner,” she says. “Lena, you too.”
Rasia stands at the door as Vaclav and Lena march toward a dinner which is not the thing they are hungry for.
From the Hardcover edition.
Most helpful customer reviews
41 of 45 people found the following review helpful.
Fantastic debut
By Luanne Ollivier
Vaclav & Lena is set in Brighton Beach, Brooklyn. Both characters are Russian émigrés - children 10 and 9 years old. Vaclav has a fair grasp of the English language but is keen to master it. His mother Rasia is loving and kind, determined to make a better life for her son. Lena's life is much different - she has no support at the place she calls home, often has nothing to eat, does poorly in school and tries to blend into the woodwork in an effort to hide. Rasia does her best to mother her as well.
Vaclav and Lena share a love of magic and dream of the day when Vaclav will be a famous magician and Lena will be his stunning assistant. When Lena disappears from his life under never discussed circumstances, Vaclav is heartbroken. Until the day seven years later when their paths cross again....
Vaclav is such an earnest, eager, spirited child. He sees the positive in everything around him. He dreams of the future. The barriers placed in his way do not stop him or deter him. This character touched me so much and literally brought tears to my eyes.
"Rasia looks at Vaclav, holding these dollar bills, smiling his goofy smile. Most people do not really mean their smiles, most of the time. For most people, their smiles are a lie, a trick, or a promise. Vaclav's smile is just a smile, and he always means it."
Two years ago I worked in a very small library. Every day we were open, a young boy, his sister, mother and baby brother came in after school. They were recent immigrants from an Eastern bloc country. The oldest boy had attended school in his home country, his language carried an accent and mangled syntax, he was awkward socially, but tried so hard to fit in. It broke my heart to see him rebuffed by the other children. I can only imagine what his mother felt. She and her husband had chosen to seek a better life for their children.
Rasia's love for Vaclav...
"As she watched him walk out into the big American crowd, under the big American roller coaster, she felt the world spinning wildly away from her, and she sat and cried because she was happy and sad that he did not look back, because of how much she loved his little body, and his awkward, cowlicky head and that tiny rib cage, and the way that he knew, already, to take a girl's hand if she was afraid."
Tanner has perfectly captured what I observed. The dialogue, feelings, emotions, situations and settings all evoke and capture the experience of a new citizen from a child's and parent's view.
But there is much more to the story - it is a tale of tenacity, love and hope. Vaclav & Lena is a rich, poignant narrative that will capture you from first page to last. Loved it! I look forward to reading what Tanner writes next.
18 of 19 people found the following review helpful.
Charming debut
By M. E. (Murphy) Waggoner
I am afraid to say that "Vaclav and Lena" is a coming-of-age story for fear that will turn people off, because this book is anything but cliché. Vaclav and Lena are Russian-Americans in modern-day New York. The story is told from the viewpoints of Vaclav, Lena and Vaclav's mother, Rasia, but mostly we live in Vaclav's world. At ten, he is a budding magician, and his life revolves around developing his magic show. Lena is his beautiful assistant, and they spend hours together planning and making lists. Rasia struggles to be a good "American" parent to Vaclav. They share the struggles that immigrants and first-generation American's face. Vaclav and Lena meet in ESL classes and sit with the other "smelly lunch" children. Vaclav's father revisits Russia every night on satellite TV.
I was charmed by young Vaclav and his dreams. I was charmed by his love for Lena and Rasia. I was charmed by his naiveté. I wanted to be Vaclav's friend.
The style of the book is spot on. Between the narrative and action, we listen to the characters think out loud, and Tanner's prose mimics the mental tug-of-war that we all experience. The tussle between what we believe and what is real. The seesaw of she-loves-me-she-loves-me-not. The quandary between right and good.
As the minds of Vaclav, Lena and Rasia race to the conclusion, so does the reader. This is one of those books that grabs hold and doesn't let go. I sacrificed sleep to be able to finish it and was not disappointed. The book is not so much about uncovering secrets as finding out how everyone will respond when the secrets are out.
I am a sucker for a debut novel, and this is Tanner's first. It made me nostalgic for Irving's "Setting Free the Bears." Some people might have difficulty with the simplicity of the language or the first-generation English of the characters, but I think that was part of the appeal.
49 of 58 people found the following review helpful.
Incredibly Poor Research
By lana0309
As a Russian immigrant who grew up in Brooklyn from the age of 10, I found the book to be insulting to my community.
Every cliche is there. The Russians watch Russian TV, there's a glass of vodka present at all times, they're former architects turned taxi drivers, the kids are in ESL for years and years, borsch or some other meal made out of cabbage is always present. It goes on and on.
The lack of research is the most infuriating thing. The main character, Vaclav (not a very common name in Russian) comes from a family that insists he learn English from an early age. In fact he was learning it before they even immigrated to America. The mother forbids him to speak Russian at home and doesn't even speak Russian herself with family and acquaintances. How is it that a child who has been enveloped in English since the age of 4 and is seemingly bright is still in ESL at the age of 10?
I came to America at the age of 10 and was done with ESL by 11. I spoke like any other American by 12. A younger child would adapt even faster. It seems like the author was just too lazy to check.
All enjoyment of this book was killed by the constant contradictions I found between her description of the Russian emigre experience and the real thing.
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